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PSYCHEDELIC/SPACE ROCK

A Progressive Rock Sub-genre


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Psychedelic/Space Rock definition

Psychedelic Progressive Rock

Progressive rock music has its roots in the mid 1960's psychedelic cultural phenomena. During that time the British Invasion and folk-rock bands began to expand the sonic possibilities of their music. These groups slowly started to abandon the concise verse-chorus-verse patterns of rock & roll, and moved towards fluid, free-form oriented song structures. Just as important was the incorporation of elements from Indian and Eastern music. Along them the principles of free-form jazz were included to the psychedelic sound, emphasising spontaneous emotions over calculated and estimated compositional constructions. Experimenting with new studio technology, electronically altering instruments and voices, was a part of this altered approach as well. Acid rock groups like THE JIMI HENDRIX EXPERIENCE and CREAM stand as descriptive and popular examples of the path from psychedelic sunshine pop towards a more aggressive and distinct rock expression, in particular showcased in their improvised live performances.

The boundary dividing the "Experimental" and "Progressive" classification is a thin and at times contested one for this era. The pioneering psychedelic progressive rock bands to be found at www.progarchives.com will in most cases be found in the Proto-Prog section of the site. Amongst these pioneering outfits are acts like THE BEATLES, JEFFERSON AIRPLANE AND VANILLA FUDGE. Artists such as PINK FLOYD will not be found there though, as their career extended well beyond these first, formative years.

Psychedelic progressive rock music may contain the elements previously described in varying combinations, but the artistic perspective of progressive rock is another factor. Some psychedelic rock bands stuck to the mid 1960's beat rock style in purist form, not partaking in the experimental development of the impressionistic possibilities of psychedelic rock music others spearheaded. The evolution of the psychedelic depth within a progressive context could be seen for instance in the 1960's recordings of ARCADIUM and BABY GRANDMOTHERS. One good example of early 70's Continental European progressive psychedelic rock is the album by AHORA MAZDA, and from Britain JADE WARRIOR's early efforts fuse psychedelic rock and ethnic music. Current artists exploring the vintage 60's/70's style and sound are acts like THE SPACIOUS MINDS and ACID MOTHER'S TEMPLE.

The entire Western pop culture scene was influenced by the psychedelic culture to some extent, including other prog genres such as Prog Folk. In Germany, artists influenced by the British psychedelic movement formed their own genre called KRAUTROCK. The pioneering early 70's bands in this genre represent the progressive acid rock sound of Germany, experimenting with long instrumental improvisations, emphasizing the use of psychedelic effects and weird electronic sounds. Some examples are artists like AMON D��L, ASH RA TEMPEL, CAN, G�A, NECRONOMICON and YATHA SIDHRA. The PROGRESSIVE ELECTRONIC style emerged from Krautrock. Some of the most influential artists of this genre, such as TANGERINE DREAM and KLAUS SCHULZE, explored a distinct psychedelic musical style at first, which was influential for the development of the "space rock" sound:


Progressive Space Rock

The late 1960's psychedelic rock scene also spawned the birth of the space rock genre. The pioneering acts of this genre assimilated krautrock elements like repetitive hypnotic beats and electronic/ambient soundscapes as they moved away from the common musical and compositional approach. The synthesizer with its bubbling tones and spacey patterns, provoking a gliding flow, is a typical instrument of this genre. Guitars are by preference played with glissando technique and delay/echo effects are heavily used, and elements originating from reggae/dub are fairly common. Several bands combine their live performances with trippy lightshows using random fractals. Albums in this genre will often include at least one long meandering jam based on a main theme, where loops and wavelike fluctuations provides slight variations to this structural foundation.

Stories, images, song titles and album names referring to cosmic themes are fairly common features of the genre. HAWKWIND's live album "Space Ritual" is said to be the ultimate space rock album due to the collaboration with sci-fi author Michael Moorcock. His lyrics are performed by a narrator and underlaid with synth elements. PINK FLOYD can be regarded as pioneers of spacey music during the band's early phase, as exemplified by certain tracks from "The Piper At The Gates Of Dawn" or the stirring live performance of "Careful With That Axe Eugene" from "Ummagumma". GROBSCHNITT provides another fine example of classic space rock with their epic effort "Solar Music". Other bands explored the space rock sound for a limited time period only. GONG released groundbreaking albums in the genre at the start of their career, while British hard rock band UFO released the extraordinary album "Flying - One Hour Space Rock" as their sole contribution to the genre in 1971.

A space rock scene can be found in most countries sporting artists producing music with a western-oriented or influenced sound. Swedish bands are known for a brisk exchange of musicians among each other. The "Strange Daze" festivals from 1997-2000 showcased the American space rock scene. Japan is an inexhaustible reservoir of artists exploring both psychedelic progressivce rock and progressive space rock. Representative examples of the style are bands such as ORESUND SPACE COLLECTIVE with their focus on long grooving improvisations, QUARKSPACE and OZRIC TENTACLES with their stronger emphasis on electronic elements and VESPERO and HIDRIA SPACEFOLK with their inclusion of ethnic-originating musical components. Other groups like ESCAPADE and THE LEGENDARY PINK DOTS represent an avantgarde approach to the genre, whereas SUBARACHNOID SPACE and KINSKI are examples of artists that provide transitions to the post rock genre.


The boundaries of Psychedelic Progressive Rock connected with Stoner Rock and Acid Folk

The 1960's and 70's were a time of liberation, a time of rebellion against rigid rules and strict moral boundaries. In those "freedom of expression" days, an artist would typically herald their liberal attitudes as a mind-expanding trip on stage together with the audience in two ways. One was to realize audio/visually the visual and auditory hallucination as it was, and another was to play their repertoire spiritually and improvisationally under the trip. As for the latter approach, they devoted themselves solely to slow-to-mid tempo playing with low-tuned guitars in a heavy and expansive manner for playing steadily under this twilight condition. In the same time period, this approach to the musical trip was also taken on by some artists especially in the hard rock and heavy metal scene. This new style, drenched in heavy and downer psychedelia, was called "Stoner Rock". The name originates from the expression "stoned", referring to people in altered states of mind while under the influence of psychedelic substances. The Stoner Rock genre was universalized "as a strict musical style only" by the Industrial Grunge Rock genre that gained worldwide popularity in the early 1990s. The common denominator of all the artists mentioned is the representation of their personal cultural and political backgrounds, whilst playing slow-paced depressive songs with heavy guitars and echoic rumbling drums as the dominating features. Most of current outfits claiming to be the so-called Psychedelic Heavy Progressive Rock ones should be much influenced by the traditional Stoner or Grunge Rock as well as the early Psychedelic Progressive Rock. They can be considered as a borderline case between Psychedelic Progressive, Heavy Progressive, and Progressive Metal.

"Acid Folk" can be mentioned as another musical style with hallucinogenic approach. Psych Folk or Psychedelic Folk are other names for this genre, and is vaguely defined as a rock subgenre due to the mixture of folk rock and psychedelic rock. This is a style lacking in strict definitions, and it is contested whether or not the term was actually used at what is deemed the dawn of the genre. It's an undeniable fact that the Acid Folk scene gained some popularity by the efforts of artists in "The Folk Revivalism", but it's important to remember that there were two distinctly different approaches taken by those who helped shape the genre in the mid 1960's. Some folk singers approached a psychedelic rock structure as was popular at that time, while some psychedelic rock outfits tried to absorb and incorporate techniques and elements from folk rock. Both have great importance in the development of Acid Folk, and this may be the reason that strict definitions of the genre cannot be given. In view of the history, it's no exaggeration to claim that TYRANNOSAURUS REX, SYD BARRETT or THE INCREDIBLE STRING BAND in UK rock scene seasoned the "traditional" Acid Folk with a more progressive spice. They, as eccentric or heretical rock outfits, accepted and incorporated Middle-Eastern and Oriental elements or instruments, and the result was the foundation for the current progressive Acid Folk movement. And in the Eastern parts of the world, different acid streams was provided by artists such as TAJ MAHAL TRAVELLERS or MAGICAL POWER MAKO who exerted a great influence on younger progressive bands. Their amazing achievements resides in the twilight zone between the Prog Folk and Psychedelic Prog subgenres.


A path that never ends

In addition of the styles described, psychedelic elements can be found in many other genres of progressive rock. The psychedelic cultural explosion had an immense influence on the western popular culture, and traces of it can still be heard also outside of progressive rock circles. The collective techno rave parties carry on the legacy of the audiovisual attack from the PINK FLOYD concerts in 1968, to cite one example. As the psychedelic movement was a large cultural phenomenon, it is difficult (and maybe unnecessary) to fence it to a clear category. Psychedelic progressive rock has been developing towards several different directions over time, and the task of classifying them as distinct genres and sub-genres is an ever ongoing process, often loaded with strong opinions. The psychedelic rock artists which are not considered as progressive in style are not listed in the databse of www.Progarchives.com. This in order to maintain the site's scope to be a progressive rock reference.

The aim of this description is to be a tool of reference for potential and existing fans of the genre, and we hope that this will aid those who read it to a better understanding of the genre as well as to enjoy and discuss the subject at hand both in the forums of the Progarchives website as well as in other places online and offline both.


Psychedelic Rock / Space Rock team April 2010

Space rock definition by Rivertree
The boundaries of psychedelic progressive rock chapter by DamoXt7942
Other text by Eetu Pellonp��
with kind guidance and support by Windhawk



The responsibility for the psych/space, indo/raga, krautrock and prog electronic subgenres is taken by the PSIKE team,
currently consisting of

Mike (siLLy puPPy)
Andrew (Gordy)
Dan (earlyprog)
Brendan (Necrotica)

Psychedelic/Space Rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Psychedelic/Space Rock | More Top Prog lists and filters

4.64 | 4685 ratings
WISH YOU WERE HERE
Pink Floyd
4.62 | 4868 ratings
THE DARK SIDE OF THE MOON
Pink Floyd
4.53 | 4219 ratings
ANIMALS
Pink Floyd
4.30 | 3601 ratings
MEDDLE
Pink Floyd
4.34 | 220 ratings
POLYGONDWANALAND
King Gizzard & The Lizard Wizard
4.21 | 1286 ratings
OCEAN
Eloy
4.25 | 197 ratings
NONAGON INFINITY
King Gizzard & The Lizard Wizard
4.19 | 372 ratings
LEGACY
Hypnos 69
4.24 | 174 ratings
FLYING MICROTONAL BANANA
King Gizzard & The Lizard Wizard
4.27 | 107 ratings
PRIMA MATERIA
Agusa
4.14 | 504 ratings
JURASSIC SHIFT
Ozric Tentacles
4.14 | 421 ratings
RITUAL
Nemrud
4.20 | 161 ratings
EN ANNAN VÄRLD
Agusa
4.10 | 3407 ratings
THE WALL
Pink Floyd
4.17 | 204 ratings
KINGSTON WALL II
Kingston Wall
4.10 | 747 ratings
WARRIOR ON THE EDGE OF TIME
Hawkwind
4.09 | 742 ratings
A TAB IN THE OCEAN
Nektar
4.28 | 62 ratings
MONOMYTH
Monomyth
4.15 | 138 ratings
TAKO
Tako
4.22 | 82 ratings
LOTUS UNFOLDING
Ozric Tentacles
4.06 | 782 ratings
SILENT CRIES AND MIGHTY ECHOES
Eloy

Psychedelic/Space Rock overlooked and obscure gems albums new


Random 3 (reload page for new list) | As selected by the Psychedelic/Space Rock experts team

THE SUITE
Analogy
SATORI
Flower Travellin' Band
BABY GRANDMOTHERS
Baby Grandmothers

Latest Psychedelic/Space Rock Music Reviews


 The Final Cut by PINK FLOYD album cover Studio Album, 1983
3.18 | 2123 ratings

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The Final Cut
Pink Floyd Psychedelic/Space Rock

Review by Lobster77

2 stars Leftover bricks from "The Wall"

This would have been the third disc for the Wall. Pretty substandard album, Pink Floyd only in name. The problem by now was Roger Waters humongous ego running roughshod over the rest of the band. He had Nick Mason and David Gilmour relegated to the role of studio musicians, and poor Rick Wright wasn't even on the album, Waters had already had him removed. It was Roger Waters that tore Pink Floyd apart and on this album the music suffered for it. There are, in my opinion, only two great songs on The Final Cut, but they are so great they make the album worthy of ownership, by far. They are the roaring Not Now John, and , Two Suns In The Sunset, which is a very chilling song . A sad end for a truly great band. But Division Bell would in my opinion be musical redemption. 2.5 not somewhere to start with Floyd.

 Hadal Sherpa by HADAL SHERPA album cover Studio Album, 2017
3.67 | 58 ratings

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Hadal Sherpa
Hadal Sherpa Psychedelic/Space Rock

Review by Alxrm

3 stars Hadal Sherpa hail from Vantaa, Finland and they were formed in 2013 but their debut (and only album so far) was released in 2017. The mastermind of the band is Vesa Pasanen (Guitar, bouzouki, keyboards, percussion) who wrote all the songs which are purely instrumental. Forget about intricate guitar or keyboard solos or jammings to flesh out the songs, this is only actual compositions. From the get-go, the flute enters the picture providing the leading melodies. When the guitar takes over, I can distinguish some eastern influences on the playing through some microtones. The first part of Nautilus attracts the interest of the listener and the second part is one of my favourite intrumental songs, ever. Sublime melodies (on the flute, the guitar, the keyboards), the song goes by in a flash. By now I am already fired up but Chafa Azeno that follows is a bit too ethnic for my taste. I wonder where Vesa Pasanen got these influences from, given that they are too eastern. Sometimes the music slips into the Surf genre, too. Another negative element, to my ears, is that sometimes a melody is repeated way too often and this song, in particular, from the 5th minute has outstayed its welcome. Having said all of the above, it is still a song I never skip. Ikaros restores my interest with its airy, flowing feeling it emanates. Then comes Heracleion and by now I strongly suspect a connection to Greece. This time the guitar is responsible to bring out the melodies. Everything goes fine until on the 7th minute the ethnic influences are introduced once again. Fortunately the band recaps the initial feel shortly after and the damage is not much. The group shifts gears on Marracesh which is heavier and groovier and on Abyss the music goes along with the title and it is darker and more mysterious. The bass lines play a key role to that and the bluesy guitar accompanied by the hammond work wonders. Halfway the song becomes increasingly livelier providing the much- desired diversity, but on Black Elk the ethnic and Surf influences are back which is too much for my taste and it is my least favourite of the album. Perhaps it is also that we are already one hour in and I get tired more easily. This is another thought that occurred to me, the album would be much better if it was a bit more succint.

Conclusion: It's one of the times that I'd like to use 3,5 stars. I really can't make up my mind if it is a "Good, but not essential release" or if it is an "excellent addition to any prog collection", but I can tell you this: if the absence of vocals isn't a nuisance to you and if you are in for some ethnic elements, you should definitely check this album out. The boys have come up with some really good music.

 Animals by PINK FLOYD album cover Studio Album, 1977
4.53 | 4219 ratings

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Animals
Pink Floyd Psychedelic/Space Rock

Review by Lobster77

5 stars In 1945 George Orwell published his allegory on communism, the acclaimed Animal Farm. 32 years later Pink Floyd took the idea of portraying humans as animals to criticise society and politics for this concept album, proving that Orwell's ideas are timeless and effective, by simply changing communism for capitalism, observing greedy businessmen, fake people, mindless sheep and others. Fun fact when I first listened to animals I never even knew it was an album based on George Orwell's "Animal Farm"

The album consists of five songs, two of them 1 1/2 minutes and the other three at least 10 minutes long. The album opener and closer Pigs on the Wing doesn't quite fit into the concept, it's a rather positive song that's played on an acoustic guitar. The main focus lies on the three tracks in between which have long and indulging instrumental parts and a rather bleak and pessimistic focus. Just like "The Wall" this album is basically Roger Waters' album and he proves that he can write brilliant tracks on his own which would lead some to say that "Roger Waters is Pink Floyd" .David Gilmour's only lead vocals are on Dogs, but there they are some of his finest ever and his guitar work is flawless on the entire record.

While this album is consistently great and has no low points like some of Floyd's filler tracks off of other albums, there's nothing that strikes me as absolutely outstanding, some of the songs are a bit lengthy and the concept of the album doesn't always work with most listeners. Nevertheless, these are 42 minutes of terrific music and Pink Floyd's Magnum Opus without a doubt. 5.0

 Wish You Were Here by PINK FLOYD album cover Studio Album, 1975
4.64 | 4685 ratings

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Wish You Were Here
Pink Floyd Psychedelic/Space Rock

Review by arunalu

5 stars It's almost universally agreed that Pink Floyd's Wish You Were Here is a masterpiece in '70s progressive rock. To me, this is an album that can go toe-to-toe with The Dark Side of the Moon - which isn't an easy feat. Lyrically, Dark Side might be arguably better, according to the listener, but the commentary on the music industry and the tribute to the legendary bandleader who formed Pink Floyd, Syd Barrett, proves that the songwriting here is quite formidable. To fans of Syd Barrett especially, this album is sure to be an impressive and melancholic listening experience.

WYWH is also among the most 'progressive' albums by Pink Floyd, from a musical standpoint. The only other album that embraces progressive rock better than this is probably 1977's Animals - which is a masterpiece in its own right.

The soundscape of WYWH, especially the two longest tracks: parts 1 & 2 of Shine On You Crazy Diamond, is quite psychedelic, like Dark Side was; Pink Floyd was always presented a highly psychedelic take on prog rock. It is also a relatively approachable record that'd be quite accessible for even those who aren't usually fans of the genre.

 Gargantuan by AMPLIFIER album cover Studio Album, 2025
4.41 | 13 ratings

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Gargantuan
Amplifier Psychedelic/Space Rock

Review by Stoneburner

5 stars Giant Meaning

Amplifier is one of those bands that hooked me from the very first listen. Now a duo Matt Brobin on drums and multi-instrumentalist Sel Balamir they return with their eighth studio album, Gargantuan.

The music on Gargantuan is incredibly well-crafted. The album sounds amazing , with top-tier production that highlights every intricate detail. Amplifier continues to blend progressive rock with experimental textures, creating a sonic journey . Tracks like "Gateway" and "King Kong" showcase their ability to balance thunderous riffs with atmospheric soundscapes.

The lead single, "Invader," is a prime example of the band's direction. A pulsating, monolithic wall of sound, it captures Amplifier's signature intensity while adding a haunting edge. Balamir himself calls it an Amplifier classic in the making.

Gargantuan is a great record. Their style might remind some of bands like Elder or King Buffalo, but beyond that, it has a strong originality. The album is packed with killer solos, lush keyboard textures, and incredible drumming. "King Kong," "Blackhole," and "Cross Dissolve" are the standout tracks, but the whole record is consistently strong. Every song is well-crafted and well-executed.

Unlike 2024, 2025 is shaping up to be a great year for progressive music?especially when I get to hear bands like Amplifier. Supposedly, there's a CD edition that includes extra tracks, but I only found out after buying it on Bandcamp. You have to purchase it through their website or another retailer, not Bandcamp, which is a little frustrating. As a fan who loves this music, it's disappointing that limited information keeps people from accessing the full experience.

 Angustium by DHVANI album cover Studio Album, 2019
4.00 | 4 ratings

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Angustium
Dhvani Psychedelic/Space Rock

Review by Finnforest
Special Collaborator Honorary Collaborator

4 stars Intense Jams from the 13th Room

Dhvani, a self-described "cosmic music project from planet Saturn," are actually from the gorgeous hills of Uscio, Italy, near Genoa. There, in the hidden forests hinted at in the album's cover art, perhaps, lies their headquarters known at "the thirteenth room." Dhvani formed around 2013, and Angustium is their debut full-length release on Psyka Records. They are an all-instrumental, three-piece, neo-psych jamband aiming to take you on a wild journey. The sound of Dhvani is a bright and modern psych/space one that, like the last psych band I reviewed, Da Captain Trips, reminds me of bands like Djam Karet while also connecting with the past on a interstellar level. Italy is becoming a real leader in carrying the torch for modern psych and psych-adjacent soundscapes. They have a nice contrast of heaviness, from distortion/effects-laden guitar leads to softer moments with clean guitar and flute. Their heavy stuff is pretty intense, pretty dense, and they can groove as well with some dirty riffs. There are luxurious keyboard layers and monster bass in the title track. There is also quite a noticeable vibe of '90s Porcupine Tree here, those spacy jams with lots of energy from The Sky Moves Sideways era. I think it will appeal to anyone who loves that PT era. This is a very good first album from Dhvani. Love the album cover too! Looking forward to more chapters from the thirteenth room.

 Vision And Ageless Light by EYE album cover Studio Album, 2016
4.02 | 52 ratings

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Vision And Ageless Light
Eye Psychedelic/Space Rock

Review by Mellotron Storm
Prog Reviewer

5 stars EYE were from Columbus, Ohio releasing three studio albums before calling it a day. The four piece lineup was the same for the first two records but major changes for this final 2016 release. In fact, only the drummer was left standing after their "Second Sight" record from 2013. The most difficult task in my opinion would be replacing the keyboardist who had a wealth of vintage equipment. Enter Lisa Bella Donna who actually has even more vintage keyboards, plus a guitarist who can bring it, and an upfront bass player(thankyou). The result is my favourite from the band called "Visions Of Ageless Light".

I love this record! A top five for 2016 which was a really strong year for me. It's just unusual to have such gifted players in a psychedelic band. Some mention ASTRA which is a good comparison. Lisa was added to the site here recently under Electronics for her solo work which started the same year this album was released in 2016. We do get vocals here, both male and female, sort of in the HAWKWIND style. The guitarist offers up some ripping solos on this album, but some variety as well. The bass is huge! Then add the mellotron, synths, electronics, fender rhodes and on and on from Bella Donna, and the result is a masterpiece of this style. HAWKWIND, RUSH, BLACK SABBATH and ASTRA came to mind.

What can I say about the opener? "Book Of The Dead" opens with the waves of mellotron for 2 minutes. Come on! Drums and synths then kick in, but how about the sequencers. I did not see that one coming. "Kill The Slavemaster" has such a heavy start with the bass shaking the soundscape when the tempo picks up. Crank it up! The mellotron and synths sound great but man the fender rhodes is priceless. Lisa has a Jazz background and the lady can play that electric piano. When the e-piano stops then mellotron and synths return. Killer tune! "Searching" and "Dweller Of The Twilight Void" contrast nicely with the heavier "Searching" giving way to the strummed acoustic guitar led sound on the latter. Male vocals with some cool lyrics on that one.

"As Sure As The Sun" is an over 27 minute ride into the cosmos. This track has it all. Repeated themes and I like the combination of Rock and Psychedelia. The spacey mellotron and synth led passages, to the ripping guitar led parts where the bass crushes it. A light show here from the guitarist at times.The man can shred. It opens with the sound of running water as acoustic guitar and reserved vocals help out. Mellotron a minute in as the vocals step aside. Chunky bass and mellotron late but this is such an adventerous trip. Love the drumming before 13 minutes. Jazzy 14 minutes in. What? The male singer sounds like the MOTORPSYCHO vocalist. Honestly to describe this song would take up more space than the rest of the review.There is so much to this suite.

This is my music right here. I'm actually surprised this album didn't make more waves. 5 ageless stars for this one. And of course a spot in my "best of" psychedelic list.

 Maths of the Elements by DA CAPTAIN TRIPS album cover Studio Album, 2022
3.96 | 4 ratings

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Maths of the Elements
Da Captain Trips Psychedelic/Space Rock

Review by Finnforest
Special Collaborator Honorary Collaborator

4 stars Elemental Jamming

Da Captain Trips (a nod to Stephen King's virulent plague) is an instrumental psych jamband from the Piacenza/Lecco region of Italy. They formed in 2009. The current lineup is Riccardo Cavicchia, Federico Chiappa, Tommaso Villa, and Paolo "Apollo" Negri. They have released several full-length albums, a live album, and maintained a good activity of live dates. According to a recent interview with It's Psychedelic Baby Magazine, some of their favorite albums are German: Ash Ra Tempel, Manuel Göttsching discography, Faust, Can, Tangerine Dream, and Klaus Schulze.

Maths of the Elements is an ambitious project that initially reminded me of bands like Djam Karet and Ozric Tentacles with modern production values and great sound, but I suspect there is also an inherent old school appreciation there too. I think there may be a catering to an audience that likes to enjoy a bit of perception-altering from time to time, shroom-rock as a friend referred to it, all instrumental and born of a spirit of improvisations past and present. Art and visuals are a big part of it as well as you can deduce from the amazing cover art. The themes of Maths of the Elements are complex and explained in detail on their Bandcamp page, but basically each track is a study into various theaters of nature (rivers, mountains, oceans, et cetera) and the elements that shape them. An attempt is made to pull the listener into reflection, into an immersion to heighten their awareness of the topic.

The six tracks range from 6 to 10 minutes, and there is not much change-up or diversionary songwriting tendencies once your adventure begins. They generally lock into a groove atop a fat and up-front bass, and they blast off. There are lush keyboard and guitar back-drops, repeating motifs, feisty drumming, and extended, pleasure-inducing solos. I love the "color" of the keyboard sound choices as well as the guitar tones---both nail the pleasure zone in your brain. Well-placed nature recordings help create the imagery and mood. My take is that this is the sound of friends who have jammed and jammed for years on end, who know each other very well. They play off of each other with ease, and they jam with a lot of heart and passion. They also capture a great live sound in this recording. It's not over-produced; it has a pulse. From the mellow meadows to the hard-rocking peaks, everything is beautifully captured and sounds great on headphones.

If spacey and rocking, ethereal instrumental forays are your thing, you should really dig this one. They put a lot of love and care into their artistic presentation with digital, CDs, and special black vinyl releases. Kudos to these guys for maintaining the band they so obviously enjoy, the long friendships and the commitment to keep jamming.

 Langt, langt vekk (with Ævestaden) by KANAAN album cover Studio Album, 2024
4.09 | 2 ratings

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Langt, langt vekk (with Ævestaden)
Kanaan Psychedelic/Space Rock

Review by bwstrauss

4 stars My introduction to Kanaan and Ævestaden, so I don't know what or how each of these bands sound when not collaborating, but this release is very engaging! This is an eclectic mix of progressive rock and psychedelic meanderings infused with folk elements. The male vocals are a bit jarring, but the female vocals are heavenly. The instrumentation is stellar and often sounds like we are in improvisational territory. The instrument collection sounds quite extensive, but no hint of electronica here. The album covers a lot of ground including laid back ballads and some aggressive ramped and amped soloing and jamming. The production seems to be aiming at a more retro soundscape and achieves it.
 Dry by STREETMARK album cover Studio Album, 1979
3.39 | 30 ratings

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Dry
Streetmark Psychedelic/Space Rock

Review by Bay_Ahmet1748

3 stars The third Streetmark album after the first two. This album comes one year after the tragic death of Wolfgang Riechmann, who didn't even see the release of his own solo album. Only Dorothea Raukes and Thomas Schreiber are left from the original Streetmark members. Although it contains a very high quality track like Lovers, I can't say that it is as powerful as the first two albums. I think we can say that the fact that there are only 2 people left from the original cast has led to this a little bit. Because a new member means a new recording process. There were members changes in their second album Eileen, Wolfgang Riechmann joined them and their bass guitarist changed, but Riechmann's strong musicianism closed this hole. Still, it's an album that will fill the hunger for more Streetmark for fans of the first two albums.
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Psychedelic/Space Rock bands/artists list

Bands/Artists Country
10000 RUSSOS Portugal
3 LEAFS United States
35007 Netherlands
3RD EAR EXPERIENCE Multi-National
THE 4 LEVELS OF EXISTENCE Greece
ABSTRACCIÓN Spain
ABUNAI! United States
ACID FLORIANI Russia
ACID MOTHERS TEMPLE Japan
ACID ROOSTER Germany
ACTION & TENSION & SPACE Norway
AD'ABSURDUM Switzerland
ADDICTHEAD Switzerland
AGAMEMNON Switzerland
AGUSA Sweden
AHKMED Australia
AHORA MAZDA Netherlands
AKASHA Norway
ALAMEDA 5 Poland
ALASEHIR United States
ALBER JUPITER France
ALCÀNTARA Italy
ALEX DELIVERY United States
ÄLGARNAS TRÄDGÅRD Sweden
ALHAMBRA Italy
ALICE France
ALIEN PLANETSCAPES United States
ALIENTAR United States
ALITHIA Australia
ALMUADEM Portugal
ALPHA NORD Germany
ALPHA OMEGA Australia
ALRUNE ROD Denmark
AMARIONETTE Portugal
AME SON France
AMGALA TEMPLE Norway
AMONULLUNOMA Ireland
THE AMORPHOUS ANDROGYNOUS United Kingdom
AMPACITY Poland
AMPLIFIER United Kingdom
ANALOGY Italy
ANDROMEDA SPACE RITUAL Poland
ANGEL'IN HEAVY SYRUP Japan
ANNOT RHÜL Norway
ANONIMA SOUND LTD. Italy
ANTA United Kingdom
ANTLERS United States
DADDY ANTOGNA Y LOS DE HELIO Argentina
ANUBIAN LIGHTS United States
APHODYL Germany
APOKALYPSIS Brazil
APPALACHIAN TRANSLATOR United States
APRYL FOOL Japan
APTEKA Poland
AQUA NEBULA OSCILLATOR France
AQUANAUT Australia
AQUARIUS LUX United Kingdom
AQUASERGE France
AQUELARRE Argentina
ARCADIUM United Kingdom
ARCHITECTURAL METAPHOR United States
ARIES Greece
ARILYN Germany
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WYNDHAM EARL United Kingdom
ED WYNNE United Kingdom
XOO United Kingdom
HIRO YANAGIDA Japan
YAWNING SONS Multi-National
THE YELLOW MOON BAND United Kingdom
YOKAI Belgium
YUKON TERRITORIAL EXPANSION United States
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YURI GAGARIN Sweden
WILL Z. Belgium
ZEITGEISTS Thailand
ZEMLJA BROJ 9 Serbia
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