SHEM

Psychedelic/Space Rock • Germany

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Shem biography
founded in Stuttgart, Germany

SHEM is an improv rock band from Germany, a quintet formed by guitarists Joel and Alex, Tobias (bass), Alexander (synths, wind instruments) and drummer Benjamin. They are developing lengthy spacey and atmospheric excursions, also featuring some krautrock ambiance.

The debut album 'The Hill AC' from 2018 was recorded on a farm in Brittany, France. A gig taking place September 22nd at Nachtsicht Festival the same year was recorded and then officially published one year later.

SHEM Videos (YouTube and more)

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SHEM discography

Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

SHEM top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

0.00 | 0 ratings

The Hill AC
2018

4.00 | 1 ratings

No Songs, Just Sound
2020

3.00 | 1 ratings

II
2021

2.00 | 1 ratings

III
2023

SHEM Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

0.00 | 0 ratings

Live at Nachtsicht Festival 2018
2019

SHEM Videos (DVD, Blu-ray, VHS etc)

SHEM Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

SHEM Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

0.00 | 0 ratings

Night
2020

SHEM Reviews

Showing last 10 reviews only

Studio Album, 2023
2.00 | 1 ratings
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III
Shem Psychedelic/Space Rock

Review by VanDerProg

— First review of this album —

Shem's latest release, III, is a dynamic and experimental album that showcases the band's impressive improvisational skills. As a first-time listener of the band, I was immediately intrigued by the album's opening track, "Paragate," which features an interesting spacey buildup with well-coordinated drumming. The song's psychedelic elements are particularly noteworthy, with Alexander Meese's impressive instrumental skills shining through.

However, I did notice that this track, along with the rest of the album, lacks a clear direction and seems to wander aimlessly at times, which could be a challenge for some listeners. This tendency is particularly evident in songs such as "Restlicht," which failed to make an impact on me despite some intriguing moments.

On a positive note, the album's shorter piece, "Lamentum," was a standout for me, with well-executed guitar playing that didn't overstay its welcome. And the final track, "Refugium (Beyond The Gravitational Field Of Time And Space)," was the best-composed piece on the album, featuring captivating spacey themes and experimental guitar playing from Alexander Gallagher.

Overall, while III had its moments, some sections seemed to drag on for too long without resolving, making it difficult to fully engage with the album. That being said, it could be an enjoyable background listen for some. I would give this album a 2.5/5 rating.

Thanks to rivertree for the artist addition.