LET IT BE

.....Cool....This album has a whole story. Back in 1968, The Beatles were kinda bored, and they didn't know what da hell to record. Suddenley, thought that they should write new songs and perform them live, so they would have a live album with new songs. After having a lot of problems, fights between band members, and stuff (George left the band, at one point. But they, later, convinced him to finish the record), they finally did the live concert. This was no ordinary concert. It was done on the rooftop of the building were the recording studio was! So this album contains songs which were recorded in studio, while rehersing for the "concert", and some recorded at the "ROOFTOP CONCERT", during January, 1969. That's why you can sometimes hear the band members talking. This songs were mostly played live. Some orchestral arrangements were later overdubbed on some songs, in 1970. The opener, TWO OF US, is a cool song, with cool acustic guitars, vocals by John and Paul, and a cool rithm section. Dig a Pony: This was probably recorded during a rehersal, you can hear the guys talking before the song starts, and .....well, it sounds like a rehersal. The song is really cool. Cool electric guitars, electric piano, and vocals by John. The bass and drums do a good job keeping the rithm. Across the Universe: This is really an outtake from YELLOW SUBMARINE, recorded in 1968. Some percussion and orchestra were added in 1970. The song features a really amazing acustic guitar, and vocals by John, again. I me mine: This is a cool song by George. Unfortunatley, John is not present in this track. Guitars(Acustic & electric) and vocals by George sound really cool, bass and backing vocals by Paul sound also very cool as well as drums by Ringo and organ by BILLY PRESTON. It starts being a soft hippie-like song with the verses, and then it bursts out into rock & roll with the chorus: I..I... ME ME MINE!!!!!! A rocker! Dig it: this one is a funny song of 49 seconds wich featurs a cool acustic guitar, loud piano playing, bass drums and organ, repeating the same harmony over and over again, while John sings:" Like a rolling stone!.....like the F.B.I" Let it be: Well, everyone knows this song. Paul's vocals and piano sound terrific, John's bass and ringo's drums soun cool, Billy Preston's organ soun really good, and George's guitar solo is MIND-BLOWING. One of the best songs on this album. No doubt why the album is called the same way as this song. It's just really cool. Maggie Mae: Another short funny song. It sounds like country music. I've got a feeling: Simply rocking! Electric guitars and vocals by paul are just rocking! One after 909: Another rocking song!! cool! The Long and winding road: Very good ballad by Paul. Cool orchestra and piano. A Classic! For you Blue: A cool blues by George. I like the slide-guitar solo. Get Back: A hit! Really rock & roll! Recorded at the rooftop concert! a great closer! Ok, that's it ! Highly recomended!!!!!!!!! I can't write anymore cos I've gotta go now!!!!

Like Iron Butterfly`s "In-A-Gadda-Da-Vida" album, this album is another "nostalgia trip" for me. Some albums like these bring me a lot of memories, because they are linked with my chidlhood in a happy way.

My recently late father bought this album in 1970 (or it was in 1971?). I think that it really was in 1970, because the album (made in Mexico, as a limited edition, I think) was from the Box Set Edition: it included a Box. Inside the Box there was the disc with the album cover, and a book of photographs taken during the sessions for this album, called "Get Back". The photo book had the title "Get Back" in the spine, because the album was originally to be called "Get Back", not "Let It Be". But this Mexican edtion (as years later I learned visiting websites dedicated to The Beatles) was really a mix of the U.K. version and the U.S. version, because the cover of the album was gatefold, as in the U.S. edition, but the photos book wasn`t included in the U.S. edition, but it was included in the U.K. edition and in other places of the world. I remember seeing this photos book when I was 5 years old. Unfortunately, the photo book that my family had is lost. Maybe a stranger stole it from my parents` house. But, fortunately, while browsing in the Internet, I found scans of it in a website: www.geocities.com/SunsetStrip/Amphitheatre/7894/Cover.html . The book wasn`t scanned as a whole, as the owner of that page says, but it has scans of most of the pages of the book. So, someone interested in this photo book can visit this website to see the scans.

The Beatles started to work in this project called "Get Back" in January 1969. Their work was filmed too. So, this project was started at Twickenham Film Studios, in London, filming them only.Then, some days later,George left the band for a few days after a heavy argument with Paul, which can be seen in the film! After George returned to the band, the band moved to their Apple building, using the basement as a recording studio, using EMI`s equipment, because they asked a friend ("Magic Alex") to build for them a recording studio, but it didn`t work! So, they had to borrow the recording equipment from EMI. The recording sessions at Apple were also filmed. The recording sesions were a mess. George Martin originally started producing these sessions, but due to the tension betwen the members of the band, Martin was absent for some days. So, the band asked Glyn Johns, one of the engineers, to "produce" the sessions. They recorded a lot of material, but in a very disorganized way. Billy Preston was asked to play some keyboards in the recording sessions.The recording sessions were almost finished with a "rooftop concert" in the Apple building which can be seen in the "Let It Be" film too.

After the recording sessions were finished, they added some overdubs, like the lead guitar overdub which later appeared in the single version of the "Let It Be" song. Then, the band asked Glyn Johns to recopile an album from the sessions. He did it twice: one in 1969, and one in early 1970. Both versions of this "Get Back" album were not liked by the band. Then, in 1969 the project was abandoned, and the band in mid 1969 started to work in the "Abbey Road" album. But in January 1970, as the film project was in process of editing, The Beatles minus John Lennon (who was "on holiday") returned to the Abbey Road studio for a last time to record George`s song "I Me Mine" and a second lead guitar by George for the "Let It Be" song which was the one which was released in the "Let It Be" album,and an orchestral arrangement for the same song, arranged by George Martin. Then again Glyn Johns was asked to recopile the second version of the "Get Back" album, which was rejected again by the band. It was until March-April 1970 when the album, now to be called "Let It Be", was finally finished by Phil Spector, who was asked by John, George and Ringo (without telling Paul about this!) to compile songs, and to edit them or arrange them in a way to release a good quality album. So, Spector chose and edited some songs, added string arrangements (done by Richard Hewson) for "The Long and Winding Road", "Across the Universe" and "I Me Mine", and finally re-mixed it.

The songs:

"Two of Us": in this song Paul and John play acoustic guitars, George a guitar playing the bass notes, and Ringo the drums. "I Dig a Pony": recorded during the "rooftop concert", it was edited a bit by Spector."Across the Universe": the song was recorded in early 1968, but was used in the album because the band played a version of this song which appears in the film (without the orchestral arrangements)."I Me Mine": was edited by Spector to double it in lenght.It was also included in the album, because in the film George, Ringo and Paul played the song while John & Yoko danced it like a "waltz"! "Dig it": part of a jam which appears in the film. "Let It Be": the same recording which appears in the single version, released in March 1970, but with a different lead guitar part and a different mix done by Spector. "Maggie Mae": another little jam. "I´ve Got a Feeling" and "One After 909": recorded during the "rooftop concert". "The Long and Winding Road":with the orchestral arrangement poduced by Spector, which Paul didn`t like because he wasn`t consulted about it. Paul in 1971 quoted this song during the legal battles to split The Beatles`partnership as an example of how bad the relationships were between him and the other three Beatles."For You Blue": also shown in the film, but George also re-recorded his lead vocal for the album in January 1970."Get Back": it really is a version recorded in the studio. Spector added the introductory sounds and the claps at the end which were recorded during the "roopftop concert".

I have seen the film several times, and it is funny in places, like when Paul sings "Besame Mucho" with a voice sounding like from an "Opera Singer"! The "rooftop concert" is also a good part of the film.

This is not one of their best albums, but I like it. I think that Spector did a very good job. The songs sound better due to his work on them, in comparison to some versions of the songs which appear in the film and in the "Anthology 3" C.D. John said in late 1970 about Spector`s work: "He was given the sh****est load of badly recorded s**t with a lousy feeling to it ever, and he made something out of it" (quoted by Mark Lewisohn in his book called "The Beatles Recording Sessions", Harmony Books, 1988).

When Toto pulled the curtain back and revealed the Wizard to be just a plain human being the mystery ended permanently. This album had the same effect on many of us Beatle fans. The boys from Liverpool knew it, too, when they delayed the release of this LP until after the superb "Abbey Road" had reminded everyone that they could still amaze us. The songs here sound like demos instead of finished product and even Phil Spector couldn't put lipstick on this sow. It's not that the songs are so terrible, it's just that the dissention and stress between the musicians is so obvious that it drains all the color out of the tunes for me. Of course "Let it Be," "Get Back" and "The Long and Winding Road" will forever be classic McCartney creations but they would have been right at home (and maybe more appropriate) on his first solo effort. For a thousand different reasons that have been thoroughly documented in various books John, George and Ringo just mailed it in on this one. Perhaps it's fitting. If this is what they were going to be producing as we all ventured bravely into the decade of the 70s then we were better off without the magnificent Beatles. Let it be, indeed.

The final Beatles studio album ever released was not the last one recorded, contrary to popular belief. The Let it Be sessions actually took place in January and February of 1969, where as Abbey Road was recorded in Auguest of the same year. So why did it take a whole year for these tapes to be released as an official album? During the sessions (which were also caught on film), there were increasing tensions in the band and the result was sub par material (as in it sounded awful). The group's original intention was for it to be released like this to give the world a view of the awful condition the Beatles were in at the time. In comes Phil Spector, who took these original tapes and made them presentable to the listener (and the band claims that he butchered the tapes) and made what would become the final album. This album also finds the group coming back to their roots, with a lot of songs that represent what they were and how they sounded long ago, but there are still hints of their current influence in the music as well.

The album opens with the foot stomping acoustic ballad Two of Us, which has some nice acoustic work and a great middle section where Ringo lets out some technical drum patterns (technical for Ringo that is) as well as some great harmony vocals from Lennon and McCartney. Dig a Pony is a bluesy number with a lot of powerful riffing and some great vocals from Lennon (the group really seemed to be in the Dig It phrase at the time). Across the Universe was a song Lennon wrote originally in 1968 for the World Wildlife Fund, and in the version used for that effort there were some outdoor sound effects towards the end, but in this version that sound is gone. Anyway, it's a majestic acoustic piece with some creative acoustic work and nice use of a vocal choir to really give the song an epic, out of this world, feel. I Me Mine is the first of two Harrison songs on the album. It would also be the last session until the Free as a Bird/Real Love sessions in the 90s of the group (although that is arguable because Lennon wasn't present, but he hadn't been involved with any George Harrison songs since Revolver). Anyway, it has some nice hammon organs and a creative bridge section, and despite its short length, it's one of the better songs on the album. Dig it, much like Flying (in that all the members had contributed to the song) and to a lesser extent Helter Skelter, is short segment of a longer, more varied jam between the group. John Lennon makes many remarks during the brief excerpt, but it's a shame that more of the song wasn't reproduced for the record.

Let it Be is one of the more famous Paul McCartney songs, with extremely memorable lyrics and a spectacular epic and majestic feel. Paul McCartney really sings his heart out on this piece and George Harrison's guitar solo really is perfect for the piece and is quite brilliant. Maggie Mae is a traditional folk piece that gets a comical rendition on this album. It only lasts less than a minute, but from that minute you can actually here the band enjoying themselves. I've Got a Feeling is, like Happiness is a Warm Gun, actually two seperate songs, Paul McCartney's I've Got a Feeling and John Lennon's Everybody Had a Hard Year. There's some great riffing throughout and the song flows quite well from piece to piece. One After 909 is a piece that the group had been performing ever since they were the Quarrymen back in the late 50s. It's a short but sweet song that invokes memories of the past albums (as in Please Please Me). The Long and Winding Road is the song that McCartney hated because of Phil Spector's orchestral arrangement for it. It's a majestic, triumphant, and sad piece overall, but the range of emotions and the sheer power of McCartney's voice makes this one of the better tracks. For You Blue is a bluesy George Harrison number that has some rollicking slide guitar from Lennon as well as some great riffing and soloing throughout (during the Go Johnny Go section that is). The album closes with Get Back, the original title for the album itself. The song was actually recorded live during the infamous rooftop concert. It has some great guitar from both Lennon and Harrison as well as some great vocals from McCartney. It ends with a bit of a joke from Lennon, who chides "I'd like to say 'thank you' on behalf of the group and ourselves, and I hope we passed the audition."

In the end, Let it Be would be the last official Beatles album to feature new material until the Real Love/Free as a Bird Anthology sessions in the mid 90s (numerous years after the death of Lennon in 1980). This album is rawer in sound, it has a looser feel than any other Beatles album, and it has some of their witty and humorous moments, but it also has it's incredible moments. The creativity and experimentation seen in Abbey Road and The White Album was gone, but the core of the group was not lost. 4/5.

Probably alongside Double White this is my personal favourite album by the Beatles. Their music had reached it's utmost maturity collectively as a band and also the compositions were direct, strong and sooo nostalgic." let It Be" says it all doesn't it? I recommend this to all people wanting to discover The Beatles but also wanting some sophisticated music at the same time. We all know that these guys are good but their renditions of life on Let It Be speak volumes. You may well fall in love with Lennon on this album alone.4 solid stars!

Ahh what a piece of history right here. The last studio album released by the Beatles. (Yes folks, it was recorded before Abbey Road). Okay so aside from the history part, its just another one of those career ending so-so albums. Yes, it does get enough airplay out of my audio equipment, but frankly its just O.K.

The stand-out tracks, in my opinion, are "Two Of Us", "Across The Universe", and "I Me Mine". "Two Of Us" is a great acoustic-ish ballad that touches on the softer side again. "Across The Universe" is another ballad, but this features some OUTSTANDING choir work, although the producers did make this a little sickly-sweet in my opinion. During all of the internal Beatles controversies, it seemed to me that George Harrison was the only one concentrating on this album, as "I Me Mine" stands in a class of its own here. What a song.

A few things that disappointed me however, were the tracks "Dig It" and "Get Back". "Get Back" is one of the msot popular songs but honestly, I just find it to be boring. Repetitive blues riffs and yawn-drawing singing. And "Dig It" is only a 0:50 track on the album, but blame it on the producers again because it was cut down from around 8:30 minutes of a freaky acid jam.

This, be the last studio album released. Of course as you all know by now it was recorded before Abbey Road, I'm not really sure why, but that isn't of relevance!

The production of this one is really rough, it includes microphone spitting, distortion (present on the CD itself), and the horrible "Wall of Sound" treatment. There is some tension between the members, but the music is pretty good.

After their Psych period, it seemed that with this record the Beatles were going back to their roots, with songs like Lennon's "Dig a Pony", "I've Got a Feeling", "One After 909".. etc. But it also contained some great songs that would have fit well n Sgt. Pepper's, like the depressing "Across the Universe", and the joyful "Two of Us".

This contains, in my opinion, George Harrison's best work with the band. "I Me Mine" is incredible, one of my favourite Beatles tunes!

It was a good parting note for the most legendary band ever to leave on. It contains a mix of their previous styles, good song writing and performance. it remains a solid record.

I have never been so disappointed with a BEATLES album then I was with this one. As others have mentioned this was the last studio record the band released, even though it was recorded before "Abbey Road". The band had actually broken up before this was released. The original idea was to make a film and album as they lived in the studio. But the process and the in-fighting left them so burnt out that they abandoned the project and went off to record "Abbey road".

As for the music all I can say it seems so uninspired and so not like THE BEATLES. Sure they still had their hits like "Let It Be" and " Long And Winding Road" but me, not being a fan of ballads was left with "Get Back" as the only tune I actually liked.

In my opinion this is not a good album. If your a fan you probably already have it, but if you want to check out some of their records I would advise starting somewhere else.

One of the most boring records i've ever listened to. I can't find any progressive elements here, or any sign of "good music" or "creativity". We instead have simple, bad and bland songs. "Get Back" has an awful vocal performance and a poor melody. The same criticism goes for "Dig a Pony", with its resemblance to their song "With a little help from my friends". On "For you blue" we have this annoying bouncy melody and some more irritating vocals, and the melody is so empty that i just can't find any kind of enjoyment here. So these are the GREAT Beatles? "The long and winding road" is a tear-jerker a la ELVIS PRESLEY with some more bland music to fill its fortunately short lenght. "Two of us" is another boring song with its folk style. I love folk music, but when it's done in a good way! The only "different" thing here is the whistling near the end. AMAZING how the songs start and end in the same frigging way, not progressing at all! I knew i'd dislike "I've got a feeling" from its title alone. And the listening confirmed my before-conclusion about it. It's embarassing to hear the "oohh ehhh aah i've got a feeling-eh!", so annoying and unispired it makes me embarassed listening to it! I like the background instrumental work though, as the BEATLES are actually playing in a decent and catchy way for once. From now on things raise from awful to average. "One after 909" is just your typical happy 60's song, and it is a quite cheerful one. Not at the same level of stuff like "She loves me" or "I want to hold your hand", though. I appreciate the piano work here too. "Don't let me down" is correct too, but it progresses so few in its three minutes and it's so uncreatively repetitive that it overstays its welcome despite its short lenght. It is still a fine short number. "I me mine" is a bit annoying too, because of the vocals and the empty instrumental approach. From 01:36 things get better though, but only until 01:50 when the awful "i me mine, i me mine, i me mine" whining comes again to try exploding your brain. "Across the universe" is so overrated, but SO overrated that it makes me cry - and definetely not because of its suspicious "beauty". It's basically your typical bland 60's acoustic number staying in its static place during its fortunately short lenght. To complete the cryme, it ends with a fade-out. The title track starts with a typical unispired piano but soon leads itself to actually some interesting melodies. It's only here that i see some shadow of brilliance in this band, since they are actually caring for the music. But it is still a ballad no better than what the prog giants would do, so this is still tame compared to stuff made by PF, KC, etc.

Overall, this is a mediocre album showing the band at a low point. I don't care for the BEATLES either, and IMHO their other albums are just as tame and boring like this one.

This album is not their best, it's basically a straight forward rock album. None of the songs are terrible, but they seemed "safe" for them to release. My personal favorite off this album is Across The Universe, the others are good, but are a bit too pop-ish as they were made by Paul McCartney. I'd check out The White Album or Abbey Road if you already haven't.

3 Stars. Straight forward Rock that isn't their best.

This is a poor album - and I mean, POOR! Actually, I just recently managed to listen to it entirely and was bored to death!

It is obvious why the band were reluctant to release it immediately after recording, especially amidst the fight between them and having the imminent break-up approaching... It was performed live in studio with some orchestral parts overdubbed later, but the production and sound is pretty awful.

As for the songs, apart from strangely neglected Harrison's "I Me Mine", a decent rocker "I've Got a Feeling" and a smash hit "Get Back", I cannot say many nice words. Of course, after thousands of times listening to the cry-baby cheesy ballads "Let It Be" and "Long and Winding Road" one can only develop a disgust. The rest of the album is really unnecessary filler, filled with occassional acoustic country/folk nonsense.

The thing is - I got introduced to this album via very good remake of its content by Slovene industrial/noise/post-punk champions LAIBACH, which is one of their best albums. One should only hear their rendition of "Across the Universe" with angelic female vocals and symphonic arrangements, in order to throw Lennon's unconvincing and weakly performed original onto the antique shoppe.

"Let It Be" is for Beatlemaniacs only!

PERSONAL RATING: 2/5

P.A. RATING: 2/5

Disastrous atmosphere during the sessions of this album.

It was started before "Abbey Road" and finished after it. So, it is well the last Fab Four album even if most of it was written a year prior its release. The early sessions took place in Twickenham (London's suburb) and the atmosphere was extremely bad.

George announced that he was leaving the band in January 1969. Mostly due to John's totally passive attitude, letting Yoko to talk on his behalf which could not please any of the other Fab Three. He was convinced to come back shortly after.

Paul desired to play live on stage again and several alternatives were considered. Even playing on a cruise ship or in the open air in Northern Africa! But nobody except Paul was really interested in the project. John even saying that they could maybe play in an asylum! The concert project was even more considered after the unexpected rooftop concert on the 30th of January, 1970.

This album was almost released in July 1969 with a different track list than the final one, then pushed on till September, then December because of the release of "Abbey Road" then just abandoned for several days.

The band insisted to get the original tracks released on this second attempt but they failed to agree again. It is finally during the third attempt that the project saw the light under the direction of Phil Spector. Paul was not pleased at all with this situation. It will take over thirty years to discover how "Let It Be" would have sounded with the release of "Let It Be, Naked".

On the contrary, John defended Spector's job and said : "He was given the [&*!#]tiest load of badly-recorded [&*!#] with a lousy feeling to it ever, and he made something of it."

This album is not very good, unfortunately. Just a few songs will pass to posterity : "Across The Universe", "Let It Be", "Get Back" and the wonderful "The Long And Winding Road" which is my fave from this album and a jewel of a melody. One of the best ever McCartney song IMHHO.

I will upgrade this album to three stars thanks to three great songs featured here, but I admit that this rating is somewhat artificial and exagerated. But two stars seem a bit too harsh.

I have spent almost my entire week-end reviewing all of your studio work and it was just an exceptional travel through time. You have brought so many emotions during the last forty years of my life that I was so happy to do this.

I would like to address you my deepest respect for your fantastic work. I can't do a standing ovation since I am alone in front of my computer but I would like to thank you very, very, very much for your enormous influence on rock music.

Thank you Paul, John, George and Ringo. I will never forget you.

The Beatles had always been consistent with the music style they made. This album was another example on how they mastered their virtuosity in songwriting and created major hits of that time. The song "Let It Be" has become everlasting hit that people still sing even until today. It's so classic and so memorable. One even does not care that this song was first created in 1970 when The Beatles reached the top of their career. "Maggie Mae" was also popular and Rod Stewart covered it nicely. "Long And Winding Road" is also another great track. This album is concluded with great rocker "Get Back".

Peace on earth and mercy mild - GW

The last. At least. And in no way this is a good album, even if there is a few good songs. I'm OK for saying that Let It Be, Two Of Us, Across The Universe, The Long And Winding Road and Get Back are great. Some other tracks aren't bad (Dig A Pony, I've Got A Feelin'). But the remainder, and especially the two shortest tracks (Maggie Mae, Dig It) is a bore. Yes, more than the half-album is good, but in it's entirety, and with this awful Phil Spector production, this last Beatles album is probably their worst. Along with their first release, Please Please Me, which sounds really oldy now.

There isn't a whole lot I have to say other than I wasn't particularly impressed with what LET IT BE is about. I can't describe the thing as more than mediocre pop tunes that flow in one ear and out the other without much impact. Let me say that I've never been a huge Beatle fan (never lived through the Beatlemania era), so maybe it's just that I'm not feeling a mood or aura the four guys were trying to convey.

Try as I might, I don't understand this. There are many rock tunes, soft ballads and heartfelt moments here for those who are interested. I could only find ''Dig a Pony'' to be interesting for some odd reason. Even the more well known tunes such as the title track were tunes I couldn't penetrate.

I'd say that this would be of importance only for the most diehard of fans. As their last studio album, it's a nice piece of history to own, but don't expect ABBEY ROAD calibre material here.

Why the low ratting, man??

Well, if the thermometer is the progressivity level, it deserves 0, but The Beatle never (or almost never) was much a Prog Rock band anyway... But, no doubt, it's one of the most tasty basic Rock n' Roll album they have ever released! This album brings a big joy to me: great moments, delightful and simple (why not?) melodies, the good old Rock n' Roll... The mood here is so light, despite of the almost 'unbreathful' atmosphere in the studio. Yeah, the fab four were tearing apart here, but they didn't transpose this sadness and those conflicts to the record, and the result is a fun register with their silly dialogs, Lennon's jokes, etc.

1. Two Of Us - The album begins with this traditional Beatle song, very sweet, very McCartney. Great melody and simplicity. Well, they are The Beatles, aren't they? Very good stuff!

2. Dig A Pony - Uh! What a delight! This song transposes me (a Brazilian) to an old and cozy British house, drinking hot chocolate and enjoying the cold. Well, I don't know if it would be a good feeling to you... To me it's very pleasant! Thank you, John!!

3. Across the Universe - Well, what can I say about this one? Another one from Mr. Lennon's pocket. Quiet and peaceful, this could have been made when they were visiting India (to see the man that would be nicknamed sexy sadie...). Marvelous.

4. I Me Mine - George didn't have a big space in the band for his own compositions. But in the little gaps he had was filled with musical pearls. This might not be the greatest one, but it's worthy to be in this great album! Nice dramatic melody and in the chorus a little bit more of their Rock. They really tried to return to their old Rock mood in this disk, and they did it great.

5. Dig It - Just a joke with Dylan's Like a Rolling Stone. They couldn't loose that!

6. Let It Be - Another Beatles complete classic! Everybody knows that; I won't spend my words...

7. Maggie Mae - Another joke... Just having fun with the lads.

8. I've got A Feeling - Awesome stuff! Energic Rock, a punching riff... They show here their heavy side (not as heavy as Helter Skelter, of course) and make the listeners feel like jumping. This track brings great memories to me, so it's very subjective. But certainly a very lively piece!

9. One After 909 - Old McCartney composition that had never been recorded before. It leads us to their early works. If you like the pre-Rubber Soul Beatles, you gonna love this one!

10. Long And Winding Road - It's another tune that only those four guys could bring to the world. The orchestration quite is good, but it wasn't meant to be here, since it was took off in the Let it Be...NAKED! version. Classic, classic, classic!

11. For You Blue - Harrison attacks again! This time he brings us a delicious blues with a crying slide guitar played by Lennon, if I'm not wrong. Very cozy sounding, like the whole album.

12. Get Back - Welcome, Mr. Preston! Sit by the piano and rock our bones! The album ends with this marvelous Rock, which is the synthesis of this album rocking mood. Billy Preston makes a wonderful job here, bringing his always present musical joy to the song. Go to the roof and stop London, boys!

Well, if you can't stand stuff that isn't pompous and complex, don't even look to its cover. If you have the sensibility to get simple stuff, the supper's ready (no, Peter Gabriel and his lads are not invited this time)!!!

The Beatles - Let It Be: 48% This album isn't that good as a whole. The best track on here by far is John Lennon's Across The Universe. All songs by Paul McCartney are dull, uninspired and simply made for the hit. These songs include Let It Be, The Long And Winding Road, and Get Back. I've Got A Feeling is just simply boring as it another repetitive McCartney song. Some bearable tracks include: Two Of Us, Dig A Pony, I Me Mine, and For You Blue. George Harrison's songs I Me Mine and For You Blue are actually decent though repetitive, they don't have that feeling that it's begging to be some kind of hit as do McCartney's. Also notable to McCartney's songs are the orchestra in the background; this just screams to you that it was made to be a hit. Well, at least in the fashion of the orchestra's use. The best rock song on this album is the first track: Two of Us. This track gives you false hope that it's going to be a good listen. On this track The Beatles go back to their rock n' roll roots which is not really achieved decently throughout this album. As for the rest of the material, it is subsequent fillers made to achieve the album length of the 35 minutes. It seems as if most of the songs were made to revolve around the hits. Which in essence they were, since they are hits for the most part. If you are barely starting to get into The Beatles find another album, and to progressive ears turn elsewhere! The only song I'd recommend is Across The Universe as I found it highly inspired and flowing.

How on earth did this happen? They release the amazing Abby Road-a full blown prog album. Right before that they have many other great albums. And then they release this. A mediocre album that literally drops every progressive element they gained and brings back some of the bad elements of their early work. While it's still a different style than their early work, it has just as many throwaways as their early stuff (Maggie May, Dig It). While it still has some good songs (I Me Mine, Let It Be, The Long and Winding Road, Dig A Pony), but even those songs don't match anything on Abbey Road or Sgt. Pepper. So Overall, if you're a collector of rock music history, get it, but anyone who enjoyed Abbey Road will be undoubtedly dissapointed.

Get Back to Where You Once Belong

After the turbulent recording of their self titled album, McCartney proposed that the group return to ensemble playing and 'get back' to their roots- making an album with none of the studio trickery found on their releases since Revolver. The idea was appealing to both Lennon and Harrison, and thus the band agreed to convene in January of 1969 to begin the new project. McCartney envisioned a documentary film of the recording in addition to a live performance and the record itself. He also brought in producer Glyn Johns, a questionable decision considering their possession of the crème de la crème of producers in George Martin. The Beatles were not recording such material for release, but preparing and rehearsing for the unknown concert.

The Beatles certainly were not the band they once were; McCartney's attempts to give the band some direction were frowned upon by Lennon and Harrison. Harrison equally disliked Lennon's seemingly segregated position in the band, the latter not really communicating and helping the creative process as desired. Eventually, Harrison got into heated exchanges with both McCartney and Lennon, quitting the band- only to return a few weeks later with keyboardist Billy Preston in tow. Thus the stage was set for The Beatles' last public concert, on the rooftops of the Abbey Road Studios.

Glyn Johns would mix two different versions of this album (both were rejected by the band) before Phil 'Wall of Sound' Spector was called upon to produced the album. What resulted is an album that is debated and argued to this day: some consider it to be a very good album, others consider it a black eye in The Beatles catalogue, and I am sure there are those who worship to album. Personally, I fall in between the former and the latter, this being one of my favorite Beatles records for the strength of the songwriting. However, if this album was truly meant to be a back to basics, Phil Spector truly ruined it.

The album features three glaring examples of Spector's over-production: 'Across the Universe', 'Let it Be' and 'The Long and Winding Road'. All three songs are very good, but one has to ask why the presence of elaborate and unnecessary horns, choir and strings on an album of this purpose? And it would be one thing if the production was world class, like George Martin's; however, Spector's production does nothing to enhance the music as his contemporary's does. 'Let it Be' is one of my favorites from The Beatles but it would be much more appropriate in its simplified form.

With that in mind, the songwriting on this album is immaculate. However, these songs are not progressive at all and simply great rock and roll numbers. 'Two of Us' is a beautiful acoustic piece with John and Paul harmonizing on lead vocals like they used to in bygone days. 'Dig a Pony' features loud crunching guitars, a solid riff with great melody (also features Paul and John harmonizing). 'I Me Mine' is a fine Harrison number, great energy from the band during the chorus and Billy Preston shines.

And then there is 'I've Got a Feeling.' One of the greatest pieces The Beatles wrote. Listen to when John and Paul are singing together towards the end; Paul on the main 'I've Got a Feeling' theme and John on the 'Everybody had a hard year'. This is truly one of the magical moments in rock music, two of the greatest vocalists of their generation providing point and counterpoint in a tour de force.

All in all, this album is not essential, however it is good and one of my favorites since it really got me started on the group that is The Beatles. Released after Abbey Road, but recording before, upon its release this album seemed to leave a bad taste in the mouths of Beatles fans. Personally I love it, despite its obvious flaws. Not bad at all. When I get Let It Be.Naked I will certainly provide my thoughts on that work. If you ever want some enjoyable and entertaining rock and roll, give this baby a spin and enjoy!

"Let It Be" is the 12th and final full-length studio album by UK rock act The Beatles. The album was released through Apple Records in May 1970. The material on the album was predominantly recorded in January 1969 before the recording sessions for the band´s preceeding album release "Abbey Road (1969)", but ultimately released after that album. However the sessions for the album (which was initially to be titled "Get Back") were disastrous for the band. Fights over musical details, arguments over behaviour and future plans, meant that the music was recorded in an atmoshere of animosity and mistrust. George Harrison even left the band for while during the sessions and it took a bit of convincing before he agreed to return. The initial intention with the album was to make a "get back to the roots" type of album with the emphasis on playing together as a band unit. To make an album with a live feel. The more simple way of composing and recording (without the multilayered and multitracked experimental productions of the previous couple of releases) was a very conscious move by the band who had hopes that the process would bring them closer together again after a couple of years where they had drifted apart both as humans and as musicians. Unfortunately the operation wasn´t successful and the patient died. The recorded material from the "Get Back" sessions was initially shelved. So "Let It Be" wasn´t released until shortly after the group had officially disbanded and is a kind of patchwork of material from the "Get Back" sessions and other recording sessions from later in 1969 and 1970.

The music on the 12 track, 35:03 minutes long album is predominantly vers/chorus structured r´n´b and blues oriented rock tunes but four tracks stand out from the rest. The psychadelic tinged "Across The Universe", the quite beautiful "Let It Be" and "Long And Winding Road", and "Get Back". Just for those four tracks, which are classics in The Beatles repetoire, this album is worth a listen. The rest is of a more standard quality when compared to The Beatles usual high quality output, but still quality material.

The legendary and by today infamous producer Phil Spector (currently serving a prison sentence for murder) is credited for producing the album. His production has been the subject of many a discussion as many Beatles fans feel that it doesn´t do the music justice (the overpowering orchestration is usually a point of critique), while others appreciate how the album sounds. The dissatisfaction among many fans led to an alternative version of the album, titled "Let It Be... Naked", to be released in 2003. The 2003 version is stripped of much of Phil Spector´s production work.

Upon conclusion "Let It Be" isn´t one of the better albums in The Beatles discography. There are simply too many standard quality tracks featured on the album and a feeling of the material being a bit disjointed for it to rank among their best albums. When it shines, it shines brightly though, and especially the four above mentioned highlights prove once again, why The Beatles are generally so highly regarded. A 3.5 star (70%) rating is deserved.

One after 9-09

This album is flawless, pretty much what I think of every Beatles album. As far as I'm concerned, they have zero bad songs. Some may be a little lame, but not unlistenable by any means. That however is not the case on Let It Be, every song is great. I of course love the better known songs, but I really love the songs in between, which is why Let It Be is my favorite Beatles album; for the longest time it was Abby Road, but I recently changed my mind. After listening to this album almost every night for a week I made the change. Dig A Pony, I Me Mine, I've Got a Feeling, One After 909, are my favorites, even Dig It is cool. The better known songs, Let It Be, Long and Winding Road, and Get Back are probably all top 15 Beatles songs in their entire catalog. Let It Be, the greatest band of all time, The Beatles' final album, and a great one it was, what a finale.

Easy 5 Stars

This jewel crushes Abbey Road

They should have stopped with the rooftop concert in London, which would have been the absolute perfect ending to this phenomenal band. Dramatic, heartfelt, and a great short set it was. Like their earlier masterpiece Rubber Soul, it's all about the songs. Most Beatles fans get so excited about the special effects of Revolver or the long suite on Abbey Road (as if stringing together those mediocre leftovers from previous sessions turns them into something profound) that they overlook the simplest, most important element which is the great song. Let It Be is filled beginning to end with the most beautiful, emotional tracks full of joy and tears, humor and anger. I will never understand how people get so excited about Abbey Road and in the next breath look down their noses at tracks like Let It Be/Across the Universe/I Got a Feeling/Long and Winding Road/Two of Us/Dig a Pony. I compare these two track listings and it leaves me utterly confounded by Beatle fans. Nothing on Abbey Road gets close to the quality of the best Let It Be tracks mentioned. And I have to say that as good as Rubber Soul and Magical Mystery Tour are, it is here on their final masterpiece that I am left the most moved by Beatles music. Whether listening to the member's emotions laid bare in the music, or watching them interact again in that rooftop concert, it leaves me simultaneously awed by how good they were and crushed by the fact they were finished as an entity.

Let It Be is where the reality of finality was setting in and this added substantial emotional weight to many of the songs. And yet this is not some joyless bummer by any means. There were light moments and happy reminiscence that come through as well. This album "feels" like a group of guys gathering one more time to reminisce and make a simple, profound statement. They wanted it to be simple musically which is why the heart is there in these songs. They were putting aside the bells and whistles and reaching for the raw talent that served them so well in the early days, and it succeeds spectacularly. "Two Of Us" is so beautiful, a snapshot, a song that feels like a photograph, a song that honors friendships past while looking ahead to new love. To folksy, nostalgic, wonderful music, it is Paul speaking both to John and Linda in my opinion, though I believe Paul credits only Linda as the inspiration. John whistles the melody at the end lending even more looseness to what feels like a campfire song. "Dig a Pony" shows the groove and passion they could still channel into their vocals and jamming when they wanted. The playing is tight and inspired, yet not killed by overproduction, except occasionally by Spector's late assault on the tapes. "Across the Universe" works splendidly as Lennon's farewell to this period of his life, a dreamy, floating song filled with irony about life change. The serenity in the voice and guitar strumming are not typical of John in his period of aggressiveness. "I Me Mine" was the last track recorded in early 1970 and stands as one of the best Harrison tracks, using a Lennon style directness in lamenting some of the selfishness going on around him and within him. It features some equally scathing guitar work. "I've Got a Feeling" is McCartney's best rough vocal, a song that vastly improves on the manufactured rage of "Helter Skelter" because here the emotions feel real. Using Lennon as the calming counter vocal to balance his own works perfectly and gives the song a complete emotional impact. Then there is Paul's huge home run here which again, just dwarfs anything on Abbey Road. You have two of his most lovely and iconic melodies on one album, the hopeful "Let It Be" and the wistful "Long and Winding Road." Based on his astute piano balladry talents, each track is a masterpiece in construction and emotional delivery. Phil Spector nearly wrecks the version on this album with his nonsense orchestration, but thankfully people can remedy this by getting the Naked version of Let it Be. With sort of an unplugged simplicity (yet still plugged status) the boys are playing their asses off here with loads of vocal and instrumental nuance on every track.

It is often true that from tensions come some of our best art and never more true than here. You will read about how disastrous this project was and how "oh dear, Paul and George are actually arguing in front of the camera!" as if any of that matters. The lads had been arguing for years and tension was there as early as '66. What matters is the strength of the material and how successful the members were in applying their talents to the songs at hand. Let It Be succeeds so beautifully on both counts and is the Beatles true, authentic swan song. The Abbey Road album they cobbled together later that year was a futile exercise from a band who had already said goodbye; its meager, overproduced fluff an unfortunate encore to one of rock music's most poignant classics. Such a solid 5 stars Let It Be is, yet I recommend the Naked version over this---you will get a slightly better track list and lose the Spector touch which degrades a few of the songs on this version. Sadly, the "Get Back" sessions and the magic that came from them can never recover from the false impression so many have of the album, partially the bands own fault for sitting on the project rather than finishing it. My only hope is that you ignore the din and look to the beauty of these bare songs. Those who do will discover much more substance than silver hammers and poly pams and octopi. I realize I'll never convert my Mr. Mustard loving friends to this viewpoint, but for the small subset of fans who feel Let It Be was the meaningful swan song, add another to your ranks.

The is absolutely evident as the work of a band winding down. After the experimentation shown from Rubber Soul through The Beatles, this is kind of a let down. But they telegraph that by starting the abum off with Two Of Us which state "We're on our way home". I Dig A Pony starts of with a promising lick, but then turns into a kind of standard bluesy ballad.

Across The Universe is a great John Lennon song, not terribly progressive, but for some psychedelic lyrics. And the song is brought down a bit by Phil Spector's awful overproduction. Even Harrison's I Me Mine is a much lesser tune than his previous Beatles songs. Dig It is a throwaway bit, that sounds like they are making fun of Let It Be. Maybe I've heard this song way too many time, but I don't ever recall thinking that this was just a maudlin McCartney piece. Yeah, it was a huge hit. I get it.

Maggie Mae sound like a piece of a country rock song, that just dissapears right in the middle of the song. Another throwaway song. I've Got A Feeling starts the second side. It's a McCartney screamer, much like what he'll later record with Wings. One After 909 is a throwback to their early music. The Long And Winding Road is another maudlin, over-produced McCartney ballad. For You Blue is a forgettable blues song. And you all know Get Back.

As a document to the end of what was a great band, this has interest. But as proto-prog, this is mostly a dud.

The Beatles "Let It Be" album is the original version of the legendary final album before it was reintroduced Naked.

It features some definitive Beatles classics such as the title track and 'Get Back' which are huge worldwide hits in their own rights.

There is more to offer of course and some of the lesser known tracks are absolute masterpieces such as 'Across The Universe' and 'The Long and Winding Road'.

Most Beatles fans know these tracks inside out but worldwide nothing could penetrate more than 'Get Back' that became an institution in itself. It still remains a Paul McCartney live favourite.

There are some other great tracks such as the driving 'One After 909' and 'Dig a Pony', however a lot of tracks on "Let It Be" are forgettable and uncharacteristically dull such as 'Two Of us' and 'For You Blue'.

I always looked at this as a farewell to The Beatles and it is a sad way to go out. But iconic images of the band playing on a building roof are indelible and inefaceable.

However the whole album was revamped and remastered as "Let It Be... Naked" and is a much better production. That is the version to get hold of if you want to hear really good versions of these tracks. 3 stars only.

Talking about THE BEATLES is always problematic, because we are probably reviewing one of the most versatile bands in history, they were able to evolve from simple Pop works to real icons of the Rock culture in the 60's. But even if you talk about the irrelevant (IMHO of course) "Meet the Beatles" you need to show some respect, because this guys revolution the perception of music along their whole history and evolution.

Now it's the turn for the usually maligned "Let It Be", the last release of the fabulous four even when recorded almost two year before their rupture. The main problem with this album is the perception of the public, after the highly overrated "Sgt Peppers Lonely Heart Club's Band" and the almost perfect "Abbey Road", they had placed the bar too high even for them, yes they were genius, but seems that the limit had been reached, and "Let it Be" was received with certain indifference of the public who couldn't forgive them being limited humans as all of us.

But I always felt something special for this album, sure they don't have an almost perfect one side epic as "Abbey Road" or was so ambitious as "Sgt Peppers", but they knew what they wanted, they were conscious of their limits and exploited them, offering a melancholic combination of Blues, Rock, Psych, Folk and their own special brand of Pop, as if they were telling all of us "This is all guys, we will play everything for everybody".

This also caused a problem in the fans, both "Sgt Peppers" and "Abbey Road" had been cohesive albums, almost conceptual and "Let it Be" is more a collection of great tracks with very little in common between there, so people saw it as if it was disorganized and chaotic, but I believe that an album that has at least 7 or 8 essential songs, has to be seen as good.

I wanted to talk only about my favourite tracks, but after re listening it, I found that I like almost all the songs, so will try to reduce ,my selection even more.

The album starts with the rhythmic acoustic folksy ballad "Two of Us", don't ask me why, I simply love this song, the subtle changes and George Harrison making the bass line with electric guitar, make of this track something special.

Another of my favourites is "Across the Universe", a delightful Psychedelic ballad that has everything, great choirs, nice orchestration and one of John's best performances, a solid evidence that the band kept making experiments even when the end was near.

The title track of course is an icon of the band, Mc'Cartney singing and playing the majestic piano gives one of his most honest performances, the guy really feels what he says, if we add Billy Preston's killer organ and the guitar solo, may sound simple, but I believe it's the closer they are to Prog in the album.

No review would be complete without "Get Back", another Mc'Cartney goal, yes, it's just Blues based Rock, but the interplay between the band is incredibly tight for the difficult moments they were passing, Lennon does good guitar solos and Ringo strangely keeps a perfect timing, great closer.

"Let it Be" may not be the most experimental or ambitious BEATLES album, but despite the internal problems they focus in the music and do their job which was to produce great tracks.

After "Abbey Road", my favourite BEATLES release, no less than 4 stars.

Let it Be is an album which is maligned by many of the more fanatical Beatles followers. I've always found it baffling that people hate it simply because it was recorded before Abby Road, but release after; Somehow stealing the thunder of Abby Road as their swan song. I think the comparisons between the two albums are unfair. While I consider Abby Road to be the better album, I feel that neither it nor Let it Be are in any way diminished by where they fit chronologically into their album catalogue.

For what it's worth I've always felt that Let it Be, with all its laid back charm has always made for a more genuine conclusion to the Beatles illustrious career. Let it Be is an album, which to me sounds authentic and just a touch melancholy. The Beatles went out with neither a bang nor a whimper and instead just closed out rocking; which is what it's all about in the end.

Let it Be isn't a perfect album, nor a very progressive one. I would certainly given Let it Be four stars rather than three for my own personal tastes rather three here at PA. None of the songs are all that complex, but for the most part they sure do sound pretty. The kick off track, Two of Us as well as Dig a Pony, Dig It, Maggie Mae, I've Got a Feeling, One after 909, For You Blue and Get Back exude a simple freewheeling joy which you can't find in much of their later work. It's hard to believe that tensions were at their highest around this time.

Across the Universe, I Me Mine, Lit it Be, The Long and Winding Road are the source of most of the melancholy. I Me Mine is probably the only track which I out and out hate from the album. The vocals grate me. Across the Universe for how spectacular the name might be isn't a huge explosion of glorious sound, but rather a timid ballad.

Let it Be is in a battle with The Long and Winding Road and Get Back for star attraction on the album. It is one of the essential Paul McCartney pieces. It is powerfully optimistic in spite of it's more toned down nature and snide introduction by John. The Long and Winding Road provides a measure of closure for the band. I am a fan of strings, but I've been curious about hearing the version without it as I understand it was a production rather than a band decision. It might fit in a bit better with the rest of the album. Whether or not the band made the final decision, it is one of the most heartfelt Beatles Tracks. There could be no better finale to both the album and the career of the Beatles than Get Back. It leaps out of the calm demeanour of the album and rocks shamelessly. The poetic significance of a song bidding for people to get back to where they once belonged isn't lost either.

Not much of a prog album, but very good honest rock album. Three out of Four stars.

Until only recently I have always assumed that Let It Be was the final album by the Beatles but, come to think of it, it does make more sense seeing it as a link between the White Album and Abbey Road. I regard this release as slightly above its 1968 predecessor with definite signs of what would occur on Abbey Road. So naturally I've never been able to understand the criticism that Let It Be has received over the years and the re-released Let It Be... Naked only made me even more baffled. Let me now have my short defense speech for this album!

Granted that most of this material was meant to be performed live there was a definite need to tone down the studio experiments that the Beatles have become known for ever since their seclusion in the studio from Revolver and onward. They couldn't exactly return to their jolly Fab Four days and perform two minute cheerful tunes mixed with a few solo spot ballads here and there. The inspiration for the band's direction came from the U.S. Blues scene that was already adapted by George Harrison's friend Eric Clapton, on this side of the Atlantic ocean. Still, it would be unflattering to say that the Beatles just ripped off their musical direction without adding anything new to it.

First off, when the Beatles do anything they always adjust the style by making it polished and pulpy for the masses to enjoy. This might not be something that the hardcore Blues fans would prefer since the whole genre is based around the raw emotion of the artist, but I honestly think that the band got away with it! Dig A Pony, I've Got A Feeling and Get Back are highly enjoyable tunes that still have that definite touch that only Lennon/McCartney could achieve while the short interludes in between some of the tracks create a highly loose atmosphere of being right in the middle of a fictive live performance. Yes, you can most definitely count me in as a supporter of adding a short extract from the 15 minute Dig It-jam on this record. No matter how little we've got to hear of it on this album it's definitely an important part of the Get Back-sessions, just like many of the great White Album-session outtakes that should have made it to the final release.

George Harrison's contributions to this album might not be generally considered as good as those on Abbey Road, but I happen to completely adore the Phil Spector overdubbed version of I Me Mine even thought the chorus might not be as strong as the intro and verse sections might have made it out to be. Let's not forget that this album also features magnificent highlights like the nostalgic Two Of Us, moody Across The Universe, plus two of Paul McCartney's best songs, namely Let It Be and Long And Winding Road! The latter has been poorly received for Phil Spector's mixing in the studio, but I happen to think that Spector's overdubs add more character to the already excellent composition and actually make it even better!

How can I possibly consider this anything less than a masterpiece after mentioning all these great moments that make Let It Be? This beautiful compilation of songs might not have been finished by the Beatles, but I definitely prefer it to the reissued version called Let It Be... Naked. The cover art is, in my opinion, on par with Revolver, in other words a masterpiece well worthy of its musical content!

***** star songs: Two Of Us (3:36) Across The Universe (3:48) I Me Mine (2:25) Let It Be (4:03) Long And Winding Road (3:37)

**** star songs: Dig A Pony (3:54) Dig It (0:49) Maggie Mae (0:40) I've Got A Feeling (3:37) One After 909 (2:55) For You Blue (2:32) Get Back (3:07)

The end of the dream

The Beatles - Let It Be (1970)

Overall Rating: 9-12 (depends*)

Best Song: What are you asking me for? LET IT BE

This is it, the REAL swansong. It also ties together to make itself my favorite Beatles album, overall. And I know what you're thinkin': How the hell could this ignorant, sadistic prick ever have a 'favorite' Beatles record? It's gotta be some smug scam he's pulling over us, but we're to smart to get caught in it...

Yeah, I'm no fan of the band, man, and my mandatory plan is in the pan. That is to say, this is the record by the flab four that touches me, most. Let It Be is their most convoluted album of all, too. No, it's common 'esoteric' knowledge that the sessions for Let It Be were recorded before Abbey Road, but I don't care, because whether or not it truly was their career swansong, or it was that of Grabbing Toad, who cares? This particular album has the spirit of swansong, more than anything they did. Now, while I might prefer the first side of the other to...well, anything these chumps ever did do, I have a soft spot in my heart for quite a lot of material on here.

The first thing I saw was how chaotic and... uhm, full of turmoil the record is. It's ruled primarily by balladry that strikes me as if they were trying to out-Band the Band (and not entirely failing. Not succeeding, hells no, but not failing, either). It's a tormented collection of songs, and where the stresses of real life finally start bleeding through and dissolving the dream. That's what everything they did before was: a big, fake, painted dream of pop, smothered in a psychedelic butter. This stuff is almost twined to bluesy roots rock, though. To me, it's the most sincere the ever got, and that means a lot to me. These songs can actually, I don't know, get into my soul, some days.

Let It Be is also kind of raw, with weird clips and effects capping certain tracks. I don't dock points for this, and it all makes me feel more at home on the record, so...kudos. Again, most songs strive for that blues-pop angelic essence, and with fine slabs of Elton Johnery on the title track, I am actually sucked in, a little. The vocals are stronger, and the melodies are more serious. Yes, this is possibly the only album by the Beatles that don't got a real sense of humor. It happens to be my favorite, go figure. I guess I'm humorously dead on the inside. No, that isn't to say I'm dead on the inside, and it just happens to be humorous. It means I've got no soul.

It's a shame, though, that this album suffers from the SAME EXACT PROBLEM that plagued Abbey Road. Near the end of side two, they just totally give up. One After 909 is nothing more than sleazy throwaway rock and/or roll. After they waltz into my heart for the first freaking time, they do a damned jig on it with stiletto heels! Oh man, those assholes! At least it's a cool solo, or whatever. I think the Long And Winding Road could have fit on a post 1960's solo record, but the strings don't go over well on me. It's a well established vocal melody, and the song is good, but it doesn't hit me as hard as the first half did. Still, this is the first and only Beatles album that really plunders my feelings for some semblance of musical catharsis, where everything else was intent upon making me have a good time, and god damn it, I don't want a good time!

Get Back could have probably fit snugly as an old, long lost single. Not that I love it (hardly), and it feels like a silly album end, even if it is leagues better than the absolutely worthless For You Blue shuffle. What a sorry means for ending such a tumultuous and striking record on their catalog. I hate them. * This album's rating is entirely off the rocker. For me, it's a really high 11, even if I prefer it to Abbey Road for biased reasons. If you prefer your Beatles with good humors, dock this chink a handful of points for napping on the job. If you came in (like I did) through the post Beatles work of Lennon and Co., and prefer your music a little more serious, a 12, or heck, even a terribly low 13 might not seem too nutty. God, I hate the Beatles.

****

The Beatles were near collapse during the making of Let It Be. It was their last album to be released in 1970 but it was recorded in early 1969 shortly before Abbey Road. It mainly consisted of solo songs with the rest of the band as a mere back up. Some call it the weakest of their late-period albums, but for me, this is a great classic. It's mature but also fun. There's plenty of variety and charm too.

It opens with "Two Of Us" which is perhaps the most poignant moment. It ostensibly concerns a couple riding through the country. It could be seen as a metaphor for Paul and John's partnership. It has warm and sorrowful harmonizing, for they were sadly soon to part. Lennon's contributions are brilliant, especially the delightful "Dig A Pony" which was one of the live tracks added to the album. "The One After 909" is a recycled oldie that sounds a bit off the cuff but it is a decent example of how much the group had achieved in developing music over that decade.

Harrison's "I Me Mine" and "For You Blue" are really good numbers but the majestic title track is a main highlight. As far as I'm concerned, it wouldn't have been so wonderful without Phil Spector's production. The soaring catheral backing makes it all the more stunning. Other favourites are "Across The Universe" and "I've Got A Feeling". "The Long and Winding Road" is also a really nice song and the mass of strings give it even more power and emotion before the album ends on a more quirky note with the rocker "Get Back". I must say that despite the internal troubles, the group still managed to produce some excellent and often underrated music right up to the end. "Let It Be" isn't one of my absolute favourites, but it does have a distinctive personality. You will not hear other records like this one. Four stars and no less.

As a younger Beatles fan, I have been blessed with the privelege of hearing 'Let It Be... Naked' before hearing the original. This is probably the oddest and most inconsistent Beatles record. The songs on here are from the film of the same title. The Beatles never bothered to release these tracks as a studio album, and instead this job was left as an afterthought to Phil Spector. 'In comes the warmth and the freshness of a live performance, as reproduced for disc by Phil Spector' are the words on the back of the LP, but this is definitely not the truth. Instead we hear the relatively cold, pretentious orchestral accompaniment that Spector felt he needed to add to some of the tracks, thus raping the sound.

While there are many great songs on this record, (Let It Be is one of The Beatles' finest) there are also some hopeless ones too. Maggie Mae for example is a slightly offensive, rough, unfinished song that was obviously never meant to be placed on a record, yet here it is. One other unappealling aspect of this album is the annoying banter wedged in-between tracks, to make it sound more like a 'live album'. If this album was meant to have sounded like a live album, then why would you add an orchestra that clearly weren't there when it was recorded?

In my opinion, The Long And Winding Road gets the worst treatment. In this particular track, the orchestra is overpowering, to the point where all we hear is Paul's voice and the orchestra. It doesn't sound symphonic or anything, it just sounds extremely pretentious.

No, I don't like this album, because I believe that the 'Naked' version of this album is far superior, sonically and musically. I really like most of the songs on here, but I have a better place to hear them. If it's any consolation, Phil Spector is now serving a prison sentence for the murder of an actress. However, without intending to satirise the issue of murder, I'm sure many will agree with me that he should have been behind bars for ruining what is actually a great album.

Let It Be had a legendarily difficult birth. The recording sessions more or less broke the band, and left everyone concerned so miserable that they were prompted to regroup and focus their efforts one last time to make Abbey Road - because they were damned if this was going to be how the band was remembered!

The version of the album we generally know (and which I'm reviewing here) was the result of the tapes eventually making their way into the hands of Phil Spector, who was tasked with working on them and salvaging *something* from them. The result is an album which never reaches the lows occasionally attained on the White Album but with correspondingly rarer highs. A couple of undeniable classics in the form of Let It Be and Get Back, a couple of songs which are acquired tastes but which I'm kind of a sucker for - Across the Universe and The Long and Winding Road - and then a fair amount of somewhat undistinguished filler. Not that the filler is poor - hell, Harrison's I Me Mine is pretty good - but still not quite up to the standards of the album's major classics. And, of course, that wall of sound treatment has been dividing listeners for over four decades and will probably continue to do so for years to come. Three stars; by no means a humiliating end, but I'm glad they stuck together to do Abbey Road and finish their career on a proper high.

The experimantation was gone. The Beatles once were pioneers in the development in rock. Especially the Revolver and Sgt. Peppers were real groundbreaking records. This time actually has passed by the time Let It Be came out. Sure, there are some nice songs on this record, like Across The Universe, Let It Be and others, but expect no innovation at all.

Let is be is a pop-record which has some fine moments. After all the Beatles were aboth average songwriters and had two great vocalists. They also had that nice organ sound and garage sounding guitars.

Just three stars for these giants in Rock "n Roll.

First of all, is there any prog on "Let It Be"? If you count the electric organ and string-and-brass orchestration, yes, but there isn't much else. Secondly, Along comes one of The Beatles' overlooked, if not most overlooked, artistic statements. For me in terms of quality this deal is better than "Abbey Road". On "Let It Be" there are seven good tracks and five oh-not-so-good tracks. One of my biggest favorites here is 'Across the Universe', with that rich acoustic guitar timbre, John Lennon's sweet vocal tone, his remarkable singing style, and the proper backing orchestration. My biggest of all favorites on the record is 'The Long and Winding Road', which is criticized by some Beatles fans and critics alike for the unnecessary string orchestration in the background. I think that if I was one of those people, I'd be making a huge mistake because I find the orchestration essential in the song. The strings complete the texture. Also, combination of Paul McCartney's voice and the brass section accompaniment nearly made me cry. This is a piece of essential Beatles music.

The rest of the tracks that appealed to me are also mostly a matter of pop-rock numismatics. 'Dig a Pony', 'Dig It', 'I Me Mine', and others are all worth gnawing on with your teeth. (I wish the boys made 'Dig It' harder than it is on the record. Oh, well.) This is The Beatles going back to basics with some melodic riffs on guitars with sleazy tones, and with more of unique and delicious vocal melodies.

On the part of the tracks that do not do any justice to me, I can't say anything positive about them. They just sound so basic and indistinguishable. But there is one exception: there is a radio version of the title track that does not prominently feature those crunchy guitar parts. Fortunately, it is not so on the album.

Ratings/comments (if you have to ask):

1. 'Two of Us' - * ; 2. 'Dig a Pony' - **** ; 3. 'Across the Universe' - ***** ; 4. 'I Me Mine' - **** ; 5. 'Dig It' - *** ; 6. 'Let It Be' - ** ; 7. 'Maggie Mae' - * ; 8. 'I've Got a Feeling' - **** ; 9. 'One After 909' - **** ; 10. 'The Long and Winding Road' - ***** ; 11. 'For You Blue' - ** ; 12. 'Get Back' - ** ;

The arithmetic average of the ratings above will tell you that the album deserves a three. The album does not give off to me such a mixed vibe if I forget about the weaker numbers. But those numbers are there, so I have to give the album a proper rating: three stars.

Stamp: "I like it."

How does one react to a messy album that's supposed to be messy?

Let It Be is far from the perfect swansong The Beatles of all bands deserved at the end of their career (though Abbey Road is a masterpiece). It definitely contains some brilliant tunes, but probably more dross than any previous record from the fab four. What's more of a problem though is the awful production quality, which mixes two extremes of sonic distaste in the form of the Phil Spector's 'hideously dense wall of sound' and the 'back to basics' trend of many rock bands who are inexperienced with mixing. The result is muddy, imbalanced and lacking any professionalism, because the over-the-top orchestrations from Spector totally cancel out the intentional rough edges left in place by Lennon. What I miss is the bright and clean, warm and pristine production of George Martin.

'Two of Us' is a little bit middle of the road to open an album. A nice enough country song, but it doesn't grab me, and the vocals are poorly mixed. 'Dig A Pony' sounds more White Album with its carefree, rocking attitude. If anything captures the 'live session' intentions of this album, it's this song. 'Across The Universe' has been [%*!#]ed about with by Spector, in any case sounding more like it belongs on the Magical Mystery Tour bus than on a blues rock album. 'I Me Mine' is the first wow moment. Harrison's message is simple, his chords predictable, but the orchestra actually works here, embellishing a fine tune whose time changes make for interesting listening. It gets epic, in a good way. While 'Dig It' and 'Maggie Mae' can only be described as filler, the title track is the other strong point on side one. 'Let It Be' is just a magical ballad. Its simplicity works in its favour.

'I've Got A Feeling' has a feel-good vibe, but probably stretches a thin musical idea out for too long. 'One After 909' was written in 1962 so sounds like it belongs on the first Beatles album. It's nothing special. 'The Long and Winding Road' is a well-known ballad, the only other song here where the orchestra fits. It subtly points in the direction of Paul's solo career. Then the album finishes strongly with the bluesy 'For You Blue' from Harrison and our rooftop finale 'Get Back'.

Overall, there are a few good songs here but the overriding quality is inconsistency. The arguments, lack of ideas and production issues were bound to lead to a record that wouldn't be The Beatles' best. Live or half-live, I don't care too much. The Beatles were studio craftsmen, kings of the overdub, writers of the best pop music the world has ever seen. You can't be a lazy 'jam' band if you all hate each other!

I realize that many people are somewhat critical of this album, especially as it was basically the swan song of a wonderful pop rock band. However, my college friends and I listened to this on a very often-ish basis while hanging out, partying, and doing all the other things we did besides studying. Because of this, I developed a soft spot for Let It Be. I even enjoy the little "filler" ditties like Maggie Mae. While this is more of a blues-pop-rock-folk album, and not really a progressive album, it is still wonderful. It is also very much a product of it's time, while never sounding dated to my ears. Not a 5 star effort masterpiece by any means, but certainly deserving of a solid 4 stars.

I've always considered Abbey Road the "true" final Beatles album. For this reason I view this as almost a sort of Coda despite being written before. I say this because I find this to be a pretty unfocused album, but that is simply apart of its charm. It's raw, folksy, and hardly serious.

The folk infiltrates the sound of 'Two of Us,' while there is a heavy, raw blues sound in 'Dig a Pony,' 'One After 909,'and 'For You Blue.'

The quality songs can be found in the serene atmosphere of 'Across the Universe,' in the classic rocking 'Ive Got a Feeling' and 'Get Back,' and the delicate McCartney ballads in 'Long and Winding Road' and 'Let it Be.'

Overall, this is a significant drop in quality compared to the impressive streak of albums that preceded this. Yet this has a very warm feel to it, and is a positive way to finish off an illustrious career.

6/10

I really don't know how this album got stuck in my collection. I found it a couple of weeks ago so I decided to throw it on the turntabe. And can you believe it ! I actually enjoyed it. It was the final Beatles album and from what I understand the band was were more or less finished at this point. I think Lennon & McArtney had finally came to the desscion thath we should just '' let it be ''. All the members went on to be successful in their own individual ways but they left the world with this opus. Even Elvis performed Get Back in his Vegas days if only introplating it with his 1961 hit Little Sister..

It was such a melodic album and I had to give it a second listen. I think so many prog bands were influenced by these recording sessions. It sounds to me that the songs were heavily overdubbed and not all members were present in the studio at the same time because they hated each other's guts by 1970. The Beatles knew that they had run their course by 1970. The fans just wouldn't '' let it be''. Not much for me to add to the kazillions of words written about the Beatles, arguably the most popular rock band in the universe.

The Beatles - Let it be (1970)

The Let is Be album is a record made of pre-recorded material that was to be recorded for a live audiance. An album of new songs recorded live, a great idea - but it never happened. Calling these recordings demo's doesn't do them must justice, but the other late Beatles albums are recorded significantly more professional. The Beatles had enjoyed the best popmusic productions since 1966 and the band used the studio as an instrument. Because of them being unable to perform for regular audiances the necessity of being able to fully reproduce songs live had been removed from the artistic proces. The recordings of the Let it Be sessions where passed on to Phil Spector who gave some songs orchestral arrangements - the subject of many discussions still today.

This is actually one of my favorite Beatles records, simply because the band sound like a band playing music. The music lives, is in the moment, sharp and exciting. On this record the talent of the Beatles really shines threw, both as songwriters 'nd as performers. The album has both art rock songs and eclectic pop tracks, but I like all songs on this album.

Conclusion. Let is Be is the Beatles album in which they once again sounded like a band. I love it. Four stars.

They are still the best rock band ever, and to their credit, they broke up before they became irrelevant. But the Beatles didn't exactly go out with a bang. Some forgive the relative lack of quality of Let It Be, citing a web of circumstances: nearly all of the recordings had been "in the can" for sixteen months prior the the album's release in May 1970; band had already publicly broken up in April; Phil Spector was brought in at the last minute to entirely remix the album - - you get the idea. But to me the fact remains that most songs on Let It Be were either previously released or filler material - - or both.

To wit: "Get Back" was released as a single in April 1969; "Across the Universe" appeared on a compilation album in December. "Let It Be" was released as a single in March 1969 and "The Long and Winding Road" and "For You Blue" were released on a single in the US (but not in the UK) a week before with the album. All three a-sides were #1 hits in the US. So the best material - - by far - - on Let It Be had been previously issued, albeit in different mixes.

The original versions of "Let it Be," "Get Back," and "Across the Universe" all appear on the Past Masters compilation, which I would argue is an essential purchase, even for casual Beatles fans. Without them, what's left on Let It Be? Well, "The Long and Winding Road" is pretty good, strings and all. And then there are the fun throw-always like "Two of Us," "I Me Mine," and the Chuck Berry homage "One after 909." But that's really about it. In retrospect, that's not really surprising, I suppose; why would George Harrison, for example, contribute his best work, when it could have otherwise appeared on All Things Must Pass? The same argument could be applied to any of the Beatles; each released a gold-or platinum-selling album in 1970.

To me Let It Be is an unexceptional album, especially by Beatles standards. Nonetheless, time and money permitting, pick it up, but perhaps wait until after you've picked up the rest of their incredible catalog.

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P.S. Surprisingly, Let It Be... Naked, the 2003 alternate version of Let It Be, is actually better than the original.

Let It Be, the last Beatles album, released in 1970, posthumously, is not a good ending: the Lps from 1967 onwards are clearly superior to him. Moreover, as is well known, it was the penultimate album to be recorded (early 1969), to then be cassated; it was Lennon who wanted him out posthumously, asking for the help of Phil Spector, who put the orchestral overdubs on it. The album is therefore, on the one hand the most spontaneous and immediate, having been recorded almost all in direct, with Billy Preston on the keyboards, on the other hand it is the most artifact, given that only after, and without the approval of the Beatles , orchestral arrangements have been added. Anyway, it remains a more than good record, and Spector's work was excellent in my opinion.

It starts with Two of Us, a song by Paul, sung in unison with John in the verses, and by Macca in the bridge. Beautiful arpeggio of acoustic guitar, pleasant rhythm and melody, reassuring tone. Cute, but without panache or parts that stand out. Dig a Pony, recorded live, is an excellent John rockblues that joins those of the White Album and Abbey Road. Nice singing, nice tour of electric guitars. Simple but effective. Across the Universe, very famous, is a song that starts with a beautiful sung melody, a nice phrasing of acoustic guitar, a sad tone, but continues in a way too monotonous and low-key, in fact it is a missed masterpiece, perhaps for the lack of originality arrangement and too much repetitiveness. I Me Mine instead thanks to Spector's orchestral arrangement becomes the most original song on the album, with a waltz verse, a hard rock refrain, and an orchestral crescendo that makes it epic, however short. Dig It is a meaningless musical fragment, which closes with an absurd, high-pitched voice, which has the only result of presenting Let It Be as a mockery.

Lennon wanted to insert Let It Be (which he hated, considered it unsuitable for a Beatles LP, as too much as a solo author) between this piece of song and the even shorter (and ramshackle) Maggie May, with the result of ruining the first side. Difficult to evaluate these two short sections but at least one vote must be given, to point out that in fact the end of the side has been a bit ruined. On the contrary, Let It Be is the great masterpiece of the album. Beautiful piano start, warm and well-groomed voice, crescendo rock with electric piano, organ, drums and Harrison's splendid hardrock electric guitar solo, certainly his best solo in the Beatles. Third verse of the rock ballad with a paroxysmal ending between Macca's voice and Harrison's hypnotic guitar, with Spector's trumpets creating greater pathos. The version in this LP is much better than that of the single, in which the guitar solo is very bad and not in evidence.

Two of Us 7+; 2. Dig a Pony 8; 3. Across the Universe 7,5/8; 4. I Me Mine 8; 5. Dig It 5,5; 6. Let it Be 9+; 7. Maggie May.

The second side opens with the rock of I've Got a Feeling by Macca, which dusts the perhaps heavier metal guitar sound of all Beatlesian discography. An angry song, then melodic again, and insertion of a second section by Lennon, on the rhythm of one of his songs which is superimposed on the basic rhythm of Macca. Very characteristic and in its own way remarkable song. One After 909, written by John with the collaboration of Paul, is a rocky divertissement, with good rhythm, and Lennon's bridge. Lightens the disc. Long and Winding Road, Macca's slow piano, becomes an orchestral piece of strings with Spector's arrangement covering the incomplete and sparse initial arrangement. Pumping, meatloaf, however, would have seemed only sketchy if it had been performed naked, as in Let It Be ... Naked. It has a nice melody in the bridge, but otherwise it's a rhetorical and pretentious piece, which ends up being boring. You get to For You Blue which is a light and carefree acoustic blues piece, with an almost Hawaiian sound and with Harrison inciting Lennon in the guitar solo. Simple, unpretentious, but very pleasant track. The second side, inferior to the first in its 5 main songs, ends with Get Back, recorded on the roof of Apple. Good rock and roll by McCartney, which ends without the tail in the 45 rpm version.

8. I've Got a Feeling 8; 9. One After 909 7,5; 10. Long and Winding Road 6,5; 11. For you Blue 7+; 12. Get Back 7,5/8.

Overall, Let It Be is a good record featuring a masterpiece song, a gospel piano ballad with rock arrangement, and at least 5 well-made rock / blues songs, plus 4 nice but weak acoustic ballads; it has a unique sound in the Beatles discography because it resembles that of a studio concert. The basic instruments are those of a rock quintet: vocals, rhythm guitar, solo guitar, bass, drums, keyboards, to which they are added in the background (Across the Universe, Let It Be) or in the foreground (I Me Mine, Long And Winding Road) the orchestral overdubs by Phil Spector. In fact, consisting of only 10 songs (a pity for the presence of the two clips and the absence of Don't Let Me Down), the Beatles album remains less cared for in the recordings, closer to a concert played by a rock group in horse between the Sixties and the Seventies.

Medium quality of the songs: 7,52: Rating: 8+. It reaches four stars.

Here we address the question of whether The Beatles were a prog or proto-prog band in their latest albums. The first time I listened to Let it be may date back to the 2000s, 'long time ago for me. I was always captivated by the melodious rock tunes the band lined up on this ill-fated album, with a sort of mourning crape that was highly premonitory.

Most of my memories of this opus were dark, lacrimal, or grim. It's true to remember that a few songs, and not the least significant, are a truly sore to the heart, a pure beauty musically tho I mean Across the universe, I me mine and Let it be. Those 3 songs make this record quite dismal.

But it is no way to forget some vivid tracks that are actually the ultimate heights of the Fab Four. I think of Dig a Pony, I've got a feeling, One after 909 and of course Get Back!

It is often said, and I was sharing the popular belief, that Let it be sessions were a tough moment for the band, only that. But it can't be that true, at least we tended to give too many credits to this version of the history (most probably because of the documentary film of Michael Lindsay logan), the sessions (named the GET BACK SESSIONS) were aside from these real moments of pain a period of great emulation for the band also, with sometimes moments of togetherness.

We also forget that 12 songs got out from these sessions whilst The Beatles rehearsed and played HUNDREDS! Some covers, some outtakes of previous Beatles songs, some originals. And I think that in this vast set of records (probably more than a hundred hours of records in January and February 1969), there were some jam sessions, improvisations, or demos that took after a progressive structure or jazzy records, to some extent.

Hence, Let it be is not the best extract of the full catalog of songs recorded by The Beatles at that time according to rock prog standards, many of them are pure rock and roll songs, but if you take a look at the list of songs played during those sessions and look them up on Youtube, I'm sure you can kinda compose your own Let It Be that will sound a bit more progressive. (i think of The Castle of the king of birds in particular).

LET IT BE cannot be considered as a prog album per se, I rate it "only" 4 stars for that purpose, it's a magnificent swan song, an unfairly underrated album of The Beatles, a classic of the '70s (released in May 1970), an energic and final back to the root's rock, but not a prog album or proto-prog album in the way I define it. To rate it clearly as a proto-prog album, one would need to pick some of the improvisations and numerous outtakes rehearsed during the productive GET BACK SESSIONS, the original release ain't representative of a "prog mood".

I can get the idea it is on this forum because somewhat, a band of such a magnitude, who contributed so much to the History of Music throughout all its albums, brought rock and pop (and prog as well) to a new stage of modernity. Only for that reason, I accept Let it be as a prog-related album.

Though released as the last Beatles album, it was recorded before the Abbey Road album. Very different to a few previously released Beatles albums, this one was supposed to be recorded live without studio trickery. What we can say is that at this stage, they could still play live confidently and even stay in a jovial mood. Musically, with the exception of McCartney's 3 cuts, all the rest is pedestrian (for Beatles standards at the best. As we know, pedestrian for Beatles could be the best song for some other bands but here they lacked the ambition and songwriting quality that was present before. "Two of us" is noteworthy as it is one of the last examples of their famous vocal harmonies. "Dig a pony" is my favourite Lennon's track on the album thanks to great melody, guitar solo and untypical beat, of course as well as Lennon's vocal. "Across the universe" is one of the better Beatles ballads. Somehow I even like the Spector's orchestral overdub as well as on the McCartney's penned "The long and winding road". Harrison brings a haunting "I me mine" with a contrasting rocking chorus. "I've got a feeling" is compositionally an average song but its vocals by Paul and guitar work stand out. We are lucky to witness the intensity of McCartney's vocal live at this stage and not only from the studio (Oh darling!). Since "Get back" made it to the album, it's a pity that "Don't let me down" which is equally good if not better, didn't.