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HEAVY PROG

A Progressive Rock Sub-genre


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Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 12/24/14

Louis (rdtprog)
Thanos (aapatsos)
Frank (infocat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.40 | 2456 ratings
MOVING PICTURES
Rush
4.37 | 2076 ratings
HEMISPHERES
Rush
4.32 | 1930 ratings
A FAREWELL TO KINGS
Rush
4.29 | 1789 ratings
PERMANENT WAVES
Rush
4.24 | 2221 ratings
IN ABSENTIA
Porcupine Tree
4.24 | 2255 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.20 | 1097 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.16 | 954 ratings
THE MOUNTAIN
Haken
4.17 | 681 ratings
SALISBURY
Uriah Heep
4.17 | 539 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.10 | 1830 ratings
2112
Rush
4.10 | 1792 ratings
DEADWING
Porcupine Tree
4.09 | 927 ratings
VISIONS
Haken
4.11 | 596 ratings
LOOK AT YOURSELF
Uriah Heep
4.08 | 927 ratings
AQUARIUS
Haken
4.06 | 1171 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.07 | 663 ratings
DEMONS AND WIZARDS
Uriah Heep
4.06 | 811 ratings
FRANCES THE MUTE
Mars Volta, The
4.03 | 1328 ratings
LIGHTBULB SUN
Porcupine Tree
4.10 | 369 ratings
FROM WITHIN
Anekdoten

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

ZUNDAPP
Zundapp
MÉMOIRES INCUBUSSIENNES
ExCubus
A.F.T.
Automatic Fine Tuning
HIGH TIDE
High Tide

Latest Heavy Prog Music Reviews


 Settimo Grado di Separazione by YGGDRAZIL album cover Studio Album, 2005
3.00 | 3 ratings

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Settimo Grado di Separazione
Yggdrazil Heavy Prog

Review by Modrigue
Prog Reviewer

4 stars Heavy gothico-zheulo-prog metal?

Like the other releases from the Psych Up Melodies label, YGGDRAZIL's "Settimo Grado Di Separazione" ("Seventh Degree of Separation" in English) is a quite strange and hard to describe album. First and only opus to date by this obscure Italian band, taking their name from Northern mythology, the music displays a singular dark and esoteric ambiance, borrowing from various different styles. Almost constantly taken by surprise, the listener will travel through an unknown parallel dimension, moving from hard rock, heavy prog to progressive metal via gothic, cold- wave and zheul-esque wormholes. The mystical impression is reinforced the vocalist's chameleon unusual raw and high-pitched falsetto vocals. The compositions are rather homogeneous in terms of quality, contain many changes, as well as elaborated rhythm structures.

From the beginning, you know you're in for something special. Starting on a heavy prog tonality, "Conception of Time" turns into a powerful heavy progressive metal title, then to a 80's goth / cold wave lament, to finally conclude as a somehow rock ballad! Completely different, the dreary "Lizard" evokes an incantatory ritual chant with its Middle-Eastern accents, and abruptly introduces the nonsense fast-paced "Gig", entirely reversing the peaceful atmosphere. This indescribable track resembles Zheul with various digressions, however dissonant and not really united. My least favorite passage from the record. But even more surprising is what comes next. "Every Man" is a much more classic melancholic hard rock song, both pretty and strong, with a very usual structure. The last kind of track you would expect to find in such an eerie disc! By contradiction, that's why this album is unpredictable.

Opening with beautiful arpeggios, the soft gloomy "By my Time" slightly morphs into complex tortured prog metal. With its high-pitched vocals, this composition may remind a little FATES WARNING. Interesting and varied, although a bit messy at times. Back to calm with the hazy "Specular", a smooth ethereal cold wave title that suddenly unleashes raging numerous saturated soli. Longest song of the record, "Separazione" is a worthy powerful conclusion for such musical trip. Its dark progressive metal tone contrasts with the strange falsetto vocals and the mesmerizing passages, building a mystical atmosphere, summoning the ancient spirits of the sky... Great!

The 2012 Psych Up Melodies re-release includes four bonus tracks, consisting just in low quality demos, rather optional.

Despite a few moments hard to follow, "Settimo Grado Di Separazione" possesses a genuine particular ambiance. Difficult to categorize, YGGDRAZIL is constantly shifting from a genre to another, nearly fooling its audience musically, but not in terms of interest and inspiration. Don't expect walking on an establish path, prepare for an uncommon journey instead.

A very strange and original album, recommended if you like to venture into obscure, tortured heavy prog / prog metal territories, not without certain slices of both known and unknown...

 The Best Of Antidepressive Delivery by ANTI-DEPRESSIVE DELIVERY album cover Studio Album, 2010
3.86 | 31 ratings

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The Best Of Antidepressive Delivery
Anti-Depressive Delivery Heavy Prog

Review by Tapfret
Prog Reviewer

3 stars As pointed out before, The Best of Anti-Depressive Delivery is not a collection of the highest grossing or critically acclaimed tunes from their first 2 albums. It is a new material, and it definitely falls short of its name. Particularly coming off the outstanding Chain of Foods.

Stylistically The Best of Anti-Depressive Delivery is more similar to Chain of Foods the Feel. Melt. Release. Escape. , but only holds up in quality vocally and in production value. There are times the album even sounds like slightly modified versions of previous songs. The most glaring example is the second song on each album, Desert Machine on Chain of Foods and Glasses on The Best of Anti-Depressive Delivery which have an identical verse rhythm and song structure. It may seem like a lazy description, but aside from the similarities, it feels like the push was in a more popular classic rock direction and less of a progressive rock direction. The progressive elements are there, but few and far between. Occasionally, there is even a nightclub RnB sound to it, in particular on the song Goodbye. Ultimately, it comes across to this listener as watered down in comparison to the previous 2 albums.

Make no mistake, this is a good quasi-classic rock album and holds up well to other albums in that vein. But when I am reaching for an Anti-Depressive Delivery album that is truly the best of Anti-Depressive Delivery, it will not be The Best of Anti-Depressive Delivery. Good, but not essential. 3 stars.

 Feel.Melt.Release.Escape. by ANTI-DEPRESSIVE DELIVERY album cover Studio Album, 2004
3.55 | 23 ratings

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Feel.Melt.Release.Escape.
Anti-Depressive Delivery Heavy Prog

Review by Tapfret
Prog Reviewer

4 stars This debut album by Anti-Depressive Delivery was the perceptual victim of my first hearing their sophomore release, Chain of Foods; an album which ranks as one of favorites of the 21st century. The differences between the 2 were such that Feel. Melt. Release. Escape. (henceforth referred to as FMRE) fell by the wayside. I have recently revisited this album with a fresh perspective, no bias toward its successor and find FMRE to be a proverbial hidden gem in my own collection.

FMRE is a decidedly heavier album than the remaining 2 Anti-Depressive Delivery albums. Not so heavy that I would refer to it as a "metal" album, though the distorted crunch exists in spots. The use of heavy guitars comes with a great amount of contrasting undistorted, lightly overdriven, and acoustic sound. Even a banjo gets air time on Path of Sorrow. Additionally, the writing does not lend itself to any metal conventions that would typically accompany heavy distorted guitars. Combine that with the rather liberal use of B3, common time changes and soaring vocal harmonies, FMRE takes on the feel of a complixified and edgy classic rock album, though not nearly as classic rocky as ADD's remaining albums. The keys are not just limited to B3 either. Mellotron makes a healthy proggy appearance as well.

Overall FMRE does not hit that sweet spot of perfection that Chain of Foods did. White it is an outstanding and enjoyable listen, some of the transitions do not feel/sound as natural as they did on Chain of Food. But The album has nonetheless earned itself a little promotion in my collection to a little more frequent listen after this little re- acquaintance. And I believe it to be an excellent addition to any prog collection. 4 stars.

 Grace Under Pressure by RUSH album cover Studio Album, 1984
3.70 | 1016 ratings

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Grace Under Pressure
Rush Heavy Prog

Review by Walkscore

4 stars This is a bit hard to rate as a Rush album. It breaks significantly with the sound of previous albums (even with Signals, which also broke with the sound before it). Alex Lifeson's guitar sound went from progressive rock power chords and fast solos, to ethereal echo-laden Andy Summers-like accents. There are no epics. Geddy is singing down the register. This album largely set the formula that would be followed on Power Windows and Hold Your Fire, two of Rush's weaker albums from the 1980s. Yet, Grace Under Pressure is really good! The songs have more potency and urgency than anything on either Signals or the other 80s albums. Neil Peart has said this album was made during a difficult time, emotionally, for the band. Perhaps that spurred to members to feel things more and to put their hearts into the compositions. The songs on this album are consistently good, even if very different from the style set by Rush's 70's classics. The lyrics here are some of Neil Peart's best, in my opinion (not only poignant, but full of double entendres, puns, etc - I even remember reading that MAD magazine had awarded them some award for the humourous lyrics). So, while for me Signals feels too safe somehow, this album feels like the band are taking some real risks and laying their creative souls on the line. The album flows exceptionally well as an album. While some tunes got more radio play, I think virtually all the songs on this one are very close to each other in quality, not "essential" but solid, with great lyrics. For me, this is one of the few Rush albums they did post-Moving Pictures that deserves four stars. I give it 8.2 out of 10 on my 10-point scale, which translates to 4 PA stars.
 Hemispheres by RUSH album cover Studio Album, 1978
4.37 | 2076 ratings

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Hemispheres
Rush Heavy Prog

Review by Walkscore

3 stars This is one of Rush's "Kimono" albums. Clearly, they were under pressure to come up with something that could meet the expectations set by Farewell to Kings. While "The Trees" and "La Villa Strangiato" are excellent (among Rush's best songs), the rest of the album suffers. As Neil Peart himself said about this album, looking back it was clear they were "reaching". This is most evident in the long epic "Cygnus X Book II Hemispheres". While I usually love long epic compositions, and I LOVED Cygnus X-1 on Farewell to Kings, I think Rush were tired and trying to hard when composing this follow-up. It probably could have been a decent 7-minute tune, but by stretching it out to 18 minutes they felt compelled to come back too often to the "I bring..." theme, which gets tiring after a while and is the least musical theme on the album. This, to me, is a good example of how long does not necessarily equate to musical. (And while "Circumstances" is fine and listenable it is nothing too special). With the test of time mainly only supporting Trees and Villa, which I admit are essential SONGS, I can't call the entire album "essential" or a "masterpiece", or even "excellent". I give this 7.6 out of 10 on my 10-point scale, which is short of the threshold needed for 4 stars. So, for the album, 3 PA stars.
 A Farewell To Kings by RUSH album cover Studio Album, 1977
4.32 | 1930 ratings

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A Farewell To Kings
Rush Heavy Prog

Review by Walkscore

4 stars As a Canadian who has been listening to Rush for eons (essentially since I began collecting albums), I will go out (slightly) on a limb here and claim this to be Rush's best album, although by a hair (over Moving Pictures). It contains what I think are three of Rush's best compositions (Farewell to Kings, Xanadu, and Cygnus X-1), as well as one of Rush's best and best known hit singles (Closer to the Heart). Indeed, Xanadu is a classic, and although I think it works even better live (e.g. the version on Exit Stage Left), it fits very well on this album. I also think this is where Neil Peart's lyric writing matured sufficiently that it does not get in the way of the music (many of his lyrics are previous albums gratingly ideological), even to the point that the lyrics on 'Closer to the Heart' can resonate (positively) with anyone. The music is sufficiently diverse to keep the album interesting and flowing. The guitar chords/progression on Cygnus X-1 for me defines the Rush sound perfectly. I also think Cygnus X-1 is Rush's most successful epic. Why not a five-star rating? Well, not all of the songs are 5-star quality (Cinderella Man, Madrigal), and even though I love this album, it is not in the top 50, and when I compare it to other 5-star albums (like Close to the Edge, or Harmonium's albums), well it can't quite make it. I give this 8.8 out of 10 on my 10-point scale, which is just a bit short of the level needed for 5 stars. So, PA 4 stars.
 Worlds Apart by OKTOPUS album cover Studio Album, 2016
3.73 | 6 ratings

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Worlds Apart
Oktopus Heavy Prog

Review by mossywell

4 stars I have seen countless prog bands and almost as many support bands. One day in early 2016, I went to see IOearth (who need no introduction) in North London, UK and Oktopus walked on stage. I guess over the years, I've become tolerant of some very dubious music with the unfortunate side effect that it takes much more for me to take notice! Within a few bars of these gents playing, I think my jaw must have hit the floor!

In terms of style, I guess Heavy Prog fits the bill, but it's not the shouty meandering aimless cacophony you sometimes hear. This music is far more structured with some welcome variation in dynamics. I'm generally loath to make comparisons with other bands to avoid the "labelled for life" syndrome. However, purely in the interests of giving people an idea, my first thoughts ? due to the way they rhythmically and harmonically modulate, was of the Cardiacs. Musically, however, it has to be said that Rush springs to mind: a three-piece with intelligent lyrics with a bit of fantasy, quite high vocals (but not screechy), virtuoso bass and guitar, and a drummer that has more fills than grooves!

Doing a detailed musical analysis isn't my thing, so I'll be brief. There are 8 "tracks".

Discord (Approach): A short track of some heavy breathing with atmospheric guitar chords over the top which acts as an opening scene. The track's name is a hint of what's to come?

Eyes Open: From the first chord, we're immediately into the fast Heavy Prog sounds. But within a minute we are introduced to a more melodic section and chorus. Just when you thought you're on safe heavy prog ground, up pops an almost jazzy instrumental that segues back into the chorus.

Worlds Apart: Another "odd" time signature feel track in the verse (and if you watch them practicing it on Youtube, it makes you wonder how they stay so relaxed ? my brow would be furrowed in concentration trying to avoid going off the beat!). This is a less-heavy track than Eyes Open with a more foot-tappable chorus. I've read elsewhere that this is considered their best track by some. For me, it's up there, but the best is yet to come. The Adventures of Jerry Troutmonto ? Part 1: [instrumental] After a drum flourish it heads down the more traditional heavy prog route with a heavy dose of prog noodling. This track more than (structurally) reminds me of the Cardiacs. It's an opportunity to show off (rightly) their musicianship. Of note is a melody used in a later track. Maybe that's why it is called "Part 1" (there's no "Part 2"!).

Haru: [instrumental]: This really feels like an old film interlude where a kitten would bash a ball of wool between two halves of a very long film. In this case, it's a short ethereal piece on wood blocks / pipes or similar. (Haru: Japanese for Spring, apparently.) I guess the idea is that we relax after spending the previous 17 minutes desperately trying to tap out a beat that keeps changing direction just when we get it!

The Hand on Your Shoulder: We're back on solid ground again. It opens up with some cross-sticking and mellow guitar riffs and the vocal is almost whispered. It has a very jazzy feel at the start. But, as the chorus approaches, we know that things will hot-up. However, it's much more restrained than the frantic Eyes Open. As is typical of Oktopus (if I can say that after one album!) you're never quite sure where it is heading. However, this is probably the tracks you'd most want to play to your mum! (I don't suggest that, by the way.) We're even treated to some vocal harmonics towards the end. My goodness, it's almost at risk of being called "normal". But it does show that these guys don't just have to do the super-avant-garde stuff.

Discord (Descent): [instrumental] A short musical piece that really could be the sound of a lift descending into the underworld?

Minotaur: OK ? a confession: I have listened to this track dozens and dozens of times and I never tire of it. It is a masterpiece. Superficially, a song about the man character facing a Minotaur and escaping. (I say "superficially" as I'm awful as dissecting lyrics. And routinely see meaning where there is none, and fail to see meaning when it slaps me in the face!) Musically, it has everything: it has great melody but isn't constrained by straightforward time or key signatures and there's modulation- aplenty. The vocal are spot on, belted out without wavering. There are great guitar riffs and solo which demonstrate the ability to add both rhythm and virtuosity. The bass playing I absolutely love as it acts as the glue or the canvas. (I don't ever recall seeing someone play something so complex and yet look so relaxed.) The drumming is as frantic as ever ? it's a lesson in how to percuss as many different things on one bar as humanly possible. Why groove when you can fill? (That's a slight exaggeration.) It ends with a belted out "Feel the best wail inside ? Minotaur!" and then a relatively mild coda to wrap the track up ? something that for the first time you can actually tap your foot to!

Overall, it's so close to a 5-star. Why not the 5 stars? 2 reasons: 1. It's so good, I want more. Yes, I know that it's ironic to say "it's so good, I'm marking it down for not being longer" but at just over 30 minutes, it's almost like a long EP. 2. At times, it feels like they're almost trying too hard to impress ? they're good enough that they don't need to impress. It's like ten thousand creative ideas all jammed into a small space that is left bursting at the seams. It's musically very "dense". Personally, it probably could have been mixed with an extra 10 minutes without diluting the impact. Also, I do wonder how they'd do a second album whilst keeping the cornucopia of ideas flowing. (That said, I very much look forward to the second album.) I just know I'm gonna regret only giving it a 4. Can I do 4.5 please? :)

Finally, if you're wondering if this is studio trickery, it's not ? watch them live ? you'll see what I mean.

 Dies Irae by DEVIL DOLL album cover Studio Album, 1996
3.75 | 104 ratings

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Dies Irae
Devil Doll Heavy Prog

Review by Progfan97402

4 stars Devil Doll was one of those acts I knew of forever, but never bothered with their CDs, because I wasn't sure if I'd like them or not. Well, I'm glad to start diving into this group, better late than never. Dies Irae was the final release from Mr. Doctor and company. Due to anonymity it's hard to tell why they disappeared, but you get the feeling they mined this strange dark gothic prog for what its worth, but at the same time, there isn't a bad release in the bunch. This is truly an acquired taste, you dig what they do, or you don't. This stuff is truly over the top, you can't help but imagine a cobweb-infested old mansion or castle with pipe organ occupied by a vampire, and the music truly captures that imagination. Make no doubt Mr. Doctor was a horror movie aficionado. Passages that go from one thing to the next, from Gregorian chant, sinister violin playing, pipe organ, evil sounding voices from Mr. Doctor, and rocking passages. There's no denying how much Jacula had an impact on Devil Doll. I sense a little Van der Graaf Generator and King Crimson in the process, I guess because Mr. Doctor's voice can resemble a bit of Peter Hammill at time, and funny enough, the evil witch Scotia found on the 1990s PC game Lands of Lore: Throne of Chaos. The music is truly theatrical to the max, so you can imagine them performing this music live with a set that looks like the backlot of a horror movie set. Alice Cooper certainly did his horror rock theater performance, but he did it with a standard hard rock sound, but Devil Doll takes that horror theatrics to the next level with a far less accessible art rock approach. I really think that these guys really gave the sagging prog rock scene a boost, even before Änglagård appeared on the scene. What I really love is this isn't neo-prog at all. The group also tended to avoid synthesizers (although they'd sound great with a Mellotron), keyboards seem confined to piano and pipe organ, but there is no shortage of other instruments. Not an easy listen, this music truly demands your attention, but the payoff is well worth if, if this style appeals to you. If gothic theatrical art work sounds good, give this a try, in fact, give all their albums a try!
 A Time Of Revelation - 25 years on by URIAH HEEP album cover Boxset/Compilation, 1996
3.79 | 10 ratings

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A Time Of Revelation - 25 years on
Uriah Heep Heavy Prog

Review by tvtennis

5 stars Heep is close to my heart, have just about every official studio & live recording. That is why I was debating to fork out some extra $ on this release. Thinking initially for more-less the tracks that I already own. But at a closer look there are plenty of unreleased tracks in here, and if you are a John Lawton fan, of if you just "don't mind" the era of UH w/Lawton, you're in for a pleasant surprise! There are quite a few unreleased tracks, that are very good, perhaps the unreleased album in the works prior to Lawton's departure. The remastered sound is very good, the separation is noticeable on a majority of the tracks. One other pleasant surprise were the liner notes. Very informative, easy to read, all in all, a few great listening hours of music while reading the notes to put you in the moment. Highly recommended release.
 Black Widow IV by BLACK WIDOW album cover Studio Album, 1997
3.29 | 38 ratings

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Black Widow IV
Black Widow Heavy Prog

Review by poito

4 stars 3.8 3.8 The cover of this posthumous album is a lonely scene of legendary Quijote and Sancho riding tired and with their heads down in the horizonless La Mancha, maybe reflecting the mood that band members had when they were left without the opportunity to release these themes when they were composed, back in early 70's. It seems they were fired and their career ended prematurely. The three former releases had each a different style and music scavengers must have got tired of waiting for the guys to bring money home. What a shame, what an error. The third release was amazing symphonic prog, and the themes contained in this album rescued for the human kind in 97 show they had finally found their site. There are superb tracks like Sleighride that has no envy to the greatest. The quality of the sound is below standards, I imagine this is what engineers could get out of the tapes, but still you may feel the taste of great original symphonic Prog. A smooth singing resembling early Caravan, great bass, and inspired organ characterize this hidden jewel that should have been the album for recognition of this wandering band that took too long to find its site. This one should be in anyone's Prog collection.
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Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
4X United Kingdom
99 NAMES OF GOD United States
A FORMAL HORSE United Kingdom
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALGABAS Russia
ALGARAVIA Brazil
ALTERED STATE United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
CHRONOBUNNY Norway
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DÁNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DEJA-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
EPITAPH Mexico
ESCHERBACH United States
ESTIGMA Chile
ETT ROP PÅ HJÄLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUZZY DUCK United Kingdom
GÅTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST MEDICINE United States
GHOST TOAST Hungary
GLASSWORK Spain
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GODZILLA IN THE KITCHEN Germany
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
H.A.A.S. Colombia
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
HILLWARD Canada
EL HOMBRE ASTRAL Spain
HØST Norway
HUMAN LIFE INDEX United States
HUMUS FUGA Guatemala
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
IDEE CONFUSE Italy
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
IN THE PRESENCE OF WOLVES United States
INDIAN SUMMER United Kingdom
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