MENU
Progarchives, the progressive rock ultimate discography
Progarchives, the progressive rock ultimate discography

HEAVY PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 12/24/14

Louis (rdtprog)
Thanos (aapatsos)
Frank (infocat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.40 | 2584 ratings
MOVING PICTURES
Rush
4.36 | 2189 ratings
HEMISPHERES
Rush
4.32 | 2028 ratings
A FAREWELL TO KINGS
Rush
4.29 | 1875 ratings
PERMANENT WAVES
Rush
4.25 | 2360 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.24 | 2316 ratings
IN ABSENTIA
Porcupine Tree
4.19 | 1136 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.15 | 1006 ratings
THE MOUNTAIN
Haken
4.16 | 710 ratings
SALISBURY
Uriah Heep
4.11 | 1923 ratings
2112
Rush
4.10 | 1860 ratings
DEADWING
Porcupine Tree
4.11 | 969 ratings
VISIONS
Haken
4.13 | 582 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.12 | 629 ratings
LOOK AT YOURSELF
Uriah Heep
4.08 | 959 ratings
AQUARIUS
Haken
4.06 | 1226 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.05 | 838 ratings
FRANCES THE MUTE
Mars Volta, The
4.03 | 1378 ratings
LIGHTBULB SUN
Porcupine Tree
4.10 | 393 ratings
FROM WITHIN
Anekdoten
4.06 | 691 ratings
DEMONS AND WIZARDS
Uriah Heep

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

ONCE WE WERE BORN ...
Divine Baze Orchestra, The
A.F.T.
Automatic Fine Tuning
MÉMOIRES INCUBUSSIENNES
ExCubus
SNEAK ME IN
Lucifer's Friend

Latest Heavy Prog Music Reviews


 Cheat The Gallows by BIGELF album cover Studio Album, 2008
3.70 | 112 ratings

BUY
Cheat The Gallows
Bigelf Heavy Prog

Review by TenYearsAfter

4 stars On this third album (from 2008) by the exciting USA progrock formation I notice more variety and less emphasis on a bombastic vintage keyboard sound than on their previous two albums. Just take a look at the huge amount of guest musicians, especially the The Gallows Orchestra, The Section Quartet and The Kung-Pao Horns. Due to their contributions Bigelf sounds like The Brian Setzer Orchestra (brass in Blackball) and ELO (omnipresent violin sound in Gravest Show On Earth and The Game). And often Cheat The Gallows sounds like a tribute to many sixties and seventies Classic Rock Bands, I notice hints of Marc Bolan (Superstar), Black Sabbath (Blackball, Race With Time and Hydra), The Beatles (Money, It's Pure Evil), The Doors (Blackball) and Pink Floyd (Race With Time).

But Bigelf succeeds to sound like Bigelf because of the way they blend their distinctive elements like the compelling atmospheres featuring strong vocals (with that cynical undertone), heavy guitarwork (I love those fat Black Sabbath inspired riffs) and a lush Mellotron sound, especially on The Evils of Rock & Roll (fiery guitar solo), The Game, the dynamic and alternating Race With Time (delicate Floydian slide-guitar and sensational interplay between powerful guitar and intense violin-Mellotron) and Hydra (great break with synthesizer flights and heavy guitar riffs). The two dreamy tracks are very tastefully arranged: flute-Mellotron, fiery guitar and an orchestra in Money, It's Pure Evil and acoustic rhythm-guitar with choir-Mellotron a long a wonderful, very moving guitar solo in the emotional No Parachute.

The long final composition entitle Counting Sheep is their most ambitious work, it sounds like a mini rock-opera with lots of shifting moods, multiple breaks and captivating musical ideas, Bigelf in its full splendor as a progressive rock band and for sure Bigelf has progressed on Cheat The Gallows!

 A New Day Dawning by SIENA ROOT album cover Studio Album, 2003
4.08 | 30 ratings

BUY
A New Day Dawning
Siena Root Heavy Prog

Review by Warthur
Prog Reviewer

4 stars Siena Root's debut album is a big fat helping of retro-heavy psychedelic action. At points they become reminiscent of the classic early work of the likes of Uriah Heep or Deep Purple (Oskar Lundstr'm's organ work being key here), but never quite to the extent that they are outright ripping them off - more that in terms of their throwback sound you could imagine Siena Root sharing a stage with either band back in 1969-1970 or thereabouts. As the album progresses they tend towards longer and more intricate songs, demonstrating an adept mastery of the genre. Though it's over an hour long, it feels like it breezes by in a substantially shorter span of time - the sure sign of an album which hasn't wasted its time on filler.
 Occupations of Uninhabited Space by OVRFWRD album cover Live, 2018
4.91 | 2 ratings

BUY
Occupations of Uninhabited Space
Ovrfwrd Heavy Prog

Review by Kjarks

5 stars I don't know in which conditions this concert has been played but the musicianship is still impressive just like in their previous studio recordings. There is something fascinating in the skill of these musicians, combined with a great talent of complicated composition.

This music is surely too difficult, may be too cerebral to become commercially successful. The only way to enjoy it is to sit in a comfortable sofa in the evening with a glass of old Cognac or, at a pinch, an old Porto, with just a dim light. Then let you be carried away in a tumultuous journey during which you will never have time to rest.

It is impossible to classify it. I don't find any other group to which I could refer. Heavy influences, space influences, jazz-rock influences... are obvious' with others !

Names that spontaneously come in my mind are Djam Karet, Heldon (in 'Gengis Khan', for instance), Dream Theater (in the extraordinary 'Stones of temperance'), Ozric Tentacles (in 'Raviji'), King Crimson, Explorer's Club, why not Uzeb or even Spock's Beard (more especially in 'Brother Jack McDuff')' but that's just a personal feeling because it would be too reductive to associate them directly with one or even several group names and it would be aventurous to think they really have one of these influences.

You just need to like instrumental music with complex structures and technical maestria. If you really are prog fanatics, you can only be hypnotized.

I put 4 stars to their first two studio records. This one, recorded live in studio sound conditions, is a real best of and diserve at least 4,5 stars to my mind.

 The Antithetic Affiliation by TDW & DREAMWALKERS INC album cover Studio Album, 2017
5.00 | 2 ratings

BUY
The Antithetic Affiliation
TDW & Dreamwalkers Inc Heavy Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

5 stars Turning now to the 2017 album 'The Antithetic Affiliation', Tom was again joined with guest musicians and also this time by Dreamwalkers Inc. This is a band that has been put together to perform TDW material live, as up until then that had never taken place. So, in 2016 they played their first ever gig as a band, acoustically, at ProgPower. The plan was to film it and release it as a DVD, but for some reason the audio recording failed. Instead of just dumping the tapes, TDW made the decision to make it available as a bonus, and even explains both in the booklet and on the DVD for the rationale for doing so (it was a historic event) and hoping that fans would forgive them for the quality. To be honest, this was the disc I played first as I was home alone and doing the ironing, so thought it was a good idea to put it on the TV. I was soon lost in the music and totally forgave the quality of the audio recording as it made such a big impression on me overall. Unfortunately not much ironing was completed.

So when it was time to get to the album itself I was really looking forward to it, especially having heard the earlier album and the DVD. Only eight songs, but it is more than two hours in length as it is a double CD release. It is presented as a fold-out digipak, three discs in total with a booklet containing all the lyrics and details, did I say that this is yet another independent release? TDW are putting many more far established bands to shame.

Musically and lyrically this is way more complex than 'Music?', as Tom has brought together musicians that enable him to provide both more width and more depth than before. When there is a need for just piano it is there, want some delicate woodwind? Want emotional vocals? Check. Want a band blasting with everything turned up to 11? Yep, we've got that too.

It is hard to explain just how honest and powerful this music feels, and how it makes me feel. This is music and lyrics to get lost inside, never knowing where it is going to twist and turn, yet always with a coherent sense of melody. TDW are one of the finds of the year for me, and I look forward to both discovering what has gone before, and what is yet to come. Heavy prog rarely, very rarely, is come complete than this.

 Music To Stand Around And Feel Awkward To ! (as TDW) by TDW & DREAMWALKERS INC album cover Studio Album, 2014
4.83 | 8 ratings

BUY
Music To Stand Around And Feel Awkward To ! (as TDW)
TDW & Dreamwalkers Inc Heavy Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

5 stars Earlier this year I received a Facebook message from Layered Reality Productions asking if it would be okay for them to send me an album to review. Almost as soon as I responded in the affirmative, Tom de Wit was in contact and we started having a conversation. He asked me if I would mind making some amendments to the band's listing on ProgArchives, and then one day a video case turned up in the post. I can't remember the last time I was sent one of these, so was actually quite pleased when I opened it to find CDs inside, one of which is the 2014 album 'Music To Stand Around and Feel Awkward To'. Tom sent me the booklet, but apologised for not sending the cover, which I then discovered was actually a 7'slipcase which didn't fit! Now, I haven't come across Tom before this, which rather surprised me when I realised that he originally started recording material under this name when he was just 14 years old, and is also involved with other bands as well.

The 24 page full colour A6 booklet provides information as to why the album was recorded, lyrics, Tom's thoughts on each song and details on who was involved. Tom is a multi-instrumentalist, providing lead and backing vocals, guitar, bass, synth, orchestral and drum arrangements, but here he brought in others to help out. These include the likes of guitarists Frank Schiphorst (MaYaN) and Tristan Visser (Majesty) who are provided with the opportunity to go nuts with no constraints. In the booklet it states that Tom provided all music and lyrics, 'except for the solo parts and contributed mayhem by guest musicians which they all rote by themselves (I WASH MY HANDS IN INNOCENCE!)'. Apparently it was recorded, mixed and engineered by Tom 'I AM NOT A CONTROL FREAK' de Wit (his capitals).

If I had read all this before listening to it I am sure that it would have enabled me to listen even more favourably to this than when I played it, and take it from me that was already right up there! They are categorised on PA as Heavy Prog, and to be honest in many ways that is bang on. The site defines the genre as follows: 'Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.' Musically this is a melting pot of bands as diverse as all those above combined with modern symphonic metal, but with strong vocals and a feeling of honesty and presence throughout. It is tight, it is fresh, and overall it is simply bloody great. This doesn't feel in any like a small limited edition release, which this album was, but as if it had been put out by a major label who had been convinced to spend money on it.

The booklet makes me smile, makes me think that as a listener I have a real connection with Tom and what he is trying to achieve, and the music just makes that grin get ever wider. This is grown up music, refusing to pander to any of the fashions that exist, even within the progressive rock scene, and instead is definitely moving down its own path, to its own beat. Highly recommended, the only flaw being that it took me four years to discover it.

 All The World's A Stage by RUSH album cover Live, 1976
3.85 | 421 ratings

BUY
All The World's A Stage
Rush Heavy Prog

Review by UMUR
Special Collaborator Honorary Collaborator

3 stars "All the World's a Stage" is a live album release by Canadian progressive rock act Rush. The album was released through Mercury Records in the US/Europe and through Anthem Records in their native country in September 1976. The original version of the album was a double vinyl release featuring a gatefold sleeve. It´s the first live album release by the band, and according to the liner notes it closes the first chapter of the band´s history.

Rush got their breakthrough earlier in 1976 with the release of their fourth full-length studio album "2112" and the material on "All the World's a Stage" were recorded at Massey Hall in Toronto on June 11, 12, and 13 during their tour supporting the album. "All the World's a Stage" naturally features some tracks from "2112" (including about 16 minutes of the normally 20 minutes long title track), but the band´s first three albums "Rush (1974)", "Fly by Night (1975)", and "Caress of Steel (1975)", are also represented by at least one track each.

Rush have always been an exceptionally well playing band, and that´s true for their live performances too, which "All the World's a Stage" perfectly documents. The album also features a powerful, raw, and organic sounding production, which suits the material well, so "All the World's a Stage" is a fine presentation of a 1976 Rush show (including a drum solo from Neal Peart). The tracklist is well picked, the sound production is relatively well sounding, and the performances are strong from all three members of the band. A 3.5 star (70%) rating is deserved.

(Originally posted on Metal Music Archives)

 A Billion Years Of Solitude by SKY ARCHITECT album cover Studio Album, 2013
3.94 | 171 ratings

BUY
A Billion Years Of Solitude
Sky Architect Heavy Prog

Review by b_olariu
Prog Reviewer

3 stars Sky Architect third album from 2013 A billion yesr of solitude is another great complex prog rock release in their catalogue. They describe their music like this 'music from the heart with a technical edge" - I'm agree with them, all their albums are extremply complicated but with all that all fans of the genre will be pleased for sure. As I said before they embrace the golden age of prog with similarities of Yes, maybe this time the Gentle Giant is not so obvious on this album , The Flower Kings, King Crimson aswell. This is primarly heavy prog with edgy guitars but never metalic with symphonic prog all done in complicated way, nice duelings between musicians, top drumer, what else a fully enjoyble release from this dutch band. From the opening an 18 min kick ass tune - The Curious One - really they know to handle the instruments, what a piece, what a musicianship, I think not many bands from today can play like them. Nice shifting tempos, from piano to more up tempo they melted the arrangements very well and quite intresting like on another worthy piece - Elegy Of A Solitary Giant. The rest of the pieces are aswell top, long elaborated, exactly how I like this style to be. I think Sky Architect fully desearve to be known, all thier 4 albums worth to be investigated, definetly easy listning, but those used with this aproach can easly take a listen, evry album is good to great. One of the respected bands in last almost a decade in prog rock realm. 3.5 stars for sure.

 Test Of Wills by MAGELLAN album cover Studio Album, 1997
3.53 | 112 ratings

BUY
Test Of Wills
Magellan Heavy Prog

Review by Menswear
Prog Reviewer

1 stars Oh Lord have mercy.

This is still part of my Magna Carta plunge. 'Laughing at people is wrong' my mom told me at tender age and I frankly believe it's true. But did you ever had a friend who really thought he 'had it' musically? Common courtesy just tells you to nod and smile, saying gently: 'Wow, you really put some efforts into this!'....and then roll your eyes discreetly.

Singing is fun (we all do it on a daily basis) but singing correctly is tough. Writing a song is reasonnably reachable (Hootie and the Blowfish did it somewhat) but making it believable is something else. So Magellan are telling us that they can sing and write. Ok Okay. Yet again, Magellan's records seem to be plagued with the same old faults over and over again.

Laughing while listening a record is never a good, never. Unless it's Monty Python. The lame drum solo, the overuse of vocal layers and of a worn palette of colors, the cringe worthy singing and the true abscence of cohesion in song structure is taking it's toll. And trombone. Trombone is not a good idea for them.

How can I say this without being rude? I don't think there's enough alcohol in Canada to get through this.

 Clear Blue Sky by CLEAR BLUE SKY album cover Studio Album, 1970
3.30 | 45 ratings

BUY
Clear Blue Sky
Clear Blue Sky Heavy Prog

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

4 stars Recorded by a guitar/bass/drums trio when they were just teenagers, UK band Clear Blue Sky's self-titled debut from 1970 is a bluesy and fuzzy psychedelic shred-fest, with heavy rock songs stretched out by way of jamming soloing and punchy instrumental spurts. Reminding in its electric-guitar dominated parts of everything from Cream, Jimi Hendrix and High Tide, the occasional presence of flute takes it into Jethro Tull and Skin Alley territory, and vocally it calls to the mind Budgie and the early Rush albums.

Those prog fans getting excited at the prospect of an eighteen-minute side-long piece (and one given a title like `Journey to the Inside of the Sun' - trippy, man!) - lower expectations immediately! It's really three unrelated tracks, if still very cool and full of killer playing with energy to spare. Instrumental `Sweet Leaf' sets much of a template for the LP, full of John Simms' muscular electric guitar slinging laced with a molten rocking bluesy swagger, Mark Sheather's thick bass murmurings and Ken White's barrage of drum battery, the trio almost sounding in parts here like Dutch band Finch's more debauched younger brother! After a tricky false-start (you'll pick it when you hear it!), the Rush-like stop-start vocal rocker `The Rocket Ride' reminds of German band Message with its propulsive guitar drama crossed with soul-searching lyrics, and the Budgie-esque `I'm Coming Home' is a peppy vocal rocker with little surges of nimble guitar soloing and blustery noise.

The flip-side's `You Mystify' is another longer one at almost eight minutes, gliding between groovy electric guitar sauntering, bluesy strutting and wailing soloing tantrums, and the Rush-like `Tool of My Trade' has trickles of tasty Hammond organ breaking through the gutsier erupting guitar bursts. The more introspective `My Heaven' crosses reflective acoustic and fiery electric guitar passages with a spiritual slant to the words, and lusty closer `Birdcatcher' is a relentless bluesy wailer that dips into a flute-carried dreamy interlude in the middle before rumbling to life again in the final moments.

Despite being adorned in a Roger Dean cover, `Clear Blue Sky' is hardly a prog-rock album, instead it crosses the sounds of both the late Sixties and emerging Seventies, offering rock tunes branching out with adventurous arrangements and longer unhurried soloing. But those who like guitar-driven `proto-prog' sounds or simply great rock albums with tons of character will likely dig the hell out of this spiky and addictive little one.

Four stars.

 Hour Of Restoration by MAGELLAN album cover Studio Album, 1991
3.40 | 98 ratings

BUY
Hour Of Restoration
Magellan Heavy Prog

Review by Menswear
Prog Reviewer

2 stars The birth of Magna Carta.

Seems like the days before the Internet where the Middle Ages. How did people got informations on anything? Where did you look for information on music? Yes, there was Rolling Stone Magazine, Spin, Kerrang! and Rock n' Folk but they mainly focused of mainstream releases. Once I bought a Rush tribute record from Magna Carta and they gave me a little catalog where I saw bands I never, ever, ever heard before: Cairo? Shadow Gallery? Ice Age? Enchant? Tempest? Magellan? What are those? Hey hold on, there's a tribute record to Jethro Tull?!?

To a young kid who only knew Rush, Magna Carta opened a door to a whole new palette of colors and textures. These records where not available at HMV or Sam the Record Man but only by import. The Magna Carta logo became a beacon of new and exciting stuff only known by really savvy musical nerds. And to think how much energy, time and money the founders put into it, you have to respect the work they did.

I'm always a sucker for nostalgia and great artwork, so the cover immediately grabbed my attention. I also decided to plunge back into my college years by digging into the first prog rock label I ever knew. For better or worse? Well, Magna Carta is known for hosting the Good (Shadow Gallery, Enchant), the Bad (too many) and the Ugly (tribute albums we don't care about).

I already got a taste of Magellan 10 years ago...and I remember now why I didn't dug further. If I was in 1992 and didn't knew anything else, I would have been over the moon with it. But now, that voice, that annoying way of singing of Trent Gardner is really shaking up my soda, to be polite. It's hard to describe but, it feels like the guy is trying too hard. He's not yelling but he's giving way too much all the time. In fact, Magellan IS TRYING TOO HARD all the frickin' time. I read somewhere 'they need to calm down'. It's spot on!! They really do need to take a chill pill.

The music is very americanish: Styx and Kansas (ugh...) are their fuel of choice and I frankly could use a bit more nuance in their songwriting. It's not that it's bad (some segments really kicks ass), it's just too intense; and it's even not prog metal! I can name hundred prog metal albums with more subtlety! It tries too hard to be entertaining and unfortunately goes the other way.

Magellan is like that little book of jokes that made you laugh so much when you were a kid: it isn't funny anymore because you just grew out of it.

Data cached

Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
4X United Kingdom
99 NAMES OF GOD United States
A FORMAL HORSE United Kingdom
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALDENFIELD United States
ALGABAS Russia
ALGARAVIA Brazil
ALTERED STATE United States
AMALGAM EFFECT United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
ATRIS United States
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
CHRONOBUNNY Norway
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DÁNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DÉJÀ-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH ELECTRIC Portugal
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELDER United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
EPITAPH Mexico
ESCHERBACH United States
ESTIGMA Chile
ETT ROP PÅ HJÄLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FIVE OF THE EYES United States
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUTURE WAS PERFECT Bulgaria
FUZZY DUCK United Kingdom
GÅTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST MEDICINE United States
GHOST TOAST Hungary
GLARESHIFT Italy
GLASSWORK Spain
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GODZILLA IN THE KITCHEN Germany
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
H.A.A.S. Colombia
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
HILLWARD Canada
EL HOMBRE ASTRAL Spain
HØST Norway
HUMAN LIFE INDEX United States
HUMUS FUGA Guatemala
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
IDEE CONFUSE Italy
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
IN THE PRESENCE OF WOLVES United States
INDIAN SUMMER United Kingdom
INDISCIPLINE Canada
INFRONT Russia
INTROVISIÓN Costa Rica
IRISH COFFEE Belgium
IZ United States
JACK YELLO Germany
JACKAL Canada
JANE Germany
JARDIN DE PIEDRA Peru
JENGHIZ KHAN Belgium
JIMMY CHAMBERLIN COMPLEX United States
JOHN PAUL JONES United Kingdom
JONESY United Kingdom
JUGLANS REGIA Italy
JUNIPHER GREENE Norway
JUNK FARM Germany
KARMAMOI Italy
KARNIVOOL Australia
KES Turkey
KETTLESPIDER Australia
KIN PING MEH Germany
KINDLER United States
THE KINDRED Canada
KINGFISHER SKY Netherlands
KOPECKY United States
KOURTYL France
L'IRA DEL BACCANO Italy
LAGITAGIDA Japan
LANDBERK Sweden
LANDSCAPE Netherlands
LAST LAUGH Sweden
LEECH Estonia
LEGEND United States
LEST France
LEVIN MINNEMANN RUDESS United States
LIQUID SCARLET Sweden
LIQUID WOLF Finland
LONE STAR United Kingdom
A LONELY CROWD Australia
LORD ONLY United States
LOST APPARITIONS United States
LOST NATION United States
LOVE FAGERSTEDT Sweden
LUCIFER'S FRIEND Germany
LUGNORO Sweden
MAD ARTWORK Sweden
MADRIGAL Germany
MAGELLAN United States
MAGNA VICE Finland
MALOMBRA Italy
THE MARS VOLTA United States
FELIX MARTIN United States
MASTER EXPERIENCE Italy
MAXWELL'S DEMON United States
MAY BLITZ United Kingdom
MEDEA Netherlands
MELODRAMUS United States
THE MERCURY TREE United States
METANOMIA Argentina
MICAH United States
MIGHTY ZAZUUM Croatia
MILESTONE Russia
MINERVA Germany
MOCAH Argentina
MÓDULO 1000 Brazil
HEDVIG MOLLESTAD TRIO Norway
MONTRESOR Australia
MONUMENT / ZIOR United Kingdom
MORTE MACABRE Sweden
MOTHER TURTLE Greece
MOTHERJANE India
MUMPBEAK United Kingdom
MURPHY BLEND Germany
NAIKAKU Japan
NAKED France
THE NATIONAL ORCHESTRA OF THE UNITED KINGDOM OF GOATS Italy
NEBULOSA Sweden
NECROMANDUS United Kingdom
NEM-Q Netherlands
NEPOčIN Yugoslavia
NEVÄRLLÄJF Sweden
NEW SUN United States
NIGHT SUN Germany
NIGHTRIDER France
NINGEN-ISU Japan
NO BRAIN CELL Greece
NO LIFE ORCHESTRA Norway
NO MORE PAIN United States
NOMADIC United States
NON NEWTONIAN MAN Italy
NORTHWIND United States
NOT OTHERWISE SPECIFIED United States
NOUGHT United Kingdom
OCEAN France
OCEANA COMPANY Netherlands
ODIN United Kingdom
OF THE I Switzerland
OKO Yugoslavia
OKTOPUS United Kingdom
OLLOCS United States
ONSÉGEN ENSEMBLE Finland
OPRAM France
OPUS 3 Chile
OPUSCULUS Canada
ORATRISM France
ORIGENS Brazil
ORION DUST France
ORPHAN BLOOM United States
ORPHEO Netherlands
ORPHEUS NINE United States
OSADA VIDA Poland
OVRFWRD United States
P.A.W.N. Germany
PENDULUM Indonesia
PERMIAN INCIDENT Norway
PERSEPHONE'S DREAM United States
PESKY GEE United Kingdom
PHANTOM'S OPERA United States
PHI Austria
PHOENIX DOWN United States
PINKROOM Poland
PINNACLE United States
PIRATE Australia
PLAYGROUNDED Greece
PLESIOSAURIO Argentina
POINTS NORTH United States
POLICROMIA Argentina
POP MASINA Yugoslavia
PORCUPINE TREE United Kingdom
PORT MAHADIA United States
PORTMAN Croatia
POSEIDOTICA Argentina
PRO MUSICA Romania
PROGRESIV TM Romania
PSIGLO Uruguay
PSYCHOCEAN Italy
EL PUENTE DE ALVARADO Mexico
PUGH'S PLACE Netherlands
PULSONICA Argentina
QUATERMASS United Kingdom
RAG I RYGGEN Sweden
RAINER TANKRED PAPPON Brazil
RAM United States
REACHING REVERY United States
RED STAR REVOLT United States
RENAISSANCE OF FOOLS Sweden
ALBERTO RIGONI Italy
ROLE OF THE OBSERVER United States
ROOM United Kingdom
ROSALIA Japan
JASON RUBENSTEIN United States
RUPHUS Norway
RUSH Canada
S&L Italy
S.O.T.E. (SONGS OF THE EXILE) Netherlands
SAELIG OYA France
SAILOR FREE Italy
SANDCASTLE Italy
SARCASME France
SARTORIUS Mexico
SCARLET HOLLOW United States
SECTION 3B Multi-National
SENECA United States
SHAA KHAN Germany
SHADOW MERCHANT United States
SHOW-YEN Japan
SIENA ROOT Sweden
SKELETONBREATH United States
SKY ARCHITECT Netherlands
SL THEORY Greece
SLP Canada
SOLAR ARCHITECT Canada
SOLARHALL Finland
SOLUTION SCIENCE SYSTEMS United States
SONIQ CIRCUS Sweden
SORRY NO FERRARI United States
SOUND & SHAPE United States
THE SOUND OF ANIMALS FIGHTING United States
SPECTRUM Chile
SPETTRI Italy
SPOKE OF SHADOWS United States
SQUAT CLUB Australia
ST. ELMO'S FIRE United States
ST. QUENTIN Germany
STANDARTE Italy
STEEL MILL United Kingdom
STILL LIFE United Kingdom
STOLAS United States
STORM AT SUNRISE United States
THE STORM Spain
STRATEGY United States
SUBSPACE RADIO Finland
SUGARLOAF United States
SULPHAT' KETAMINE France
SVANFRIDUR Iceland
SWEET HOLE Spain
SYLVIUM Netherlands
T2 United Kingdom
TAKE ME FAR AWAY Russia
TDW & DREAMWALKERS INC Netherlands
TEA Switzerland
TEMPEST United Kingdom
TESKA INDUSTRIJA Yugoslavia
THAYKHAY Spain
THE TIRITH United Kingdom
THEMATIC United States
THEORY OF AFFECT Russia
THERHYTHMISODD Sweden
THREE SEASONS Sweden
THULE Norway
TILES United States
TIME COLLAPSE Greece
TIME TRAVELLER Finland
TINKICKER Denmark
KALIN TONEV Bulgaria
TRANSIENCE Australia
TRAUMPFAD Germany
TRILI Puerto Rico
TWENTY SIXTY SIX AND THEN Germany
TWO CHILEKINGS Philippines
TYBURN TALL Germany
UNBROKEN SPIRIT United Kingdom
THE UNDERGROUND SET Italy
URANIAN Argentina
URIAH HEEP United Kingdom
VALHALLA United States
VALINOR'S TREE Sweden
VARGTON PROJEKT Sweden
VÉLOOO France
VEMM Italy
VIRUS Germany
VIVALMA Brazil
VOLVOX Argentina
VON FRICKLE United States
VOS VOISINS Canada
VOTCHI Czech Republic
VULKAN Sweden
VULTRESS United States
WALRUS United Kingdom
WARHORSE United Kingdom
WARPICKS Norway
WARPIG Canada
WATERLOO Belgium
WEEND'Ô France
ANDY WEST United States
WHERE ARE YOU LIAM? Russia
WHITE WITCH United States
WICKED MINDS Italy
THE WINDMILL Norway
WITCHWOOD Italy
WRITING ON THE WALL United Kingdom
XANADU Poland
YANG France
YEARSTONES Norway
YGGDRAZIL Italy
YSMA Germany
YURT Ireland
Z.O.A Japan
ZARATHUSTRA Germany
ZION Italy
MICHAEL ZUCKER United States
ZUNDAPP Italy
ZYDRA Chile

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — jazz music reviews and archives | MetalMusicArchives.com — metal music reviews and archives