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HEAVY PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current Team as of 12/24/14

Louis (rdtprog)
Thanos (aapatsos)
Frank (infocat)

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.40 | 2482 ratings
MOVING PICTURES
Rush
4.37 | 2099 ratings
HEMISPHERES
Rush
4.32 | 1950 ratings
A FAREWELL TO KINGS
Rush
4.29 | 1808 ratings
PERMANENT WAVES
Rush
4.24 | 2241 ratings
IN ABSENTIA
Porcupine Tree
4.24 | 2281 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.19 | 1103 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.16 | 964 ratings
THE MOUNTAIN
Haken
4.17 | 685 ratings
SALISBURY
Uriah Heep
4.17 | 544 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.11 | 1851 ratings
2112
Rush
4.10 | 1809 ratings
DEADWING
Porcupine Tree
4.09 | 933 ratings
VISIONS
Haken
4.11 | 602 ratings
LOOK AT YOURSELF
Uriah Heep
4.08 | 931 ratings
AQUARIUS
Haken
4.06 | 1182 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.07 | 669 ratings
DEMONS AND WIZARDS
Uriah Heep
4.05 | 816 ratings
FRANCES THE MUTE
Mars Volta, The
4.03 | 1340 ratings
LIGHTBULB SUN
Porcupine Tree
4.10 | 372 ratings
FROM WITHIN
Anekdoten

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

A.F.T.
Automatic Fine Tuning
ZOOMA
Jones, John Paul
SKELETON IN ARMOUR
Fusion Orchestra
MÉMOIRES INCUBUSSIENNES
ExCubus

Latest Heavy Prog Music Reviews


 Machine Years by TONEV, KALIN album cover Studio Album, 2017
4.14 | 5 ratings

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Machine Years
Kalin Tonev Heavy Prog

Review by Replayer

5 stars Having previously been the main force behind Bulgarian instrumental prog outfit TravelHouse, keyboardist Kalin Tonev recorded Machine Years as his first solo album, which I find to be a very impressive effort.

Machine Years is an instrumental prog album, the only vocals present being in the form of short samples. The album's cover is indicative of its retro-futuristic sound, blending 70s style riffing with electronic and contemporary influences. Kalin has developed a style of his own and the compositions' style is very cohesive, while also showcasing variety. The entire album is drenched in Hammond organ, drenched I say! However that is not to say that the album is dominated by the organ, which is often relegated to the background. Kalin also uses Mellotron string samples on several tracks in a sparse, but effective manner.

In addition to Kalin, who is responsible for keyboards, samples and programming as well as composing the music, the album notes credit three guitarists. Two of them, Biser Ivanov and Daniel Eliseev, had previously played with Tonev in TravelHouse. However, it is Nenko Milev who plays guitar for the bulk of the album. The bass and drums are programmed, but this is no slight on the quality of the album, as they sound real and they're played in a very natural manner, so that I didn't even notice until I read the album credits.

I'm not going to describe every single track, since there are thirteen of them, but rather cover a subset to provide an idea of the album's sound.

Human Not Machine sets the tone for the album, a heavy but joyous track loaded with Hammond organ, guitar riffs, and Minimoog.

Beings is the only track that features contributions from two different guitarists, namely Milev and Eliseev. The track alternates between heavier guitar-dominated sections and spacier synth sections.

Eliseev also appears on the next track, Dust, which abandons the heaviness of the previous tracks and is a spacy and mellow instrumental featuring an ethereal synth pad accompanied by acoustic guitar. A lovely composition.

Mad Dancer is the album's most diverse track, featuring an electronic intro and outro, wordless female chanting samples, distorted guitar riffs, frantic organ solos, and even Baroque organ fugues.

I particularly enjoy Kalin's Minimoog solos on on News from Nowhere, the album's longest track.

Garden is a introspective track, centered on a melancholy bass line and electric piano.

I must say that I enjoy Tonev's organ playing very much and that he has developed his own unique style that does not bring up comparisons with Keith Emerson, Rick Wakeman, Jon Lord, Tony Banks, Ken Hensley, David Sinclair, Peter Bardens or other notable rock organists I'm familiar with.

As a side note, I was offered a free review copy of this album. However, upon listening to the first track, Human Not Machine, on Bandcamp, I immediately decided to buy the album on the opening track's strength alone. It's albums such as these that make me optimistic about the future of prog and remind me that it's still alive and kicking. 4.5 stars rounded up.

 Machine Years by TONEV, KALIN album cover Studio Album, 2017
4.14 | 5 ratings

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Machine Years
Kalin Tonev Heavy Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

4 stars

Kalin is a "new" musician to me, but he has been involved in the progressive scene in his native Bulgaria for some years, both in bands and by running a regular radio show. What we have here is an instrumental album, with Kalin providing keyboards and drum programming, and then he has been joined by three different guitarists. But, it must be said that this doesn't sound like a solo project, but much more like a band. Kalin relishes in a filthy keyboard sound, providing chords and passages that wouldn't sound out of place on a Keith Emerson album, if Keith was in his darkest and foulest mood as opposed to his honky-tonk sideshows. The best way I can think of putting it, is that if Chris Squire played keyboards instead of bass then he would have a sound like this.

Although there is a darkness to this album, it is complimented by plenty of light and brightness and is full of invention and dynamics. There are very little "Look at me and see how quickly I can play" moments, but rather this is an incredibly well-arranged album where there are times that he links into the guitar as if it is Jon Lord and Ritchie Blackmore, or Ken Hensley and Mick Box. This isn't a keyboard solo album, but a progressive rock album with plenty of guts and balls, where the lead instrument is often (but not always) the keyboards. Now I've heard this it has got me wondering what his "real" band albums are like, and when we're going to get the next solo release. But for now, I'll just keep playing and enjoying the wonderful album that is 'Machine Years'.

 Irish Coffee by IRISH COFFEE album cover Studio Album, 1971
3.49 | 37 ratings

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Irish Coffee
Irish Coffee Heavy Prog

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

4 stars Hailing from Belgium, early Seventies band Irish Coffee only delivered a couple of singles and a sole album in their few years active, but the debut from 1971 is a bit of a dirty raucous ripper of organ dominated heavy rock with light touches of jazz, R n'B and psych but still finds time for more mindful breaks. Think bands like Atomic Rooster, Deep Purple, Rare Bird, Birth Control and Beggars Opera, with gruff Hammond organ to the fore and fleeting moments of drawn out jamming, but mostly delivering a strong punchy collection where the tune itself is always the priority.

Opener `Can't Take It' is up-tempo and infectious, a snappy rocker and blustery vocal belter powered by Jean Van Der Schueren's biting guitar slinging, Willy De Bisschop's pumping chunky bass and Hugo Verhoye's frantic drumming. `The Beginning Of The End' lurches with a dramatic heaviness of marching call-to-arms drum rattles, Paul Lambert's thoughtful organ interludes and dreamy chiming guitars with William Souffreau's blistering red-faced huffing almost taken to testicle- bursting extremes in parts! `When Winter Comes' slows things down for a Rare Bird-like stark and introspective weary rock- ballad (although there's an unexpected but very welcome energetic burst in the closing minute), where the vocals move between sombre spoken word passages, warm group harmonies and a romantic lead vocal full of aching longing crooning a despondent yet tender lyric - and damned if the line `Will you came and be my sun?' wouldn't win over any lady!

Prog fans shouldn't get too excited when they see the two-part `The Show' listed on the back cover that is split over the end of side one and carries on over on the flip. While they both share a similar `come see the show' theme and wild party vibe, the first is a unapologetic pop-stomper with funky grooving wah-wah guitars and brief wailing soloing spots, a screeching vocal and call-and-response Hammond trickles all swirling around a catchy chorus, while the second is dirtier with a murky sweaty sound full of lusty debauchery!

`Hear Me' has a crashing and restless momentum from delirious smoky Hammond organ runs and mangled guitar raggedness, and the tormented `the Devil's in my head, Lord I need you...can't help myself, it's this world that makes me do it!' lyric wouldn't have sounded out of place on an Atomic Rooster album! The almost seven minute `A Day Like Today' is one of the more ambitious pieces, full of ruminative droning Pink Floyd-like guitar drifts, and with its downcast and anxious anti- war lyric and desperate urgent vocal pleadings, its sentiment is undoubtedly genuine. Closer `I'm Lost' is another nice diversion, a gentle come-down pop-rocker with jangling acoustic guitars, a rattle of spirited drums and joyful Hammond organ, and both vocally and instrumentally it reminds of British band Beggars Opera from the same time.

While it's maybe not quite up to the same level as the best albums of several of the above-mentioned bands, listeners who dig those early `proto-prog' groups that made adventurous rock music full of cool playing and great tunes should have a blast with `Irish Coffee'. It's a grower of an album, one that proves highly addictive and seriously fun if you give it enough spins!

Four stars.

 Night To Day by TIME COLLAPSE album cover Studio Album, 2017
4.32 | 9 ratings

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Night To Day
Time Collapse Heavy Prog

Review by The Jester

4 stars Time Collapse is a rather new band from Athens, Greece, which I discovered recently through Prog Archives. Being from Greece as well, I'm always trying to pay attention and support the bands that come from my country, assuming they worth it of course. I have to admit that during the last 10 years, many bands appeared in Greece that are very interesting to say the least. One of those bands is Time Collapse without a doubt. Almost a month ago (if I'm not mistaken), they released their debut album Night and Day, which includes 7 songs and has a total running time of almost 40 minutes. In my mind, the album is divided into two major parts. If it was a vinyl edition, for example, A-side would be including the first 4 songs and the B-side the almost 18-minute-long suite Messiah Complex, which is divided into 3 parts. But since there is no vinyl edition available (as far as I know), you can buy the album either in a CD, or in a digital form from the band's account in Bandcamp. Now, let's take a closer look at the album: The opening song that works also as the album's intro is the very good and atmospheric Time Bound, which after 2 minutes is being transformed into Time Collapse. These two songs are forming a short 7-minute-long medley, which gives to the listener a pretty good idea of what this band is about. The beautiful psychedelic soundscapes, mixed with loud guitar riffs, accompanied by the excellent collaboration between the bass and the drums, are creating a great overall outcome, which brings to my mind something between Tool and Porcupine Tree. As for the keyboards, they are giving a little "extra" to their sound, without being too much. The band seems influenced a lot from the two bands I just mentioned, but they manage to blend their influences into their sound in such a way that is not a problem at all. Imagine the loud riffs and sudden changes of Tool, combined with the long atmospheric passages of ? the early ? Porcupine Tree, and you will get an idea. Also, one of the major problems of the Greek bands, is the English accent on many ocassions. Well, no problem here at all. Their singer's voice that is matching the band's sound and his English accent is very good. (Or good enough if you like). Now, having all these things in mind, it's up to you to decide if you are interested or not, but my recommendation would be to give these guys a chance. Maybe they are not bringing something new or groundbreaking in the modern music scene, but they created a very good and powerful album, that could be appreciated by people with "open ears" and minds. It's not Progressive Rock, it's not Progressive Metal, it is something in between.

4 stars for their first and very interesting album, hoping that they will keep up in the same way in the future!

 Night To Day by TIME COLLAPSE album cover Studio Album, 2017
4.32 | 9 ratings

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Night To Day
Time Collapse Heavy Prog

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

5 stars From Greece, this five piece band delivers their first album about the transition from night to day and darkness into light. This album is the result of 3 years of work and I can say that these guys didn't waste any of their time writing and recording this one. The album starts with a short intense instrumental track. It is followed by some Porcupine Tree experimental soundscapes with piano before the heavy guitars and the vocals kicks in. The mood and the pace of the song can also be close to what Tool has been doing for many years. "Reflecting Lies" show some complex drums patterns and a good use of the vocals and some nice guitar playing. "Night to Day" is another great track with an electronic intro and a piano break, this instrument is, in fact, use a lot on this album to create that duality of the heavy and the light. The songs have a lot of breathing room before the heaviness comes in. After the heaviness of the first part of the 3 parts suite "Messiah Complex", the band surprises us with a 2 minutes loop woman chanting before getting into a heavier mode. The band continue to use that Porcupine Tree rhythm guitar chords but mixed with some original guitar playing and some complex structures. The intensity level of the songs is always present even in the slower pace passages. The last song is another instrumental song to complete the cycle, this one being the acoustic and calm one compare to the first. From the production to the musicianship, the arrangements and the songwriting, this album is an excellent discovery. You can get this one for free at their Bandcamp page, I can't give only 4 stars, compare to what I have been hearing lately, it's a solid 4.6 stars.
 Night To Day by TIME COLLAPSE album cover Studio Album, 2017
4.32 | 9 ratings

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Night To Day
Time Collapse Heavy Prog

Review by DamoXt7942
Forum & Site Admin Group Avant, Crossover & Neo Teams

4 stars Another brilliant sunrise in the spring of 2017. A Greek rock outfit Time Collapse have got started as a promising heavy / experimental quintet, and finally their full-length debut shot "Night To Day" veiled in a beautiful, mysterious sleeve in March, 2017. They say (both in their own bio and upon their Bandcamp page) they are a crossover / metal progressive rock band but sound not of crossover nor of metal for me. Through their debut creation, I guess it should be more natural they are called as a heavy rock project seasoned with metallic taste and slight pop spice. It might be apparent that they would have got massively influenced by 70s Rush or King Crimson.

Their playing technique is quite qualified, and composition and production are well elaborated. Kinda vibration between calmness and loudness is balanced, and their melodic view is filled with cool tightness, deep heaviness, and mystic ethnicity ... sounds inspired by modern Myth. And don't forget their soundgarden itself is leaning towards 70s heavy prog tinged with pop essence eventually. What an amazing manner they invited catchy flavour whilst composing such a deeply heavy opus. Battles of instruments (guitars and keyboards) in the front line supported with the strict rhythm section (especially in Messiah Complex Suite) are excellent although there is not so dramatic nor theatrical atmosphere. We can believe they will create / produce in more and more enthusiastic manner in future yes.

 Individual Unique by MEDEA album cover Studio Album, 2002
3.30 | 8 ratings

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Individual Unique
Medea Heavy Prog

Review by b_olariu
Prog Reviewer

3 stars Medea is a dutch progressive metal band formed around the excellent guitarist Henry Meeuws. They released so far two albums, Individual unique and Room XVII in 2006. The music is very much close to another famous band from land of tulips Ayreon, but with their own twist and with a lot of great ideas. The debut is released in 2003 named Individual unique and has an very intresting concept - is about a young ambitious artist in 18th Century from Florence- Italy who is visited by the spirit of Michelangelo. Lots of cast of characters, female/male singers, musicians and all perform and give life to the story. Musicaly speaking is prog metal well performed with some bombastic parts , a rock opera I might say very much what Ayreon done in the past. The pieces are long enough to show us that the instrumental passages are well developed, some very nice guitar/keyboards moves, the opening Overture 1564 is excellent setting the mood for the rest to come, 'Day' & 'Night' the lenghtier track from here , clocking around 10 min is another top piece, Henry Meeuws handle the guitar pretty well and aswell the keyboards. All in all more then decent album in prog metal field, maybe not as great as their second offer Room XVII, but I like what I've heread on both albums, is a pitty that they've stoped only on 2 albums so far, promissing band for sure. 3.5 stars without hesitation.

 Jellyfish by ANXTRON album cover Studio Album, 2017
3.08 | 4 ratings

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Jellyfish
Anxtron Heavy Prog

Review by Chalcobalt

3 stars This Brazilian outfit plays a quite varied mix of progressive rock and metal without getting too eccentric. 'Armadillo Inc' is the one track that caughts most of my attention with its laid-back fusion style and quaint bass and drums. Other songs such as 'Toca do Lagarto' and 'Pororoca' are built around raw guitar riffs, whereas the metal guitar is ever present, as is the keyboard background.

As a whole the album is a solid and genuine craft showcasing great musicianship despite containing quite few eye brow-raising moments. In the long run, most of the tracks unfortunately does not lift upon repeated listening but rather feels increasingly worn out, which I attribute to the vast presence of monotonous use of melodies.

 Machine Years by TONEV, KALIN album cover Studio Album, 2017
4.14 | 5 ratings

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Machine Years
Kalin Tonev Heavy Prog

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

4 stars I'm sure it's okay to notice, that Bulgaria is not really the center of prog when it comes to Eastern Europe. There are many more genre bands coming from Hungary, Czech Republic respectively Slovakia ... and of course Poland most notably. So much the more it's a pleasure for me to introduce KALIN TONEV again, certainly an important figure in his country concerning this genre. So for example he drives an acclaimed radio prog rock show, which is part of the Bulgarian National Radio programme. And he had appearances in more than 20 bands in the meanwhile while being underway in many different styles.

Kalin is already known to me due to the fact that he has been the mastermind of the band TravelHouse some years ago. They released one album under this moniker in 2008, called 'Mindmapping', which is mirroring a quite diverse stylistical journey. Now 'Machine Years' sounds ... different, yeah, unique. A powerful statement most likely, and heavily keyboard-laden. Although supported by three guitarists on nearly all the 13 tracks, this album can be seen as a solo effort with reason, as he is responsible for the song writing as well as production and substitutes the regular bass and percussions. I'm quite sure, that the drum programming as such emerged into a great challenge, caused time. The implementation is tricky overall, not easy to recognize that an acoustic drum set won't play a role here.

The album is an instrumental one, opens with a speech sample anyhow. I would say immediately pointing to its main philosophical theme, as Kalin is obviously dealing with the relationship of humans and machines in general. Both Human Not Machine parts are heavy in execution, featuring a bombast feel, somewhat representative for the album's flow, surely a centerpiece. Furthermore, just emphasizing Beings or Dust for example, you can't deny a strong symphonic essence too. And then again This Empty Space and Late Again are drifting into a more spacey and even downbeat/lounge orientation.

Released in January 2017 KALIN TONEV offers an enjoyable album with 'Machine Years'. I can hear glimpses of Atomic Rooster, ELP, Rick Wakeman ... one or two may detect other influences of course. Initially this sounded a bit single-tracked to me, in the meanwhile though I'm effectively convinced. And this is not least the merit of the collaborating guitarists too, which means Nenko Milev first and foremost. It's worth it to take your time in order to bring this songs into effect really.

 Fantasy Absent Reason by OVRFWRD album cover Studio Album, 2015
3.77 | 19 ratings

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Fantasy Absent Reason
Ovrfwrd Heavy Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

4 stars

There aren't many bands who go out on a limb and finance a vinyl release of their second album, so all power to Ovrfwrd for making this available either digitally or as a real honest to goodness record. The album kicks off with the sixteen-minute-long title cut, which allows the band to show all the tricks they have available. They are very much their own band, but some of their most important influences are on display on this song, with Discipline and King Crimson well to the fore. They move from bombastic and discordant to gentle and reflective without a pause for breath, from prog metal to piano-led gentleness, going wherever they feel the music is taking them. Rikki concentrates on cymbals when the time is right, hardly touching the rest of the kit, while swirling keyboards can provide accompaniment to the melody leads of electric guitar and piano.

That this is the highlight of the album is never in doubt, but the rest of the songs also stand well up to muster, with "Brother Jack McDuff" having a late-Sixties feel with plenty of Hammond organ sounds on clear display. The joy of both these albums is that the guys clearly know what they want to achieve and have a diverse approach to getting there. I know that they are currently working on their third album, which I am eagerly awaiting, as both of their albums to date are well worth investigating and I know that the next one will surely build on what they have been doing to date.

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Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
4X United Kingdom
99 NAMES OF GOD United States
A FORMAL HORSE United Kingdom
ABASH Italy
ABIGAIL'S GHOST United States
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALGABAS Russia
ALGARAVIA Brazil
ALTERED STATE United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
DAVID BARRET TRIO Canada
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHOLO VISCERAL Peru
CHRONOBUNNY Norway
STEVE CICHON United States
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DÁNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DÉJÀ-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH FLIGHT Germany
EASTER ISLAND United States
EIGHTH WHALE United States
ELDER United States
ELF PROJECT United States
ELIAS HULK United Kingdom
ELONKORJUU Finland
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
EPITAPH Mexico
ESCHERBACH United States
ESTIGMA Chile
ETT ROP PÅ HJÄLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FLOTANTE Chile
FORGOTTEN SUNS Portugal
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUZZY DUCK United Kingdom
GÅTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST MEDICINE United States
GHOST TOAST Hungary
GLASSWORK Spain
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GODZILLA IN THE KITCHEN Germany
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
H.A.A.S. Colombia
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
HILLWARD Canada
EL HOMBRE ASTRAL Spain
HØST Norway
HUMAN LIFE INDEX United States
HUMUS FUGA Guatemala
I AM THREE PEOPLE Finland
I BOW CANDLES Multi-National
IDEE CONFUSE Italy
IMAGERY Brazil
IMAGIN'ARIA Italy
IMPULSO DE LOS SONIDOS INCONSCIENTES Argentina
IN OCEANS United Kingdom
IN THE PRESENCE OF WOLVES United States
INDIAN SUMMER United Kingdom
INDISCIPLINE Canada
INFRONT Russia
INTROVISIÓN Costa Rica
IRISH COFFEE Belgium
IZ United States
JACK YELLO Germany
JACKAL Canada
JANE Germany
JARDIN DE PIEDRA Peru
JENGHIZ KHAN Belgium
JIMMY CHAMBERLIN COMPLEX United States
JOHN PAUL JONES United Kingdom
JONESY United Kingdom
JUGLANS REGIA Italy
JUNIPHER GREENE Norway
JUNK FARM Germany
KARMAMOI Italy
KARNIVOOL Australia
KES Turkey
KETTLESPIDER Australia
KIN PING MEH Germany
KINDLER United States
THE KINDRED Canada
KINGFISHER SKY Netherlands
KOPECKY United States
KOURTYL France
L'IRA DEL BACCANO Italy
LAGITAGIDA Japan
LANDBERK Sweden
LANDSCAPE Netherlands
LAST LAUGH Sweden
LEECH Estonia
LEGEND United States
LEST France
LEVIN MINNEMANN RUDESS United States
LIQUID SCARLET Sweden
LIQUID WOLF Finland
LONE STAR United Kingdom
A LONELY CROWD Australia
LORD ONLY United States
LOST APPARITIONS United States
LOST NATION United States
LUCIFER'S FRIEND Germany
LUGNORO Sweden
MAD ARTWORK Sweden
MADRIGAL Germany
MAGELLAN United States
MAGNA VICE Finland
MALOMBRA Italy
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