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KRAUTROCK

A Progressive Rock Sub-genre


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Krautrock definition

Krautrock (also called "Kosmische musik") is a German avant-garde / experimental rock movement that emerged at the end of the 1960's. It was intended to go beyond the eccentricities developed by the wild psychedelic rock universe of the US, by giving a special emphasis to electronic treatments, sound manipulation and minimal hypnotic motifs (continuing the style of "musique concrete" and minimalist repetitive music but within a more accessible environment).

Krautrock put the emphasis on extended and ecstatic instrumental epics, neglecting the format of conventional psych-pop songs. The term Krautrock was first used by the British music press in a very derogatory way. The term rapidly found a better reputation in underground music circles and finally gained a certain popularity (thanks to the Brain-Festival Essen...)

The Krautrock movement is widely associated with notorious bands such as Popol Vuh, Amon Duul, Faust, Neu!, Ash Ra Tempel, Agitation Free, Guru Guru, etc. With their own particular artistic expression, these musical collectives provided rocking psychedelic incantations, mantra like drones, melancholic lugubrious atmospheres, long and convoluted collective improvisations, binary repetitive drum pulses, fuzz guitars, feedback, primitive electronic noises, hallucinatory ballads, and garage blues rock trips. Krautrock can be described as an anarchic, intense, acid, tellurian, nocturnal, spacey, dark and oniric "adventure" through rock music.

The most consistent years of the Krautrock scene cover a relatively short period from 1970 to 1975. After their first spontaneous, hyperactive and psychedelic efforts, the bands generally split up or declined into other musical sensibilities, more in line with mainstream rock or with ambient soundscapes.

Each region develops its particular musical scene, interpreting differently the Krautrock musical structure. For instance the Berlin school focused on "astral" synthscapes, weird electronic experimentation and acid jams (Ash Ra Tempel, Agitation Free, Mythos, The Cosmic Jokers, Kluster...), The Munich scene offered fuzzed out (Eastern) psych rock mantras with some folk accents (Popol Vuh, Amon Duul, Gila, Guru Guru, Witthuser & Westrupp...). Cologne and Dusseldorf underground scenes focused on happenings, political rock, electronics, pulsating rhythms and clean sounding Krautrock (Floh de Cologne, La Dusseldorf, Neu! Can...).

This musical cartography is correct in the absolute but naturally reveals some variations and exceptions. This intriguing and freak 'n' roll 1970's German scene enjoyed a rebirth in recent years thanks to a large number of reissues (of long lost classics) published by several independent labels (Spalax, Garden of Delights, Long Hair Music...) as a direct result of Krautrock's musical inspiration of modern post rock bands. There are actually some neo psychedelic rock bands who try to hold up Krautrock, and who notably find a major place to express themselves during the historical Burg Herzberg Festival in Germany.

Philippe Blache
December 2007



The responsibility for the psych/space, indo/raga, krautrock and prog electronic subgenres is taken by the PSIKE team,
currently consisting of
- Sheavy
- Meltdowner
- siLLy puPPy
- Rivertree



handbook

Krautrock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Krautrock | More Top Prog lists and filters

4.19 | 278 ratings
HOSIANNA MANTRA
Popol Vuh
4.15 | 360 ratings
ASH RA TEMPEL
Ash Ra Tempel
4.25 | 122 ratings
EDGE OF TIME
Dom
4.11 | 443 ratings
YETI
Amon Düül II
4.08 | 521 ratings
FUTURE DAYS
Can
4.49 | 44 ratings
EISZEIT
Gam
4.09 | 308 ratings
TANZ DER LEMMINGE [AKA: DANCE OF THE LEMMINGS]
Amon Düül II
4.13 | 178 ratings
GILA - FREE ELECTRIC SOUND
Gila
4.08 | 326 ratings
NEU!
Neu!
4.16 | 116 ratings
LETZTE TAGE - LETZTE NÄCHTE
Popol Vuh
4.03 | 393 ratings
PHALLUS DEI
Amon Düül II
4.08 | 128 ratings
SELIGPREISUNG
Popol Vuh
4.42 | 35 ratings
TONY CONRAD & FAUST: OUTSIDE THE DREAM SYNDICATE
Conrad, Tony
4.00 | 248 ratings
MALESCH
Agitation Free
4.06 | 130 ratings
KÄNGURU
Guru Guru
4.02 | 188 ratings
ELECTRIC SILENCE
Dzyan
4.05 | 126 ratings
VOLUME 10
Electric Orange
3.98 | 262 ratings
WOLF CITY
Amon Düül II
3.94 | 600 ratings
TAGO MAGO
Can
4.03 | 137 ratings
AGUIRRE
Popol Vuh

Krautrock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Krautrock experts team

A COUPLE OF TIMES
Twogether
I'M GONNA TAKE YOU HOME
Ya Ho Wha 13
DELUSION
McChurch Soundroom
ORION AWAKES
Golem

Latest Krautrock Music Reviews


 Affenstunde by POPOL VUH album cover Studio Album, 1970
3.16 | 97 ratings

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Affenstunde
Popol Vuh Krautrock

Review by Mellotron Storm
Prog Reviewer

3 stars This certainly sounds nothing like Florian's 70's albums but then this was his debut released in 1970 and he seemed to be experimenting a lot with his moog here. POPOL VUH were a four piece here with synths, tablas and percussion rounding out the instruments. I remember when I picked this up I thought that despite the poor rating I would like it given the descriptions. Well... not so much as those first two tracks in particular really annoy me, while the third track is more what I was expecting throughout this album. The final track is hit and miss so 3 stars is the best I can do.

""Dream Part 4" yes I'm skipping the long title before the first three songs. Anyway it opens with birds chirping before some brief water sounds then atmosphere. Then these high pitched bleeping sounds come in that drive me crazy. This continues until around 3 1/2 minutes but they do return. Just not into this one. "Part 5" opens with atmosphere before this annoying percussion with tablas takes over, again not my scene.

"Part 49" is much better as we get some spacey sounds and this is fairly dark and sparse with some faint percussion. The final tune is the title track at over 18 1/2 minutes. Interesting sounds come and go before the drums rumble in. It sounds pretty cool before 3 minutes. I like this. Drums stop before 5 minutes as a haunting soundscape continues. A change 6 1/2 minutes in as we get a pulsing sound with a humming over top. Blipping sounds join in and it stays this way for a long time right to the end.

I rate pretty much all his 70's albums 4 stars and up so yes this was disappointing to say the least. A low 3 stars from me.

 Astral Shaman by LUNAR GRAVE album cover Studio Album, 2010
4.00 | 2 ratings

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Astral Shaman
Lunar Grave Krautrock

Review by Mellotron Storm
Prog Reviewer

4 stars LUNAR GRAVE are a 4 piece Psychedelic band out of the USA. They have released at least 14 recordings and this is their 2010 debut. I have this and their 2014 EP called "Fra Traern". I've put them both on a cdr giving me 50 minutes of great music. All their recordings would be considered mini albums, EPs or singles.

"Peak Of Eternal Light" hits the ground running with repetitive guitar leads and distortion. Another guitar comes in over top sounding distant at first. They jam in a repetitive manner throughout. "Mantra III" has this heavily distorted but melodic guitar throughout. Nice.

"Land Of The Lost" is my favourite. Again distorted guitar and drums create a catchy sound but it's the guitar that solos over top that I love. So good! "Line Of Apsides" has strummed guitar and distortion until it settles before 2 minutes with two guitars playing different parts in a tasteful manner.

"Docking Procedure" starts out similar to the opener but slightly slower paced. Some distant vocals at times. Guitar comes in over top 2 minutes in. This is really good. It ends with solo guitar grinding it out until a burst of distortion ends it. Nice.

Nothing new here but I like this one a lot. I do prefer "Fra Traern" for what it's worth, especially that gorgeous cover art.

 Zubberdust ! by AVEC LE SOLEIL SORTANT DE SA BOUCHE album cover Studio Album, 2014
3.95 | 2 ratings

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Zubberdust !
Avec Le Soleil Sortant De Sa Bouche Krautrock

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

4 stars A very interesting Montreal, Canada, based quartet, initiated by Jean-Sebastien Truchy as the main composer, singer and bassist. Like no other outfit they are managing the art of blending an hypnotic krautrock flow and funky groove with avantgarde approach, melody, psychedelic vibe as well as contemporary electronics. With other words, this sometimes sounds like, eh, maybe an hybrid of Turzi, Lumerians and Talking Heads. Their debut still sees founding member Nasir Hasan on drums, not present anymore though on the follower album released in 2017 by the way.

Well, they also are operating with samples a lot. Furthermore, as a very special trademark, you may consider some really fabulous choir vocal arrangements. This one requires full concentration, an intensive tension-filled affair. First suite Face A L'instant opens with an aggressive bang, but soon moves over into their typical style equipped with a funky, motoric beat. Second suite Super Pastiche Fantastique then culminates into the dramatic New Sun IV. A smashing album which closes with the very melancholic outro À Partir De Dorénavant. This is something off the beaten path for you.

 Mythos by MYTHOS album cover Studio Album, 1972
3.55 | 90 ratings

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Mythos
Mythos Krautrock

Review by Igor91

4 stars Mythos' debut LP from 1972 is an excellent slab of seriously psychedelic rock of the German variety. I must admit that this one was a grower for me, as the vocals get some getting used to. The opening track, "Mythoett" is a nice, hippie-dippie, flute injected tune, and probably the easiest to digest for the uninitiated listener. With the following song, "Oriental Journey," things get a bit darker and weirder. There is some nice percussion work and sitar going on here, and we hear vocals for the first time. The vocals are haunting and drenched in reverb, which suits the music well. Next up we have "Hero's Death," which sounds like a combination of Pink Floyd circa 1967 and proto-doom metal band Pentagram in the early 70's, and it actually works quite well. The vocals on this one are a bit "off" so to speak, so if you are into Krautrock you will take this as part of its charm, if not you may cringe and run. After repeated listens it definitely grows on you, as does the whole album.

Finally, we have the second half of the album closed with a two part track, "Encyclopedia Terrae." The epic song is an instrumental psychedelic paradise with lots of freaky workouts reminiscent of early Pink Floyd and Ash Ra Temple. It closes with a spoken word story, which is very "of the time" so to speak. It talks about the "killing and fighting" of mankind and how a man built a time travel machine to go into the future to try and escape it, and fails, suggesting (accurately, unfortunately) that it is part of human nature to be violent.

One of the things that struck me most was how well the album sounds. The recording and production is very good for 1972 West Germany, and gives this one a little bit of a boost in the process. It is certainly not a ground breaking masterpiece by any means, but a very good offering of truly psychedelic Krautrock from the early 70's. Mythos would completely revamp its line up after its debut, save Stephan Kaske, and their follow up, "Dreamlab," is not as strong in my opinion. I give their self-titled debut 4 stars.

 Idiolects by FOTOSPUTNIK album cover Studio Album, 2011
4.00 | 2 ratings

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Idiolects
Fotosputnik Krautrock

Review by Mellotron Storm
Prog Reviewer

4 stars FOTOSPUTNIK are a trio out of Chicago who offer up some excellent Psychedelic/Space Rock but I did think of KRAFTWERK and NEU! at times bringing that side of Krautrock to mind. This is their second full length album where we get some hypnotic and driving tunes but also plenty of spacey and atmospheric sections. Nothing new here or earth shattering that's for sure but this was a really enjoyable trip every time I spun it.

"Noctambulants" is the short 1 1/2 minute intro track which features outbursts of powerful distortion throughout. "Palos Lions Are Feeding" has this distorted pulsating sound with spacey atmosphere. Picked guitar after a minute comes in over top. It kicks in hard just before 3 minutes with drums and more before turning spacey. Contrasts continue. I love how spacey this becomes after 4 1/2 minutes with a slow beat pretty much the rest of the way.

"Only Answer Is Arson" is a top four track for me. Powerful distortion to start before a slow electronic-like beat with drums and more takes over a minute in. Guitar over top 2 minutes in. Great sound! It ends with a hilarious sample from a disco station out of San Antonio. "Spanish Inquisition Garage Sale" has beats, atmosphere and picked guitars over top. Sounds really good.

"Turnpike(Death Valley Driver)" is a KRAFTWERK/ NEU! type of driving tune that is meant to have a desert vibe to it. Check out the guitar after 1 1/2 minutes! "Pax Americana" is a top four along with the last two tracks that follow this one. Sounds like straight up guitar, bass and drums creating a catchy groove here. Keys after a minute along with some spacey atmosphere. It calms right down before 3 minutes then builds again. So good! It ends in an experimental manner.

"Mars Is Peopled And They Want Soap" opens with a bass line as we get some atmosphere then guitar as it builds. Distant sounding thunder can be heard at times. Well it is Mars. Love how trippy this is. It starts becoming more spacey then a calm with thunder, guitar and percussion takes over after 4 minutes. It kicks into a groove before 4 1/2 minutes. Nice. The groove stops as it turns powerful and atmospheric.

"Lunar Module" ends it with some beautiful guitar melodies as relaxed drums join in along with spacey sounds. So uplifting! It's bass only 2 minutes in to the end.

I tend to listen to a lot of music while driving so this was an enjoyable recording to have as my soundtrack this past week, especially cranked up high. Check them out on their Bandcamp page.

 Dies Irae / Shannondoa's Traum by SHANNONDOA album cover Singles/EPs/Fan Club/Promo, 1972
2.60 | 5 ratings

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Dies Irae / Shannondoa's Traum
Shannondoa Krautrock

Review by DamoXt7942
Forum & Site Admin Group Avant, Crossover & Neo Teams

2 stars A German obscurity SHANNONDOA had momentarily been active around 1972 as a one-off project for launching only one ep. It's said this project might be another incarnation of Christian Anders but who knows ... "Dies Irae / Shannondoa's Traum" can be kinda "lost gem" in Krautrock scene (there's not enough progressive essence nor innovative elements though). Via the former track we can hear depressed, collapsed eerie darkness featuring crazy, bizarre narrations all around. Just like the sleeve, tragic and fatal moments are existing here and there solemnly. The latter one is drenched in serious disquietude, even along musical calmness and stability. I wish the project had released a full-length album, and at the same time, guess he / they could have exploded just a moment only for an ep. Cannot recommend for all Krautrock fans but let me say what an impressive stuff.
 Sykli by SIINAI album cover Studio Album, 2017
4.00 | 3 ratings

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Sykli
Siinai Krautrock

Review by mitarai_panda

4 stars Siinai is a band from the krautrock genre in Finland, but the style is also close to post-rock, which means they are combined. The band released its first album in 2011 and released five albums until last year's Sykli. Their music has a complex, intensive architecture, but at the same time it is also minimalist, often using keyboards and synthesizers to create a psychedelic and space sense. Popol Vuh or Neu! is their source of inspiration. Last year's "Sykli" was filled with repetitive simple melody, but these melodies were overshadowed by the broad sense created by electronic music. Just like the black hole on the cover of the album, the listener's heart was attracted to the black hole. Excessive but nowhere. The opening Temppeli is a model, but the length of eight minutes is like a musical note. But afterwards, the tracks were dexterous and there were sudden changes. As the final guitar gradually became heavy, the music was warm and sweet, but the mysterious, quirky and supernatural feelings of krautrock were slightly lost, but it was still a good album. Four stars push it.
 Vampire State Building by ALCATRAZ album cover Studio Album, 1971
3.82 | 64 ratings

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Vampire State Building
Alcatraz Krautrock

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

4 stars Early Seventies German five-piece band Alcatraz hailed from Hamburg, and somewhat cheesy pun title and slightly silly cover art aside, their 1971 debut `Vampire State Building' held some cracking music. The band offered a mix of heavy rock with fiery acid and bluesy guitar soloing, with much attention given to jazzy extended improvised passages courtesy of plentiful sax and flute breaks, plus some light `krautrock' flavours worked in as well. Embryo, Missus Beastly, the Santana band and even the more overt jamming jazz moments of Out of Focus come to mind, and jazz- rock/fusion fans are especially going to love this predominantly instrumental one.

The unhurried ten-minute opener `Simple Headphone Mind' sets much of the template for the disc, moving seamlessly between mellow come-downs and scorching jagged outbursts. Breezy flute and gentle piano themes float through the air until peppy drumming, dirty huffing sax and erupting electric guitar noodling rush forward, helping the piece softly remind of the lovely obscure 1976 Abraxis album from Belgium with its sparkling piano dominance, and it shares a similar spontaneous vigour and chilled energy.

`Your Chance Of A Lifetime's contemplative, lightly melancholic piano and ruminative bass is punctured by cutting electric guitar stabbings around a raspy English language vocal delivering a cynical downbeat lyric. It slowly morphs into a bluesy shuffle, and trickles of runaway electric piano turn out to be mere fleeting teases, but there's a tasty up-tempo wild rocking blast in the final moments that hits out of nowhere. The shorter `Where The Wild Things Are' is bookended with chugging fuzzy guitar wailing in between dreamier breaks and nimble sax blasts to close the first side.

The title track `Vampire State Building' is bookended with peppy, vibrant and relentlessly up-tempo instrumental flourishes, pulsing with an Out of Focus-like energy and momentum to its grumbling guitars, mucky sax wafting, manic electric piano distortions, unceasing grumbling bass and flighty flute twirlings. The lightest of dusty eastern themes permeates the thirteen minute improvisation when it settles into more contemplative moods, and it even throws in a smooth vocal with a sultry lyric and one of those oh-so-Seventies obligatory drawn-out drum solos! Closer `Piss Off' is lusty and sweaty, wrapping the disc on blustery scuzzy reverb-drenched guitar strangulations duelling with dying sax dirges back and forth.

Years later the group would explore a different sound with a focus on political lyrics, but `Vampire State Building' is the one that has proven to be their enduring musical statement. It might lack the dirtier hallucinogenic edge and true wild abandon to fully appeal to Krautrock fans, but the fact that it was recorded over only three days ensures it retains a frenetic lively energy, and it's still simply a top-notch German rock album full of memorable arrangements and great playing.

Three and a half stars.

 Eiliff by EILIFF album cover Studio Album, 1971
3.79 | 46 ratings

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Eiliff
Eiliff Krautrock

Review by DamoXt7942
Forum & Site Admin Group Avant, Crossover & Neo Teams

5 stars A Krautrock legend EILIFF's first eponymous album is sincerely colourful, full of basic psychedelia seasoned with jazz and heavy rock flavour, regardless of such a mischievous sleeve pic. Their vision and interpretation for Krautrock should be in the same vein of another Kraut pioneer Xhol Caravan.

The first track 'Bird-Night Of The Seventh Day' gets frankly started with ethnic drone, bombastic brass shots, and echoic, cheap karaoke- ish voices. The middle jazz rock-related smooth swinging atmosphere is pretty comfortable. 'Gammeloni' sounds more of jazz rock rather than German psychedelic one but the latter moment drives every heavy progressive rock fan into madness. 'Uzzek Of Rigel IV' is a sticky, sneaky, heavy and freaky stuff featuring Smokey soundscape and deep, repetitive footsteps. Not so innovative nor impressive but the B Side completely breaks such a normality in our mind out.

The last 20 minute 'Suite' is the final audible, musical answer that is based upon deeper, heavier jazz rock than Xhol Caravan. There are colourful melodic / rhythmic sound variations along with an instrumental kaleidoscope apparently. Gorgeous sitar sounds coming up suddenly to us sound just like a beautiful angel flying down to the earth. Every member might play as if he got relaxed sometimes, or chased others minute by minute. Greatly cool heavy rock phrases at the end of this suite can be called as 44 seconds explosion, let me say. Innovative, impressive, offensive soundscape should be Eiliff themselves, and sorta departure for a novel Krautrock experience.

Interesting is also the difference from their following creation 'Girlrls!'. You can enjoy this gem as German psychedelic heavy jazz rock beyond expression.

 Psychedelic Underground [Aka: Minnelied] by AMON DÜÜL album cover Studio Album, 1969
2.35 | 58 ratings

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Psychedelic Underground [Aka: Minnelied]
Amon Düül Krautrock

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

3 stars The 60s was a time for extremism and radical experimentation and nowhere was this more true than in the political communes of the world where kindred souls tuned out, dropped out and hooked up with like-minded individuals where they could nurture a new form of community. While the hippie movement was taking over the streets of places like San Francisco in 1967 as the Summer of Love captured the world's gaze, so too was a similar movement gestating in the Teutonic lands of southern Germany. In the very same year a radical commune formed in Munich and named themselves after the Egyptian Sun God - AMON. Seeking to distance themselves from their Germanic heritage, the commune attached the fictitious secondary DUUL to the end and thus a new collective of was born.

While born out of the student movement, the members of AMON DUUL focused on their musical interests and set out to create a new freeform style of rock that was intensely psychedelic in nature but much less structured than their Anglo contemporaries such as Pink Floyd or the pop oriented sounds of the US emanating from the likes of Jefferson Airplane or The Doors. AMON DUUL initially began as a revolving door collective where anybody could join and jam with the lengthy freeform compositions that would spontaneously ooze from all the participating members. Although led by Ulrich Leopold and his brother Peter, the true nature of the frenetic free-for-all style of which would later be dubbed Krautrock was the epitome of a true musical democracy where no one instrument stole the thunder of another.

The nature of the loosey-goosy stylistic approach of musical composition immediately led to the more musically inclined members to quickly splinter off and create the more popular shoot-off called Amon Duul II. Both AMON DUUL and the second version that would capture the world's attention for their more accomplished recordings released their debut albums in 1969. Amon Duul II with their infamous "Phallus Dei" and the original band from whence they were spawned released their first album in the form of PSYCHEDELIC UNDERGROUND which many claim to be the very first Krautrock album that launched the entire movement although it could be argued that bands such as Sweden's Pärson Sound were on the same wavelength and the similarity of the freeform avant-garde jam sessions was more of a product of the entire region during the tumultuous electrically charged latter half of the 60s.

PSYCHEDELIC UNDERGROUND very much lives up to its title. The members that participated in the recording numbered seven with the typical rock setup of guitar, bass, drum, piano and drums with extra percussion provided in the form of congas and maracas. "Ein Wunderhübsches Mädchen Träumt von Sandosa (A Wonderfully Pretty Girl Dreams of Sandosa)" opens the album and provides half of the musical experience of the entire album with a steady stream of tribal drumming, looped guitar riffs and frantic nonsensical vocalizations. The track comes off as some sort of freeform mantra and transcendental meditative zoning out session that for many will be unbearable as the emphasis is on a receptive and hypnotic effect showcasing passion and attitudnal delivery over compositional prowess.

While the rest of the tracks clock in at much shorter length, they basically free flow as if they thread the continuity of the opening track with a rather predictable outcome that finds the steady rhythmic drive and looped melodic limitations skating along for the majority of the album. Only the finale "Bitterlings Verwandlung (Bitterling's Transformation)"displays any sort of deviation from the regularly scheduled program with classical samplings as well as production techniques like backmasking incorporated. In fact the last track is really the only one that feels like a studio track while the rest of them feel more like spontaneous live jamming sessions that were most likely fueled by mind-altering substances which allowed the inner demons to be exorcised into submission.

The development of two separate AMON DUUL bands that splintered and went on their own trajectories is an interesting case study for sure but i will have to join the ranks of the rest of the world in finding the original AMON DUUL to be vastly inferior to the more adventurous and disciplined musical output of the second version, however this feels like Krautrock at its most unadulterated and purest form which and an interesting musical experience that actually allows the listener to be transported back into the time and place and feel like a fly on the wall taking it in despite its clear disregard of any sort of musical standards. For that reason i find PSYCHEDELIC UNDERGROUND to be quite a veritable release although i admit that this is more of a collectible and only reserved for those rare moments when i feel like hearing primal freeform psychedelia from the era. While AMON DUUL will forever remain in the shadow of the Amon Duul II that followed, they nevertheless offered a unique insight into the German musical collectives that launched an entire subgenere within the world of psychedelic rock.

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Krautrock bands/artists list

Bands/Artists Country
A.R. & MACHINES Germany
ACHTZEHN KARAT GOLD Germany
AG A.M. Germany
AGITATION FREE Germany
AINIGMA Germany
AIR Germany
ALASKA RANGE Switzerland
ALCATRAZ Germany
ALEX ORIENTAL EXPERIENCE Germany
ALTONA (GER) Germany
ALUK TODOLO France
AMON DÜÜL Germany
AMON DÜÜL United Kingdom
AMON DÜÜL II Germany
ANIMA-SOUND Germany
ANNEXUS QUAM Germany
ANT-BEE United States
ARKTIS Germany
ASH RA TEMPEL Germany
ASHTRAY NAVIGATIONS United States
ASTERIX Germany
ATTEMPT TO RESTORE Germany
AVARUS Finland
AVEC LE SOLEIL SORTANT DE SA BOUCHE Canada
AWAKE & GALLO Greece
BABA YAGA Germany
BACKNEE HORN Israel
BAD STATISTICS New Zealand
HERBERT F. BAIRY Germany
BAUMSTAM Germany
BEAK> United Kingdom
JERRY BERKERS Germany
BETWEEN Multi-National
BLACK SPIRIT Italy
BLACKBIRDS Germany
BLACKMANN LANE Germany
BLACKWATER PARK Germany
BLUMEN DES EXOTISCHEN EISES Germany
BOKAJ RETSIEM Germany
DON BRADSHAW-LEATHER United States
BRAINTICKET Switzerland
BRAST BURN Japan
CHRIS BRAUN BAND Germany
BRAVE NEW WORLD Germany
BULLFROG Germany
ROMAN BUNKA Germany
CAMERA Germany
CAN Germany
CHEVAL FOU France
CLUSTER Germany
CODE III Germany
COLOUR HAZE Germany
TONY CONRAD United States
CORNUCOPIA Germany
COSMIC CIRCUS MUSIC Germany
THE COSMIC JOKERS Germany
COUPLA PROG Germany
COZMIC CORRIDORS Germany
CRAVINKEL Germany
CURLY CURVE Germany
CYCLOPEAN Multi-National
HOLGER CZUKAY Germany
DAMENBART Germany
DARSOMBRA United States
DATASHOCK Germany
DAVENPORT United States
DEAF Switzerland
DEJA VU (GER) Germany
DEUTER Germany
DIES IRAE Germany
THOMAS DINGER Germany
DOLOROSA France
DOM Multi-National
DREAMWORLD Germany
DROSSELBART Germany
DRUM CIRCUS Switzerland
DSCHINN Germany
DULL KNIFE Germany
DÜDE DÜRST Switzerland
FRANKIE DYMON JR. Germany
DZYAN Germany
EAT LIGHTS BECOME LIGHTS United Kingdom
EGYPT IS THE MAGICK # United States
EILIFF Germany
EINSEINSEINS Germany
EJWUUSL WESSAHQQAN Germany
ELECTRIC MUD Germany
ELECTRIC ORANGE Germany
ELECTRIC SANDWICH Germany
EMMA MYLDENBERGER Germany
EPSILON Germany
ERLKOENIG Germany
ERNA SCHMIDT Germany
EROC Germany
ERUPTION Germany
ET CETERA (DE) Germany
EULENSPYGEL Germany
EXPONENT Germany
FATHER YOD AND THE SPIRIT OF '76 United States
FAUST Germany
FEVER KNIFE Finland
FIFTH DEAD Germany
FILLE QUI MOUSSE France
FLOH DE COLOGNE Germany
FLORIAN GEYER Germany
FOTOSPUTNIK United States
FRIEDHOF Germany
FRIENDSOUND United States
FROB Germany
GÄA Germany
GAM Germany
GASH Germany
GEBARVATERLI Germany
GERMAN OAK Germany
GIFT Germany
GILA Germany
GOLEM Germany
SERGIUS GOLOWIN Germany
MANUEL GÖTTSCHING Germany
GRAVE Germany
GRAVESTONE Germany
GREEN WAVE Germany
GRUMBLING FUR United Kingdom
GURU GURU Germany
GURUMANIAX Germany
HABOOB Multi-National
HAIRY CHAPTER Germany
HANUMAN / LIED DES TEUFELS Germany
HÄX CEL Germany
HEDERSLEBEN Germany
IBLISS Germany
IGNATZ Belgium
IHRE KINDER Germany
IMPROVED SOUND LIMITED Germany
INSTANT DRONE FACTORY Multi-National
IRMIN'S WAY Multi-National
JERONIMO Germany
JUD'S GALLERY Germany
KANOI Austria
KAPUTTER HAMSTER Germany
KEMIALLISET YSTÄVÄT Finland
KILLED ON X-MAS Germany
KLUSTER Germany
KOLLEKTIV Germany
KONTRAST Germany
KOSMISCHER LAÜFER Germany
KRAKATAU Australia
JEAN-JACQUES KRAVETZ Germany
KROKODIL Switzerland
LA DÜSSELDORF Germany
LA!NEU? Germany
LARD FREE France
LAVA Germany
LE REVEIL DE TROPIQUES France
LIFE Germany
LIGHTSHINE Germany
LIMBUS 3 & 4 Germany
LISTING SHIPS United Kingdom
LOKOMOTIVE KREUZBERG Germany
LUNAR GRAVE United States
MAGDALENA SOLIS Belgium
MAGMA Germany
MAGNETIK NORTH Multi-National
MAHOGANY BRAIN France
DAVID MARANHA Portugal
MCCHURCH SOUNDROOM Switzerland
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