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SYMPHONIC PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Symphonic Prog definition

Symphonic is without doubt the sub-genre that includes the most bands in Progressive Rock because for many people it's almost synonymous classic Prog, something easy to understand being that most of the classic and/or  pioneer bands released music that could be included in this sub-genre, except JETHRO TULL and PINK FLOYD (who still blended some symphonic elements), even KING CRIMSON who very soon expanded their horizons to more experimental music, made their debut with a Symphonic album, "In the Court of the Crimson King" which is a cornerstone in the development of the genre.

The main characteristics of Symphonic are the ones that defined all Progressive Rock: (There's nothing 100% new under the sun) which among others are:
  • Mixture of elements from different genres.
  • Complex time signatures.
  • Lush keyboards.
  • Explorative and intelligent lyrics, in some cases close to fantasy literature, Sci Fi and even political issues.
  • Non commercial approach
  • Longer format of songs

In this specific case the main characteristic is the influence of Classical music (understood as Orchestral works created from the late Gothic to Modern Classical) using normally more complex structure than other related sub-genres like Neo Progressive (That's why sometimes the borderline that divides Symphonic from Neo is so unclear being that is based mostly in a degree of complexity rather than in an evident structural difference)..It is easy to find long keyboard solos reminiscent of Johan Sebastian Bach or melodic works that could have been written by Handel.

As in any other genre, different Symphonic bands had different approaches to Classical music, for example YES and GENESIS are mainly influenced by the Baroque and Classical periods, while EMERSON LAKE & PALMER has a predilection for post Romantic and modern authors like Mussorgsky, Rimsky Korsakov, Bartok or Ginastera, being that their sound is less melodic and more aggressive.

The peak of the genre starts in 1969 and lasts until the mid/late 70's  (more precisely until the release of A Trick of the Tail), when the genre begins to  blend more mainstream influences that took to the birth of Neo Progressive (a new approach for a new decade).


It is important to remember that even though the creative peak of Symphonic Progressive ended before the 80's, we can find a second birth in the 90's coming from the Scandinavian countries (specially Sweden with ANGLAGARD or PAR LINDH PROJECT) and even bands that still in the 21st Century recreate music from this period like SPOCK'S BEARD or ECHOLYN.

Before ending this short description I feel necessary to say (In order to be strictly accurate) that the term Symphonic is not 100% exact, because these bands very rarely played symphonies and was probably used because the music that influenced the genre was performed by Symphony Orchestras, but it is so widely accepted by the Progressive Rock community that would be absurd and futile for anybody to attempt a change after so much time.

Iván Melgar Morey, Peru 2006



Symphonic Team

Current Team as at 06/02/16

Iván Melgar Morey (Iván_Melgar_M)
Anton Fritz (SouthSideoftheSky)
RdtProg (Louis)

Symphonic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Symphonic Prog | More Top Prog lists and filters

4.66 | 3944 ratings
CLOSE TO THE EDGE
Yes
4.63 | 3663 ratings
SELLING ENGLAND BY THE POUND
Genesis
4.60 | 3171 ratings
FOXTROT
Genesis
4.44 | 3101 ratings
FRAGILE
Yes
4.42 | 2764 ratings
NURSERY CRYME
Genesis
4.39 | 2314 ratings
MIRAGE
Camel
4.38 | 1983 ratings
MOONMADNESS
Camel
4.36 | 2676 ratings
RELAYER
Yes
4.38 | 1516 ratings
HYBRIS
Änglagård
4.35 | 1135 ratings
SI ON AVAIT BESOIN D'UNE CINQUIÈME SAISON
Harmonium
4.29 | 2507 ratings
THE YES ALBUM
Yes
4.29 | 2603 ratings
THE LAMB LIES DOWN ON BROADWAY
Genesis
4.29 | 2012 ratings
THE SNOW GOOSE
Camel
4.27 | 2251 ratings
A TRICK OF THE TAIL
Genesis
4.31 | 1022 ratings
SCHEHERAZADE AND OTHER STORIES
Renaissance
4.32 | 761 ratings
DEPOIS DO FIM
Bacamarte
4.24 | 1835 ratings
EMERSON LAKE & PALMER
Emerson Lake & Palmer
4.25 | 947 ratings
VILJANS ÖGA
Änglagård
4.25 | 888 ratings
HAMBURGER CONCERTO
Focus
4.22 | 955 ratings
LEFTOVERTURE
Kansas

Symphonic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Symphonic Prog experts team

HIJOS DEL AGOBIO
Triana
SÈVE QUI PEUT
Ange
L'ARBRE-CIMETIÈRE
Maldoror
POLLEN
Pollen

Latest Symphonic Prog Music Reviews


 Power And Outcome by CAST album cover Studio Album, 2017
3.99 | 80 ratings

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Power And Outcome
Cast Symphonic Prog

Review by aapatsos
Special Collaborator Prog Metal and Heavy Prog Teams

3 stars Very bombastic and majestic symphonic prog straight out of the 70s but with modern arrangements delivered by Cast in their 19th (!) studio album. Strong references to classical music, guitars often verging on neo-classical themes and riffs and a very strong violin presence in Roberto Izzo sort of complete the puzzle. In the more than 70 minutes of this album, the music is very diverse, at times overfilled with complex structures, relentless soloing and changing of speeds and themes, almost a cinematic approach to dragons, queens and castles. The album cover points to that sort of thematography with clear references to Genesis (is that Peter Gabriel?) and Marillion.

The strongest references are to Kansas and especially their earlier works. Cast are not afraid to experiment with extended song structures and this pays off to a very inspired and majestic outcome - the lengthy opener ''Rules of the Desert'' is a great example of this. Musically and lyrically there is not much that I can pick upon, apart from the vocals and vocal lines. The effort to over-express themselves leads to vocal lines that sound to me slightly out of tune with the music, while the accent and the way of singing can put the listener off from enjoying the full grandiose of the compositions. There is something here that does not quite match and is difficult to figure out, but definitely an area for improvement in order to produce a truly memorable output.

Other than this, ''Power and Outcome'' is an orgasm of melodies and structures, a 70-min Song for America or Cheyenne Anthem missing the catchy vocals and refrains. The musicianship needs to be discovered even if you don't enjoy the full spectre as I did.

3.5 stars

 Procréation by MORSE CODE album cover Studio Album, 1976
3.59 | 48 ratings

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Procréation
Morse Code Symphonic Prog

Review by Matti
Prog Reviewer

3 stars This Quebec band started long before the great prog explotion of the mid-70's. Their first two albums under the name Morse Code Transmission (1971 and 1972) are psychedelic rock sung in English. La Marche des Hommes (1975) introduced their new style favouring organ, Mellotron and rhytmic complexity. The thick sound resembles the Nursery Cryme -era Genesis. The next album, Procréation, is perhaps more uneven, but it also contains the band's finest moments.

The instrumental opener 'Précréation' has those sharp Tony Banks -like organ notes and also a lot of room for guitar and flute. A promising start, if not yet anything very significant. The second track of under 5 minutes approaches more epic atmosphere on the unsung parts while the vocal parts stay less inspired. The brief instrumental 'Nuage' concentrates on the circulating organ melody without really taking off. 'L'eau tonne' (notice the word play; l'automne, autumn) is a melodic and light-hearted song, a curious mix of proggy instrumentation and a composition reminding of entertainment vocal music. For the vocals, I have to say that they lack any charisma. The hi-hi-hi-hi and ha-ha-ha-ha in the song 'Des hauts et des ha!' i actually irritating. Frankly, up to this point the album would hardly be worth three stars.

The real treat comes on the second side of the LP, the three-part title epic. In the sung first movement an instrumental passage already shows glimpses of something more impressive, but the song per se feels a bit uninspired. The rest of the epic wanders deeper into progressive unpredictability and wide dynamics. Now the little vocal parts succeed to increase the interest unlike earlier on the album. This is a pure prog epic in the vein of 'Supper's Ready', even if it naturally pales in comparison to such masterpiece. Oooh, that Mellotron sound! The final movement is the clear highlight, being very progressive in itself. A beautiful, meditative section starring Mellotron and flute is followed by a return to the grandiosity.

If only the whole album was as good as the second side... Unfortunately it isn't, and I feel that three stars is the most honest rating I can give. If you enjoy the French prog with the Genesis influences (Ange, Mona Lisa, ...), Morse Code is definitely worth checking out.

 Time to Fly by MANTICORE album cover Studio Album, 1993
2.95 | 12 ratings

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Time to Fly
Manticore Symphonic Prog

Review by b_olariu
Prog Reviewer

3 stars 3.5 stars for sure

Manticore, this obscure prog band from Sweden with one album released in 1993, got little recognition , and I don't understand the low ratings either, really. Time to fly is the name of the album from 1993 is a symphonic prog album with all the ingredients to be a good one from start to finish. I like it , without any complains. Imagine a combination of The Flower Kings, Kalaban, IQ or with even Camel or Rick Wakeman here and there. The instrumentation is great, lots of great keyboards, hammond , nice guitars, the bass is aswell present at high level, so why these low ratings, never get it. The vocals are more then ok, not a dull moment. The pieces are long enough and have enough variation to keep the listner conected, lots of instrumental passages, that are sounding really intresting, like Running With The Stars, The maiden, etc. Above all, a very nice gate fold cover that is fiting perfectly in the overall symphonic prog sound. Definetly a keeper for me and easy 3.5 stars, that is meaning above good towards great. Unfairly unnoticed prog album from early '90s prog scene.

 Going For The One by YES album cover Studio Album, 1977
4.03 | 1769 ratings

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Going For The One
Yes Symphonic Prog

Review by grom63

2 stars This review was written because Going for the One is my most unloved album from early-middle period of Yes. But to my surprise it has high ratings on PA. I will try objectively explain my indignation. I apologize in advance for my bad English.

This album completely destroying Yes magic aura that had being all previously time in its first seconds. First composition beginning with rock-n-roll with the continuation variations on this theme. I think, that Yes originally was interesting because their music did not contain this kind of dance music. In addition, it was supplemented by uncountable number of simply formed repeats in the second part, which will be in abundance throughout the album. Following piece is quiet, slow and amorphous. There is nothing yours ears can cling on: random sounds of special effects without clear melody. «Parallels» is dynamic and sounds better in contrast, but no more. «Wonderous Stories» is just boring pop song.

At last there is main epic on this album where on awhile we hear the band YES, however this was not without appearing out of nowhere like sounds of sparkling stars (YES, are you seriously?) and other electronic garbage which begins to predominate over instrumental music. Then the listener is thrown into the swamp of incoherent and uninteresting music, completing all of this with pompous repeats.

Generally, this album can be characterized as permanent flow unconvincingly cheerful music with pseudo-exalted vocal parts and dominating of insipid and at the same time sugary mid-seventies synthesizers. Maybe it was an experiment, but definitely unsuccessful. Prevailing couplet-chorus structure with multiple repeats make impression willful lengthening of composition to reach long play format. Nearly total absence of interesting parts on the "natural" musical instruments, which, moreover, were drowned out by electronics, makes this album completely impersonal and not provoking interest. My score is 2/5 stars, very disappointing after the masterpiece album of 1974.

 In the Region Of The Summer Stars by ENID, THE album cover Studio Album, 1976
4.50 | 2 ratings

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In the Region Of The Summer Stars
The Enid Symphonic Prog

Review by aapatsos
Special Collaborator Prog Metal and Heavy Prog Teams

5 stars Not an album for everyone, not an album for any time, an artistic expression unlike many others. A sound so vivid and epic at the same time, conceived in these often rainy and gloomy parts of the world, though still expressing a melancholia and optimism at the same time, round about the region of the summer stars...

An unconventional soundtrack for summer and winter, the first album under the The Enid moniker bears more resemblance to the music of Ennio Morricone, rather than "typical" progressive rock of the 70's. Classical music re- invented? Possibly. In fact, listening through its (sadly, only) 39 minutes, sceneries and movie excerpts come in mind, via pompous orchestration, sliding guitar phrases, dreamy piano and flute parts. The mood shifts quite often from the epic/grandiose/scary (yes, that too) to total tranquility and back again to complete the dance of emotions. If I had to look for references in prog rock, then those would be early Genesis and Renaissance.

The "vintage" feeling is portrayed in "The Lovers" and "The Sun", the adventure in "Fool/The Falling Tower" and "The Devil" in haunting atmospheres, and the climax is reached (intentionally?) in the closing two compositions, unraveling the quality and inspiration behind this record.

Beware: I find myself listening to this on repeat for numerous times and the same effect might have on you. You have been warned.

5 (rainy) summer stars

 In the Region Of The Summer Stars by ENID, THE album cover Studio Album, 1976
4.50 | 2 ratings

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In the Region Of The Summer Stars
The Enid Symphonic Prog

Review by FragileKings
Prog Reviewer

4 stars First let me state that I am reviewing the 2012 remaster of the original 1976 album and not the 80's re-recording.

I am always excited to read about other symphonic rock bands of the 70s and when I read about the Enid in Stephen Lambe's book "Citizens of Hope and Glory: The Story of Progressive Rock" I was eager to give them a listen. After some sneak peeks (or sneaks listens) to samples of songs on Amazon, I ordered the album and I was not disappointed.

Most surprisingly is that while Yes and some other bands were recording rock music in a symphonic vein, the Enid appear to have been recording symphonic music in a rock vein. All tracks except for "The Lovers" (a piano solo) feature symphonic instruments with drums, bass, and electric guitar being just instruments in the symphony and not comprising a rock band that is playing with a symphony. For a debut album, the music is remarkably bold and complex. From the beginning, Robert Godfrey wanted this band to do things differently from other rock bands.

Aside from "The Lovers" which is beautiful but a little dull to me, the album is very enjoyable to listen to from start to finish. I normally have great impatience when listening to a new album as I want to find the songs I like the most and listen to them a lot. However, with "In the Region of the Summer Stars" I had a difficult time whittling down the number of songs to three or four favourites. I can now say that I enjoy "Fool / The Falling Tower", "The Devil", "The Last Judgement", and the title track best, but mention should go to "The Sun" and "Death, the Reaper" which I also enjoy.

This is not an album for everyone and I am surprised that I like it as much as I do. But this is one of those albums that really illustrate just how far progressive rock bands could go even in 1976 when prog is said to have been on its way out of fashion.

 Halloween by PULSAR album cover Studio Album, 1977
3.97 | 142 ratings

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Halloween
Pulsar Symphonic Prog

Review by Matti
Prog Reviewer

5 stars France produced several symphonic prog bands in the 70's, and PULSAR were among the best. Some have called them the French Pink Floyd, and it's pretty poignant if one doesn't take it too literally. The spacey debut (1975) has elements of psychedelia reminiscent of the Saucerful-era Floyd, as well as some electronic music flavours. The instrumentally oriented, wonderfully atmospheric second album The Strands of Future (1976) increased symphonic prog elements and shifted the band's style just a bit closer to Genesis. Thanks to its success, the band were signed to CBS and given the best studio equipment available for the third album Halloween. It has been hailed as one of the masterpieces of European symphonic prog. Undoubtedly the feelings of disappointment that some critics here have felt is due to all the hype they have seen on this album. Revealingly, many ratings (with the review included) are either five or three stars.

The 39-minute album has two side-long parts, both featuring titled movements that follow each other seamlessly. Part One starts with a girl vocalise in the melody of 'Danny Boy', backed with piano only. The longest movement 'Tired Answers' is at first very delicate and slow-tempo instrumental prog with synths, acoustic guitar and flute in the main roles, until the darker, horror-like mood sets in and the intensity grows. The keyboards dominate, reminding more of the Tangerine Dream between '74 - '79 than British bands such as Genesis. The third and fourth movements feature male vocals, sung tenderly in English. The perfectly produced sound is a beautiful combination of the acoustic and the electronic. The mood remains restrained, semi-creepy at best, in a rather mellow and romantic way, and perhaps some listeners would expect more edginess from a horror-themed work.

The second part is equally elegant, starting with a slow tempo delicacy with vocals. The vocals are even more central on the melodic and symph-prog structured second movement 'Dawn Over Darkness'. The flute makes a beautiful appearance. 'Misty Garden of Passion' is a mellow instrumental interlude, followed by a more intense, synth-oriented 'Fear of Frost'. One may think of the most prog-rock albums of Tangerine Dream (Cyclone and Force Majeure). The slow and majestic final movement has ethereal vocals and synths.

When I started this review I didn't know my rating. I've had the CD for four years but haven't listened to it often. Halloween may not be as unforgettable symph prog masterpiece as the certain British classics from Genesis, Yes, Renaissance, Camel, etc., but I can't really spot any faults in it. If you're in a suitable mood -- not expecting more edginess and originality -- you will most likely find a lot to enjoy on this excellently produced and coherent concept album.

 Unfold The Future by FLOWER KINGS, THE album cover Studio Album, 2002
3.88 | 474 ratings

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Unfold The Future
The Flower Kings Symphonic Prog

Review by Norbert

3 stars Unfold the Future is the seventh studio album by Swedish progressive rock band The Flower Kings. Behind the not exactly beautiful artwork we can find 2 CDs, so this is the third of their 4 double albums. The first disc is about 74 minutes long, the second one is a bit shorter, it clocks at about 67 minutes. This is the debut studio album with The Flower Kings for my fellow Hungarian drummer Zoltán Csörsz, and guest singer Daniel Gildenlöw, mainly known as the mastermind of Pain of Salvation, and the permanent guest musician Hasse Bruniusson, most familiar from Samla Mammas Manna also featured here. The musicanship is excellent as on any album released by The Flower Kings, especially bassist Jonas Reingold and Zoltán Csörsz do an absolutely outsanding job. The problems arise with the compositions, we are talking here about an album which is more than 140 minutes long. So the quantity is huge, but how about the quality? This album is in the usual style of The Flower Kings, so Symphonic Prog mainly influenced by Yes, Genesis, Camel with many jazz rock fusion and some Frank Zappa influence in the mix. For me it is not a big issue if a band is not exactly groundbreaking if they write great music in the vein of their influences, but here I am not very plesed with everything I hear. The opening track is called The Truth will set you free, in stucture is somewhat similar of the legendary title track of Close to the Edge, but it is 31 minutes long, almost as long as a classic prog album like Per Un Amico. It features some Symphonic Prog beauty mainly in the vein of Yes, but also some sugarsweet, cheesy parts, which would not sound out of place at an Eurovision Song Contest. If it was under 20 minutes it could be an excellent piece. If The Truth will set you free is the "Close to the Edge" of this album, Christianopel is the "Waiting Room", but the Supernatural Anaesthetist is does not appear here. The other "jam" called Soul Vortex bores me even more. The purely jazz track The Devil's Dance School performed by Jonas, Zoltán and guest musician Anders Bergcratz on trumpet is other hand really cool. I really like Silent Inferno and the other "Devil's" track, Devil's Playground. This are well written and adventurous pieces, without musically embarassing moments. Devil's playground features for example beautiful Mellotron parts, and some great vocals by Daniel Gildenlöw. On the other hand I could do easily without Monkey business, Rollin' the Dice, Man Overboard, Vox Humana and The Navigator, to name a few. Although I have a soft spot an alternate version of The Navigator called Solitary Shell (It has nothing to do with the Dream Theater track) it has better arrangements, and it is shorter, 2 and a half minutes from this balladesque music is just fine. So mastermind Roine Stolt and his crew certainly have talent to write some wonderful music, but unfortunately focus and restraint are not the keywords of this album. I would rate a well-edited 65-70 minutes long version of Unfold the Future with 5 stars, but I can't rate with more than 3 stars the existing Unfold the Future.
 Nude by CAMEL album cover Studio Album, 1981
3.61 | 659 ratings

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Nude
Camel Symphonic Prog

Review by KolbiterProg

4 stars Nude is a conceptual album, like many in the Progressive Rock scene, but it has to be analyzed by its different aspects, the musical composition, the originality, the depth of the theme. The first time I listened to it, I was fascinated by Andy Latimer's melodies that showed a deep connection with the story that makes up his concept. In the end, it shows us a story with the sensitivity that impresses on the music and the history written in the lyrics. Well, to the subject, Nude tells us the story of a Japanese soldier at the time of the Second World War. The album begins with the experience of living in a country like Japan at that time, calling on the armed forces to fulfill their country and sees in its own flesh the horrors of war on an island in the Pacific. These horrors paralyze him and make him lose his sense, which he recovers perhaps days later. To his surprise, he is alone on a deserted island, he was simply so indispensable, he did not figure or maybe if, like a low in the Japanese army. History takes its turn, he has to stay there and follow the rules that were established, to fulfill his duty, hoping that help will soon arrive to take him with them. This was a real story of that soldier, Hiroo Onoda who spent 30 years on an island, thinking that the war was still going on. It shows the human side of a soldier who, being only one piece on a huge board in that war, was ignored and left to his fate. Musically it is very well done, in my particular taste Drafted and Lies are my favorite, but it really is to listen complete. I liked it a lot as they carry a style of narrating a story with a very good development and in the end the climax and resolution that leave us the message of the album.
 Heaven & Earth by YES album cover Studio Album, 2014
2.38 | 500 ratings

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Heaven & Earth
Yes Symphonic Prog

Review by dosware

3 stars As a hardcore prog and YES fan, I am surprised they released a decidedly non-prog album. I can empathize with the disappointment voiced by many long time fans of Yes- the archetype of Prog. And that's where my criticism ends.

After my initial WTF experience hearing this mostly sedate and decidedly non-prog album, I realized there was something else unique and artistic happening here. I keep listening to this album- not primarily as a prog fan, but as a fan of emotional and complex pop music long gone from the airwaves. YES remain great songwriters, composing amazing hooks with top production- this album puts current popular music to shame. There is not a bad track on this album.

This is Yes's most innovative album since Drama.

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Symphonic Prog bands/artists list

Bands/Artists Country
21. PERON Turkey
5BRIDGES Netherlands
7 OCEAN Belarus
ABBHAMA Indonesia
ABSTRACTION LAYER Brazil
ACCENT Romania
ACHE Denmark
ACUITY United States
ADVENTURE Norway
AETHER Brazil
AFTER CRYING Hungary
AFTER THE FIRE United Kingdom
AGNUS Argentina
AGNUS GRAAL Brazil
AIRLORD New Zealand
AJALON United States
AKACIA United States
ALAMEDA Spain
ALASKA United States
ALBATROSS United States
ALMS Spain
ALPHA CENTAURY France
ALPHA III Brazil
ALTER ECHO Sweden
LEON ALVARADO United States
SERGIO ALVAREZ Argentina
AMAGRAMA Argentina
AMENOPHIS Germany
AMOS KEY Germany
ANABIS Germany
ANCIENT VISION United States
ANDERSON BRUFORD WAKEMAN HOWE United Kingdom
ANDERSON/STOLT Multi-National
ANGE France
ANGIPATCH France
ÄNGLAGÅRD Sweden
ANIMA Argentina
ANIMA DOMINUM Brazil
ANIMA MORTE Sweden
ANIMA MUNDI Cuba
ANOXIE France
ANTARES Germany
ANYONE'S DAUGHTER Germany
APHÉLANDRA France
APHRODITE'S CHILD Greece
APOCALYPSE Brazil
AQUAPLANAGE United Kingdom
ARABESQUE United States
ARACHNOID France
ARCABUZ Spain
ARION Brazil
ARS NOVA (JAP) Japan
ART IN AMERICA United States
ASA DE LUZ Brazil
ASIA MINOR Turkey
ASTRË United States
ASTURCON Spain
ATILA Spain
ATLANTIS PHILHARMONIC United States
ATLAS Sweden
ATMOSPHERA Israel
ATOLL France
AUTUMN United Kingdom
AUTUMN BREEZE Sweden
AVIVA (AVIVA OMNIBUS) Russia
AXCRAFT United States
AZABACHE Spain
BABYLON United States
BACAMARTE Brazil
BANAAU Italy
BANANA Argentina
BANZAI Belgium
ZELJKO BEBEK AND PODIUM Yugoslavia
BEGGARS OPERA United Kingdom
ROBERT BERIAU Canada
ED BERNARD Canada
BLACK SEPTEMBER United States
BLAKULLA Sweden
BLANK MANUSKRIPT Austria
BLEZQI ZATSAZ Brazil
BLUE SHIFT United States
TOMAS BODIN Sweden
BONDAR & WISE United States
BOX OF SHAMANS United States
BRIMSTONE United States
BURNING CANDLE Germany
BUSKER Canada
CAFEINE France
CAI Spain
CAIRO United States
CAJA DE PANDORA Mexico
CAL Spain
CAMEL United Kingdom
LOS CANARIOS Spain
CANNABIS INDIA Germany
ALEX CARPANI BAND Italy
CAST Mexico
CATHEDRAL United States
CELLAR NOISE Italy
CHAKRA United States
CHALCEDONY United Kingdom
CHAOS CODE United States
CHRONOS MUNDI Brazil
JOSÉ CID Portugal
CINEMA Japan
CIRCLE Germany
CITIZEN CAIN United Kingdom
CLAY GREEN'S POLYSORBATE MASQUERADE BAND United States
CLEARLIGHT France
CODA Netherlands
CODICE Mexico
COLLEGIUM MUSICUM Slovakia
COTO EN PEL Spain
COUSINS & CONRAD United Kingdom
COVENANT United States
CRACK Spain
CRAFT United Kingdom
CRESSIDA United Kingdom
CRONICO Mexico
CROOKED MOUTH United Kingdom
CRUCIBLE United States
CRUCIS Argentina
DAWN Switzerland
DEJA-VU Japan
DELUGE GRANDER United States
DIALOGUE (DAWN DIALOGUE) Russia
DIAPASAO Brazil
DISCIPLINE United States
DOGMA Brazil
DORACOR Italy
DOUG WOODS & COLIN POWELL United Kingdom
DR. COENOBITE Netherlands
DRAGONFLY Switzerland
DRAMA France
DRUCKFARBEN Canada
DRUID United Kingdom
EARTH AND FIRE Netherlands
EARTHRISE United States
ECCENTRIC ORBIT United States
ECHOLYN United States
ECLAT / ECLAT DE VERS France
ECLIPSE Brazil
EDEN Canada
EGGROLL Israel
EIK Iceland
ELLESMERE Italy
ELOHIM France
ELOITERON Switzerland
EMERSON LAKE & PALMER United Kingdom
REDJY EMOND Canada
ENGLAND United Kingdom
THE ENID United Kingdom
EPIDAURUS Germany
EPIGNOSIS United States
EPISODE United States
EQUILIBRIO VITAL Venezuela
ESPIRITU Argentina
ESTRUCTURA Venezuela
ETCETERA Denmark
ÉTERNITÉ Canada
ETHOS United States
EVERFRIEND United States
EX-VAGUS France
EXODE France
EXODUS Poland
EZRA WINSTON Italy
FAITHFUL BREATH Germany
FALLING EDGE Canada
FANTASY United Kingdom
FARMHOUSE ODYSSEY United States
FICCION Venezuela
FINCH Netherlands
FIREBALLET United States
FIRST+AID United Kingdom
FLAGSHIP Sweden
FLAME DREAM Switzerland
FLAMING BESS Germany
THE FLOWER KINGS Sweden
FLÜGHT Mexico
FLYTE Belgium
FOCUS Netherlands
FOREVER TWELVE United States
THE FOUNDATION Sweden
FRÁGIL Peru
FRIGHT PIG United States
FROMAGE Japan
FRUUPP Ireland
FUSONIC Netherlands
G.A.L.F. Brazil
GALIE Mexico
GENESIS United Kingdom
GENS DE LA LUNE France
THE GIFT United Kingdom
GLASS United States
GLASS HAMMER United States
GOTIC Spain
GOVEA Mexico
GRACIOUS United Kingdom
GRANADA Spain
GRAND STAND Sweden
GRANDBELL Brazil
GREENSLADE United Kingdom
GREYFIELD Spain
GROBSCHNITT Germany
SHAUN GUERIN United States
GUILDENSTERN Germany
HALLOWEEN France
HANDS United States
BO HANSSON Sweden
HARLEQUIN MASS United States
HARMONIUM Canada
HECENIA France
HELIOPOLIS United States
ANDERS HELMERSON Brazil
HIGH WHEEL Germany
TERUTSUGU HIRAYAMA Japan
HOGGWASH Ukraine
HOKUS POKUS Norway
LYLE HOLDAHL United States
HOLDING PATTERN United States
HOLY LAMB Latvia
HORIZONT Russia
HYACINTUS Argentina
I.C.U. Germany
III MILÊNIO Brazil
ILVCIA Spain
IN SPE Estonia
INDEX Brazil
INFINITY United States
THE INNER ROAD United Kingdom
INQUIRE Germany
JACK INTVELD United States
INVISIBLE Argentina
ISILDURS BANE Sweden
ISOPODA Belgium
IZZ United States
JELLY FICHE Canada
BJÖRN JOHANSSON Sweden
JORDSJØ Norway
KAIPA Sweden
KAIPA DA CAPO Sweden
KAIZEN Brazil
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