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SYMPHONIC PROG

A Progressive Rock Sub-genre


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Symphonic Prog definition

Symphonic is without doubt the sub-genre that includes the most bands in Progressive Rock because for many people it's almost synonymous classic Prog, something easy to understand being that most of the classic and/or  pioneer bands released music that could be included in this sub-genre, except JETHRO TULL and PINK FLOYD (who still blended some symphonic elements), even KING CRIMSON who very soon expanded their horizons to more experimental music, made their debut with a Symphonic album, "In the Court of the Crimson King" which is a cornerstone in the development of the genre.

The main characteristics of Symphonic are the ones that defined all Progressive Rock: (There's nothing 100% new under the sun) which among others are:
  • Mixture of elements from different genres.
  • Complex time signatures.
  • Lush keyboards.
  • Explorative and intelligent lyrics, in some cases close to fantasy literature, Sci Fi and even political issues.
  • Non commercial approach
  • Longer format of songs

In this specific case the main characteristic is the influence of Classical music (understood as Orchestral works created from the late Gothic to Modern Classical) using normally more complex structure than other related sub-genres like Neo Progressive (That's why sometimes the borderline that divides Symphonic from Neo is so unclear being that is based mostly in a degree of complexity rather than in an evident structural difference)..It is easy to find long keyboard solos reminiscent of Johan Sebastian Bach or melodic works that could have been written by Handel.

As in any other genre, different Symphonic bands had different approaches to Classical music, for example YES and GENESIS are mainly influenced by the Baroque and Classical periods, while EMERSON LAKE & PALMER has a predilection for post Romantic and modern authors like Mussorgsky, Rimsky Korsakov, Bartok or Ginastera, being that their sound is less melodic and more aggressive.

The peak of the genre starts in 1969 and lasts until the mid/late 70's  (more precisely until the release of A Trick of the Tail), when the genre begins to  blend more mainstream influences that took to the birth of Neo Progressive (a new approach for a new decade).


It is important to remember that even though the creative peak of Symphonic Progressive ended before the 80's, we can find a second birth in the 90's coming from the Scandinavian countries (specially Sweden with ANGLAGARD or PAR LINDH PROJECT) and even bands that still in the 21st Century recreate music from this period like SPOCK'S BEARD or ECHOLYN.

Before ending this short description I feel necessary to say (In order to be strictly accurate) that the term Symphonic is not 100% exact, because these bands very rarely played symphonies and was probably used because the music that influenced the genre was performed by Symphony Orchestras, but it is so widely accepted by the Progressive Rock community that would be absurd and futile for anybody to attempt a change after so much time.

Iván Melgar Morey, Peru 2006



Symphonic Team

Current Team as at 06/02/16

Iván Melgar Morey (Iván_Melgar_M)
Anton Fritz (SouthSideoftheSky)
RdtProg (Louis)

Symphonic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Symphonic Prog | More Top Prog lists and filters

4.65 | 3897 ratings
CLOSE TO THE EDGE
Yes
4.63 | 3617 ratings
SELLING ENGLAND BY THE POUND
Genesis
4.60 | 3127 ratings
FOXTROT
Genesis
4.44 | 3057 ratings
FRAGILE
Yes
4.42 | 2728 ratings
NURSERY CRYME
Genesis
4.39 | 2277 ratings
MIRAGE
Camel
4.37 | 1950 ratings
MOONMADNESS
Camel
4.39 | 1493 ratings
HYBRIS
Änglagård
4.36 | 2635 ratings
RELAYER
Yes
4.35 | 1113 ratings
SI ON AVAIT BESOIN D'UNE CINQUIÈME SAISON
Harmonium
4.29 | 2565 ratings
THE LAMB LIES DOWN ON BROADWAY
Genesis
4.29 | 2474 ratings
THE YES ALBUM
Yes
4.29 | 1976 ratings
THE SNOW GOOSE
Camel
4.27 | 2221 ratings
A TRICK OF THE TAIL
Genesis
4.31 | 1001 ratings
SCHEHERAZADE AND OTHER STORIES
Renaissance
4.32 | 753 ratings
DEPOIS DO FIM
Bacamarte
4.24 | 1801 ratings
EMERSON LAKE & PALMER
Emerson Lake & Palmer
4.25 | 926 ratings
VILJANS ÖGA
Änglagård
4.25 | 873 ratings
HAMBURGER CONCERTO
Focus
4.22 | 934 ratings
LEFTOVERTURE
Kansas

Symphonic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Symphonic Prog experts team

ET APRÈS
Memoriance
NOCHE ABIERTA
Cai
TALES FROM AN ISLAND - IMPRESSIONS FROM RAPA NUI
Blank Manuskript
SKRYVANIA
Skryvania

Latest Symphonic Prog Music Reviews


 Unfolded Like Staircase by DISCIPLINE album cover Studio Album, 1997
4.24 | 346 ratings

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Unfolded Like Staircase
Discipline Symphonic Prog

Review by Progfan97402

2 stars One of the more overrated prog albums of the 1990s. Apparently Matthew Parmenter had just discovered Van der Graaf Generator prior to the recording of Unfolded Like Staircase, explaining why Push & Profit was quite a bit different. So it's little surprise the VdGG influence can be felt, but I also detect a Spock's Beard influence as well, because Parmenter's voice alternates between that of Peter Hammill and that of Neal Morse. "Canto IV" and "Crutches" aren't bad, but the problem in this CD is it's way too long and it sounds like they ran out of ideas after the first two cuts. It's CDs like this that gives me a reminder why in recent years, thanks to the vinyl revival (starting about 2007 or '08) many artists were starting to scale back to 40-45 minutes and the albums, to my ears, have improved, because you're not having to sit through lots of filler. It's easier for artists to pick the cream of the crop if having to stick to 40-45 minutes of music. Unfolded Like Staircase is much like Echolyn's As the World to my ears, just drawn out way too long. Of course I can't say that lengthy releases of the 1990s were all bad, Porcupine Tree managed some great music during their early space rock phase (pre-Stupid Dream) and their CDs were normally around an hour long or more, even during their more popular phase (In Absentia and beyond). And then you have Änglagård (who were wise to keep the music around 45 minutes), which set the standard so high it would be difficult for any other artist from that era to touch them. Still Unfolded Like Staircase doesn't fall into the neo-prog trap, but it's not entirely retro either, the vocals and style does sound '90s, even if some low key Mellotron is used. I realize in the 1990s they feel they'd sell more copies if the CD consists of two ten minutes cuts and a 20 minute piece, which I think is a dangerous trap to keep the quality consistent throughout. Spock's Beard's The Light, for example does have a couple ten minute pieces and one piece over 20 minutes, but surprisingly the CD is excellent (and I'm not even the biggest Spock's Beard fan, because my gripe about them is their frequent commercial/mainstream approach). I do take a lot of prog since the 1990s with a grain of salt, as many of them fall short of the great stuff (well known and obscure) from the 1970s. Discipline, to my ears, falls short. I know some of you will enjoy it, so I know Unfolded Like Staircase has its fans, but it simply left me cold, no matter how many times I've listened to it.
 Gracious! by GRACIOUS album cover Studio Album, 1970
3.70 | 134 ratings

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Gracious!
Gracious Symphonic Prog

Review by SteveG

2 stars Yikes! What have we got here?

Gracious was an early seventies' Mellotron, standard keys and guitar based symphonic prog band whose influences run the gauntlet from the Moody Blues to early Zappa/Mother's of Invention. Near virtuoso players, their scattershot approach works well, on this suite like album, with the more friendly Moody's like fare and the group's near Beach Boy's harmonies, while a pastiche, do shine. Where Gracious go wrong is on extended studio manipulated dissonant sound experiments (like early Mother's of Invention) and the band's fascination with tight repetitive bass, keys and drum rhythms that seem to go on forever and, worse yet, seem to go nowhere.

What does work well for Gracious is that they seemed to have foreshadowed (by 20 years) Robert Fripp's obnoxiously harsh toned math like guitar playing, which would have worked better if it was not surrounded by second rate Zappa like satirical lyrics. I'm not a big fan of Zappa's inane social critiques, but Frank did them first and a thousand times better.

I can't recommend more than two stars for GRACIOUS(!), but perhaps their follow up album issued one year later will be more focused and original. Time will tell, as I'm getting ready to give that a disc a spin in due time.

 Crossing The Line by ASIA MINOR album cover Studio Album, 1979
3.53 | 98 ratings

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Crossing The Line
Asia Minor Symphonic Prog

Review by ctasan

4 stars The first album of short-lived band Asia Minor, which consists of two Turkish who were studying in France at that time, and two French members.

Album starts with Preface. Firstly, some Turkish percussion, then flute-guitar and keyboard enters. Just from this song, Asia Minor's sound shows up - flute-guitar or keyboard-driven. Later on, modern drums enter and closes in a rush of synth, guitar and drums.

"Mahzun Gozler" (Turkish: Grieved Eyes) includes suprising Turkish words that follows Turkish pop dominant in late 1970s. It's a love song, starts with an empressionist look, after nearly 3 minutes, song speeds up again with the help of flute, resembling Genesis and Camel style. When it gets relaxed, lyrics start, just keys lead here with 1960s psychedelic influences. The song closes with the sound of gong.

"Mystic Dance" is a blend of soft guitar and flute with the help of synth.

"Misfortune" starts with a synth effect, and again speeds up suddenly. After lyrics, song has a changing tempo.

"Landscape" is another song under the effect of synth. Good mystical feeling.

"Visions" differently opens with bass guitar, soon joined with electro. In middle of the song, good melody waiting for you. Overall, instruments are balanced equally. I feel some Van der Graaf Generator here.

"Without Stir" is an excellent show of guitars, nowadays all teens listen this kind of songs, or all intros are like this. Ahead of its time.

"Hayal Dolu Gunler Icin" (Turkish: For Days That Filled Up With Dreams" starts with bass, like Visions. Soon flute joins here, creating good ambiance, with guitar arpeggios. The song is fast in middle, but finishes relatively slow.

"Postface" just repeats the intro of Mahzun Gozler. Okay for exiting.

Conclusion: Quite good, a not widely known gem of symphonic progressive carrying various influences, from both Turkish and French music. 7/10

 The Six Wives Of Henry VIII - Live At Hampton Court Palace (DVD) by WAKEMAN, RICK album cover DVD/Video, 2009
3.83 | 52 ratings

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The Six Wives Of Henry VIII - Live At Hampton Court Palace (DVD)
Rick Wakeman Symphonic Prog

Review by Andre the Aeropagite

5 stars When I bought both DVD and the CD I was a little skeptic at the time. I must admit that usually I am not keen on new releases. I rather prefer the old stuff, but certainly was a surprise when I Watched and realised the masterful performance put by Wakeman with his guests. What a superb show! The DVD/CD sound, the production, the recording, the presentation about the wives by Brian Blessed, the band, the orchestra...everything is excellent. Some songs really stand out, such as "Jane Seymour", "Catherine Parr" and "Anne of Cleves"... they sound stronger than the studio recordings. I strongely recomend not only to Wakeman fans, but also to any fan of classical music or rock.

Ratings: 1. Henry's Fanfare 2. Tudorture "1485" *- 7/10 3. Catherine Of Aragon - 9,5/10 - the orchestra make a nice adiction to the song. 4. Kathryn Howard - 8/10 5. Jane's Prelude 6. Jane Seymour - 9,5/10 - Beautiful work by wakeman in the church organ, better than the studio version. 7. Defender Of The Faith - 8,0 /10 8. Katherine Parr - 9,5/10 - better than the studio version, with a great performance by drummer Tony Fernandez. 9. Anne Of Cleves - 9,5/10 - also better than the studio recording, the keyboard in this track is awesome. I really like the percussion in this music... Kudos to the great Ray Cooper! 10. Anne Boleyn 8/10 11. Tudorock * 12. Tudorture "1485" Reprise * - 7/10

 The Six Wives of Henry VIII by WAKEMAN, RICK album cover Studio Album, 1973
4.07 | 692 ratings

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The Six Wives of Henry VIII
Rick Wakeman Symphonic Prog

Review by Andre the Aeropagite

5 stars According to most fans, this is Rick Wakeman best work in his solo carreer. In fact, there is not a single weak track in this masterpiece. I can only imagine if Wakeman had recorded this with Jon Anderson as a Yes album... could it be even better? Anyway, the team he assmbled to this recording is great, with a bunch of yes members: Chris squire, Alan white, Bill Bruford and Steve Howe all join the keyboard wizard in this legendary album. I also strongely recomend to check out the 2005 live album "The Six Wives Of Henry VIII - Live At Hampton Court Palace".It is awesome.

Individual scores: 1. Catherine of Aragon - 9,5/10 - the opening track is also my favourite one. Wakeman plays with a spanish style and squire with his usual class in the bass guitar. The moog is simply awesome. 2. Anne of Cleves - 9,0/10 - starts with a somewhat disturbing keyboard line and change to a fast track with drums. Second best song in my opinion. 3. Catherine Howard - 7,0,/10 4. Jane Seymour - 8,5/10 - beautiful work by wakeman in a church organ. 5. Anne Boleyn (Incl. 'The Day Thou Gavest Lord Hath Ended') - 7/10 - my least favourite track 6. Catherine Parr - 8,5 /10 - excelent drumming with a killer performance by wakeman make this song a classic.

 Ichigo Ichie - Live in Japan 2016 by CAMEL album cover DVD/Video, 2017
4.42 | 8 ratings

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Ichigo Ichie - Live in Japan 2016
Camel Symphonic Prog

Review by SouthSideoftheSky
Special Collaborator Symphonic Team

4 stars "Treasure every encounter for it will never recur"

I pre-ordered Camel's new DVD Ichigo Ichie directly from the band's own record company Camel Productions and got it very nicely signed by Andy Latimer. The DVD contains a strong live performance by the band filmed in Tokyo, Japan in 2016. Looking at the cover picture, you will see two figures. The one in the foreground I suppose is Latimer and the one on the background must be Colin Bass. This is the duo that have kept Camel going for many years now. Also drummer Denis Clement remains from previous line-ups, but once again we have a new face in the keyboard department in Peter Jones. Surprisingly, Jones also takes lead vocals for a couple of songs including opener Never Let Go.

If you enjoyed Camel's previous two DVD releases, you will undoubtedly enjoy this one too as it is comparable in quality with 2014's In From The Cold and 2010's The Opening Farewell. The set list overlaps significantly with these earlier releases, with the majority of the songs performed having also appeared on one or the other of the aforementioned live DVDs. There are however also a couple of surprises, my personal favourite of which is The White Rider. This wonderful song, originally from the Mirage album, hasn't been included on many live recordings before.

The first ten songs in the set are all from the band's first five albums, released between 1973 and 1977. The following handful of songs are from the late 70's to the early 90's. Interestingly, the newest songs are from 1991's Dust And Dreams album which means that there is nothing at all included from the band's three most recent studio discs (not counting the re-recorded version of The Snow Goose). Personally I would have loved to see more "rare" songs both newer and older that haven't been included on other recent live releases, but you can't have everything can you.

Another excellent Camel DVD!

 R-Kive by GENESIS album cover Boxset/Compilation, 2014
2.14 | 29 ratings

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R-Kive
Genesis Symphonic Prog

Review by memowakeman
Special Collaborator Honorary Collaborator

2 stars The many faces of Genesis.

Genesis is one of those bands that we all love (I think) but that divide opinions between the Gabriel-era versus Collins-era. Most of all enjoy their studio albums, some of them are timeless, some others are memorable and some others just good, in my opinion there are no bad Genesis studio albums, but it is just a matter of tastes.

A couple of years ago this 3-cd compilation album was released and though it was not my intention to immediately get it, I was lucky to found it in a ver cheap price, so yeah, I decided to buy it. Since then, I've just opened and listened to it once and that was enough, because I will always prefer listening to full studio albums than hits or randomly chosen tracks. But I had a good time, that's for sure. CD one features some of their real greatest tunes (Gabriel-era, of course) such as "Supper's Ready", "The Musical Box" or "The Carpet Crawlers", to name a few, which are of course, a true delight. This first CD has "Ace of Wands" as last song, a surprise because it is the first non-Genesis track featured here, this is an amazing song taken from Steve Hackett's debut album. This CD covers from 1970 to 1975.

CD two offers a wider selection, covering from 1976 to 1975. The difference here is the addition of several solo-songs, such as Banks' "For a While", Gabriel's "Solsbury Hill", Collins' "In The Air Tonight" or "Silently Running" from Rutherford's side project Mike & The Mechanics. Nice hits that most of all know and even like to sing, despite no being the prog we were used to listen in the earlier Genesis. The other tracks in this album are the Genesis ones from the Collins-era, some of them you perfectly know them, love them or hate them, such as "Mama", "Easy Lover" or "Turn it On Again". Let me tell you that I enjoyed listening to every of the albums, but that was a experience I wanted to enjoy just once.

The third and final CD has songs from 1996 to 2012. Some Genesis songs here are "Invisible Touch", "Land of Confusion" and "I Can't Dance". The rest of the tracks were taken from the member's side or solo projects such as: "Over My Shoulder" from Mike & The Mechanics, "Signal to Noise" from Peter Gabriel, "Nomads" from Steve Hackett or "Siren" from Tony Banks. I liked it, but this was the CD I least enjoyed compared to the previous two.

Well, this is actually for collectors, I don't even consider this as a nice introduction to Genesis' music, not at all, which I would not really recommend it unless you want to increase your CD collection. If you get it, enjoy it!

 The Best of Emerson, Lake & Palmer  by EMERSON LAKE & PALMER album cover Boxset/Compilation, 1980
2.37 | 60 ratings

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The Best of Emerson, Lake & Palmer
Emerson Lake & Palmer Symphonic Prog

Review by memowakeman
Special Collaborator Honorary Collaborator

2 stars Well, some compilations are great, some others are just ok or even poor.

When it comes to talk about a legendary band whose tunes have stayed in our memories for years, it is difficult to make a good selection of tracks that can be named "best of", though the question is best of what? We could find different answers according to the field, I mean, some compilation albums feature the best tunes commercially speaking, some others choose representative songs that can work as introduction for a newbie, some others really feature the best compositions (though this might also be a subjective thing).

Judging by the short running time (38 minutes), this could never be a Best of ELP tunes, but it features cool representative tracks such as "Lucky Man", "Still... You Turn Me On", or "Hoedown" that could be appreciated by any rock fan (not strictly prog). It features a short version of "Karn Evil" and some other songs that are cool but would never make me fall in love with the band. The only massive exception is the amazing "Trilogy", that song alone can quench my musical thirst and feed my prog senses, that song is amazing, though I am not sure if that would be ideal for a newbie, since I believe this album was made for newcomers and for new label incomes, I don't know.

This is just a regular compilation album, there are some others that are much, much better. However, if you happen to have it, enjoy it!

 Best Of Aphrodite's Child by APHRODITE'S CHILD album cover Boxset/Compilation, 1975
2.63 | 17 ratings

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Best Of Aphrodite's Child
Aphrodite's Child Symphonic Prog

Review by memowakeman
Special Collaborator Honorary Collaborator

2 stars A nice bunch of their early tunes!

This compilation album is pretty nice if you don't pre-judge and let your ears be fulfilled by the cool psych-pop tunes that Demis Roussos wrote long, long time ago. I am saying this, because here, as prog lovers, we fell in love with 666, the ultimate masterpiece of this band, but their earlier works don't really have much in common with the so acclaimed 666, which is why I'm warning you.

Once you have open ears and mind, you will really enjoy the sweet voice of Roussos, along with the cool arrangements Vangelis added in this compilation of nice short tracks, in which you will find some folk resemblances, actually Greek traditional folk can be found here, as well as that spicy psychedelia inherent in their music. The pop sound might be also evident in some songs, but believe me, this is a good pop.

Of course, I also prefer (by far) the proggy version of Aphrodite's Child, but I enjoy listening to beautiful songs such as "Rain and Tears", "It's Five o' Clock" or the amazing "Spring, Summer, Winter and Fall". If you would like to know a bit more about their early tunes, this compilation would be great, otherwise, please avoid it.

Enjoy it!

 After The Silence - A Symphonic Poem by PYTHAGORAS album cover Studio Album, 1982
3.10 | 20 ratings

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After The Silence - A Symphonic Poem
Pythagoras Symphonic Prog

Review by Tarcisio Moura
Prog Reviewer

3 stars Pythagoras sophomore LP after the quite promising debut "Journey Through The Vast Unknown" (1980) was released from a major recording company, (the first one was an independent release. This time René de Haan decided to have more than just drummer Bob de Jong to help him out with After The Silence; in fact he had several musicians with "real" instruments to play his new compositions, like guitar, bass, violin and flute. Among the people who played the guitarist was a very young Arjen Lucassen (of Ayeron fame and several other side projects nowadays), who took a little time from his band Bodine to record his firs professional session.

The results are quite interesting, helped by the better production. The sound is still basically a mixture of electronic with a more "classic" prog rock vein. a bit like early Pink Floyd. In fact, After The Silence is far more conventional sounding than their debut, although the electronic element is very much the basis of most of the tunes. The violin and guitar solos gave Pythagoras music more variety and colors, but the music in general here ended up being more tentative than convincing to my ears. The songwriting here seems to be still a little green, but they were in the right direction as far as I can tell. Still, some parts are very good and it´s obvious that the project had a lot of potential. It´s really a shame they did not record a follow up. And, considering the time it was put out, it is really a feat they did even managed to have a major recording company backing it.

Listening today, I feel this CD to be really pleasant and interesting, Nothing to write home about, but good anyway. If you like electronic music mixed with traditional rock instruments you should try this one. Tangerine Dream did it better, but this one has its merits.

Rating: 3 stars.

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Symphonic Prog bands/artists list

Bands/Artists Country
21. PERON Turkey
5BRIDGES Netherlands
7 OCEAN Belarus
ABBHAMA Indonesia
ABSTRACTION LAYER Brazil
ACCENT Romania
ACHE Denmark
ACUITY United States
ADVENTURE Norway
AETHER Brazil
AFTER CRYING Hungary
AFTER THE FIRE United Kingdom
AGNUS Argentina
AGNUS GRAAL Brazil
AIRLORD New Zealand
AJALON United States
AKACIA United States
ALAMEDA Spain
ALASKA United States
ALBATROSS United States
ALMS Spain
ALPHA CENTAURY France
ALPHA III Brazil
ALTER ECHO Sweden
LEON ALVARADO United States
SERGIO ALVAREZ Argentina
AMAGRAMA Argentina
AMENOPHIS Germany
AMOS KEY Germany
ANABIS Germany
ANCIENT VISION United States
ANDERSON BRUFORD WAKEMAN HOWE United Kingdom
ANDERSON/STOLT Multi-National
ANGE France
ANGIPATCH France
ÄNGLAGÅRD Sweden
ANIMA Argentina
ANIMA DOMINUM Brazil
ANIMA MORTE Sweden
ANIMA MUNDI Cuba
ANOXIE France
ANTARES Germany
ANYONE'S DAUGHTER Germany
APHÉLANDRA France
APHRODITE'S CHILD Greece
APOCALYPSE Brazil
AQUAPLANAGE United Kingdom
ARABESQUE United States
ARACHNOID France
ARCABUZ Spain
ARION Brazil
ARS NOVA (JAP) Japan
ART IN AMERICA United States
ASA DE LUZ Brazil
ASIA MINOR Turkey
ASTRË United States
ASTURCON Spain
ATILA Spain
ATLANTIS PHILHARMONIC United States
ATLAS Sweden
ATMOSPHERA Israel
ATOLL France
AUTUMN United Kingdom
AUTUMN BREEZE Sweden
AVIVA (AVIVA OMNIBUS) Russia
AXCRAFT United States
AZABACHE Spain
BABYLON United States
BACAMARTE Brazil
BANAAU Italy
BANANA Argentina
BANZAI Belgium
ZELJKO BEBEK AND PODIUM Yugoslavia
BEGGARS OPERA United Kingdom
ROBERT BERIAU Canada
ED BERNARD Canada
BLACK SEPTEMBER United States
BLAKULLA Sweden
BLANK MANUSKRIPT Austria
BLEZQI ZATSAZ Brazil
BLUE SHIFT United States
TOMAS BODIN Sweden
BONDAR & WISE United States
BOX OF SHAMANS United States
BRIMSTONE United States
BURNING CANDLE Germany
BUSKER Canada
CAFEINE France
CAI Spain
CAIRO United States
CAJA DE PANDORA Mexico
CAL Spain
CAMEL United Kingdom
LOS CANARIOS Spain
CANNABIS INDIA Germany
ALEX CARPANI BAND Italy
CAST Mexico
CATHEDRAL United States
CHAKRA United States
CHALCEDONY United Kingdom
CHAOS CODE United States
CHRONOS MUNDI Brazil
JOSÉ CID Portugal
CINEMA Japan
CIRCLE Germany
CITIZEN CAIN United Kingdom
CLAY GREEN'S POLYSORBATE MASQUERADE BAND United States
CLEARLIGHT France
CODA Netherlands
CODICE Mexico
COLLEGIUM MUSICUM Slovakia
COTO EN PEL Spain
COUSINS & CONRAD United Kingdom
COVENANT United States
CRACK Spain
CRAFT United Kingdom
CRESSIDA United Kingdom
CRONICO Mexico
CROOKED MOUTH United Kingdom
CRUCIBLE United States
CRUCIS Argentina
DAWN Switzerland
DEJA-VU Japan
DELUGE GRANDER United States
DIALOGUE (DAWN DIALOGUE) Russia
DIAPASAO Brazil
DISCIPLINE United States
DOGMA Brazil
DORACOR Italy
DOUG WOODS & COLIN POWELL United Kingdom
DR. COENOBITE Netherlands
DRAGONFLY Switzerland
DRAMA France
DRUCKFARBEN Canada
DRUID United Kingdom
EARTH AND FIRE Netherlands
EARTHRISE United States
ECCENTRIC ORBIT United States
ECHOLYN United States
ECLAT / ECLAT DE VERS France
ECLIPSE Brazil
EDEN Canada
EGGROLL Israel
EIK Iceland
ELLESMERE Italy
ELOHIM France
ELOITERON Switzerland
EMERSON LAKE & PALMER United Kingdom
REDJY EMOND Canada
ENGLAND United Kingdom
THE ENID United Kingdom
EPIDAURUS Germany
EPIGNOSIS United States
EPISODE United States
EQUILIBRIO VITAL Venezuela
ESPIRITU Argentina
ESTRUCTURA Venezuela
ETCETERA Denmark
ÉTERNITÉ Canada
ETHOS United States
EVERFRIEND United States
EX-VAGUS France
EXODE France
EXODUS Poland
EZRA WINSTON Italy
FAITHFUL BREATH Germany
FALLING EDGE Canada
FANTASY United Kingdom
FARMHOUSE ODYSSEY United States
FICCION Venezuela
FINCH Netherlands
FIREBALLET United States
FIRST+AID United Kingdom
FLAGSHIP Sweden
FLAME DREAM Switzerland
FLAMING BESS Germany
THE FLOWER KINGS Sweden
FLÜGHT Mexico
FLYTE Belgium
FOCUS Netherlands
FOREVER TWELVE United States
THE FOUNDATION Sweden
FRÁGIL Peru
FRIGHT PIG United States
FROMAGE Japan
FRUUPP Ireland
FUSONIC Netherlands
GALIE Mexico
GENESIS United Kingdom
GENS DE LA LUNE France
THE GIFT United Kingdom
GLASS United States
GLASS HAMMER United States
GOTIC Spain
GOVEA Mexico
GRACIOUS United Kingdom
GRANADA Spain
GRAND STAND Sweden
GRANDBELL Brazil
GREENSLADE United Kingdom
GREYFIELD Spain
GROBSCHNITT Germany
SHAUN GUERIN United States
GUILDENSTERN Germany
HALLOWEEN France
HANDS United States
BO HANSSON Sweden
HARLEQUIN MASS United States
HARMONIUM Canada
HECENIA France
HELIOPOLIS United States
ANDERS HELMERSON Brazil
HIGH WHEEL Germany
TERUTSUGU HIRAYAMA Japan
HOGGWASH Ukraine
HOKUS POKUS Norway
LYLE HOLDAHL United States
HOLDING PATTERN United States
HOLY LAMB Latvia
HORIZONT Russia
HYACINTUS Argentina
I.C.U. Germany
III MILÊNIO Brazil
ILVCIA Spain
IN SPE Estonia
INDEX Brazil
INFINITY United States
THE INNER ROAD United Kingdom
INQUIRE Germany
JACK INTVELD United States
INVISIBLE Argentina
ISILDURS BANE Sweden
ISOPODA Belgium
IZZ United States
JELLY FICHE Canada
BJÖRN JOHANSSON Sweden
KAIPA Sweden
KAIPA DA CAPO Sweden
KAIZEN Brazil
KALABAN United States
KALO Japan
KANSAS United States
KARDA ESTRA United Kingdom
KARFAGEN Ukraine
KARMAKANIC Sweden
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