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SYMPHONIC PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Symphonic Prog definition

Symphonic is without doubt the sub-genre that includes†the most bands in Progressive Rock because for many people it's almost synonymous classic Prog, something†easy to understand being that†most of the†classic and/or †pioneer†bands†released music that could be included in this sub-genre, except JETHRO TULL and PINK FLOYD (who still blended some symphonic elements), even KING CRIMSON who very soon expanded their horizons to more experimental music, made their debut with a Symphonic album, "In the Court of the Crimson King" which is a cornerstone in the development of the genre.

The main characteristics of Symphonic are the ones that defined all Progressive Rock: (There's nothing 100% new under the sun) which among others are:
  • Mixture of elements from different genres.
  • Complex time signatures.
  • Lush keyboards.
  • Explorative and intelligent lyrics, in some cases close to fantasy literature, Sci Fi and even political issues.
  • Non commercial approach
  • Longer format of songs

In this specific case the main characteristic is the influence of Classical music (understood as Orchestral works created from the late Gothic to Modern Classical) using normally more complex structure than other related sub-genres like Neo Progressive (That's why sometimes the borderline that divides Symphonic from Neo is so unclear being that is based mostly in a degree of complexity rather than in an evident structural difference)..It is easy to find long keyboard solos reminiscent of Johan Sebastian Bach or melodic works that could have been written by†Handel.

As in any other genre, different Symphonic bands had different approaches to Classical music, for example YES and GENESIS are mainly influenced by the Baroque and Classical periods, while EMERSON LAKE & PALMER has a predilection for post Romantic and modern authors like Mussorgsky, Rimsky Korsakov, Bartok or Ginastera, being†that†their sound†is less melodic and more aggressive.

The peak of the genre starts in 1969 and lasts until the mid/late 70's† (more precisely until the release of A Trick of the Tail), when the genre begins to† blend more mainstream influences that took to the birth of Neo Progressive (a new approach for a new decade).


It†is important to remember that even though the creative peak of Symphonic Progressive†ended before the 80's,†we can find†a†second birth†in the 90's coming from the Scandinavian countries (specially Sweden with ANGLAGARD or PAR LINDH PROJECT) and even bands that still in the 21st Century recreate music from this period like SPOCK'S BEARD or ECHOLYN.

Before ending this short description I feel necessary to say (In order to be strictly accurate) that the term Symphonic is not 100% exact, because†these†bands†very rarely†played symphonies and was†probably used because the music that influenced the genre was†performed by Symphony Orchestras, but†it is†so†widely accepted†by the Progressive Rock community that†would be absurd and futile for†anybody to†attempt a change after so much time.

IvŠn Melgar Morey, Peru 2006



Symphonic Team

Current Team as at 09/07/17

IvŠn Melgar Morey (IvŠn_Melgar_M)
Anton Fritz (SouthSideoftheSky)
RdtProg (Louis)

Symphonic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Symphonic Prog | More Top Prog lists and filters

4.66 | 4048 ratings
CLOSE TO THE EDGE
Yes
4.63 | 3774 ratings
SELLING ENGLAND BY THE POUND
Genesis
4.60 | 3281 ratings
FOXTROT
Genesis
4.44 | 3197 ratings
FRAGILE
Yes
4.42 | 2857 ratings
NURSERY CRYME
Genesis
4.40 | 2383 ratings
MIRAGE
Camel
4.38 | 2041 ratings
MOONMADNESS
Camel
4.36 | 2759 ratings
RELAYER
Yes
4.38 | 1560 ratings
HYBRIS
ńnglagŚrd
4.35 | 1174 ratings
SI ON AVAIT BESOIN D'UNE CINQUI»ME SAISON
Harmonium
4.29 | 2690 ratings
THE LAMB LIES DOWN ON BROADWAY
Genesis
4.29 | 2586 ratings
THE YES ALBUM
Yes
4.29 | 2071 ratings
THE SNOW GOOSE
Camel
4.27 | 2326 ratings
A TRICK OF THE TAIL
Genesis
4.31 | 1053 ratings
SCHEHERAZADE AND OTHER STORIES
Renaissance
4.32 | 782 ratings
DEPOIS DO FIM
Bacamarte
4.24 | 1882 ratings
EMERSON LAKE & PALMER
Emerson Lake & Palmer
4.55 | 241 ratings
FROM SILENCE TO SOMEWHERE
Wobbler
4.25 | 970 ratings
VILJANS ÷GA
ńnglagŚrd
4.25 | 927 ratings
HAMBURGER CONCERTO
Focus

Symphonic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Symphonic Prog experts team

THE MOST BEAUTIFUL DAY
Exodus
GUET-APENS
Ange
WELCOME TO THE FREAKROOM
Shadow Circus
ENTANGLED
Leitmotiv

Latest Symphonic Prog Music Reviews


 Foxtrot by GENESIS album cover Studio Album, 1972
4.60 | 3281 ratings

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Foxtrot
Genesis Symphonic Prog

Review by sada

5 stars One of the best feeling in the world is putting this album on. When the first notes hit you, you can't go back. It is one of the most intense album begining I have ever listened to. As offensive and grandiose as it is, it is not even the highest point of the album. I have to say that I think that the flow of the album is less impressive than Nursery Cryme. For that reason, I slightly prefer Nursery Cryme over Foxtrot. Yet, it is also an absolute masterpiece. I have a great passion for one of their most underrated song ever: Can-Utility and the Coastliners. The repeated guitar part is simply mezmerizing and if you are not blown away when the drums start off, you're lacking emotional touch with the world of music. Altough i think superior 20+ minutes song were written during the prog era, Supper's Ready stays one critical song in the progressive rock music world. I still think enough has been written on the song! Just look at the visual experience that is available on Youtube where the whole song was drawn.
 Nursery Cryme by GENESIS album cover Studio Album, 1971
4.42 | 2857 ratings

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Nursery Cryme
Genesis Symphonic Prog

Review by sada

5 stars One thing that has always struck me with this album is its use of nuances. It is truly amazing how forte and piano live together within this LP in stunning ways. I think that the ''Theatrical'' aspect of Genesis, in its musical form (not its live interpretation), reached its peaked with this album. The Musical Box is one of the greatest piece of music Genesis ever produced and is a stunning example of the power of progressive rock. Going all over the place, in a narrative structure, with complex yet accessible music. Every other songs are great and the general flow of the album is amazing. There is a continuing mood throughout the album with high points of intencity (Hogweed) and calm serenity (Harlequin). Yet it is conducted marvelously. An essential to any progressive fan and a great introduction piece to the art form.
 Trespass by GENESIS album cover Studio Album, 1970
4.16 | 2103 ratings

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Trespass
Genesis Symphonic Prog

Review by sada

4 stars Even though this album is without Steve Hackett and Phil Collins, it is still a great album. The mood of almost all the songs is more floaty, dreamy and soft. It is a touching album that makes you travel in a world that Genesis does not usually take you around. The last piece, the famous The Knife, is the more agressive piece. Altough The Knife is an amazing song, you can see that the sound of the band was still rough and their technic not fully exploited. The drum is lacking the flow and subtilities that will follow in the next albums. Also, the recording quality is surprisingly low, which might turn some people down. I'd still like to say that it is an amazing addition to your collection. Still, I would not start there with Genesis.
 Sandrose by SANDROSE album cover Studio Album, 1972
3.54 | 88 ratings

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Sandrose
Sandrose Symphonic Prog

Review by Proussos

4 stars An excellent female voice progressive band. Her voice is out of this world. Very touching and very melodic album. Definitely a masterpiece of NON UK Progressive albums. Guitar is not that technical BUT it really serves the songs of this obscure masterpiece. In other words, a must have for collectors of this kind. I own many obscure albums but this one made me feel like inventing this music recently. Is one of the few albums i listened several times the same day of purchase and then again and again and again. The vocals might seems a bit bad at the first hearing of the album but the second time the listener will realise that are really matching with the whole album and are Perfect.
 Nursery Cryme by GENESIS album cover Studio Album, 1971
4.42 | 2857 ratings

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Nursery Cryme
Genesis Symphonic Prog

Review by FalconBleck

5 stars #10 Review

I wanted to do this album later or maybe at the end, because this is like my favorite from Genesis and that takes some of the point of making reviews right away, it's like hard to make a review where you're going to score everything perfectly, but this also doesn't take away from other songs that this band has produced.

This album is really important to me, it's one of the 4 albums i first listened from Genesis when it was love at first sight, it's incredible the power that this album portrays, the amount of emotions that it expresses and the technicality of it all, incredible sound at the time, it should've been number one everywhere.

As always i'll review by song.

1.- The Musical Box 10/10 This 10 minute piece goes everywhere and really changed my life the first time i heard it, this is one of the songs that made me get hooked with this band, how this song keeps building tension at every note and how eerie it feels at many times, representing the artwork of the cover, it's just an amazing experience, it's hard to pick a favorite part, but i want to point out that small part where the song goes pretty low in volume and where there it sounds like trumpets. This song made me travel in time, made me imagine lots of things dedicated to the lyrics and the cover art, it showed me a hole new perspective of a world that i never experienced and everything felt so real just by entering through my ears.

This. Song. Is. Genesis.

2.- For Absent Friends 10/10 A really abrupt change of pace, this song makes me miss all the friends that i've lost, there are none. I believe that this was the first song that Phil Collins ever sang completely.

3.- The Return of the Giant Hoghweed 10/10 And another abrupt change of pace, probably one of the most hardcore songs from the band, i can imagine the humans or whatever planing to destroy the Hoghweeds, and at the end i can see how they destroy an entire city, with that brutal final instrumental part. Shoutouts to that solo leading to the instrumental part played by Tony Banks, then Steve Hackett and finally all of them join.

4.- Seven Stones 10/10 Continuing with the abrupt change of paces in this album, this song is pretty melancholic, and it gets me pretty depressed. I imagine me being old and completely alone remembering people, and if i continue like this, i'm not far from that. Perfectly done atmosphere. I really hope that "by chance", more people will hear this music as i do.

5.- Harold the Barrel 10/10 Another abrupt change, this time for a more joke song, and contrary to all the other joke songs they make later, this one is the best of them all, really well made and another character for the Genesis Mythology. It's funny that they said a joke involving the BBC and then played this song live at the BBC. Interesting sad ending played by Tony Banks.

6.- Harlequin 9/10 Another change of pace, this one is pretty sweet and tranquil, it's a nice song but i really feel it like an average song, it feels like a song that should've been in Trespass, curiously enough, i don't know if this song was made back then, but i know that the first song in this album was. It's short but still a nice song, if the song where longer and the same, it could've gone down as far to a 7/10.

7.- The Fountain of Salmacis 10/10 And to end it, we went back and forth in change of paces, and i'm glad about that, this album could've made me really depressed or too excited. This song is pretty epic, and has an incredible solo where it really shows the strenght of all the members of the band.

This is the highest ranked album from me, scoring a 99/100 wich obviously translates into 5 stars, absolutely recommended, this album makes Genesis worth all... and other albums as well, obviusly, but this one is perfect.

 Water Blue by VERMILION SANDS album cover Studio Album, 1989
3.59 | 30 ratings

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Water Blue
Vermilion Sands Symphonic Prog

Review by nikitasv777

4 stars Japanese Symphonic Prog Rockers Water Blue Vermilion Sands - one of the all-time great Japanese prog albums. I found out about this group only recently and what a nice surprise it was! Vermilion Sands is often compared to Renaissance and i agree with this. Impressive music that definitely deserves to be compared to the likes of Renaissance. The female vocalist, Yoko Royama, sings in English and Japanese. The band plays mellow and exquisite music with use of flute, acoustic guitar and with keyboards. So, this is one of the best Japanese symphonic albums, not to be missed. Who will enjoy this album? A must to Renaissance style fans.
 Yesshows by YES album cover Live, 1980
3.64 | 454 ratings

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Yesshows
Yes Symphonic Prog

Review by VianaProghead
Prog Reviewer

4 stars Review Nļ 156

'Yessongs', was the first Yes' live album that was bound to be a classic. That 1973 triple LP was emblazoned with a hypnotic Roger Dean cover and comprised of material from double-header progressive rock behemoths 'Fragile' and 'Close To The Edge'. In any superficial comparison, 'Yesshows' couldn't possibly stack up. With its awkward snow scene cover, also made by Dean, and the track list spanning critically panned albums like 'Tales From Topographic Oceans' and 'Tormato', it hardly screams an essential purchase. But 'Yesshows', released in November 1980, is just as essential as any of the band's late 70's albums, with songs that often improve upon their studio counterparts.

Yes broke up for the first time in 1978 after 'Tormato', and in the attempt at replacing Jon Anderson and Rick Wakeman by Trevor Horn and Geoff Downes, it was then they released their tenth studio album 'Drama'. 'Yesshows' is the second live album of Yes and was released in 1980, shortly after the release of 'Drama'. Issued as Yes were about to disband, soon after this live album, 'Yesshows' is a very important live document of their late 70's era. 'Drama' is an album with a different line up because Anderson and Wakeman left the band. To the remaining members of the group Steve Howe, Chris Squire and Alan White joined two other musicians Horn and Downes, two ex-The Buggles members.

So, the band members involved on 'Yesshows' are Jon Anderson (vocals), Chris Squire (vocals and bass guitar), Steve Howe (vocals and guitars), Rick Wakeman (keyboards), Patrick Moraz (keyboards) and Alan White (vocals and drums).

'Yesshows' is a double live album consisting of recordings from 1976 and 1978. 'Yesshows' comprises live performances ranging from the summer of 1976 to the supporting tour for their last studio album 'Tormato', in 1978, in several locations. Like the band previous debut live album 'Yessongs', 'Yesshows' begins with a classical music recording of Igor Stravinsky's the 'Firebird Suite'. Although, Rick Wakeman is the main keyboardist on the most tracks, the 1976 performances are featured by Patrick Moraz, the keyboardist of Yes in that time, after Wakeman have left the band after the release of 'Tales From Topographic Oceans'. After the release of 'Relayer' and just before the recording of 'Going For The One', Patrick Moraz left also the band and Wakeman returned to recording and release this album.

'Yesshows' has seven tracks. The first track 'Parallels' was recorded at Ahoy'-Hal, Rotterdam, Holland, in 1977 and was released on 'Going For The One', the second track 'Time And A Word' was recorded at Empire Pool, Wembley, London, in 1978 and was released on 'Time And A Word', the third track 'Going For The One' was recorded at Festhalle, Frankfurt, Germany, in 1977 and was released on 'Going For The One', the fourth track 'The Gates Of Delirium' was recorded at Cobo Hall, Detroit, Michigan, USA, in 1976 and was released on 'Relayer', the fifth track 'Don't Kill The Whale' was recorded at Empire Pool, Wembley, London, in 1978 and was released on 'Tormato', the sixth track 'Ritual (Nous Sommes Du Soleil)' was recorded at Cobo Hall, Detroit, Michigan, USA, in 1976 and was released on 'Tales From Topographic Oceans' and the seventh track 'Wonderous Stories' was recorded at Ahoy'- Hal, Rotterdam, Holland, in 1977 and was released on 'Going For The One'.

So, the material on the album is from the post 'Close To The Edge' period, with the exception of 'Time And A Word', and the album serves as a superb supplement to the live classic 'Yessongs'. The band is in top shape and delivers great performances of the material. 'Parallels' sounds in my opinion better here than it did on 'Going For The One' and the same goes for 'Time And A Word' that works better without the orchestra on the studio version. 'The Gates Of Delirium' is another demonstration of the fact that Yes was one of progressive rock's best live bands ever. Most of the second album is taken up of what I consider to be the ultimate version of 'Ritual'. The track is spread over both sides of the album and it kicks the ass off the studio version on every level, despite the great quality of the studio version.

Conclusion: 'Yesshows' comprises different recordings from different live performances between 1976 and 1978, including two different line ups. 'Yesshows' has negative points and positive points. The negative points are the inclusion of 'Time And A Word' and 'Don't Kill The Whale' that despite are two good songs hadn't quality enough to be chosen, and the non-inclusion of any song from 'Close To The Edge' is unjustifiable. The positive points are the presence of Moraz which is very rare on Yes' live albums and the fantastic performance of the band on 'The Gates Of Delirium' and 'Ritual'. This is more evident on 'Ritual', because is a longer version due to the extended percussion section. It seems even a new song. It's interesting to see the different interpretations of Moraz and Wakeman of the same track. 'Yesshows' isn't as good as 'Yessongs' is, but is undoubtedly one of the best live albums ever made. However, 'Yesshows' remains as a great live album and an essential music piece of the all musical catalogue of Yes.

Prog is my Ferrari. Jem Godfrey (Frost*)

 Pazzo Fanfano di Musica by PAZZO FANFANO DI MUSICA album cover Studio Album, 1989
4.72 | 45 ratings

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Pazzo Fanfano di Musica
Pazzo Fanfano Di Musica Symphonic Prog

Review by Warthur
Prog Reviewer

5 stars A magnificent supergroup project from Japan, bringing together various figures from the 1980s prog scene there to produce a delightful tribute to the Italian scene of the 1970s. Rather than copying the distinctive style of any specific Italian prog band, the collective instead blend together influences from PFM to Banco and incorporate an extensive amount of the baroque classical influences the Italian bands themselves loved, yielding a fantastical musical journey which exonerates the prog credentials of each and every one of the participants.

I fully intend to go trawling through the discographies of the various bands whose members contributed to this project, because it's clear that I have overlooked the Japanese prog scene of the 1980s for far too long. Whilst in the Anglosphere we were still making do with neo-prog and full-bore symphonic prog releases had not yet had the resurgence that would later arise, clearly in Japan the spirit of classic prog was alive and well and working through talented musicians like these.

 Pollen by POLLEN album cover Studio Album, 1976
4.11 | 142 ratings

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Pollen
Pollen Symphonic Prog

Review by Walkscore

3 stars Some excellent original tracks.

Formed by musicians who would later on, separately, become important figures (often behind-the-scenes) in the Quebec music scene, this one-off album from then-young group Pollen contains some excellent music. However, the best tunes come at the end of the vinyl sides, while the tracks opening each side are the weakest, which means it takes a bit longer to discover the gems here. I agree with other reviewers that many parts of this album have a derivative feel, and that the writing is not yet mature, which was (and still is) fairly normal for a debut album. There are sections that bring to mind Genesis, and Gentle Giant, whose 1974 tour they opened for (they also shared the bill with Caravan in Quebec). The least musical track here, in my opinion, is actually the opening song "Vieux Corps de Vie D'Ange", so the casual listener might not be motivated to listen to the album too often. But this band does have its own sound, particularly on the tunes that close each side (of the original vinyl album). Of course, these for me are the highlights, and I would even say they should make it into the list of classic Quebec pieces. These harken more to other Quebec music of the time than to the British groups. The tune that closes side 1, "L'Indien", is really a folk tune, not even rock, but it is to me the best song on the album. Really a beautiful song, and original - very much their own voice. While I agree that the singing in general across the album is not quite on par with the best, it is still solid, and on this song it works very well. Meanwhile, the track that closes the album, "La Femme Ailee", is a 10- minute mini-epic with some great dark organ playing, original writing, and really excellent drumming. There are also sections of "L'etoile" and "Tout'l temps" that are great, with really nice arpeggiated guitar/keys parts and some difficult drumming (the drummer, Sylvian Coutu, was in the original lineup of Quebec fusion group Uzeb). So, while overall the album is not likely to blow anyone away, it does contain some excellent musical tracks, and is thus worth picking up. I give this album 7.5 out of 10 on my 10-point scale, which translates to high-ish 3 PA stars.

 A Trick Of The Tail by GENESIS album cover Studio Album, 1976
4.27 | 2326 ratings

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A Trick Of The Tail
Genesis Symphonic Prog

Review by FalconBleck

5 stars #9 Review

Once Peter Gabriel left, the band kept searching and they ultimately decided for Phil Collins to be the lead... poor guy, he never wanted to leave the drums, but his voice eventually overshadowed his drums skills on the people wich is sad, but what can you do when you are very talented at 2 things? Not only that, but probably one of the best for the 2 jobs but one of those omits the other?

Well, the band continued and released a pretty aweosome album that i discovered because of a friend of an uncle who is having a hard time now at the hospital, hope that he gets well soon and i must thank him, this album is aweosome and because of those Peter Gabriel fanboys is because i never wanted to listen to this on the first place, i was pretty influenced by them when i started with Genesis, and i must tell everybody, listen to nobody, not even to me if you want, you just need to experience Genesis in its totality and i hope that you and everybody can realize what Genesis is all about, that's why i am here.

As always, i'll be reviewing per song.

1.- Dance on a Volcano 10/10 This song is pretty aweosome, it does almost everything right, the rythms, the time signatures, the atmosphere, the sound... everything is great here... How can i say that is an special song other than it is perfectly made? Well, really nice drumming and crazy "drop" of the instruments at the end.

2.- Entangled 10/10 If you want to listen to this, put your lights at minimum, making a glowy orange scene in your bedroom, make the room be filled with darkness also and look up in the window at night, watch for the rooftops and imagine childrens runing up there, it's a magical night where only the silhouette of the childrens can be seen while the moon washes the colors of the roofs, and you want to be there, as a child, to relive those inocent times that you never had because you were listening to prog alone at your room, you don't regret it, but you cry because you never had a social experience and now... you're tired and ill. That's how i feel, i love this song and i'd like to animate it or something, i want to share how i feel with somebody, maybe that's why i write reviews.

Pretty well done atmospherics by everybody here, and there's not a single piece of drums being played, only sweet Phil singing.

3.- Squonk 9/10 Nicely done kind of badass song, a little repetitive and because of that i sometimes forget that i'm listening to it, but still sports a nice rythm. I have another minor problem with this song, and that one is that in the ending, i would've liked for them to continue, i investigated and found that the ending overlaps infinitely, so they never composed something more to finish the song? Weird, i guess some of those ideas went into the most famous unreleased song from this album. Shoutouts to the singing, again but in a different way.

4.- Mad Man Moon 9/10 This song was perfect!! But the dumb lyrics in some parts had to rest 1 point. This song is really melancholic, here the spotlight is Tony Banks, he plays an incredible piece at half the song where it sounds like something that could be played whilst watching one of those Georges MťliŤs silent movies, it really takes away into a different reality and i love it. So the instrumentals are perfect here, the lyrics not, and it's hard for me to give it a point less because i mostly focus in instrumentals, but the lyrics really do take apart the illusion, it happens at the second half of the song, it is the singing or the lyrics tho?

5.- Robbery, Assault and Battery 10/10 At first i wasn't very fond of this song, but then after some re-listens, i just love it, it sports a lot of interesting and uniques things here, a funny story, but then an incredible aweosome odd time signature, this is one of the best Genesis songs to showcase odd time signatures. Shoutouts to everybody here because everyone got it's time to shine in this song.

6.- Ripples 10/10 Should i say something? This song has made everybody cry atleast once, because it's a pretty song, really sad and melancholic but then it gets pretty emotional and near the end there is one of the most epic solos i have heard, when i first listened to this, there was nothing toping that part and i edited the song so i could loop that part as far as i wanted, i really love that part. But the song in it's entirety is another one like Entangled with almost no drums, until the chorus and the solo tho. Shoutouts to Steve Hackett and Tony Banks, my favorite music couple... maybe.

7.- A Trick of the Tail 10/10 The title trick, i mean track, it's a somewhat short song, with really interesting lyrics, and a really sticky rythm, this song may be a little repetitive, but it gets stuck pretty easy in the head and the lyrics really get inside of my mind and i don't get distracted, i concentrate the whole song, and if i distract for some reason, the chorus hooks me up pretty fast. So in this one is a shoutouts to the lyrics.

8.- Los Endos 10/10 The final song that closes it all with just almost repeating all the songs in the albums with an incredible showcase of talent from Phil Collins on drums and everybody also, but the drums in a really special way. This song is really well executed and i'm glad that in concerts they have come back to this song multiple times, it represents the album well.

All in all the final score is a 98/100, wich obviusly translates to 5 stars, i recommend this album to EVERYBODY.

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Symphonic Prog bands/artists list

Bands/Artists Country
21. PERON Turkey
5BRIDGES Netherlands
7 OCEAN Belarus
ABBHAMA Indonesia
ABSTRACTION LAYER Brazil
ACCENT Romania
ACHE Denmark
ACUITY United States
AD ASTRA United States
ADVENTURE Norway
AETHER Brazil
AFTER CRYING Hungary
AFTER THE FIRE United Kingdom
AGNUS Argentina
AGNUS GRAAL Brazil
AIRLORD New Zealand
AJALON United States
AKACIA United States
ALAMEDA Spain
ALASKA United States
ALBATROSS United States
ALMS Spain
ALPHA CENTAURY France
ALPHA III Brazil
ALTER ECHO Sweden
LEON ALVARADO United States
SERGIO ALVAREZ Argentina
AMAGRAMA Argentina
AMENOPHIS Germany
AMOS KEY Germany
ANABIS Germany
ANCIENT VISION United States
ANDERSON BRUFORD WAKEMAN HOWE United Kingdom
ANDERSON/STOLT Multi-National
ANGE France
ANGIPATCH France
ńNGLAGŇRD Sweden
ANIMA Argentina
ANIMA DOMINUM Brazil
ANIMA MORTE Sweden
ANIMA MUNDI Cuba
ANOXIE France
ANTARES Germany
ANYONE'S DAUGHTER Germany
APH…LANDRA France
APHRODITE'S CHILD Greece
APOCALYPSE Brazil
AQUAPLANAGE United Kingdom
ARABESQUE United States
ARACHNOID France
ARCABUZ Spain
ARION Brazil
ARS NOVA (JAP) Japan
ART IN AMERICA United States
ASA DE LUZ Brazil
ASIA MINOR Turkey
ASTRň United States
ASTURCON Spain
ATILA Spain
ATLANTIS PHILHARMONIC United States
ATLAS Sweden
ATMOSPHERA Israel
ATOLL France
AUTUMN United Kingdom
AUTUMN BREEZE Sweden
AVIVA (AVIVA OMNIBUS) Russia
AXCRAFT United States
AZABACHE Spain
BABYLON United States
BACAMARTE Brazil
BANAAU Italy
BANANA Argentina
BANZAI Belgium
ZELJKO BEBEK AND PODIUM Yugoslavia
BEGGARS OPERA United Kingdom
ROBERT BERIAU Canada
ED BERNARD Canada
BLACK SEPTEMBER United States
BLAKULLA Sweden
BLANK MANUSKRIPT Austria
BLEZQI ZATSAZ Brazil
BLUE SHIFT United States
TOMAS BODIN Sweden
BONDAR & WISE United States
BOX OF SHAMANS United States
BRIMSTONE United States
BURNING CANDLE Germany
BUSKER Canada
CAFEINE France
CAI Spain
CAIRO United States
CAJA DE PANDORA Mexico
CAL Spain
CAMEL United Kingdom
LOS CANARIOS Spain
CANNABIS INDIA Germany
ALEX CARPANI BAND Italy
CAST Mexico
CATHEDRAL United States
CELLAR NOISE Italy
CHAKRA United States
CHALCEDONY United Kingdom
CHAOS CODE United States
CHRONOS MUNDI Brazil
JOS… CID Portugal
CINEMA Japan
CIRCLE Germany
THE CIRCLE PROJECT Spain
CIRKUS Canada
CITIZEN CAIN United Kingdom
CLAY GREEN'S POLYSORBATE MASQUERADE BAND United States
CLEARLIGHT France
CODA Netherlands
C”DICE Mexico
COLLEGIUM MUSICUM Slovakia
COTO EN PEL Spain
COUSINS & CONRAD United Kingdom
COVENANT United States
CRACK Spain
CRAFT United Kingdom
CRESSIDA United Kingdom
CRONICO Mexico
CROOKED MOUTH United Kingdom
CRUCIBLE United States
CRUCIS Argentina
DAWN Switzerland
DEJA-VU Japan
DELUGE GRANDER United States
DIALOGUE (DAWN DIALOGUE) Russia
DIAPASAO Brazil
DISCIPLINE United States
DOGMA Brazil
DORACOR Italy
DOUG WOODS & COLIN POWELL United Kingdom
DR. COENOBITE Netherlands
DRAGONFLY Switzerland
DRAMA France
DRUCKFARBEN Canada
DRUID United Kingdom
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