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NEO-PROG

A Progressive Rock Sub-genre


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Neo-Prog definition

Neo-Progressive rock (more commonly "Neo-Prog") is a subgenre of Progressive Rock that originally was used to describe artists strongly influenced by the classic symphonic prog bands that flourished during the 1970s. At the beginning of the neo-prog movement, the primary influence was early to mid-70's Genesis. Debate over when Neo-Prog actually came into being often takes place, with some asserting it began with Marillion's Script for a Jester's Tear in 1983. Others contend it began with Twelfth Night at the dawn of the 80s, while some even suggest the popular symphonic prog band Genesis gave rise to Neo-Prog with their 1976 album, A Trick of the Tail.

If one analyses the progressive movement just before 1980, then some albums which heavily influenced the Neo-Prog movement easily come to mind: Steve Hackett - Spectral Mornings, Genesis - Wind & Wuthering, Genesis - And Then There Were Three, Genesis - Seconds Out, Saga - Saga, all the Camel albums between Breathless and The Single Factor included, and some Eloy's albums, especially Silent Cries And Mighty Echoes.

This new form of progressive rock originated in the UK, and is most strongly associated with bands such as Marillion, Pendragon and IQ; and while theatrical stage antics were a part of the live performances of many artists exploring this subset of the progressive rock genre it's the musical elements that are key to the genre; typified by the use of atmospheric guitar and synth soloing with symphonic leanings, with a tendency towards floating synth layers and dreamy soloing. An additional trait is the use of modern synths rather than vintage analogue synths and keyboards. The main reasons for Neo-Progressive artists to be separated from the ones exploring Symphonic Prog in the first place are the above, as well as a heavier emphasis on song-form and melody than some of their earlier symphonic counterparts.

As time went by other artists appeared that also deviated from the norms created by the classic wave of progressive rock artists in the 70's. The late 70's had given the world punk music; the 80's gave the world new wave; and the 90's grunge. These, as well as other forms, had a tremendous amount of influence outside of the progressive rock realm. The advent of the modern synth also inspired artists like Tomita, Vangelis and Kitaro to explore dreamier musical works.

These and other forms of more or less newly made musical genres influenced artists exploring progressive rock as well. Although many artists did so within the framework of 70's progressive rock, more and more artists developed a sound and style so heavily influenced by these more recent musical developments that categorizing them within the existing subgenres of progressive rock became increasingly difficult.

While the Neo-Progressive genre initially consisted of artists exploring a modernized version of Symphonic Prog, these days artists coined as Neo-Progressive cover a multitude of musical expressions, where the common denominator is the inclusion - within a progressive rock framework - of musical elements developed just prior to and after 1980. The Neo-Progressive genre in it's refined form thus covers a vast musical territory, to some extent covering all existing subsets of progressive rock and also searching out towards genres as different as new age on one side and punk and metal on the other.

Opening paragraphs written by Stonebeard, Cygnus X-2, Greenback

Revised, edited and refined April 2009 by windhawk, The Doctor and E-Dub



The neo-prog team has also decided on 5 representative albums of neo-prog that encapsulate the essence of the genre. They are as follows:


Marillion-Script for a Jester's Tear
Collage-Moonshine
Satellite-A Street Between Sunrise and Sunset
Sylvan-Posthumous Silence
Frost-Milliontown


Current Neo-Prog Team members
as at 10/07/2016

Roger (Roj)
Keishiro (DamoXt7942)
Cristi
Tony (Hercules)

Neo-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Neo-Prog | More Top Prog lists and filters

4.24 | 1873 ratings
MISPLACED CHILDHOOD
Marillion
4.26 | 1019 ratings
THE ROAD OF BONES
IQ
4.22 | 1777 ratings
SCRIPT FOR A JESTER'S TEAR
Marillion
4.18 | 572 ratings
CONTAGION
Arena
4.14 | 1161 ratings
CLUTCHING AT STRAWS
Marillion
4.16 | 429 ratings
POSTHUMOUS SILENCE
Sylvan
4.41 | 100 ratings
DETACHMENT
Barock Project
4.10 | 815 ratings
FREQUENCY
IQ
4.09 | 966 ratings
MARBLES
Marillion
4.13 | 424 ratings
A TOWER OF SILENCE
Anubis
4.06 | 607 ratings
THE VISITOR
Arena
4.05 | 571 ratings
EVER
IQ
4.08 | 370 ratings
EMPIRES NEVER LAST
Galahad
4.03 | 826 ratings
DARK MATTER
IQ
4.09 | 293 ratings
SEVEN
Magenta
4.05 | 453 ratings
FANFARE & FANTASY
Comedy Of Errors
4.03 | 430 ratings
ALL RIGHTS REMOVED
Airbag
3.98 | 1189 ratings
FUGAZI
Marillion
4.00 | 574 ratings
THE SEVENTH HOUSE
IQ
4.10 | 188 ratings
COFFEE IN NEUKÖLLN
Barock Project

Neo-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Neo-Prog experts team

TIMANFAYA
Healing Road, The
NEW LIFE
Solstice
THE SPARROW
Metaphor
CROWN OF CREATION
Emerald

Latest Neo-Prog Music Reviews


 We Are Legend by MAGENTA album cover Studio Album, 2017
4.81 | 7 ratings

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We Are Legend
Magenta Neo-Prog

Review by javajeff

5 stars This is easily Magenta's best album for a progressive rock fan, and right up there with Seven as a great starting place for their catalog of music. With three mammoth tracks, that alone should have most of us excited. Well, Magenta delivers an excellent performance on all fronts. Superb musicianship support these excellent compositions, along with sound samples and some well placed guitar solos with a Floydian vibe. It is clear that they put polish into these tracks. Christina Booth has an addictive quality to her vocal performance. She always draws me in on every album, and We Are Legend is no different. From the perfect pitch, to the exceptional phrasing, I always love the way she sings. The 26 minute Trojan starts things off, and I have no complaints with Colours or Legend. It is a must have album for a Progressive Rock fan. 4.5 stars.
 A Show Beyond Man And Time by RPWL album cover DVD/Video, 2013
4.61 | 31 ratings

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A Show Beyond Man And Time
RPWL Neo-Prog

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

4 stars This DVD was filmed with that same Metal Minds Productions team that have produced many projects oh that genre in the past and continue to do so at low cost for the artists. The show is 90 minutes of the complete concept album " Man Beyond Man and Time". This album was not intended to be a concept album at first but became one when musical ideas were popping out. This concept is based on the story of the responsibility of the man through different characters like the scientist, the fisherman and the blind. The band decided the only way to keep the audience close do that story was to create a dynamic visual experience with Yogi Lang costumes, projections, and big screens. The musicians were hiding behind those screens creating some Chinese shadows. As for the music, the live versions of that album was a real success and gives me the impression that the album was better than I could remember. For those who don't know how the band sound, the Pink Floyd influence is huge with more edgy guitars tones and a little Ozric Tentacles influence in the first part of the show. For the first time, Metal Mind has done a discrete surround sound where you can hear a lot of keys sound in the back to complete the visual experience and make it a nice addition to your collection.
 Evership by EVERSHIP album cover Studio Album, 2016
4.02 | 110 ratings

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Evership
Evership Neo-Prog

Review by tszirmay
Special Collaborator Crossover Team

4 stars Late onto the Evership bandwagon, which is not necessarily a bad thing, as I sometimes need a little push to commit to something new. But better late than never, so it was not a difficult decision to finally take, what with all the hoopla going around for this debut release, which took eons to finalize, according to main man, multi- instrumentalist and composer Shane Atkinson from that international progressive rock hot bed of Nashville, Tennessee. Glass Hammer is also from Tennessee, so there must be something in the water'The state is of course a famed music center, albeit not world renown for prog, more like country music. Well it won't be the first time I get shocked by the provenance of our favorite genre, as it's truly a worldwide obsession. I mean Kansas has sort set the path way back when and even in Louisiana, we have Proud Peasant that is quite overtly symphonic, to say the least. Evership certainly dares beyond daring, a courageous plunge into bombastic symphonics that combines the obvious Queen influences or even hints of Meatloaf, highlighting rocket-propelled crunchy guitars and over the top lead vocals that tilt closer to opera and heavy metal, all ensconced within a tight score with fluctuating arrangements and impossible to predict what is next down the pipes. I cannot think of many bands that have tried this route besides Queen and perhaps City Boy, a dash of Boston maybe but this kind of opera-prog rock is quite an earful to behold. All pieces are in the 9-13 minute range, giving the suave arrangements enough room to be properly constructed and hence utterly convincing musically. Lead singer Beau West has those powerful lungs that sustains notes and scours the higher planes with seemingly minimal effort, as clearly expressed on the whopping opener 'Silver Light' , serving as a perfect introduction for the proggier mayhem down the road. Choppy rhythmic power metal riffs shove this puppy along, howling choir work keeping the drums precise and a savage world class vocal that will make any prog fan squirm with envy. Holy cow! Hints of Kashmir in the stringed orchestrations, spitting guitars and tectonic shuffles, yeah, what a mix! . Nice lead axe solo that corkscrews madly and a solo violin whirl that is totally unforeseen.

A prog opus of the finest caliber, 'A Slow Descent into Reality' looks into the troubled human condition and explodes in a suite of 6 parts that grabs the listener by the throat and does not let go. Starting off nice and composed, the mood slowly burgeons like an imminent storm waiting to drench the unprotected. Synthesizers conspiring mightily to overpower the melody, the levels of intensity grow, the choir shoving the arrangement along. As such, hallway through, everything seems to hurtling at breakneck speed, tossing shifting and gritty guitars, colossal waves of insane keyboards (especially the orchestral ones like the mellotron and the rippling organ flash ), a booming bass undertow and some pretty volcanic drumming. This is quite the bruising ride, definitely aggressive and over the top, totally nowhere near ear candy of any kind, quite the opposite, a brittle, sizzling and effervescent fountain of dense sound design and grandiloquent instrumental prowess. This is an insane mother!

'Evermore' shoots for a night at the Opera stylistic, buoyed by that singing guitar lead, the vaudevillesque piano accompaniment and crazed vocals that seem closer to lounge cabaret than the hair metal concert arena. The choir work is multi-layered, the massed guitars punching deep holes into the rhythmic onslaught, which is closer to Led Zep than anything else. But the voice, I mean Mercury Rising from the ashes'.OMG! You would think the Darkness or the Ark have resurrected as a prog band. And there's the rub, as the Brits like to say, Evership is decidedly within the prog environment, more keyboard-driven that any other bands mentioned above.

This becomes very obvious on the enthralling 'Ultima Thule', a serene ballad that really showcases the brilliance of a world class voice and an elusive piano, caressed by bright orchestrations and a rustic acoustic guitar to further the fantasy. As the piece progresses, the resolute power gets boosted by harder rhythm guitar riffs and wilder singing that winks more at Ronnie James Dio or Roger Hodgson than the proverbial Freddy. The final section gets very progressive with loads of clever symphonic touches and unrelenting choir work and a gentle guitar goodbye.

Then we move over to the sensitive 'Flying Machine', a more complex piece that takes time lifting off the ground, engines roaring (the choir voices are splendid) , preferring to travel to more atmospheric realms with loads of sound/voice effects and snippets of strange strained orchestrations. Perhaps by presenting their more obscure side, this sonic essay does wonders as it slays any kind of overt formulaic tendencies. When the song kicks in, Beau's soft voice soothing preciously as the drums pick up the pace and the guitars start their sinuous assault, never falling play to simpleton clich's. This is by far the most restrained piece here, a highly cinematographic glide into the higher echelons of prog creativity.

A delightful and highly entertaining debut that bodes well for the future. Hopefully, Sean has a vault full of more impulsive tunes ,ready to be put onto tape and fed to hungry prog fans. An invigorating addition to my collection and something that could easily seduce the embryonic progressive rock fan into delving further into our genre. Truly impressive, no wonder it has come so highly rated.

4.5 eternal boats

 Over The Top by JUMP album cover Studio Album, 2016
3.91 | 16 ratings

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Over The Top
Jump Neo-Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars UK band JUMP have been a going entity for more than a quarter of a century now, although this still will have them described as a part of the new scene in progressive rock by some. Self-described as an eclectic band, this is a venture with more than a dozen studio albums to their name, thousands of gigs too apparently, and at least so far rather safely tucked into the underground rock scene too for some reason. "Over the Top" is their latest studio production, and was self-released in the spring of 2016.

Jump is one of those bands where I just cannot understand why they haven't risen to a greater stature. These are well versed musicians and composers, with a good grasp for compelling melodies and with the experience to be effective in their songwriting as well as the execution of their tunes. A well oiled machine in that context, running smoothly and in a manner that should have a fairly broad reach. Lack of exposure may be a part of this obviously, but their main challenge may possibly be that they don't appear to orient themselves in towards any given niche market, and that the more mass market channels are closed to them.

In terms of progressive rock and related categories of music, I'd pretty much say that what Jump presents on this album is music residing somewhere in the middle between Marillion's "Misplaced Childhood" and Magnum's "On a Storyteller's Night". At times with tendencies towards one or the other, but more often the material consist of similar features and details but explore a sound that is, in fact, rather different from both of these. That some of the additional associations I noted were Dire Straits, Pink Floyd and Procol Harum may just indicate something as far as this observation goes.

An additional dimension brought in to the overall sound of this band is folk music. Rarely in a distinctly purebred manner, but there's something of a folk music undercurrent in most of the songs here. Subtle and downplayed to a greater extent than dominant and out in the open, but still this is an album that has a certain vibe or atmosphere to it that corresponds with this aspect. Rather far removed from the Jethro Tull's of this world I should add, I'd rather look towards the older more purebred folk rock bands as a possible source of inspiration for this aspect of Jump's material, and again emphasize that on most occasions it is a subtle more than a strongly dominant presence.

Plucked guitar motifs combined or alternating with firm guitar riffs, at times giving some of the cuts more of a hard rock feel in places, with tasteful keyboards and organ details on top, are the main ingredients of the songs here. At times in a more delicate and ballad oriented manner, in other places with a firmer and harder general feel. Occasionally adding a darker touch to the atmospheres created. The vocals are well delivered and well controlled, and the mix and production suits the material perfectly. It's a well made album on all levels, and while perhaps not quite as complex as many other albums described inside a progressive rock context, quite a few of the songs are in fact a bit quirkier than what your first impressions will indicate.

Jump is one of many bands out there that deserves a broader audience, and with "Over the Top" I'd say that the band documents quite nicely that they are, indeed, not yet fit to be placed into the category the album title may suggest. Fans of mid 80's Marillion and Magnum would be something of a key audience for this band in my book, and those who are should spend a few minutes getting to know the music of this fine band.

 Detachment by BAROCK PROJECT album cover Studio Album, 2017
4.41 | 100 ratings

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Detachment
Barock Project Neo-Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

5 stars Many years ago, long before the days of progressive rock being back in fashion and being discussed in the mainstream, I had been at a gig in London. Afterwards the normal band of hardcore progheads had gathered together, and there was only one topic that everyone wanted to talk about, "Had anyone else heard this amazing debut album that had been released in the States?". The album was 'The Light', and the band was of course Spock's Beard, and it amazed me firstly that everyone knew about it when it was yet to be made available properly in the UK but also that we all felt the same way. Fast forward to 2017 and I was in conversation with Artur at MLWZ in Poland asking him he thought of the new Cast album, and while he loved it he wanted to know what I thought of the new Barock Project release as it was amazing. The following week I asked Windhawk up in Norway the same question, and received the same response, which got me thinking that if two of my greatest progressive friends both thought the same thing I really ought to get onto it.

A short time later and I had this, their fifth release, playing and I immediately knew exactly what all the fuss is about: this is incredible. It is music like this that first got me into progressive rock ? it is complex, it is magical, it keeps jumping into unexpected musical places, all with a sense of joy and happiness. I'm not going to bother trying to pick out all the musical clues and keys to their influences as they are many and diverse, but they have put them together in a way that is new and different, yet also incredibly melodic and the whole album is immediately accessible the very first time it is played.

The four-piece band of Luca Zabbini (lead vocals, keyboards, guitars (electric, acoustic & 12-string), mixing & mastering), Marco Mazzuoccolo (electric guitar), Francesco Caliendo (bass) and Eric Ombelli (drums, percussion) have been joined by three additional singers in Alex Mari, Ludovica Zanasi and Peter Jones and the vocals are wonderful, but it is the diversity of the music and how it is performed that keeps the listener glued to the speakers. I can't pick a favourite song, as whatever is playing is always the one I want to listen to most, whether it is with vocals and just a simple piano, or harpsichord, or something that is way more bombastic and over the top. These guys are masters of all the styles, and I am having a hard time understanding that they have been around for years yet it is the first time I have ever come across them.

That is something I am going to have to get on top of it, as if the rest of their output is even half as good as this then they are all essential. There have already been some incredible albums released this year, and this one may just be the best of the lot. This is indispensable. When it comes to progressive rock, it just doesn't get any better than this.

 Halcyon by HIDDEN LANDS album cover Studio Album, 2017
3.92 | 5 ratings

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Halcyon
Hidden Lands Neo-Prog

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

4 stars 2017 will evolve to another glorious Prog year, it seems, very promising. I'm continuously coming across new inspired albums appearing on the scene. In terms of niveau and style HIDDEN LANDS are acting similar to Sanguine Hum, Iluvator and maybe Nice Beaver somehow. All are representing a sort of remoulded modernized prog orientation, while flirting with some pop and art rock appeal too here and there. This quartet is hailing from Uppsala, Sweden, the musicians are experienced, singer Bruno Edling and Hannes Ljunghall (keyboards, guitar) for instance are deriving from a predecessor unit named Violent Silence.

Meanwhile 'Halcyon' is their third production actually, promises diversity, and some real prog pearls are emerging sooner or later, this counting the album opener in for sure. The Prince Of Goofs bears a rather tricky execution, though also runs in a catchy manner anyhow. Or let me also emphasize the (partially) uptempo No One Is In This For Love, which won't let me go anymore, inviting to sing along on top of that. Besides the electric piano Ljunghall caters for a somewhat quirky synthesizer within. This may annoy one or two, but definitely not me. A perfect tune! Ulleraker on the other hand appears like something I normally would expect from an avant band.

Or by way of variation with The Silent Service we also have an extended charming (quasi pop) ballad at hand. Not my preference basically, but this is really really well done. So finally I take the risk to claim, this is something for connoisseurs. No filler, and melodic compositions overall, though challenging, not straightened in any case. Bruno Edling delivers a very good singing voice, the focus is on the instrumental expansion anyhow, including enough room for solos like on the closing Rooftop Farewell. Eh ... now it feels like it's time for the preparation of the 2017 best-of list at the latest.

 Men Who Climb Mountains by PENDRAGON album cover Studio Album, 2014
3.65 | 201 ratings

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Men Who Climb Mountains
Pendragon Neo-Prog

Review by javajeff

4 stars This is a very good album that I have been avoiding due to lukewarm reviews. I finally took the plunge, and I am glad I did. I have no idea why there are any negative reviews since it fits in nicely with their catalog of other releases. I believe that The Masquerade Overture or Pure are likely their best, but Men Who Climb Mountains is easily as good as Passion. I would have no trouble recommending Men Who Climb Mountains as a starting point for new listeners as well. It has excellent songwriting and musicianship, and the Pendragon sound that has been perfected over the years. The high points of the album for me are For When the Zombies Come and Explorers of the Infinite, that inject all the prog goodness one could expect. I am really enjoying the album, and have started going through their back releases to feed the addition.
 Emerger by CARPTREE album cover Studio Album, 2017
3.88 | 22 ratings

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Emerger
Carptree Neo-Prog

Review by rdtprog
Special Collaborator Prog Metal / Heavy Prog Team

4 stars I discovered the duo Niclas Flinck and Carl Westholm with the album "Superhero" and I enjoyed it enough to continue following the band's music. The duo is playing with others musicians (No Future Orchestra). The music still has a Neo-Prog influence but there is more than that. And I think their sound have matured here with some emotional atmosphere and brilliant arrangments. The distinctive voice of Niclas is very intense and emotional as the music that contains a lot of symphonic tones. "Fleeting Deep" is a strong opener with his edgy prog with those nice keyboards lines. The band has the knack to create some strong melodies, the second track "Between Extremes" is another her good example and display some heavier guitar parts. "The River" stars innocently with some ambient atmosphere but after a break, the song succeeds to build an emotional crescendo. If you enjoyed beautiful songs filled with a little melancholic feel and music that is very melodic, you will enjoy this one.
 The Man Who Never Was by THIS WINTER MACHINE album cover Studio Album, 2017
3.87 | 68 ratings

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The Man Who Never Was
This Winter Machine Neo-Prog

Review by The Jester

4 stars This Winter Machine is a UK-based band which I discovered recently. The band is a quintet, including good and experienced musicians, which becomes rather obvious upon listening to their debut album The Man who Never Was. The album opens with the title song, a 16-minute-long suite in 4 parts, which is one of the best songs of the album, and gives to the listener a good idea about the band's style and influences. Speaking of which, the band's seems to be deeply influenced by Marillion and IQ, among other bands. (In my opinion at least). The album includes 5 songs and has a total running time of almost 50 minutes. As you can understand, all the songs are long enough. The style here is a modern and rather "polished" Progressive Rock, with beautiful melodies, interesting changes in all the songs, lots of piano and keyboard passages and beautiful guitar riff and solos. The singer has a rather high pitched voice, which is not something special, but it fits their sound well enough. I believe that it is a very enjoyable and well structured album, which I enjoy listening to a lot. My most favourite songs are The Man who Never was and After Tomorrow Comes, followed by Fractured. The Man who Never was is a perfect addition to any Prog Rock discography, and especially those who are fond of the music sub-category named as Neo Prog, will definitely enjoy it! Give it a try! My Rating would be something between 3.5 ? 4.0 stars. (But I will put 4.0 stars here).

 Epistrophobia by T album cover Studio Album, 2016
4.16 | 37 ratings

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Epistrophobia
T Neo-Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

5 stars

Having not exactly been a raving fan about Thomas Thielen's 2015 album, I wasn't looking forward to listening to his latest work, but whereas last time I was on the wrong side of being impressed, this time nothing could be further from the truth. There is something about the soundscapes, the music, the songs that this time hit the nail every single time. I found myself thinking of King Crimson, Peter Gabriel, Geoff Mann, Muse, Marillion, Radiohead and a whole host of others, and listening to this intently as I wanted to know where the journey was going to take me, as from one second to the next I just couldn't be sure what was coming.

It is an incredible piece of work, draining in its sheer intensity and inventiveness, and it is almost impossible to realise that this is the work of just one man. Whereas the last album suffered from an outside point of reference to provide control and restraint, this album is only possible with just one person has the musical vision and the skill and tenacity to see it through to the end. This is modern progressive music that has no thoughts as to whether it is commercial, and is all the better for it. In many ways it is challenging, as there are so many diversions from the main musical path, yet for all the chaos and confusion there are also large elements of musical clarity where it soars and shines, all the more so for the contrast.

It is a stunning album, nothing more or less.

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Neo-Prog bands/artists list

Bands/Artists Country
25 YARD SCREAMER United Kingdom
ABACAB France
ABEL GANZ United Kingdom
ABRAXAS Poland
ACCEPT Japan
AD INFINITUM United States
ADN France
AELIAN Italy
AETHELLIS United States
AFTERGLOW France
AGENESS Finland
AGENTS OF MERCY Sweden
AHMSHERE Netherlands
AIRBAG Norway
AIRBRIDGE United Kingdom
AISLES Chile
ALBION Poland
ALKOZAUR France
ALMA SIDERIS Italy
ALSO EDEN United Kingdom
ALTAVIA Italy
AMANDA Belgium
AMON RA Germany
ANAMOR Poland
ANANKE Poland
ANDROID Hungary
ANIMATOR United States
ANNALIST Poland
ANUBIS Australia
APPLE PIE Russia
ARAGON Australia
THE ARC LIGHT SESSIONS Canada
ARCADELT Italy
ARCANSIEL Italy
ARCHANGEL Italy
ARENA United Kingdom
ARENAL Chile
ARGOS Germany
FINN ARILD Norway
ARK United Kingdom
ARKUS Netherlands
ARLEKIN Ukraine
ARLON Poland
ARRAKEEN France
ARVE Germany
ASGARD Italy
ASSAL Poland
ASTRALIS Chile
ASTURIAS Japan
ATEMPO Argentina
ATRIA France
ATRIUM Portugal
AUDITE Germany
AUFKLARUNG Italy
AVALON USA United States
SIMON AYRES United Kingdom
BACKYARDS France
BALLOON ASTRONOMY United States
BAROCK PROJECT Italy
NICK BARRETT & CLIVE NOLAN United Kingdom
KEVIN BARTLETT United States
SAULO BATTESINI Brazil
BEING & TIME Japan
BEL AIR Germany
BELIEVE Poland
STEWART BELL United Kingdom
BELLAPHON Japan
BIG PICTURE United States
BIJOU Spain
BLACK PAGE Japan
BLIND EGO Germany
BLIND OWL United States
BLUE MAMMOTH Brazil
BOLUS Canada
FABRICE BONY France
XAVIER BOSCHER France
BRAIN CONNECT Poland
BRASSÉ Netherlands
BREEZE Germany
DEC BURKE United Kingdom
TIM BURNESS United Kingdom
CAAMORA United Kingdom
CARPTREE Sweden
ALAN CASE Netherlands
RICH CASEY United States
CASINO United Kingdom
CASTANARC United Kingdom
CATAFALCHI DEL CYBER Italy
CATHEDRAL United States
CATWEAZLE Sweden
MARC CECCOTTI France
CENTAUR RODEO United States
CHANDELIER Germany
CHANETON Argentina
CHEST ROCKWELL United States
CHILDREN OF NOVA United States
CHRIS Netherlands
CINDERELLA SEARCH Japan
CIRKEL Netherlands
CIRRUS BAY United States
CLEPSYDRA Switzerland
CLIFFHANGER Netherlands
COALITION United Kingdom
COLD FAIRYLAND China
COLLAGE Poland
COMBINATION HEAD United Kingdom
COMEDY OF ERRORS United Kingdom
CONTEMPORARY DEAD FINNISH MUSIC ENSEMBLE Finland
COSMIC DANGER United States
COSMOGRAF United Kingdom
COSMOS Switzerland
CRAYON PHASE Germany
CREDO United Kingdom
CRIMSON SKY United Kingdom
CRISÁLIDA Chile
CROMWELL Germany
CRUZ DE HIERRO Mexico
CRYSTAL MAZE Germany
CRYSTAL PALACE Germany
CYAN United Kingdom
THE D PROJECT Canada
DARIUS Germany
DARWIN'S RADIO United Kingdom
DAYS BEFORE TOMORROW United States
DEAD HEROES CLUB Ireland
DEAD LETTER CIRCUS Australia
DEEP THOUGHT Switzerland
DELTA CYPHEI PROJECT Germany
DEYSS Switzerland
DIAL Netherlands
DIFFERENCES Netherlands
DIFFERENT STRINGS Malta
DIRECTION Canada
DISPERSE Poland
DISTANT DREAM United States
DOCKER'S GUILD Italy
TROY DONOCKLEY United Kingdom
DR. NO Spain
DRACMA Spain
DRAMA Uruguay
DREAM ARIA Canada
DRIFTING SUN Multi-National
DUSTER United States
EARTHSTONE United Kingdom
EAST Hungary
ECHO US United States
EDEN SHADOW United Kingdom
EDHELS Monaco
EDISON'S CHILDREN Multi-National
EDITH Italy
EGDON HEATH Netherlands
EGOBAND Italy
ELEGANT SIMPLICITY United Kingdom
ELEPHANT & CASTLE France
ELEPHANTS OF SCOTLAND United States
ELIXIR France
ELLEVEN Germany
EMERALD Netherlands
THE EMERALD DAWN United Kingdom
ENDLICH ALLEIN Italy
EPILOGUE United Kingdom
EQUINOX Panama
ERASMUS United Kingdom
ESKAPE Germany
ESTHETIC PALE Germany
ETERNAL WANDERERS Russia
EUREKA Germany
EURHYBIA France
EVERSHIP United States
EVERY WAKING HOUR United States
EVOLUTION United Kingdom
EVOLUTIVE France
EXHIBIT A United Kingdom
EXOUSTIA United States
EYE 2 EYE France
EYESBERG Germany
EYESTRINGS United States
EZRA United Kingdom
FACTORY OF DREAMS Portugal
FANCYFLUID Italy
THE FAR MEADOW United Kingdom
FAUN Germany
FINAL CONFLICT United Kingdom
FISH United Kingdom
FIVE-O-ONE AM Netherlands
FJIERI Italy
FLAMBOROUGH HEAD Netherlands
FLAMMARION Portugal
FLUTTR EFFECT United States
FOR ABSENT FRIENDS Netherlands
FOR YOUR PLEASURE Germany
JACK FOSTER III United States
FRACTAL United States
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