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NEO-PROG

A Progressive Rock Sub-genre


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Neo-Prog definition

Neo-Progressive rock (more commonly "Neo-Prog") is a subgenre of Progressive Rock that originally was used to describe artists strongly influenced by the classic symphonic prog bands that flourished during the 1970s. At the beginning of the neo-prog movement, the primary influence was early to mid-70's Genesis. Debate over when Neo-Prog actually came into being often takes place, with some asserting it began with Marillion's Script for a Jester's Tear in 1983. Others contend it began with Twelfth Night at the dawn of the 80s, while some even suggest the popular symphonic prog band Genesis gave rise to Neo-Prog with their 1976 album, A Trick of the Tail.

If one analyses the progressive movement just before 1980, then some albums which heavily influenced the Neo-Prog movement easily come to mind: Steve Hackett - Spectral Mornings, Genesis - Wind & Wuthering, Genesis - And Then There Were Three, Genesis - Seconds Out, Saga - Saga, all the Camel albums between Breathless and The Single Factor included, and some Eloy's albums, especially Silent Cries And Mighty Echoes.

This new form of progressive rock originated in the UK, and is most strongly associated with bands such as Marillion, Pendragon and IQ; and while theatrical stage antics were a part of the live performances of many artists exploring this subset of the progressive rock genre it's the musical elements that are key to the genre; typified by the use of atmospheric guitar and synth soloing with symphonic leanings, with a tendency towards floating synth layers and dreamy soloing. An additional trait is the use of modern synths rather than vintage analogue synths and keyboards. The main reasons for Neo-Progressive artists to be separated from the ones exploring Symphonic Prog in the first place are the above, as well as a heavier emphasis on song-form and melody than some of their earlier symphonic counterparts.

As time went by other artists appeared that also deviated from the norms created by the classic wave of progressive rock artists in the 70's. The late 70's had given the world punk music; the 80's gave the world new wave; and the 90's grunge. These, as well as other forms, had a tremendous amount of influence outside of the progressive rock realm. The advent of the modern synth also inspired artists like Tomita, Vangelis and Kitaro to explore dreamier musical works.

These and other forms of more or less newly made musical genres influenced artists exploring progressive rock as well. Although many artists did so within the framework of 70's progressive rock, more and more artists developed a sound and style so heavily influenced by these more recent musical developments that categorizing them within the existing subgenres of progressive rock became increasingly difficult.

While the Neo-Progressive genre initially consisted of artists exploring a modernized version of Symphonic Prog, these days artists coined as Neo-Progressive cover a multitude of musical expressions, where the common denominator is the inclusion - within a progressive rock framework - of musical elements developed just prior to and after 1980. The Neo-Progressive genre in it's refined form thus covers a vast musical territory, to some extent covering all existing subsets of progressive rock and also searching out towards genres as different as new age on one side and punk and metal on the other.

Opening paragraphs written by Stonebeard, Cygnus X-2, Greenback

Revised, edited and refined April 2009 by windhawk, The Doctor and E-Dub



The neo-prog team has also decided on 5 representative albums of neo-prog that encapsulate the essence of the genre. They are as follows:


Marillion-Script for a Jester's Tear
Collage-Moonshine
Satellite-A Street Between Sunrise and Sunset
Sylvan-Posthumous Silence
Frost-Milliontown


Current Neo-Prog Team members
as at 10/07/2016

Roger (Roj)
Keishiro (DamoXt7942)
Cristi
Tony (Hercules)

Neo-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Neo-Prog | More Top Prog lists and filters

4.24 | 1869 ratings
MISPLACED CHILDHOOD
Marillion
4.26 | 1017 ratings
THE ROAD OF BONES
IQ
4.22 | 1775 ratings
SCRIPT FOR A JESTER'S TEAR
Marillion
4.18 | 569 ratings
CONTAGION
Arena
4.14 | 1158 ratings
CLUTCHING AT STRAWS
Marillion
4.16 | 429 ratings
POSTHUMOUS SILENCE
Sylvan
4.10 | 811 ratings
FREQUENCY
IQ
4.09 | 965 ratings
MARBLES
Marillion
4.13 | 421 ratings
A TOWER OF SILENCE
Anubis
4.06 | 605 ratings
THE VISITOR
Arena
4.08 | 369 ratings
EMPIRES NEVER LAST
Galahad
4.05 | 570 ratings
EVER
IQ
4.03 | 824 ratings
DARK MATTER
IQ
4.05 | 452 ratings
FANFARE & FANTASY
Comedy Of Errors
4.08 | 293 ratings
SEVEN
Magenta
4.04 | 427 ratings
ALL RIGHTS REMOVED
Airbag
3.98 | 1186 ratings
FUGAZI
Marillion
4.00 | 573 ratings
THE SEVENTH HOUSE
IQ
4.03 | 308 ratings
MOONSHINE
Collage
3.97 | 914 ratings
BRAVE
Marillion

Neo-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Neo-Prog experts team

NEW LIFE
Solstice
VOICES
T
TRAVELLER
Magus / The Winter Tree
CROWN OF CREATION
Emerald

Latest Neo-Prog Music Reviews


 Heaven And Beyond by KNIGHT AREA album cover Studio Album, 2017
3.18 | 26 ratings

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Heaven And Beyond
Knight Area Neo-Prog

Review by Progrussia

3 stars Heaven and Beyond is an attempt to bridge the hard rock guitar hero approach of Hyperdrive with the more symphonic rock stylings of earlier albums with a dash of Queen-like baroque pomposity thrown in. Looks like a formula for a predictable heavy prog-lite approach, and it kind of is, but not as bad as it sounds. The playing is very professional and the bass is booming as always. I like the flow of the album - it starts very appealing with a flashy instrumental intro to Unbroken, a song that is followed by a shorter rocker before going into a slower darker number, which is relieved by an even shorter and poppier rocker. It may not be as catchy a work as previous albums, but what we come to expect from Knight Area is evenness and that is delivered.
 All Our Yesterdays by PARMENTER, MATTHEW album cover Studio Album, 2016
3.96 | 64 ratings

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All Our Yesterdays
Matthew Parmenter Neo-Prog

Review by Warthur
Prog Reviewer

4 stars If you ever needed further confirmation that Discipline are the latter-day Van der Graaf Generator and Matthew Parmenter is their Peter Hammill, look to the way he's followed Hammill's mid-1970s game plan with his solo albums: whilst credited to him, to a certain extent they come across as simply another facet of Discipline, with various members of the band (drummer Paul Dzendzel this time) guesting to turn out the material and the general musical style not falling too far from the Discipline tree.

At least, that's how it was on his previous two albums. All Our Yesterdays is still in a broadly prog mode, but finds Parmenter in a quieter, more contemplative mood than he usually is either on the bombastic epics of Discipline or on his prior solo albums. It's still recognisably part of the expanded Discipline sonic universe - look, he's even wearing his mime makeup on the front cover - and the sort of piano-focused torch songs he deals in here don't want for precedent, but this is the first time we've had a whole album in this mode. At points when wild synthesisers break out I am reminded of some of the solo work of John Grant of The Czars, since this occupies a similarly emotionally raw space.

 The Screams Empire by SILVER KEY album cover Studio Album, 2015
3.31 | 16 ratings

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The Screams Empire
Silver Key Neo-Prog

Review by Warthur
Prog Reviewer

3 stars Fun though the debut Silver Key album was, The Silent Empire exhibits that dreaded "sophomore slump" that so many acts fall prey to. Perhaps they simply rushed themselves to try and knock something out to sustain the momentum established by that debut, or perhaps their first release used up most of their really strong ideas and they haven't yet come up with sufficient new ones to really keep things interesting over the course of an album. (Given that they've apparently been about in one form or another since 1992, you'd think they'd have more top-flight compositions than just the stuff on the debut, but then again they spent much of that time as a Marillion/Fish tribute act.)

Either way, The Screams Empire isn't actively bad, it's just lukewarm - neo-prog music that's just kind of there and doesn't really do anything especially exciting. Hopefully they will pull it together again for their next release.

 All Our Yesterdays by PARMENTER, MATTHEW album cover Studio Album, 2016
3.96 | 64 ratings

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All Our Yesterdays
Matthew Parmenter Neo-Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

5 stars This 2016 album was a long time coming, as Matthew's last solo album 'Horror Express' came out in 2008, but good things come to those who wait. This is the first of the three to feature Matthew on the cover and he is shown with the make-up he normally wears with Discipline. This isn't the only Discipline reference, as he is joined on this album by bandmate Paul Dzendel who provides drums on four of the songs, while Matthew provides everything else. If there is just one word that captures this album, it must be 'maturity', as here is an artist comfortable in his craft who is just going to let the music speak for itself. His vocals are reminiscent of Peter Hammill combined with Geoff Mann and Robert Wyatt, and musically this feels quite tied to the early Seventies with Wyatt, VDGG, Procol Harum and the Canterbury scene obviously having a major impact.

This is mostly based around piano and vocals, with additional instruments used as necessary, and a special mention must be made of the overall sound and production, as it captures the power and dramatic passion effortlessly. I firmly believe that Discipline are one of the most important bands to come out of the American prog scene, and that they have never really been afforded the acclaim they deserve, and the same is very true of their leader as while there are a select few who know of his brilliance, it should be far more widely recognised.

Some albums leave one feeling that there is something missing, something that could and should have been added, like having a Chinese meal and then wanting a burger a short while later. That is not the case here, as this album is so full of musical sustenance that when it ends the listener needs a break, a space before going back to investigate further. It is a feast, a banquet for the musical soul, with passion and emotion contained in a few notes and chords, and vocals that are breaking. Now he has signed with the British label Bad Elephant I trust that they will ensure that this album gets the publicity it deserves, as this is quite some achievement. Let's hope we don't have to wait quite so long for the next one.

 No Fear Of Looking Down by JADIS album cover Studio Album, 2016
3.71 | 30 ratings

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No Fear Of Looking Down
Jadis Neo-Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

4 stars The last release before this one, 2012's 'See Right Through You', was seen as one of Jadis's best albums, and rightly so. But, for me there was a key element missing and at least for this album, he's back. Jadis has had some great musicians play with them over the years, but it has always been built around the voice, guitar and songs of Gary Chandler, and he has been aided and abetted for more than quarter of a century by Stephen Christey on drums. These two were joined by Andy Marlow (bass) and Arman Vardanyan (keyboards) for the last album after the departures of the IQ boys, but although Andy is still there, Arman has left to be replaced by the incomparable Martin Orford. This is Martin's third stint with Jadis, and it is wonderful to see him back again, as I know from conversations with him some years ago that he had felt the need to leave the scene and was planning never to return. But, one thing led to another, and here he is again, rekindling a relationship with Gary that is very special indeed. I was lucky enough to see Jadis play live quite a few times, both with and without Martin, and also caught some of Martin and Gary's duet gigs, which were always incredible.

Although this album was released towards the end of 2016 I have only just got my copy, and to say that it I something I have been eagerly awaiting is something of an understatement. But would it live up to expectations? Of course it would. From the first note to the last, this is solid, classic Jadis. They are a band that sound like no other, and have kept true to their roots for many years, with everything built around the vocals and guitar and then layered and built from there. The drums have a rawer sound than normal, while Andy's bass is quite a long way back in the mix, but with Gary and Martin harmonising vocally, and providing the backdrop for each other musically, this could only ever be Jadis.

I only have a few criticisms, namely that the album is only forty-five minutes long, we had to wait four years for it, and they're never likely play New Zealand so the chances are I'll never catch up with them in concert again! While this is playing, I am transported to another world, and I am just so pleased to have yet another Jadis album that I can return to time and again. Let's hope we don't have to wait quite so long for the next one, as yet again this is quite superb.

 A Seasonal Affair by ARGOS album cover Studio Album, 2015
3.62 | 63 ratings

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A Seasonal Affair
Argos Neo-Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

3 stars Argos are a German quartet, who released their debut back in 2009 and this is the fourth. They have also brought in a few guest musicians, including Andy Tillison (PO90, The Tangent and others), so that they have three different keyboard players involved, but strangely this isn't an overtly keyboard based album. What this is, is something that is looking back into the Canterbury scene, but with an Eighties twist to it, as opposed to going back into Seventies or Sixties, which can create some almost jarring counterpoints at times. 'Divergence' reminds me of Thomas Dolby every time I play it, and I'm sure that's not the intention, as the latter part of the song is nothing like the former and when Thomas Klarmann repeatedly sings line 'How did it come to this?' I found myself agreeing with him and asking myself the same question.

This isn't a bad album though, far from it, but I did find it somewhat disjointed, and it is when they let the music naturally flow in more relaxed manner that they come into their own. It is almost as if they were trying too hard, and the result is something that is forced and therefore not as easy and interesting to listen to as it could be. The use of saxophone is inspired (care of guest Marek Arnold (Toxic Smile, United Progressive Fraternity)), as the flute from Thomas, yet while there are some wonderful moments on here, there isn't enough for me to keep revisiting it.

 The Ghosts of Pripyat by ROTHERY, STEVE album cover Studio Album, 2014
3.90 | 168 ratings

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The Ghosts of Pripyat
Steve Rothery Neo-Prog

Review by Replayer

5 stars Steve Rothery's first solo album, The Ghosts of Pripyat, is a masterful showcase of guitar virtuosity. Accompanied by a cadre of excellent musicians, Rothers delivers almost an hour of instrumental progressive rock. Steve Hackett makes guest appearances on Morpheus and Old Man of the Sea, which also features Steven Wilson (interesting fact: Wilson played with Pride of Passion where he replaced ex-Marillion keyboard played Brian Jelliman; ex-Marillion bassist Diz Minnitt was also a member). The three Steves blend guitar licks seamlessly on the track, which escalates in intensity as it progresses.

Of the backing band, I want to single out Riccardo Romano for his understated keyboard work, with many sustained ethereal chords that act as a perfect counterpoint to Rothers' mellifluous playing. Actually, I should also acknowledge Rothers' friend and fellow guitarist Dave Foster, but I don't know which parts he was responsible for.

In spite of the bleak title and cover art (Pripyat is a ghost town near the Chernobyl Nuclear Power Plant), the music is not as moody as I was led to believe. Rather, almost all tracks start off in a subdued and melancholy manner, but evolve into rockier affairs. With the exception of the title track, all compositions are longer than six minutes, which allows time for the themes to develop properly.

Compared to many newer albums no longer constrained by the 45 minute limit imposed by the LP format, the music does not drag on. A stunning, stunning album that I wholeheartedly recommend to fans of melodic instrumental prog.

 Story Tellers - Part One by TIGER MOTH TALES album cover Studio Album, 2015
3.89 | 85 ratings

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Story Tellers - Part One
Tiger Moth Tales Neo-Prog

Review by The Jester

4 stars Where Disney meets Prog! This short sentence could easily characterize the general style of this really beautiful album. But let's take it from the start: Tiger Moth Tales is the name of the personal project of Pete Jones. In case you never heard his name before, I should inform you that, Pete Jones is an extremely talented English songwriter/singer and multi-instrumentalist. Having lost his sight at a very early age, he dedicated his life to music. He plays a big variety of instruments, and in the case of Tiger Moth Tales he does everything by himself, without any other musician being involved. Story Tellers Part 1, is the second album of Tiger moth Tales, and the one I like the most. The debut album 'Cocoon' was also very good, but I think that this one has something more to offer. According to my personal taste, of course. The album includes 7 songs and has a total running time of almost 42 minutes. It is available in CD and digital edition so far, and I'm only hoping that a vinyl edition will be available at some point. There is a main theme that goes on throughout the album, which as it seems is The Quest for Beauty, interrupted by other children's stories. The album opens with the excellent and melodic instrumental Beauty Falls, that gives to the listener a fist idea of what's going to follow. Beauty Falls is an easy going prog tune, including elements from bands and styles in such a way that it sounds familiar even from the fist listening. Story Tellers that comes next, is a beautiful ballad, which seems influenced by Genesis, including a major change in the middle of the song. After Story Tellers, the wonderful instrumental Beauty Sleeps follows. A gentle, sweet and melancholic tune, which is one my favourites. A Kids Tale is a brilliant song, that puts a smile on my face every time I listen to it. With its cartoon-ish music and characters, is a definitely unique song. A Kids Tale is followed by The Quest for Beauty, and absolutely fantastic piece and my most favourite in the album. (Not to mention the really beautiful video-clip). Then comes the album's "epic", the almost 13-minute-long The Piper, which is maybe the only song I don't like so much. I don't know why, I never was able to "digest" it. It sounds a bit chaotic to my ears, without a clear structure, that's why maybe I don't like. Or, it requires some more attention, who knows? The album's last song is Beauty Awakens, another beautiful and happy tune, that closes the album in the best way possible! Story Tellers Part 1 is one of the most beautiful and well structured albums I listened to during the last 2 years, and it is really Pity that I didn't listen to this album upon its release, because it could for sure occupy a spot in my 2015's Top-10 album's list. A really great piece of work, that you should definitely listen! Hats off to Pete Jones for that! I can't wait to listen to Part 2. (If it will be a part 2 of course) 4 stars without a second thought! Highly Recommended!

 The Perfect Map by ELEPHANTS OF SCOTLAND album cover Studio Album, 2016
3.83 | 28 ratings

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The Perfect Map
Elephants Of Scotland Neo-Prog

Review by ProgShine
Collaborator Errors & Omissions Team

4 stars I've been following the North American band Elephants Of Scotland from the beginning, and since then, I've come to listen to all the material the band has released so far and I have 2 CDs of them in my collection.

Overall, in my opinion, the band was always 'OK'. No more than that. The group was full of good intentions, good ideas, but sometimes I have this impression that the band was 'rushing' with their arrangements and recordings in the euphoria of releasing a new album. The band started in 2011 and in 6 years have 3 studio albums and 1 live release!

I get the impression that this was fixed on The Perfect Map, the group's latest album. When you hear the record you can feel that the material has been rehearsed and thought for a long time. It is also good to see that the band, despite the clear influence of classic Progressive Rock of the 70's, can have a sound of their own in the new album.

For me one of the low points of the group's sound, always has been the vocals of Adam Rabin. I get the feeling they are aware of that, in the new record his vocals seem more concise, more 'trained' and they even have a guest vocalist Megan Beaucage in the track "One By Sea". However, the weaker moments of the album still lay on the weak vocals, like in 'Swing The Gavel'.

Overall The Perfect Map is an album that should appeal to any fan of the classic Progressive Rock period but who still likes to search for new and high quality material in the same classic line!

Available on Bandcamp.

 Dawn of Eternity by CRYSTAL PALACE album cover Studio Album, 2016
3.97 | 92 ratings

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Dawn of Eternity
Crystal Palace Neo-Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars German band CRYSTAL PALACE has a history going back more than 20 years, but has spent the greater majority of these as something of an underground entity known by a select few. However, things started to change ever so slightly in that department a few years back, and then especially after the band signed with the German label Gentle Art of Music. "Dawn of Eternity" is their latest studio album, and was released through the aforementioned label in the summer of 2016.

Crystal Palace as of 2016 comes across as a quality band firmly placed within a neo-progressive rock general sphere of reference. Layered keyboards and careful to majestic guitar and keyboards-driven arrangements with a strong focus on melodies and harmonies are the order of the day, with contrasts carefully explored rather than dramatically applied. Those with an interest in later day neo-progressive rock should find this production to be a rewarding one, and those who tend to enjoy listening to bands such as RPWL will most likely find this album to be of interest as well.

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Neo-Prog bands/artists list

Bands/Artists Country
25 YARD SCREAMER United Kingdom
ABACAB France
ABEL GANZ United Kingdom
ABRAXAS Poland
ACCEPT Japan
AD INFINITUM United States
ADN France
AELIAN Italy
AETHELLIS United States
AFTERGLOW France
AGENESS Finland
AGENTS OF MERCY Sweden
AHMSHERE Netherlands
AIRBAG Norway
AIRBRIDGE United Kingdom
AISLES Chile
ALBION Poland
ALKOZAUR France
ALMA SIDERIS Italy
ALSO EDEN United Kingdom
ALTAVIA Italy
AMANDA Belgium
AMON RA Germany
ANAMOR Poland
ANANKE Poland
ANDROID Hungary
ANIMATOR United States
ANNALIST Poland
ANUBIS Australia
APPLE PIE Russia
ARAGON Australia
THE ARC LIGHT SESSIONS Canada
ARCADELT Italy
ARCANSIEL Italy
ARCHANGEL Italy
ARENA United Kingdom
ARENAL Chile
ARGOS Germany
FINN ARILD Norway
ARK United Kingdom
ARKUS Netherlands
ARLEKIN Ukraine
ARLON Poland
ARRAKEEN France
ARVE Germany
ASGARD Italy
ASSAL Poland
ASTRALIS Chile
ASTURIAS Japan
ATEMPO Argentina
ATRIA France
ATRIUM Portugal
AUDITE Germany
AUFKLARUNG Italy
AVALON USA United States
SIMON AYRES United Kingdom
BACKYARDS France
BALLOON ASTRONOMY United States
BAROCK PROJECT Italy
NICK BARRETT & CLIVE NOLAN United Kingdom
KEVIN BARTLETT United States
SAULO BATTESINI Brazil
BEING & TIME Japan
BEL AIR Germany
BELIEVE Poland
STEWART BELL United Kingdom
BELLAPHON Japan
BIG PICTURE United States
BIJOU Spain
BLACK PAGE Japan
BLIND EGO Germany
BLIND OWL United States
BLUE MAMMOTH Brazil
BOLUS Canada
FABRICE BONY France
XAVIER BOSCHER France
BRAIN CONNECT Poland
BRASSÉ Netherlands
BREEZE Germany
DEC BURKE United Kingdom
TIM BURNESS United Kingdom
CAAMORA United Kingdom
CARPTREE Sweden
ALAN CASE Netherlands
RICH CASEY United States
CASINO United Kingdom
CASTANARC United Kingdom
CATAFALCHI DEL CYBER Italy
CATHEDRAL United States
CATWEAZLE Sweden
MARC CECCOTTI France
CENTAUR RODEO United States
CHANDELIER Germany
CHANETON Argentina
CHEST ROCKWELL United States
CHILDREN OF NOVA United States
CHRIS Netherlands
CINDERELLA SEARCH Japan
CIRKEL Netherlands
CIRRUS BAY United States
CLEPSYDRA Switzerland
CLIFFHANGER Netherlands
COALITION United Kingdom
COLD FAIRYLAND China
COLLAGE Poland
COMBINATION HEAD United Kingdom
COMEDY OF ERRORS United Kingdom
CONTEMPORARY DEAD FINNISH MUSIC ENSEMBLE Finland
COSMIC DANGER United States
COSMOGRAF United Kingdom
COSMOS Switzerland
CRAYON PHASE Germany
CREDO United Kingdom
CRIMSON SKY United Kingdom
CRISÁLIDA Chile
CROMWELL Germany
CRUZ DE HIERRO Mexico
CRYSTAL MAZE Germany
CRYSTAL PALACE Germany
CYAN United Kingdom
THE D PROJECT Canada
DARIUS Germany
DARWIN'S RADIO United Kingdom
DAYS BEFORE TOMORROW United States
DEAD HEROES CLUB Ireland
DEAD LETTER CIRCUS Australia
DEEP THOUGHT Switzerland
DELTA CYPHEI PROJECT Germany
DEYSS Switzerland
DIAL Netherlands
DIFFERENCES Netherlands
DIFFERENT STRINGS Malta
DIRECTION Canada
DISPERSE Poland
DISTANT DREAM United States
DOCKER'S GUILD Italy
TROY DONOCKLEY United Kingdom
DR. NO Spain
DRACMA Spain
DRAMA Uruguay
DREAM ARIA Canada
DRIFTING SUN Multi-National
DUSTER United States
EARTHSTONE United Kingdom
EAST Hungary
ECHO US United States
EDEN SHADOW United Kingdom
EDHELS Monaco
EDISON'S CHILDREN Multi-National
EDITH Italy
EGDON HEATH Netherlands
EGOBAND Italy
ELEGANT SIMPLICITY United Kingdom
ELEPHANT & CASTLE France
ELEPHANTS OF SCOTLAND United States
ELIXIR France
ELLEVEN Germany
EMERALD Netherlands
THE EMERALD DAWN United Kingdom
ENDLICH ALLEIN Italy
EPILOGUE United Kingdom
EQUINOX Panama
ERASMUS United Kingdom
ESKAPE Germany
ESTHETIC PALE Germany
ETERNAL WANDERERS Russia
EUREKA Germany
EURHYBIA France
EVERSHIP United States
EVERY WAKING HOUR United States
EVOLUTION United Kingdom
EVOLUTIVE France
EXHIBIT A United Kingdom
EXOUSTIA United States
EYE 2 EYE France
EYESBERG Germany
EYESTRINGS United States
EZRA United Kingdom
FACTORY OF DREAMS Portugal
FANCYFLUID Italy
THE FAR MEADOW United Kingdom
FAUN Germany
FINAL CONFLICT United Kingdom
FISH United Kingdom
FIVE-O-ONE AM Netherlands
FJIERI Italy
FLAMBOROUGH HEAD Netherlands
FLAMMARION Portugal
FLUTTR EFFECT United States
FOR ABSENT FRIENDS Netherlands
FOR YOUR PLEASURE Germany
JACK FOSTER III United States
FRACTAL United States
FRAMAURO Poland
FRAMES Germany
FRAMEWORK United Kingdom
SALLY FRENCH United Kingdom
FROST* United Kingdom
FRUITCAKE Norway
THE FYREWORKS United Kingdom
GAILLION United States
GALADRIEL Spain
GALAHAD United Kingdom
GALLANT FARM Italy
GALLEON Sweden
GAMBIT France
GANDALF'S FIST United Kingdom
DANIEL GAUTHIER Canada
PETER GEE United Kingdom
GEPETTO France
GERARD Japan
GHIRIBIZZI Belgium
IL GIARDINO DEI VIZI CONTINUI Italy
JIM GILMOUR Canada
GLACIER United Kingdom
GOOD AUTHORITY Netherlands
ANDREW GORCZYCA United States
IAN GORDON United Kingdom
GPS United States
GRACE United Kingdom
LE GRAND BATON Guadeloupe
GRAND TOUR United Kingdom
GREEN SPACE France
JEFF GREEN Ireland
GRENDEL Poland
GREY LADY DOWN United Kingdom
HANGOVER PARADISE Netherlands
HARNAKIS Spain
HARVEST Spain
HAZE United Kingdom
THE HEALING ROAD Germany
HELLO MADNESS Mexico
HIDDEN LANDS Sweden
HIGH SPY United Kingdom
HIGHER CIRCLES United States
TRACY HITCHINGS United Kingdom
LALO HUBER Argentina
STEVE HUGHES United Kingdom
HUIS Canada
HYBRID United Kingdom
I AND THOU United States
ICE Netherlands
THE ID Multi-National
ILLUMION Netherlands
ILUVATAR United States
IN NOMINE Spain
INDISCIPLINED LUCY Sweden
INES Germany
INIOR Italy
THE INSTITUTE OF MODERN LOVE United Kingdom
INTROITUS Sweden
INVERTIGO Germany
INVISIGOTH United States
IQ United Kingdom
IRIS France
IT United Kingdom
VELISLAV IVANOV Bulgaria
IXION Netherlands
JADIS United Kingdom
JANISON EDGE United Kingdom
JESETER Czech Republic
JOLLY United States
JUMP United Kingdom
K2 United States
KAMPAI Germany
KEN'S NOVEL Belgium
KINETIC ELEMENT United States
KING OF AGOGIK Germany
KNIGHT AREA Netherlands
KONCHORDAT United Kingdom
KRAMER Netherlands
LAHOST United Kingdom
LANDMARQ United Kingdom
THE LAST PLACID DAYS OF PLENTY Canada
LEAP DAY Netherlands
LEGEND United Kingdom
LEGGAT Canada
THE LENS United Kingdom
LEVIATHAN Italy
LIFESIGNS United Kingdom
LIGHT Netherlands
LIGHT DAMAGE Luxembourg
LIKE WENDY Netherlands
LITTLE ATLAS United States
LONGSHOT France
LOOKING-GLASS LANTERN United Kingdom
LORIEN United Kingdom
LOW BUDGET ORCHESTRA Finland
LUNAR CHATEAU United States
MACROMARCO Italy
MAD PUPPET Italy
MAD TEA PARTY Germany
MADELGAIRE Belgium
MAGENTA United Kingdom
MAGNÉSIS France
MAGUS / THE WINTER TREE United States
MAJESTIC United States
MALOMENOS Chile
MANDRAGORA Argentina
GEOFF MANN United Kingdom
MARATHON Netherlands
MARATHON Italy
MARILLION United Kingdom
MARTIGAN Germany
MARYSON Netherlands
MASCARADA Spain
MASQUE Sweden
MASTER OF CEREMONY Italy
NIALL MATHEWSON United Kingdom
MAYBE France
MICHAEL MAYER & DEAN ROUCH United States
MEDICINE MAN United Kingdom
MENAYERI Puerto Rico
MENTAUR United Kingdom
MERCHANTS VICE United Kingdom
MERCY TRAIN United Kingdom
METAMORPHOSIS Switzerland
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