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PSYCHEDELIC/SPACE ROCK

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Psychedelic/Space Rock definition

Psychedelic Progressive Rock

Progressive rock music has its roots in the mid 1960's psychedelic cultural phenomena. During that time the British Invasion and folk-rock bands began to expand the sonic possibilities of their music. These groups slowly started to abandon the concise verse-chorus-verse patterns of rock & roll, and moved towards fluid, free-form oriented song structures. Just as important was the incorporation of elements from Indian and Eastern music. Along them the principles of free-form jazz were included to the psychedelic sound, emphasising spontaneous emotions over calculated and estimated compositional constructions. Experimenting with new studio technology, electronically altering instruments and voices, was a part of this altered approach as well. Acid rock groups like THE JIMI HENDRIX EXPERIENCE and CREAM stand as descriptive and popular examples of the path from psychedelic sunshine pop towards a more aggressive and distinct rock expression, in particular showcased in their improvised live performances.

The boundary dividing the "Experimental" and "Progressive" classification is a thin and at times contested one for this era. The pioneering psychedelic progressive rock bands to be found at www.progarchives.com will in most cases be found in the Proto-Prog section of the site. Amongst these pioneering outfits are acts like THE BEATLES, JEFFERSON AIRPLANE AND VANILLA FUDGE. Artists such as PINK FLOYD will not be found there though, as their career extended well beyond these first, formative years.

Psychedelic progressive rock music may contain the elements previously described in varying combinations, but the artistic perspective of progressive rock is another factor. Some psychedelic rock bands stuck to the mid 1960's beat rock style in purist form, not partaking in the experimental development of the impressionistic possibilities of psychedelic rock music others spearheaded. The evolution of the psychedelic depth within a progressive context could be seen for instance in the 1960's recordings of ARCADIUM and BABY GRANDMOTHERS. One good example of early 70's Continental European progressive psychedelic rock is the album by AHORA MAZDA, and from Britain JADE WARRIOR's early efforts fuse psychedelic rock and ethnic music. Current artists exploring the vintage 60's/70's style and sound are acts like THE SPACIOUS MINDS and ACID MOTHER'S TEMPLE.

The entire Western pop culture scene was influenced by the psychedelic culture to some extent, including other prog genres such as Prog Folk. In Germany, artists influenced by the British psychedelic movement formed their own genre called KRAUTROCK. The pioneering early 70's bands in this genre represent the progressive acid rock sound of Germany, experimenting with long instrumental improvisations, emphasizing the use of psychedelic effects and weird electronic sounds. Some examples are artists like AMON DÜÜL, ASH RA TEMPEL, CAN, GÄA, NECRONOMICON and YATHA SIDHRA. The PROGRESSIVE ELECTRONIC style emerged from Krautrock. Some of the most influential artists of this genre, such as TANGERINE DREAM and KLAUS SCHULZE, explored a distinct psychedelic musical style at first, which was influential for the development of the "space rock" sound:


Progressive Space Rock

The late 1960's psychedelic rock scene also spawned the birth of the space rock genre. The pioneering acts of this genre assimilated krautrock elements like repetitive hypnotic beats and electronic/ambient soundscapes as they moved away from the common musical and compositional approach. The synthesizer with its bubbling tones and spacey patterns, provoking a gliding flow, is a typical instrument of this genre. Guitars are by preference played with glissando technique and delay/echo effects are heavily used, and elements originating from reggae/dub are fairly common. Several bands combine their live performances with trippy lightshows using random fractals. Albums in this genre will often include at least one long meandering jam based on a main theme, where loops and wavelike fluctuations provides slight variations to this structural foundation.

Stories, images, song titles and album names referring to cosmic themes are fairly common features of the genre. HAWKWIND's live album "Space Ritual" is said to be the ultimate space rock album due to the collaboration with sci-fi author Michael Moorcock. His lyrics are performed by a narrator and underlaid with synth elements. PINK FLOYD can be regarded as pioneers of spacey music during the band's early phase, as exemplified by certain tracks from "The Piper At The Gates Of Dawn" or the stirring live performance of "Careful With That Axe Eugene" from "Ummagumma". GROBSCHNITT provides another fine example of classic space rock with their epic effort "Solar Music". Other bands explored the space rock sound for a limited time period only. GONG released groundbreaking albums in the genre at the start of their career, while British hard rock band UFO released the extraordinary album "Flying - One Hour Space Rock" as their sole contribution to the genre in 1971.

A space rock scene can be found in most countries sporting artists producing music with a western-oriented or influenced sound. Swedish bands are known for a brisk exchange of musicians among each other. The "Strange Daze" festivals from 1997-2000 showcased the American space rock scene. Japan is an inexhaustible reservoir of artists exploring both psychedelic progressivce rock and progressive space rock. Representative examples of the style are bands such as ORESUND SPACE COLLECTIVE with their focus on long grooving improvisations, QUARKSPACE and OZRIC TENTACLES with their stronger emphasis on electronic elements and VESPERO and HIDRIA SPACEFOLK with their inclusion of ethnic-originating musical components. Other groups like ESCAPADE and THE LEGENDARY PINK DOTS represent an avantgarde approach to the genre, whereas SUBARACHNOID SPACE and KINSKI are examples of artists that provide transitions to the post rock genre.


The boundaries of Psychedelic Progressive Rock connected with Stoner Rock and Acid Folk

The 1960's and 70's were a time of liberation, a time of rebellion against rigid rules and strict moral boundaries. In those "freedom of expression" days, an artist would typically herald their liberal attitudes as a mind-expanding trip on stage together with the audience in two ways. One was to realize audio/visually the visual and auditory hallucination as it was, and another was to play their repertoire spiritually and improvisationally under the trip. As for the latter approach, they devoted themselves solely to slow-to-mid tempo playing with low-tuned guitars in a heavy and expansive manner for playing steadily under this twilight condition. In the same time period, this approach to the musical trip was also taken on by some artists especially in the hard rock and heavy metal scene. This new style, drenched in heavy and downer psychedelia, was called "Stoner Rock". The name originates from the expression "stoned", referring to people in altered states of mind while under the influence of psychedelic substances. The Stoner Rock genre was universalized "as a strict musical style only" by the Industrial Grunge Rock genre that gained worldwide popularity in the early 1990s. The common denominator of all the artists mentioned is the representation of their personal cultural and political backgrounds, whilst playing slow-paced depressive songs with heavy guitars and echoic rumbling drums as the dominating features. Most of current outfits claiming to be the so-called Psychedelic Heavy Progressive Rock ones should be much influenced by the traditional Stoner or Grunge Rock as well as the early Psychedelic Progressive Rock. They can be considered as a borderline case between Psychedelic Progressive, Heavy Progressive, and Progressive Metal.

"Acid Folk" can be mentioned as another musical style with hallucinogenic approach. Psych Folk or Psychedelic Folk are other names for this genre, and is vaguely defined as a rock subgenre due to the mixture of folk rock and psychedelic rock. This is a style lacking in strict definitions, and it is contested whether or not the term was actually used at what is deemed the dawn of the genre. It's an undeniable fact that the Acid Folk scene gained some popularity by the efforts of artists in "The Folk Revivalism", but it's important to remember that there were two distinctly different approaches taken by those who helped shape the genre in the mid 1960's. Some folk singers approached a psychedelic rock structure as was popular at that time, while some psychedelic rock outfits tried to absorb and incorporate techniques and elements from folk rock. Both have great importance in the development of Acid Folk, and this may be the reason that strict definitions of the genre cannot be given. In view of the history, it's no exaggeration to claim that TYRANNOSAURUS REX, SYD BARRETT or THE INCREDIBLE STRING BAND in UK rock scene seasoned the "traditional" Acid Folk with a more progressive spice. They, as eccentric or heretical rock outfits, accepted and incorporated Middle-Eastern and Oriental elements or instruments, and the result was the foundation for the current progressive Acid Folk movement. And in the Eastern parts of the world, different acid streams was provided by artists such as TAJ MAHAL TRAVELLERS or MAGICAL POWER MAKO who exerted a great influence on younger progressive bands. Their amazing achievements resides in the twilight zone between the Prog Folk and Psychedelic Prog subgenres.


A path that never ends

In addition of the styles described, psychedelic elements can be found in many other genres of progressive rock. The psychedelic cultural explosion had an immense influence on the western popular culture, and traces of it can still be heard also outside of progressive rock circles. The collective techno rave parties carry on the legacy of the audiovisual attack from the PINK FLOYD concerts in 1968, to cite one example. As the psychedelic movement was a large cultural phenomenon, it is difficult (and maybe unnecessary) to fence it to a clear category. Psychedelic progressive rock has been developing towards several different directions over time, and the task of classifying them as distinct genres and sub-genres is an ever ongoing process, often loaded with strong opinions. The psychedelic rock artists which are not considered as progressive in style are not listed in the databse of www.Progarchives.com. This in order to maintain the site's scope to be a progressive rock reference.

The aim of this description is to be a tool of reference for potential and existing fans of the genre, and we hope that this will aid those who read it to a better understanding of the genre as well as to enjoy and discuss the subject at hand both in the forums of the Progarchives website as well as in other places online and offline both.


Psychedelic Rock / Space Rock team April 2010

Space rock definition by Rivertree
The boundaries of psychedelic progressive rock chapter by DamoXt7942
Other text by Eetu Pellonpää
with kind guidance and support by Windhawk



The responsibility for the psych/space, indo/raga, krautrock and prog electronic subgenres is taken by the PSIKE team,
currently consisting of
- Sheavy
- Meltdowner
- siLLy puPPy
- Rivertree



Psychedelic/Space Rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Psychedelic/Space Rock | More Top Prog lists and filters

4.62 | 3641 ratings
WISH YOU WERE HERE
Pink Floyd
4.60 | 3828 ratings
DARK SIDE OF THE MOON
Pink Floyd
4.52 | 3249 ratings
ANIMALS
Pink Floyd
4.30 | 2753 ratings
MEDDLE
Pink Floyd
4.21 | 907 ratings
OCEAN
Eloy
4.12 | 574 ratings
WARRIOR ON THE EDGE OF TIME
Hawkwind
4.16 | 275 ratings
LEGACY
Hypnos 69
4.40 | 60 ratings
OBSOLETE
Hedayat, Dashiell
4.12 | 348 ratings
RITUAL
Nemrud
4.07 | 2619 ratings
THE WALL
Pink Floyd
4.11 | 387 ratings
JURASSIC SHIFT
Ozric Tentacles
4.16 | 150 ratings
BY THE WATERS OF TOMORROW
Vespero
4.11 | 236 ratings
TOGETHER WE'RE STRANGER
No-Man
4.16 | 142 ratings
KINGSTON WALL II
Kingston Wall
4.06 | 496 ratings
A TAB IN THE OCEAN
Nektar
4.03 | 531 ratings
DAWN
Eloy
4.05 | 267 ratings
EVERYONE INTO POSITION
Oceansize
4.16 | 100 ratings
TAKO
Tako
4.02 | 451 ratings
THE OCTOPUS
Amplifier
4.11 | 125 ratings
THE FUTURE KINGS OF ENGLAND
Future Kings Of England, The

Psychedelic/Space Rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Psychedelic/Space Rock experts team

COSMIC MINDS AT PLAY
Spacious Mind, The
LAST DAY OF SUN
Kalutaliksuak
TAMBOURINE FREAK MACHINE
Dragontears
LORD SPACE DEVIL
Cosmic Trip Machine

Latest Psychedelic/Space Rock Music Reviews


 Beteigeuze by KARAKORUM album cover Studio Album, 2017
4.00 | 2 ratings

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Beteigeuze
Karakorum Psychedelic/Space Rock

Review by JohnNicholson

4 stars M'hldorf, Germany-based retro proggers Karakorum have been around for a few years now. The quintet heavily relies on the 1970s progressive rock, but they also borrow from other styles such Krautrock, psychedelia, classic rock, etc. In March 2016, the band released a self-titled demo album, and three compositions from that recording is what make their full-length titled Beteigeuze available in a vinyl format from Tonzonen Records.

The lengthy tracks simply titled as 'Beteigeuze Pt. I,' 'Beteigeuze Pt. II,' and 'Beteigeuze Pt. III' bring floating ominous keyboards and ethereal guitar work which dominate all around the record. 'Part 2" has a majestic soundtrack feel with some lazy distorted Manuel G'ttsching-like guitars accompanying the tripped-out keyboards. "Part 3,' clocking at around 23 minutes has it all, it is mellow, but complex and deep, very reminiscent of vintage King Crimson meets Yes. There is a mesmerizing keyboard madness that could have been lifted from any of the 1970's prog records.

Now that I've got you intrigued enough to check out an incredible obscure album, head over to the Tonzonen Records website and make sure to get it in a LP format, because this kind of record deserves to be heard in all its glory in an old-fashioned way.

 Into The Woods by HAWKWIND album cover Studio Album, 2017
3.75 | 19 ratings

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Into The Woods
Hawkwind Psychedelic/Space Rock

Review by Mortte

4 stars Over three months when this excellent album was released and no reviews? Hawkwind-fans, where are you? I am not a huge Hawkwind-fan, but I really love Hawkwind albums made 1970-75 (Lemmy in four of them). Their later outputs I have heard only Levitation, which I also love and the Xenon Codex, which I think is ok album, but too cold & modern sounding to me. Naturally I hadn´t got any expectations when started listening this new one, but they fulfilled wholly! Just like predecessor album "the Machine Stops" this is at least in some parts based on E.M. Fosters book. After this album I listened also that album, but I have to say this new one is just so much better! In this album Hawkwind has gone into very organic soundworld that reminds a lot their great seventies albums.

Tittle song opens the album with a short piano overture, but soon you are into very rough, psychedelic Hawkwind- boogie. Brock sings through some effect and sounds very much Nik Turner. Psychedelic atmosphere continues in next "Cottage in the Woods", but more peaceful way. "Have You Seen Them" is very melodic piece and has hit potential. Cosmic "Ascent" is one of my favourites in this album. "Space Ship Blues" is updated "Silver Machine" with more country atmosphere. Big Bill Barry is playing fiddle in the very same way as Simon House. "Vegan Lunch" is again boogie with melodic parts. "Dark Land" is also one of my favourites reminding "Hall Of Mountain Grill´s" "Wind of Change". There are also few sound collages with spoken words that make album just even more interesting. The ending instrumental jam "Magic Mushroom" is good finish into this great album, it reminds a little bit "Levitation"- song.

I am not a space rock fan at all except Hawkwind. I am glad my needs of spacerock seem to fullfill complitely, if Hawkwind continues to make as qualified albums as often. One of my great moments were, when Hawkwind and Motörhead played in the same festival. In Hawkwind´s encore there were two basses and Lemmy singing "Silver Machine". It was over 10 years ago, there are no Lemmy anymore, but I will be glad if I will see this old classic band on the stage once more.

 Forest Mirror by KILLFLAVOUR album cover Studio Album, 2017
3.00 | 1 ratings

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Forest Mirror
Killflavour Psychedelic/Space Rock

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

— First review of this album —
3 stars Since way back in 1995 the band KILLFLAVOUR stands for a mostly instrumental blend of post, space and kraut rock. This provided with a somewhat dark-mooded flair and mystical flow, in parts similar to other German acts like Electric Orange, Space Invaders, Weltraum, Knall. They all are stepping up with the same approach, maybe tradition if you will. Aiming to offer live in the studio recordings, which are absolutely unique, while intuitively played and therefore capturing quite an unrepeatable occasion. So this album was taken in spring 2016 and mastered with vintage analogue equipment. Concerning the current line up the band is comprised of the surviving Uwe Kartes on guitar, drummer Marc Schönwald and Manuel Stuhlsatz (synths).

Alexander Britz is new to the crew, appearing with some unconventional or even strange vocals, featuring references to ... eh, I would say Damo Suzuki and Jim Morrison maybe. Thus, surprise, a regular bass guitar is missing here. Not a big problem though. And then suddenly the band even sees former member Ulrich Steffens returning back, but this happened after the recordings were already made. Now according to the cover art as well - the eye of the wolf (nope, not the tiger!) - with reason they themselves are calling this style 'darkkraut' which is related to a touch with nature. And building upon a tribal-flavoured In But Not Of This World it's processing like a crawl somehow. The drum playing comes motoric, partially minimalistic, this undoubtedly provided with intent.

The tracks are gradually taking shape, it's certainly hypnotic, maybe you can call it dreamy too, and they basically are variating with care. Hiding Nature is more focussed on the synthesizer hereby, due to exotic bird calls and some soloing activity. The extended Word As Shape evolves to the album highlight then, while featuring a special melancholic atmosphere, more dynamics and a gripping flow overall. Uwe Kartes sensitive guitar delivers a sophisticated mix of space and post, turns out to be an important trademark again. While counting in those special vocals 'Forest Mirror' is quite an unique affair, though a grower too, which definitely needs to invest some time - 3.5 stars.

 Cauldron by FIFTY FOOT HOSE album cover Studio Album, 1967
3.69 | 23 ratings

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Cauldron
Fifty Foot Hose Psychedelic/Space Rock

Review by siLLy puPPy
Collaborator PSIKE & JR/F/Canterbury Teams

4 stars As the San Francisco Bay Area reflects upon the past five decades and pinpoints its gaze upon that fateful and most psychedelic year 1967, the so-called Summer Of Love when disillusioned youth turned hippies from across the globe descended on the unsuspecting Haight-Ashbury neighborhood, we are presented with only a partial snapshot of that era in time that unfolded like a hazy dream shrouded in the mystic madness by Pacific Ocean fog. While one's mind naturally gravitates towards the likes of the Grateful Dead, Jefferson Airplane, Quicksilver Messenger Service and Janis Joplin as Summer Of Love royalty, there were in reality a ridiculous number of other local bands who were active and while not quite catching the popular music scene as the aforementioned, still left an imprint on the psyche's of those lucky enough to remember their experience once the party accoutrements had worn off.

The era consisted of myriad bands like Moby Grape, It's A Beautiful Day, Electric Flag, Dream Merchants, The Great Society and the list goes on into the hundreds, however one band was far and away THEEEE most bizarre and experimental of all. That honor goes to the ahead-of-their-time FIFTY FOOT HOSE which was the brainchild of the eccentric whims of founder Cork Marcheschi whose dual interests in the avant-garde and R&B came to head on the one and only album CAULDRON. Marcheschi started his career playing in less adventurous bands beginning with the Hide-A-Ways and ending with The Ethix which found him unleashing his first taste of the wild and unstructured when he released one twisted single called "Bad Trip." As a session musician he was introduced to guitarist David Blossom and his singing wife Nancy and then joined drummer Kim Kimsey and guitarist Larry Evans. The true psychedelic treat of 1967 was about to be released.

Marcheschi claims that his interests were more attuned to the avant-garde experimental worlds of Edgard Varèse, John Cage or Terry Riley rather than with Jefferson Airplane, but nonetheless, Blossom managed to tame his wild inhibitions with fairly catchy beatnik folk rock songs that Marcheschi would embellish with swirling swooshes of his homemade electronic instruments as well as pairing them up with theremins, fuzzboxes, a cardboard tube and even a speaker from a World War II bomber. Dave Blossom brought a psychedelic jazz guitar approach that incorporated a little of the Miles Davis cool jazz sound while Nancy played her role much like the more familiar contemporary Grace Slick. CAULDRON is aptly named as it is a boiling pot of eclectic influences all cooked together in one of the earliest musical bowls of gumbo in all the U. S. of A. In fact, i do believe that CAULDRON could very well be the first progressive rock album to emerge on the North American continent. If there are any comparisons to be made it would have be with the other California based band The United States Of America who similarly took the psychedelic folk rock sound of the day that embellished healthy doses of experimental electronica in completely revolutionary ways, however FIFTY FOOT HOSE didn't just stop there and totally went for it with one of the strangest albums to emerge in the entire 60s scene.

The head scratcher begins with the opener "And After" which is a creeping ratcheting up of woofer abuse and was how they would start their live shows which would get everyone's attention as the low bass tones would vibrate the entire building. It is a contemplative piece like drifting through space aimlessly, tension building as if the vessel had lost control and free falling into oblivion. An unlikely precursor to the more time period "If Not This Time" which despite the early avant-prog riffing that begins it, turns into a more normal folk rendition of psychedelic rock that finds the electronic sounds bending and sputtering around like a rabid animal let loose in a shopping mall.

The short electronic "Opus 777" cedes into the other psychedelic pop track "The Things That Concern You" which finds Larry Evans on the vocals while Marcheschi taking extreme liberties with the electronic accoutrements. The second short electronic track "Opus 11" ushers in the most hippie sounding rock song on the track, "Red The Sign Post" which is the closest thing to be heard on CAULDRON that resembles a true 60s psychedelic rock band with bluesy guitar licks, groovy bass and Nancy Blossom's wild and woolly vocal freak outs. The third electronic intro "For Paula" whizzes by and yields to the jazzy guitar lounge lizard exotica sounding "Rose" which gives the listener a final taste of musical sanity before the true freak out is unleashed with the mind blowing "Fantasy." This track literally is the definition of progressive psychedelic rock as a single bass line begins a multi-part journey into the unknown. As the bass reverbs in an ostinato stroll, the electronica grow more restless as do the frenetic drum rolls as your mind melts and cedes to the hypnotic groove with electronic chaos chirping around it like maddened birds. After two minutes it abruptly changes into a bluesy psychedelic rock guitar segment which lulls the listener into a comfort zone for a while before mellowing out and Nancy finally joining in after six minutes to sing about her sanity before the acid finally hits and the track literally goes nuts!

After the unhinged ending of "Fantasy," a short tribute to Billie Holliday with a cover of her "God Bless The Child" which is fairly faithful to the original minus the electronic whizzing effects. The wildest sonic experience by far is the final title track which finds total musical breakdown and the avant-garde is allowed off its leash as chimes keep an angular rhythm while Nancy erratically sings about who knows what. Her vocal style in this track reminds me a lot of the avant-prog styles ranging from Henry Cow to Thinking Plague. A jazzy bass line often punctuates the back masking of the electronics and someone having a very bad trip can be heard in the background. This must have been far too freaky for anyone really tripping during the day. My remastered CD is fluffed out with two versions of "Bad Trip" by the Ethix and several demo tracks and alternate versions. Some of these appear on other compilation albums such as "Ingredients."

Needless to say, these guys were faaaaaar out, man! Somehow they had their pulse on the psychedelic scene and prognosticated it by several years beating the German band Amon Duul II to the punch with some of the trippiest music of the decade. The electronic rock hybridization of FIFTY FOOT HOSE has been cited by many a band including Perl Abu, Chrome and Throbbing Gristle as having been the primary influence in their respective musical sounds. As with any music so bizarre and unstructured, FIFTY FOOT HOSE saw very little success during the day but they did have a small cult following. The deal knell came to the band when all the members except Marcheschi were lured away by the promise of a lucrative paycheck and joined the cast of the musical production "Hair." Marscheschi on the other hand forfeited his musical career but went on to become a world renowned sculptor. Interest in the band resurfaced during the 90s and the band has released a few compilations and live albums but CAULDRON is their swan song that went way beyond anyone dared at the time. Not quite the masterpiece some make it out to be since it has far too much of a mishmash feel to it but although it may require a few listens to sink in, this is certainly one of the most unique albums of the era that deserves more recognition than it's gotten. I've grown to really dig it!

 It Would Be So Nice by PINK FLOYD album cover Singles/EPs/Fan Club/Promo, 1968
3.30 | 38 ratings

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It Would Be So Nice
Pink Floyd Psychedelic/Space Rock

Review by Luqueasaur

4 stars Lighthearted & lushly melancholic and psychedelic: 8/10

I found Julia Dream randomly on YouTube and gave it a listen. Upon learning it was a single - not being featured on any album, how sad - I decided to give a look to the "entirety" of this excerpt from early PINK FLOYD. Assuming this has only seven minutes, I'll spare the needless contextual details.

It Would Be So Nice is a lighthearted track distinctively sounding like THE BEATLES' plainness, with at best some mildly psychedelic twist to it. The chorus does feature some subversion on the simplicity of the entire song, though. It's enjoyable, but not much memorable at all.

Julia Dream, however, is pretty different, featuring a lush, distorted Mellotron background - IN THE COURT OF THE CRIMSON KING with an, even more, psychedelic touch - and reverbed & delayed calm vocals. The small midsection features some random experimental effects as the saddened acoustics and Mellotron play alongside, and the outro, some brutally disorienting screeching effects. It's a sweet, mellow, but heart-wrenching song. Like watching a young child passing away peacefully - for as much we're glad they have no pain, we're grieving over their death. I found it a spectacular demonstration of psychedelia at its state-of-art form.

The first track is rather uninteresting, whereas the second is highly recommendable. "It Would Be So Nice" lowered the overall score... should "Julia Dream" be released as single, perhaps I would have given it five stars. Well, it's a matter of taste, really - I loved it. But I think PINK FLOYD fans - and psychedelic rock fans in general - will highly enjoy it as well.

 Terminal by CIRCLE album cover Studio Album, 2017
4.71 | 5 ratings

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Terminal
Circle Psychedelic/Space Rock

Review by Mortte

5 stars I was a little worried about Circle´s future. There haven´t been many years Circle hasn´t made studioalbums, but last year there came only live releases. In interviews Mika has told his passion about moviemaking and last year came his first movie "Samurai Rauni Reposaarelainen". I was really glad, when hearing there were coming new Circle album. But quite soon I was also little bit suspicious, taster "Kill City" sounded at first little bit boring, also they told influences taken by Judas Priest and the Stooges and that didn´t sound to me very inspiring. But my worries were unneccessary: Circle has made again really great album!

Album starts in it´s longest song "Rakkautta Al Dente" (= Love with Al Dente). It´s starts with very slow, heavy riff, but gladly albums soundworld is much more from the seventies than these days, so it´s not too heavy. Although album is made mostly with electric instruments, it soundworld reminds a lot their predecessor acoustic album "Pharaoh Overload". Janne starts to sing something really high but not sounds Rob Halford at all. When Mika starts to sing, song also calm down a little. In the middle of the song there is very great musical trip that reminds long improvisations of the end of the sixties. Album tittle song is really great although it´s quite simple. The main riff reminds Stooges "I Wanna Be your dog" but there also a great other part that reminds Sonic Youth´s melodic songs. "Saxo" reminds "Kävelen Luitten Päällä" from the "Pharaoh Overload"-album with it´s shamanistic atmosphere. "Imperiumi" (=imperium) is the most Judas Priest influenced song and also the most different from the other material. "Kill City" opened me in a great way after second listening. It has Stooges-influences, but also very great melodies and very suprising end, so it´s the most prog songs in this album together the album starter. "Sick Child" ends album very great way, it reminds Janne´s bluesy solo works, but is totally made by electric instruments. Janne´s vocals goes very deep into your soul.

Circle has had also internationally attention to it´s great work. I really hope this deserved attention continues, because Circle is these days one of the greatest bands in this whole world. I really hope that I am just old hippie, who doesn´t understand the music of today, but to me most of these days music sounds very cold and too clean. Circle continues to make music that lives!

 Stardust Rituals by ELECTRIC MOON album cover Studio Album, 2017
4.07 | 11 ratings

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Stardust Rituals
Electric Moon Psychedelic/Space Rock

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

4 stars Wow! Just another ELECTRIC MOON facet! This is effectively meeting my taste while being more smoothed and relaxed than heavy acid stoner as usual. Except Stardust (The Picture) maybe, the trio is on a very trippiesque excursion here. This one was recorded earlier already in 2014 and played live in the aftermath, though here appearing somewhat refined with vocals and overdubs. As for the dominant atmosphere just follow the extended You Will Live Forever Now and you'll know what I mean.

Sula acts like a magician, while weaving a wonderful cosmic piano, melancholic mellotron, indo/raga flavoured sitar ... and finally those multiple wah-wah drenched and soaring guitar decorations, the latter partially reminiscent of the Hypnotizer release. The looping flow will be consolidated due to nice repetitive bass lines contributed by Komet Lulu and Marcus Schnitzler's accentuated drum playing, careful, subtle. The real award anyhow goes the shortest offer, the lovely Astral Hitch Hike, not an accidental product, I'm quite sure.

The result of varying experiences over decades, more likely conceived with a clear preference on song writing, rather than jamming with intuition solely. I did not follow every band album, hence don't know exactly, if this is their first attempt to test some vocals. Bassist Lulu provides this in a mysterious, mournful, ethereal manner. Mastered by Eroc as usual 'Stardust Rituals' is a spellbinding journey crossing the band's inner cosmos, overall a very good statement featuring a proper amount of oriental flair.

 The Early Years 1967-1972 Creation by PINK FLOYD album cover Boxset/Compilation, 2016
3.77 | 28 ratings

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The Early Years 1967-1972 Creation
Pink Floyd Psychedelic/Space Rock

Review by AZF

5 stars Although I made myself a plan to save up from my job to buy each disc, having my job finish with no choice but to use my savings to survive instead! I really wish this double CD had been released a few weeks earlier than the box set. As it would have charted in the album charts instead of being counted with the lower sales of the box. This is a better compilation than either Echoes and even Relics. (Yes, even better than the Australian edition of Relics!) Although nothing from the EP from 1965, Syd is better served by the chronological order if the first disc. I don't like the different lyrics for "Matilda Mother" but the jam the band go into at the end is a never before revealed insight into how the Pink Floyd sounded live. Although In The Beechwoods does sound dated and tied to its decade, it plays into an alternate "What if?..." for "A Saucerful Of Secrets" album tracklisting. It's also kinder to Rick Wright through Paintbox. The BBC sessions show a fearless but transitional band marching towards the more developed later 70's sound. The Zabriskie Point material are less dated, but still sound perfect for soundtracks. Embryo live was on a bootleg, "Pink Is The Pig" I used to have, so it's good to hear. The most played track for me is the version of "Atom Heart Mother" in a four piece arrangement that was sadly dropped from their live sets when it would have stood alongside Shine On You Crazy Diamond and Dark Side Of The Moon. The final three tracks are great picks from one of my favourite albums, "Obscured By Clouds". Although I wish "Mudmen" had been included.

If this was released instead of the box, it would have sold a lot better than it did. It isn't a Fans Only purchase. It's an exhilarating story of how a band began, changed and developed into the killing machine Pink Floyd became. As a compilation it's their most honest. No altered tracklisting to disguise highs and lows of the band. Cre/ation is an essential a purchase to the curious and new fans as it is buying Dark Side Of The Moon.

5

 Reincarnation On Stage by ELOY album cover Live, 2014
4.33 | 87 ratings

BUY
Reincarnation On Stage
Eloy Psychedelic/Space Rock

Review by javajeff

4 stars It would be hard to find a better live album from anyone. With a new album on route, this is a great time to catch up on Eloy with a terrific sound quality live album called Reincarnation On Stage. The performances are fantastic with a perfect sampling of their catalog including the underrated Visionary album that produced one of their best songs ever in Age of Insanity. Poseidon's Creation from Ocean never sounded better in a raw live and explosive rendition. If you are new to Eloy, this can be a great place to start to get a sample of their albums. If you are like me, you will definitely want to collect their albums as well. I am thoroughly enjoying this live album.
 Kosmos by KOSMOS album cover Studio Album, 2007
3.52 | 8 ratings

BUY
Kosmos
Kosmos Psychedelic/Space Rock

Review by UMUR
Special Collaborator Honorary Collaborator

3 stars "Kosmos" is the self-titled debut full-length studio album by Canadian, Montreal based rock act Kosmos. The album was released through The End Records in September 2007. Kosmos was formed around 2005/2006 and features among others Voivod drummer Michel Langevin.

The music on the album is psychadelic/space rock with the occasional nod towards krautrock. Repetitive organic beats, swirling psychadelic tinged synths/keyboards, and bass, organ and guitars that rock along. The music is mostly instrumental but there are sporadic vocals on the album courtesy of some guest singers.

While the album opens with the jam packed, cool and groove laden psychadelic track "Psycho", it already changes sound on the second track "Dream" which is pure krautrock with electronic tinged nods towards Kraftwerk. The 12 track, 43:58 minutes long album goes through a couple of those surprising changes ("Much Too Old" even features a disco beat), but as there are many similarities between the genres that the band embrace, and nothing sticks out on the album because it doesn't fit, the album features a good flow. The whole thing is very retro 70s sounding, and the album also features a suiting organic sound production.

The band are well playing and while the quality of the material drops a slight bit a couple of times during the playing time, "Kosmos" is overall a quality release, that celebrates the classic virtues of psychadelic/space rock (and occasionally krautrock). It's not necessarily the most original or unique sounding release, but that's of less importance, when the music is delivered with conviction and passion as it is here. A 3.5 star (70%) rating is deserved.

Data cached

Psychedelic/Space Rock bands/artists list

Bands/Artists Country
3 LEAFS United States
35007 Netherlands
3RD EAR EXPERIENCE Multi-National
THE 4 LEVELS OF EXISTENCE Greece
ABUNAI! United States
ACID FLORIANI Russia
ACID MOTHERS TEMPLE Japan
AD'ABSURDUM Switzerland
AGAMEMNON Switzerland
AGUSA Sweden
AHKMED Australia
AHORA MAZDA Netherlands
AKASHA Norway
ALAMEDA 5 Poland
ALASEHIR United States
ALEX DELIVERY United States
ALGARNAS TRADGARD Sweden
ALHAMBRA Italy
ALICE France
ALIEN PLANETSCAPES United States
ALIENTAR United States
ALITHIA Australia
ALMUADEM Portugal
ALPES & CATHERINE RIBEIRO France
ALPHA NORD Germany
ALPHA OMEGA Australia
ALRUNE ROD Denmark
AME SON France
AMONULLUNOMA Ireland
THE AMORPHOUS ANDROGYNOUS United Kingdom
AMPACITY Poland
AMPLIFIER United Kingdom
ANALOGY Italy
ANDROMEDA SPACE RITUAL Poland
ANGEL'IN HEAVY SYRUP Japan
ANNOT RHÜL Norway
ANONIMA SOUND LTD. Italy
ANTA United Kingdom
ANTLERS United States
DADDY ANTOGNA Y LOS DE HELIO Argentina
ANUBIAN LIGHTS United States
APHODYL Germany
APPALACHIAN TRANSLATOR United States
APRYL FOOL Japan
APTEKA Poland
AQUA NEBULA OSCILLATOR France
AQUANAUT Australia
AQUASERGE France
AQUELARRE Argentina
ARCADIUM United Kingdom
ARCHITECTURAL METAPHOR United States
ARILYN Germany
ARZACHEL United Kingdom
ASSEMBLE HEAD IN SUNBURST SOUND United States
ASTRA United States
ASTRAL SON Netherlands
ASTRALIA Italy
ATAVISM OF TWILIGHT United States
ATAVISMO Spain
ATAXIA United States
ATHENE NOCTUA Italy
ATLETA Spain
ATOMIC SIMAO Ukraine
AVARUUSKORPRAALI PAHA HIRVI Finland
AXE United Kingdom
AYAHUASCA DARK TRIP Multi-National
AYERMANIANA Argentina
BABILS Belgium
BABY GRANDMOTHERS Sweden
BACHDENKEL United Kingdom
BACKSTREET ROMEOS Germany
BAIKAL United States
BAND OF RAIN United Kingdom
BARDO POND United States
BARN OWL United States
BARRETT ELMORE Sweden
MASAKI BATOH Japan
BËIRUTH Spain
BEYOND-O-MATIC United States
BIG RED PANDA Portugal
BLACK BOMBAIM Portugal
BLACK LIGHT SECRET United Kingdom
THE BLACK NOODLE PROJECT France
BLACK SCIENCE United States
BLAND BLADEN Sweden
BLIM United Kingdom
BLONDE ON BLONDE United Kingdom
BLUE PHANTOM Italy
BOAT BURNING United States
BOSQUES Argentina
CHRISTIAN BOULÉ France
BRAINSTORM Australia
BREMEN Sweden
DAVE BROCK United Kingdom
BROTHERHOOD OF THE MACHINE United Kingdom
ARTHUR BROWN'S KINGDOM COME United Kingdom
BUHO ERMITANO Peru
BURNT NOODLE United States
ROBERT CALVERT South Africa
CAMEL United Kingdom
CANTERBURY GLASS United Kingdom
CAPITAL SENTIMENTAL Netherlands
CARLTON MELTON United States
THE CARPET KNIGHTS Sweden
CARRÉ.LADICH.MARCHAL Multi-National
CATHARSIS France
CATS ON THE ROOF Ukraine
CAULDRON Sweden
CAUSA SUI Denmark
CAVE United States
CENTRIC JONES United States
LES CHAMPIGNONS Canada
CHARLIE & ESDOR Sweden
CHICKENCAGE EXPERIENCE Germany
CHILLIWACK Canada
CHIMERA United Kingdom
CHROMA KEY United States
CIOLKOWSKA Russia
CIRCLE Finland
CIRCUS 2000 Italy
COBALT BLUE Brazil
COCK C'NELL Japan
COLD SUN United States
COLORSTAR Hungary
COLSTER Italy
COMA STEREO Slovenia
COMETS ON FIRE United States
LA COMPAGNIA DIGITALE Italy
O CORVO MUDO Portugal
COSARARA Italy
LAS COSAS Argentina
THE COSMIC DEAD United Kingdom
COSMIC FALL Germany
COSMIC TRIP MACHINE Belgium
COSMONAUTTRANSFER United Kingdom
COSMOS FACTORY Japan
CRANIUM PIE United Kingdom
CRIPPLED BLACK PHOENIX United Kingdom
CRONOMAD Mexico
CROW United Kingdom
CRUMBLING GHOST United Kingdom
CUCUMBER FARMER Finland
CUZO Spain
D SOUND Hungary
D'ARCANA United States
DARK BUDDHA RISING Finland
DARK SUN Finland
DARXTAR Sweden
DASPUTNIK Finland
DATETENRYU Japan
ALAN DAVEY United Kingdom
DAY OF PHOENIX Denmark
DAY SHIFT United Kingdom
DE CRONOPIOS Argentina
DEAD MEADOW United States
DEAD SEA APES United Kingdom
DEAF SCENE United States
DEEP SPACE DESTRUCTORS Finland
DEIGEN Japan
DHVANI Italy
EL DIABLO Mexico
DOMO Spain
DOWNLOUDERS Italy
DR HASBEEN United Kingdom
DR. TOTEM Mexico
DRAGONTEARS Denmark
DRAGONWYCK United States
DRAHK VON TRIP Sweden
DREAM MACHINE United Kingdom
DRUNKEN GUNMEN Australia
DUNGEN Sweden
DUNST Germany
THE EARLIES Multi-National
EARTHLESS United States
EARTHLING SOCIETY United Kingdom
EASTERN SYNDROME Russia
EATING.SEATS Italy
ECHOLOT Switzerland
ECSTATIC VISION United States
EDEN ROSE France
EGO ON THE ROCKS Germany
THE EGOCENTRICS Romania
EGYPTIAN KINGS Portugal
EIDETIC SEEING United States
EKOS Mexico
EKTROVERDE Finland
ELECTRIC EYE Norway
ELECTRIC MOON Germany
ELEVATOR Canada
BRIAN ELLIS United States
ELMER GANTRY'S VELVET OPERA United Kingdom
ELOY Germany
AN EMERALD CITY Multi-National
THE ENTRANCE BAND United States
EQUATIONS Portugal
ESCAPADE United States
ETER-K Peru
ETERNAL TAPESTRY United States
EVEL GAZEBOW United Kingdom
EYE United States
F/I United States
THE FACEDANCERS United States
FAIRUZ DERIN BULUT Turkey
FALSOS CONEJOS Argentina
FANTASY United States
FAR EAST FAMILY BAND Japan
FAR OUT Japan
FARFLUNG United States
MICK FARREN United Kingdom
FIFTY FOOT HOSE United States
FIRECLAN United States
FIRST BAND FROM OUTER SPACE Sweden
FISH EYE LENS United States
FJODOR Croatia
FLEUR DE LIS Denmark
FLOORIAN United States
THE FLOW Greece
FLOWER TRAVELLIN' BAND Japan
FLOWERS MUST DIE Sweden
FÖLLAKZOID Chile
FONYA United States
FOOD BRAIN Japan
FORCE MAJEURE Hungary
FRAKTAL Argentina
FROGGIE BEAVER United States
FROLIC FROTH Mexico
FROZEN GEESE United Kingdom
FUNGAL ABYSS United States
THE FUTURE KINGS OF ENGLAND United Kingdom
GALACTICKA Finland
GALÁPAGOS Argentina
THE GATE TO ALPHA CENTAURI United Kingdom
GDEVA Russia
GHOST Japan
THE GIANT HOGWEED ORCHESTRA Finland
GLOSSOLALIA Multi-National
GO-NEKO! Argentina
GOAT Sweden
ALAIN GORAGUER France
CARY GRACE United Kingdom
GRAILS United States
GREEN MILK FROM THE PLANET ORANGE Japan
GREY MOUSE Russia
GREYLEVEL Canada
GROUP 1850 Netherlands
GROWING SEEDS Germany
GUILD NAVIGATORS United States
GURU & ZERO United Kingdom
HANADENSHA Japan
HANDLINGNOISE Finland
HANDWRIST Portugal
HASH JAR TEMPO Multi-National
HAUNTED LEATHER United States
HAWKWIND United Kingdom
A HEADFULL OF MONSTERS United Kingdom
THE HEADS United Kingdom
HEAVY WATER EXPERIMENTS United States
DASHIELL HEDAYAT France
HELLBENDER United States
HEPTAGRAM Bulgaria
HERBCRAFT United States
HERE & NOW United Kingdom
HERU AVENGER United States
HIDRIA SPACEFOLK Finland
HIGH DEPENDENCY UNIT New Zealand
HILLS Sweden
HISKO DETRIA Finland
HOLLOW MIRRORS United States
HOLY RIVER FAMILY BAND Sweden
HONDURAS LIBREGRUPO Argentina
HOTEL WRECKING CITY TRADERS Australia
HOUSE OF NOT Canada
HOWLIN' MAGIC United States
HUMAN FACTOR Russia
HUMANOID Canada
HUMINOITA Finland
HUMUS Mexico
HUNDOS United States
HYPNOS 69 Belgium
I.E.M. United Kingdom
ICI MAINTENANTS United Kingdom
ID United States
IGRA STAKLENIH PERLI Yugoslavia
IKIHEVONEN Finland
DJORDJE ILIJIN Yugoslavia
IMANISSIMO Indonesia
IN A NUTSHELL Russia
IN ZAIRE Italy
INCANDESCENT SKY United States
INOMATA TAKESHI & SOUND L.T.D. Japan
INSIDER Italy
INSTANT FLIGHT Multi-National
INTERKOSMOS Austria
INTERNATIONAL HARVESTER Sweden
THE INVISIBLE BAND! United Kingdom
INVISIBLE OPERA COMPANY OF TIBET (BRAZIL) Brazil
ION QUEST United States
LA IRA DE DIOS Peru
IT'S NOT NIGHT: IT'S SPACE United States
IVORY Germany
IXTHULUH Austria
J. A. CAESAR Japan
JACKO WACKO Peru
JACKS Japan
ANDY JACKSON United Kingdom
JADE France
JADE WARRIOR United Kingdom
THE JELLY JAM United States
JESUS WITH ME United States
JOY HEIGHTS Japan
JUKE France
JUUDAS ISKARIOTIN SUUDELMA Finland
KAARNA Finland
KALUTALIKSUAK Russia
KANZEON Japan
KARABA Germany
KARAKORUM Germany
KARMA CANON United States
KARMIC SOCIETY Germany
KARUNA KHYAL Japan
ROSE KEMP United Kingdom
PAUL KIDNEY EXPERIENCE Australia
KIKAGAKU MOYO Japan
KIKI PAU Finland
KILL FOR TOTAL PEACE France
KILLFLAVOUR Germany
KING SUFFY GENERATOR Italy
KINGBATHMAT United Kingdom
KINGSTON WALL Finland
KINSKI United States
KIRKBINSINEK Turkey
KIRUNA Norway
KLAR Czech Republic
KNALL Germany
PASI KOIVU Finland
KORAI ÖRÖM Hungary
ERKIN KORAY Turkey
KOSMOS Canada
KOUSOKUYA Japan
KOZMIC MUFFIN Spain
KRAUTZONE Germany
KREL United Kingdom
KROM LEK United Kingdom
KUNGENS MÄN Sweden
KUNI KAWACHI TO KARE NO TOMODACHI Japan
KVASAR Spain
LA OTRACINA United States
LAGHONIA Peru
LAMAGAIA Sweden
LANA LEE Spain
LANDING United States
LANDS END United States
LAVA Sweden
LAY LLAMAS Italy
LE MUR Germany
LEGENDARY PINK DOTS United Kingdom
LEMMUS LEMMUS Israel
LEMONADE INFLUENCE Greece
SELIM LEMOUCHI AND HIS ENEMIES Netherlands
LENIN Argentina
LENINGRAD BLUES MACHINE Japan
LES LEKIN Austria
LES RALLIZES DENUDES Japan
LIQUID SOUND COMPANY United States
LIQUID VISIONS Germany
LIQUIDO DI MORTE Italy
LITMUS United Kingdom
LIZARDS EXIST Croatia
LOCH NESS Mexico
LONDON UNDERGROUND Italy
THE LONGEST DAY Australia
LOOP United Kingdom
LORDFISH Costa Rica
LOVE LIVE LIFE + ONE Japan
LOVE MACHINE Germany
LUBIANKA Spain
LÜGER Spain
LUMERIANS United States
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MAAT LANDER Russia
THE MACHINE Netherlands
MACONDO Peru
MADEMOISELLE MARQUEE United Kingdom
MICHEL MADORE Canada
MAGIC LANTERN United States
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MAGICAL POWER MAKO Japan
MAGNOG United States
MAINLINER Japan
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MAN United Kingdom
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THE MANDRAKE MEMORIAL United States
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MAPPE NOOTICHE Italy
KEVIN MAPPLEBECK United States
MARBLE SHEEP Japan
MARGIN Germany
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MARS EVERYWHERE United States
MARS RED SKY France
MARY NEWSLETTER Italy
MÁSFÉL Hungary
MASTER MUSICIANS OF BUKKAKE United States
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MECHANIK Spain
MELTING EUPHORIA United States
MERKABAH Poland
MESS Estonia
MESSAGE Germany
MIDDAY VEIL United States
MIDNIGHT ZOMBIE ALLIGATOR Spain
MIJA United States
MILES FROM PANGAEA United States
MILO BLACK United Kingdom
MIND! Spain
MISTY MOUNTAIN FOUNDATION Finland
MOBY TRIP New Zealand
MOHODISCO United States
MOLECULE France
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MONKEY3 Switzerland
MONOMYTH Netherlands
MOOCH United Kingdom
MOON DUO United States
MOON FOG PROPHET Finland
MOON PHANTOMS Multi-National
MOONWAGON Finland
THE MOOR Sweden
MOTHER GONG United Kingdom
MOTHER OF FIRE United States
MOTHER-UNIT Netherlands
MOTHERSHIP United States
THE MOVEMENTS Sweden
MR QUIMBY'S BEARD United Kingdom
MUGSTAR United Kingdom
MUSHGOONS Italy
MUSHROOM United States
MUSHROOM GIANT Australia
MUSIC EMPORIUM United States
OS MUTANTES Brazil
MY BROTHER THE WIND Sweden
MY SLEEPING KARMA Germany
MYRIAD Australia
THE MYRRORS United States
NAAM United States
NAKED ELF United States
NANGYALA Netherlands
NAPATISTA United States
THE NARCOTIC DAFFODILS Belgium
LOS NATAS Argentina
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NEGATIVE ZONE France
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GIORGIO C. NERI Italy
THE NIGHT SEA United States
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NO MAN'S LAND Greece
NO-MAN United Kingdom
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NOETICS Germany
NOPE United Kingdom
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NOSTRADAMUS THE TANK ENGINE United States
NUDITY United States
NUKLI United Kingdom
NUMINOUS EYE United States
NYL France
OATS United States
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OC FEEF United States
OCEANSIZE United Kingdom
OCTOPUS United Kingdom
OCTOPUS Germany
OCTOPUS SYNG Finland
OHEAD United Kingdom
OKTA LOGUE Germany
OLE LUKKOYE Russia
OMEGA Hungary
OMENOPUS United Kingdom
OMNIA OPERA United Kingdom
ONE OF THESE DAYS & THEE HEAVY RANDOM TONE COLOUR LAB Spain
ONE SWITCH TO COLLISION Multi-National
ONEIDA United States
ORANGE SHADING STARLIGHT Italy
ORANZADA Poland
ØRESUND SPACE COLLECTIVE Multi-National
ORGANIC IS ORGASMIC Russia
ORION TANGO United States
ORION'S BEETHOVEN Argentina
THE OSCILLATION United Kingdom
OSIRIS THE REBIRTH United Kingdom
OULU SPACE JAM COLLECTIVE Finland
THE OUTERSPACE MILKMEN Multi-National
THE OVALS Australia
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OZRIC TENTACLES United Kingdom
TA PAICHNIDIA TOU ILIOU Greece
THE PANCAKES Germany
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PAPIR Denmark
PARADISE 9 United Kingdom
PARADOX United Kingdom
PARADOX ONE United Kingdom
PARALLEL OR 90 DEGREES United Kingdom
EL PÁRAMO Spain
PÉLOQUIN-SAUVAGEAU Canada
PEOPLE Japan
PEOPLE OF THE NORTH United States
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PINK FLOYD United Kingdom
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POND Australia
POSEIDON Germany
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THE PSYCHIC PARAMOUNT United States
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QOPH Sweden
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RÅD KJETIL AND THE LOVING EYE OF GOD Sweden
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THE RE-STONED Russia
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THE RENDLESHAM FOREST INCIDENT United States
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ROOT United Kingdom
THE ROOTS OF ECHO Sweden
ANDREW DOUGLAS ROTHBARD United States
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SF Japan
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SPATIAL MOODS Peru
SPECIMEN 37 United States
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THE STARS Japan
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TEMPLES Finland
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