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PSYCHEDELIC/SPACE ROCK

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Psychedelic/Space Rock definition

Psychedelic Progressive Rock

Progressive rock music has its roots in the mid 1960's psychedelic cultural phenomena. During that time the British Invasion and folk-rock bands began to expand the sonic possibilities of their music. These groups slowly started to abandon the concise verse-chorus-verse patterns of rock & roll, and moved towards fluid, free-form oriented song structures. Just as important was the incorporation of elements from Indian and Eastern music. Along them the principles of free-form jazz were included to the psychedelic sound, emphasising spontaneous emotions over calculated and estimated compositional constructions. Experimenting with new studio technology, electronically altering instruments and voices, was a part of this altered approach as well. Acid rock groups like THE JIMI HENDRIX EXPERIENCE and CREAM stand as descriptive and popular examples of the path from psychedelic sunshine pop towards a more aggressive and distinct rock expression, in particular showcased in their improvised live performances.

The boundary dividing the "Experimental" and "Progressive" classification is a thin and at times contested one for this era. The pioneering psychedelic progressive rock bands to be found at www.progarchives.com will in most cases be found in the Proto-Prog section of the site. Amongst these pioneering outfits are acts like THE BEATLES, JEFFERSON AIRPLANE AND VANILLA FUDGE. Artists such as PINK FLOYD will not be found there though, as their career extended well beyond these first, formative years.

Psychedelic progressive rock music may contain the elements previously described in varying combinations, but the artistic perspective of progressive rock is another factor. Some psychedelic rock bands stuck to the mid 1960's beat rock style in purist form, not partaking in the experimental development of the impressionistic possibilities of psychedelic rock music others spearheaded. The evolution of the psychedelic depth within a progressive context could be seen for instance in the 1960's recordings of ARCADIUM and BABY GRANDMOTHERS. One good example of early 70's Continental European progressive psychedelic rock is the album by AHORA MAZDA, and from Britain JADE WARRIOR's early efforts fuse psychedelic rock and ethnic music. Current artists exploring the vintage 60's/70's style and sound are acts like THE SPACIOUS MINDS and ACID MOTHER'S TEMPLE.

The entire Western pop culture scene was influenced by the psychedelic culture to some extent, including other prog genres such as Prog Folk. In Germany, artists influenced by the British psychedelic movement formed their own genre called KRAUTROCK. The pioneering early 70's bands in this genre represent the progressive acid rock sound of Germany, experimenting with long instrumental improvisations, emphasizing the use of psychedelic effects and weird electronic sounds. Some examples are artists like AMON DÜÜL, ASH RA TEMPEL, CAN, GÄA, NECRONOMICON and YATHA SIDHRA. The PROGRESSIVE ELECTRONIC style emerged from Krautrock. Some of the most influential artists of this genre, such as TANGERINE DREAM and KLAUS SCHULZE, explored a distinct psychedelic musical style at first, which was influential for the development of the "space rock" sound:


Progressive Space Rock

The late 1960's psychedelic rock scene also spawned the birth of the space rock genre. The pioneering acts of this genre assimilated krautrock elements like repetitive hypnotic beats and electronic/ambient soundscapes as they moved away from the common musical and compositional approach. The synthesizer with its bubbling tones and spacey patterns, provoking a gliding flow, is a typical instrument of this genre. Guitars are by preference played with glissando technique and delay/echo effects are heavily used, and elements originating from reggae/dub are fairly common. Several bands combine their live performances with trippy lightshows using random fractals. Albums in this genre will often include at least one long meandering jam based on a main theme, where loops and wavelike fluctuations provides slight variations to this structural foundation.

Stories, images, song titles and album names referring to cosmic themes are fairly common features of the genre. HAWKWIND's live album "Space Ritual" is said to be the ultimate space rock album due to the collaboration with sci-fi author Michael Moorcock. His lyrics are performed by a narrator and underlaid with synth elements. PINK FLOYD can be regarded as pioneers of spacey music during the band's early phase, as exemplified by certain tracks from "The Piper At The Gates Of Dawn" or the stirring live performance of "Careful With That Axe Eugene" from "Ummagumma". GROBSCHNITT provides another fine example of classic space rock with their epic effort "Solar Music". Other bands explored the space rock sound for a limited time period only. GONG released groundbreaking albums in the genre at the start of their career, while British hard rock band UFO released the extraordinary album "Flying - One Hour Space Rock" as their sole contribution to the genre in 1971.

A space rock scene can be found in most countries sporting artists producing music with a western-oriented or influenced sound. Swedish bands are known for a brisk exchange of musicians among each other. The "Strange Daze" festivals from 1997-2000 showcased the American space rock scene. Japan is an inexhaustible reservoir of artists exploring both psychedelic progressivce rock and progressive space rock. Representative examples of the style are bands such as ORESUND SPACE COLLECTIVE with their focus on long grooving improvisations, QUARKSPACE and OZRIC TENTACLES with their stronger emphasis on electronic elements and VESPERO and HIDRIA SPACEFOLK with their inclusion of ethnic-originating musical components. Other groups like ESCAPADE and THE LEGENDARY PINK DOTS represent an avantgarde approach to the genre, whereas SUBARACHNOID SPACE and KINSKI are examples of artists that provide transitions to the post rock genre.


The boundaries of Psychedelic Progressive Rock connected with Stoner Rock and Acid Folk

The 1960's and 70's were a time of liberation, a time of rebellion against rigid rules and strict moral boundaries. In those "freedom of expression" days, an artist would typically herald their liberal attitudes as a mind-expanding trip on stage together with the audience in two ways. One was to realize audio/visually the visual and auditory hallucination as it was, and another was to play their repertoire spiritually and improvisationally under the trip. As for the latter approach, they devoted themselves solely to slow-to-mid tempo playing with low-tuned guitars in a heavy and expansive manner for playing steadily under this twilight condition. In the same time period, this approach to the musical trip was also taken on by some artists especially in the hard rock and heavy metal scene. This new style, drenched in heavy and downer psychedelia, was called "Stoner Rock". The name originates from the expression "stoned", referring to people in altered states of mind while under the influence of psychedelic substances. The Stoner Rock genre was universalized "as a strict musical style only" by the Industrial Grunge Rock genre that gained worldwide popularity in the early 1990s. The common denominator of all the artists mentioned is the representation of their personal cultural and political backgrounds, whilst playing slow-paced depressive songs with heavy guitars and echoic rumbling drums as the dominating features. Most of current outfits claiming to be the so-called Psychedelic Heavy Progressive Rock ones should be much influenced by the traditional Stoner or Grunge Rock as well as the early Psychedelic Progressive Rock. They can be considered as a borderline case between Psychedelic Progressive, Heavy Progressive, and Progressive Metal.

"Acid Folk" can be mentioned as another musical style with hallucinogenic approach. Psych Folk or Psychedelic Folk are other names for this genre, and is vaguely defined as a rock subgenre due to the mixture of folk rock and psychedelic rock. This is a style lacking in strict definitions, and it is contested whether or not the term was actually used at what is deemed the dawn of the genre. It's an undeniable fact that the Acid Folk scene gained some popularity by the efforts of artists in "The Folk Revivalism", but it's important to remember that there were two distinctly different approaches taken by those who helped shape the genre in the mid 1960's. Some folk singers approached a psychedelic rock structure as was popular at that time, while some psychedelic rock outfits tried to absorb and incorporate techniques and elements from folk rock. Both have great importance in the development of Acid Folk, and this may be the reason that strict definitions of the genre cannot be given. In view of the history, it's no exaggeration to claim that TYRANNOSAURUS REX, SYD BARRETT or THE INCREDIBLE STRING BAND in UK rock scene seasoned the "traditional" Acid Folk with a more progressive spice. They, as eccentric or heretical rock outfits, accepted and incorporated Middle-Eastern and Oriental elements or instruments, and the result was the foundation for the current progressive Acid Folk movement. And in the Eastern parts of the world, different acid streams was provided by artists such as TAJ MAHAL TRAVELLERS or MAGICAL POWER MAKO who exerted a great influence on younger progressive bands. Their amazing achievements resides in the twilight zone between the Prog Folk and Psychedelic Prog subgenres.


A path that never ends

In addition of the styles described, psychedelic elements can be found in many other genres of progressive rock. The psychedelic cultural explosion had an immense influence on the western popular culture, and traces of it can still be heard also outside of progressive rock circles. The collective techno rave parties carry on the legacy of the audiovisual attack from the PINK FLOYD concerts in 1968, to cite one example. As the psychedelic movement was a large cultural phenomenon, it is difficult (and maybe unnecessary) to fence it to a clear category. Psychedelic progressive rock has been developing towards several different directions over time, and the task of classifying them as distinct genres and sub-genres is an ever ongoing process, often loaded with strong opinions. The psychedelic rock artists which are not considered as progressive in style are not listed in the databse of www.Progarchives.com. This in order to maintain the site's scope to be a progressive rock reference.

The aim of this description is to be a tool of reference for potential and existing fans of the genre, and we hope that this will aid those who read it to a better understanding of the genre as well as to enjoy and discuss the subject at hand both in the forums of the Progarchives website as well as in other places online and offline both.


Psychedelic Rock / Space Rock team April 2010

Space rock definition by Rivertree
The boundaries of psychedelic progressive rock chapter by DamoXt7942
Other text by Eetu Pellonpää
with kind guidance and support by Windhawk



The responsibility for the psych/space, indo/raga, krautrock and prog electronic subgenres is taken by the PSIKE team,
currently consisting of
- Sheavy
- Meltdowner
- siLLy puPPy
- Rivertree



Psychedelic/Space Rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Psychedelic/Space Rock | More Top Prog lists and filters

4.62 | 3763 ratings
WISH YOU WERE HERE
Pink Floyd
4.60 | 3961 ratings
DARK SIDE OF THE MOON
Pink Floyd
4.52 | 3369 ratings
ANIMALS
Pink Floyd
4.30 | 2852 ratings
MEDDLE
Pink Floyd
4.22 | 962 ratings
OCEAN
Eloy
4.17 | 291 ratings
LEGACY
Hypnos 69
4.08 | 2702 ratings
THE WALL
Pink Floyd
4.10 | 601 ratings
WARRIOR ON THE EDGE OF TIME
Hawkwind
4.34 | 66 ratings
OBSOLETE
Hedayat, Dashiell
4.11 | 364 ratings
RITUAL
Nemrud
4.10 | 401 ratings
JURASSIC SHIFT
Ozric Tentacles
4.15 | 151 ratings
KINGSTON WALL II
Kingston Wall
4.06 | 521 ratings
A TAB IN THE OCEAN
Nektar
4.14 | 157 ratings
BY THE WATERS OF TOMORROW
Vespero
4.09 | 247 ratings
TOGETHER WE'RE STRANGER
No-Man
4.05 | 564 ratings
DAWN
Eloy
4.15 | 106 ratings
TAKO
Tako
4.14 | 113 ratings
PARALLEL WORLD
Far East Family Band
4.05 | 276 ratings
EVERYONE INTO POSITION
Oceansize
4.02 | 582 ratings
SILENT CRIES AND MIGHTY ECHOES
Eloy

Psychedelic/Space Rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Psychedelic/Space Rock experts team

PATAPHISICAL FREAK OUT MU!!
Acid Mothers Temple
A GIFT FOR YOUR DREAMS
Will-O-The-Wisp
BEHOLD AND SEE
Ultimate Spinach
LAST DAY OF SUN
Kalutaliksuak

Latest Psychedelic/Space Rock Music Reviews


 Föllakzoid by FÖLLAKZOID album cover Studio Album, 2009
4.00 | 5 ratings

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Föllakzoid
Föllakzoid Psychedelic/Space Rock

Review by Mellotron Storm
Prog Reviewer

4 stars Chile is my favourite South American country when it comes to adventerous music. I remember with fondness when I really delved into bands from this nation. And have you seen some of the scenery from this region, some of the most beautiful scenes in God's creation. FOLLAKZOID are a young 4 piece band who sort of stumbled into the style of music they now play. Having discovered Krautrock from the late sixties and early seventies it soon became their inspiration. The album cover recalls AMON DUUL II's debut somewhat and it is special. As much as I like this their debut from 2009 I understand the next two are even better, and I'm looking forward to hearing them both.

My favourite tracks of the five are the first two. "Sky Input I" opens with spacey synths before these motorik beats provide the backbone arriving a minute in. Such a trippy and contagious sound. Distant vocals pretty much repeat the same lines. They will come and go. A heavier sound after 3 1/2 minutes and when the vocals return they are more prominent. So good! Vocals stop again around 5 1/2 minutes and we get some distorted guitar here. Vocals are back and the tempo is faster until it calms right down after 7 minutes to end it.

"Sky Input II" is dark and trippy with picked guitar and a relaxed beat with bass. The guitar will become more aggressive and distorted as the sound becomes more powerful. This is much slower paced than the opener. It winds down late to end it. "El Humo" has some energy as drums and bass create an uptempo groove and guitar expressions arrive over top. Catchy stuff as the vocals join in. A heavy but melodic track with some excellent guitar.

"Loop" is another catchy tune with a heavy fuzzed out groove. Distant vocals join in as well. An experimental calm before 1 1/2 minutes then it kicks in again. Check it out at 2 1/2 minutes as the vocals step aside. Experimental with some unique guitar. Heavy and slow although some brief picked guitar 4 minutes in provides some light. It starts to wind down after 7 1/2 minutes but then kicks in again quickly to an uptempo groove with vocals.

"Directo Al Sol" opens with spacey sounds as loud drums beat and guitar expressions join in. Bass follows and I like the depth it provides. Heaviness just before 4 1/2 minutes and it's more uptempo with some almost extreme vocals surprisingly.

A modern take on Krautrock I suppose, very psychedelic regardless, and if your into these styles of music this is well worth checking out.

 Drosophila Road by POLYTOXICOMANE PHILHARMONIE album cover Studio Album, 2007
4.14 | 18 ratings

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Drosophila Road
Polytoxicomane Philharmonie Psychedelic/Space Rock

Review by Mellotron Storm
Prog Reviewer

4 stars This German band have released three albums in the 2000's and all three are incredible Psychedelic based albums with some jazzy motifs and experimental soundscapes. They have a great sense of humour as well and even released a couple of Zappa song covers on a singles recording called "Pot Rats". I adore their debut giving it 5 stars while this one and the followup "Go Ape" are both solid 4 star recordings. I do like this one more than "Go Ape" and it's a concept album about a fly named Ned. That's him on the cover, a fine looking fellow. We get male and female vocals in English and the male at times sounds like Captain Beefheart. A six piece band with sax, bass clarinet, melodica, electric piano and the usual instruments.

I had to laugh last night as I was taking notes while listening to the opener "Opinion" because it starts out with Ned buzzing around loudly and my cat suddenly is up on the counter seeking out that fly. We can hear a car start up and rev it's engine then drums take over before a minute as male vocals and bass clarinet enter the scene. Sax before 1 1/2 minutes as the vocals stop briefly. Guitar after 2 minutes and this all sounds so good. A calm after 2 1/2 minutes though then the sax and more returns but then some sampled words only after 3 minutes before the music with male vocals returns. A phone rings before 4 minutes then this doom-like soundscape takes over. Oh! Oh! Spoken high pitched words from Ned follow then some aggressive guitar before ending with sax, Ned, vocals and more.

"Mini Rock" is quite spacey to start before drums, sax, guitar and female vocals kick in, bass too. I like this a lot. Catchy stuff. Some excellent guitar before 1 1/2 minutes then samples and quivering male vocals take over. Those vocals will turn passionate. How good are the distorted keys, love that sound and it will return later. The sax is back along with the female vocals after 3 1/2 minutes along with some male vocal expressions in the background. There's those distorted keys again 5 minutes in as the sax and drums support. I like the instrumental section that follows and it goes on and on with guitar, bass and drums.

"Late Train To Casket Country" is a killer tune. Samples and experimental sounds to start out then check out the female chanting with snorking sounds(haha) and more. Where do they come up with this stuff? So cool. It's not until around 3 1/2 minutes that guitar, drums and samples take over as it kicks into a groove. Love that angular guitar and the bass 4 minutes in. Spoken female and male vocals trade off as the guitar grinds away. So good! It all stops before 6 minutes as this dark and mysterious soundscape takes over, casket country indeed. It turns experimental and haunting after that.

"Sotto Voce"is the longest tune at 14 1/2 minutes and it opens with a buzzing atmosphere before drums, sax and guitar take over. Female vocals after 1 1/2 minutes and check out the angular guitar 2 minutes in. Bass clarinet follows with female vocals and that relaxed beat. More sax then these gruff male vocals arrive. Female vocals are back around 3 1/2 minutes. Such a chilled start for the most part. That all changes after 4 minutes with those guitar expressions. A change 6 1/2 minutes in as the music stops and this dark atmosphere takes over. A beat rises out this at 9 minutes, sax too. More experimental sound and the guitar makes some noise after 11 1/2 minutes. Male vocals after 12 minutes. Sax and bass clarinet 13 minutes in as the vocals stop. Some laughter then guitar.

"The Mirrorman" is such a good closer. Atmosphere builds as a beat with sax and bass kicks in. So catchy! Some sampled spoken words before 2 minutes then the male vocals return. Grinding guitar before 3 minutes and I really like the percussion and guitar before 5 minutes. Just bobbing around to this. A calm before 6 1/2 minutes then spoken words and experimental sounds end it.

This is closer to 4.5 stars. I just love how adventerous this is and all those ideas. Great album!

 III by NAXATRAS album cover Studio Album, 2018
3.35 | 15 ratings

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III
Naxatras Psychedelic/Space Rock

Review by Windhawk
Special Collaborator Honorary Collaborator

3 stars Greek band NAXATRAS was formed back in 2012, and have been an active live and recording unit ever since. Besides numerous concerts both in their home nation and abroad, they have also released one single, one EP and three full length studio albums since their inception. "III" is the most recent of the latter, and was self-released by the bans in February 2018.

Vintage era psychedelic rock appears to be this band's specialty, with a wee bit of power trio aesthetics thrown into the blender for good measure. This latter aspect a secondary and supplemental one, but they do switch over to more of a hard rock expression here and there, even to the point of having a planned or accidental nod towards good, old Black Sabbath tucked into one of the songs here. But it is the psychedelic aspects that are dominant throughout.

This is a band that know and presumably love their vintage psychedelic rock. The play around with distorted licks and riffs, hovering distorted light tone overlays, reverbs and echoes aplenty and topping it up with liberal amounts of dreamladen, floating and elegant guitar solo sequences. Songs that ebb and flow and pulse and fluctuate in pace, intensity and arrangements, at times giving the impression that greater parts are improvisations built upon one or more core themes or foundations. While generally managing the transitions well and fluently, a slight annoyance is the band's tendency to use fake end points in many of their songs, usually in the second half, as a means to start over with the initial theme. But otherwise the songs flow nicely along, cleverly seguing from one phase into the next.

The band is best suited to instrumental efforts, and thankfully the grater majority of the songs here are either instrumental or close to being so. Their vocalist doesn't have a terrible voice, but it is on the weak side. In regular songs it isn't all that much of an issue, but in songs that demands a strong vocalist this aspect becomes detrimental, cue the concluding singer/songwriter oriented Spring Song. The band also plays around with distorted vocal effects on Prophet, perhaps to work their way around this aspect, but as far as I'm concerned such effects should be applied with a bit more care and subtlety than in this case.

As this is a mainly instrumental album, the vocals details is a minor point here however, and as far as the instrumental side of things goes this is a good and tight band. Not all the ideas are as good as the others, although this will most likely be a case of personal taste rather than objective quality. The band does cover a wee bit of ground though, with many songs focusing in on one particular aspect of the vintage era psychedelic rock of the guitar based and guitar driven variety. In terms of style, approach or effects applied.

If you love and treasure guitar driven psychedelic rock with a vintage era sound and expression and with a progressive orientation, Naxatras is a band that merits an inspection at some point. In particular if you enjoy ventures of this kind that focus on and are at their best when no vocals are applied.

 Noetics by NOETICS album cover Studio Album, 1999
4.00 | 1 ratings

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Noetics
Noetics Psychedelic/Space Rock

Review by wiz_d_kidd

— First review of this album —
4 stars Noetics is the first eponymous studio release of a five-piece instrumental band that formed in Germany in 1997. They refer to their genre as Neo-Krautrock, but their musical style has elements of psychedelic, space, stoner, electronica, and funky jazz. Frequent festival performers, their live shows have been said to transform the audience into a "collective dance hypnosis" with support from many guest musicians, fire and light shows, and tight improvisations.

Eight tracks comprise this album, totaling nearly 43 minutes of music. As of this review, the entire album can be downloaded for free from their website (via Bandcamp).

1 Styrophoam Peanuts: Booming bass lines throughout provide a backdrop for the increasingly evocative, and sometimes frenetic, melody provide by synth, sax and guitars. The piece overall has elements of the Ozrics, especially in the background synth bubbles and other embellishments.

2 Shroomin': You are greeted with an abundance of VCO chirps a la Dr. Space (Oresund Space Collective), after which the track breaks into a head-nodding, funky groove of bass and guitar vamping punctuated with occasional lead flourishes on sax and keys. Not especially high energy, but enough to make you stop talking and look up from your drink whilst at the club with your friends.

3 Phallus Fiction: Another bluesy/funky groove with standout keys, guitar, and sax leads.

4 D-Dope (Remix): Spacey synths of the Ozrics, but with an Art of Noise percussive background. Like many remixes, it bears little resemblance to the original (track 7). A little too repetitious and uninspiring, for my tastes. Not bad, mind you, just out of place compared to the feel of the rest of the album.

5 Solid Fluid: Standout sax work in the latter half is the key notable feature of this otherwise peppery sausage.

6 Wolfi's Dream: The first 2/3rds of this track features really dreamy, spacey didgeridoo work by guest musician Ansgar Stein. I'm carried away on a peyote-induced aborigine vision quest, if there is such a thing. The latter part of the track completely shifts gears into an up-tempo rhythm reminiscent of early Ozric Tentacles. Unfortunately, it woke me up from my Wolfi's Dream and dumped me into the middle of rush-hour traffic.

7 D-Dope: This piece should clearly stimulate your primary motor cortex. Turn it up loud, then groove to the funky bass lines and leads by sax and synth. I'm transported to stand-up front-row festival territory with this one. I can only imagine the live, improvisational riffs that the band cooks up for this number!

8 Shroomin' (Backflash Remix): To me, this track strongly reminds me of something by Art of Noise on "The Drum and Bass Collection". Somewhat minimalistic, the up-tempo percussion keeps the piece moving forward, while the bass line provides a good test of the low-end bass response of your audio system, especially if you want to see the window panes vibrating.

 Shum-Shir by VESPERO album cover Studio Album, 2017
4.05 | 16 ratings

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Shum-Shir
Vespero Psychedelic/Space Rock

Review by kev rowland
Special Collaborator Crossover Prog Team

4 stars Originally released digitally and on vinyl in 2017, this has now also been released on CD with some additional songs. This is the eighth full-length studio album by Russian band Vespero, and is the second in the 'Abyssinian Tales' series, following on from 2016's 'Lique Mekwas'. Apparently, 'shum-shir" is an ancient Ethiopian ceremony where every ten years the tribal elders and shamans would choose a new Nəgus' (King) for the entire tribe. This took the form of imbibing various drugs and dancing all night, and in the morning they would make the pronouncement. I continue to be impressed with the music coming out of Russia, and these guys are somewhat of a surprise to me as I felt I was fairly well informed, yet they have been around since 2003 and it is the first time I have come across them.

They are an instrumental outfit, with more than a hint of Ozric Tentacles about them, but the violin is more important than woodwind, and percussion more important than either. This is space rock, but they have also taken on many influences from world music and fusion, with the result being an album that is incredibly impressive and inviting, while also not conforming necessarily to what people may expect from the Russian music scene. I just continue to be impressed with the quality and variety of the music coming out from that particular part of the world, and this is yet another unknown (at least to me) outfit that demands further close inspection. Psychedelic, progressive, meandering yet with direction, this is an album that fans of bands such as Ozrics or Gong should be seeking out.

 Legacy by HYPNOS 69 album cover Studio Album, 2010
4.17 | 291 ratings

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Legacy
Hypnos 69 Psychedelic/Space Rock

Review by TenYearsAfter

4 stars My first musical encounter with this Belgian formation was during the interesting Dutch Symforce II Festival in 2008 (organized by Belgian proghead #1 John Bollenberg, unfortunately only 3 editions). Hypnos 69 presented their new (4th) album entitled The Eclectic Measure, in fact their final effort because the band was on the brink of calling it a day. But due to the many positive reactions on their performance and the sales from their albums during that Symforce II Festival, Hypnos 69 decided to continue making progrock and in 2009 the band released this album entitled Legacy. Unfortunately it turned out to be their swansong.

On this fifth CD Hypnos 69 starts with the epic Requiem - For A Dying Creed (around 18 minutes. First a fluent hrythm with sumptuous Hammond organ, fiery guitar runs and strong, a bit raw vocals. Then lots of shifting moods, including powerful saxophone and moving guitar with lush Mellotron. And finally a splendid conclusion featuring a Cry Baby wah-wah drenched guitar solo with awesome Mellotron violins, what a great start! Then five alternating tracks.

King Crimson inspired with propulsive guitar and saxophone in An Aerial Architect.

Dreamy with bluesy guitar and Hammond organ in My Journey To The Stars.

Psychedelic with majestic Mellotron choirs in The Sad Destiny We Lament.

Bombastic and pure rock with swinging saxophone and biting wah-wah guitar in The Empty Hourglass.

Pretty experimental with an avant-garde saxophone sound in Jerusalem.

And finally another epic composition entiled The Great Work (around 18 minutes), a lot happens.

Mellow with Mellotron violins and bluesy guitar to compelling bombastic with Hammond.

Captivating King Crimson-like interplay between Mellotron violins and propulsive electric guitar.

Along parts with flute and saxophone, very interesting but also a bit complex.

To me this album sounds in the vein of their previous effort, but a bit more adventurous, one to discover!

 From Above by SLEEPING PANDORA album cover Studio Album, 2018
4.00 | 1 ratings

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From Above
Sleeping Pandora Psychedelic/Space Rock

Review by BrufordFreak
Collaborator Honorary Collaborator

— First review of this album —
4 stars Awesome Space/Psychedelic music from Cosmic Fall member Mathias Rosmann. Great sonic textures, song constructions, and instrumental performances throughout. I haven't heard guitar-led psychedelic music this good in a long time.

1. "Shine" (10:52) powerful, diverse, richly layered, with very emotional guitar play. By far the best song on the album. (10/10)

2. "'berschall" (12:18) a more slowed down though continuous soundscape and flow from the previous song. The guitar here is far more bluesy, the bass line a little monotonous. At the end of the sixth minute a kind of Berlin School sequence enters bringing a cool new feel and speed. The heavily-echoed guitar starts getting cooler. At the eight-minute mark some instrumental sounds drop out, creating a more spacious backdrop over which keyboard- synth sequence and computer cymbal play support the screams of the echoed electric guitar. (8/10)

3. "Danube Wave" (11:12) opens with synth wash background, fast-throbbing single-note bass and "hi-hat" lines with MIKE OLDFIELD "Incantations"-like "glass" vibes playing over the top. Wah-ed electric guitar lead supplants the vibes in the second minute as "drum" support increases. At the three minute mark the glass vibes rejoin for a bit, then we're back to electric guitar soloing over the synthesized rhythm section. I must admit that the guitar lead is doing nothing for me; I'm much more interested in the movements in the synthetic background (synth washes, vibes, bass, drums). The guitar begins playing with more percussive echo effects in the sixth and seventh minutes while background drops out. At 7:00 we return to drum-base while guitar resumes soloing, now with that heavy echo interplaying with the wah. The solo actually gains traction and an enjoyable melody line while reminding me of the Randy Bachman solo in "Blue Collar." Nice. (8.5/10)

4. "Cascades" (12:07) a gentle prog electronic foundation opens this song before heavily-effected electric guitar steps in to take on the lead. Very engaging, hypnotic musical base. Things quiet down in the sixth minute so that smooth industrial synth sounds can have a turn while floaty electric piano plays gently from behind the wings (L). Nice section. When the soundscape begins to refill, it is with an insidious force led by guitar and later joined by bass and drums. Guitar soloing ventures into lower octaves in the tenth minute as spacey foundation trudges along. Long, interesting, echo-y two minute deconstruction and "fade out." (9/10)

5. "Going Back" (9:12) opens with a slow but constant two-chord keyboard progression before twangy-electric guitar lead and synth effects join in. The guitar is fairly bare though heavily echoed (as usual) and, shortly, wah pedaled. Those first three minutes were surprisingly boring. A shift into a higher octave refreshes but ultimately fails to save the first half of this song from the realm of "future skip overs." Some subtle sound additions and shifts in the fifth and sixth minutes help, and then when the guitar disappears for a while the syth work and drum sounds are afforded more attention. Guitar returns at 7:00, played much more slowly, each single- or dual-note gaining independent attention. In the end, this is a forgettable song. (7/10)

6. "Space Lane" (11:16) opens with quite familiar Berlin School sounds and constructs before near-Euro-disco bass line and standard drum lines support the searing electric guitar soloing. The soundscape thins in the fifth minute as the bass drops out, isolating the guitar more, but it's not till the 5:20 mark that the guitar really begins to bring it in terms of intensity and emotion. And, at nearly the same time, the rest of the original Euro-disco sounds return, both amplifying and diminishing the guitar's possible effect. Still, we're learning that Mathais' real strength is in his searing, emotional guitar play. Another break from bass and drums at the 8-minute mark, but then the dance floors are made happy again less than 30 seconds later. Nice guitar work/riffs in the final 90 seconds. (9/10)

7. "Beach" (11:27) opens with a striking New Age feel to it--even the sound and style of play used for the lead guitar bespeaks "New Age." A littel more house oriented in the middle section, but I have to admit that by this point in the album I'm getting a little tired of the "Blue Collar" guitar sound. A few nice dynamic shifts disrupt the tedium and give the listener breathing space, a chance for renewed perspective, but ultimately this song needs something more. (8.5/10)

Four stars; a nice contribution to the prog electronic/space music style and an excellent addition to any prog rocker's music collection.

 Covers Volume I by GRACE, CARY album cover Boxset/Compilation, 2018
3.00 | 1 ratings

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Covers Volume I
Cary Grace Psychedelic/Space Rock

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

— First review of this album —
3 stars As a musician and composer you are inspired by other acts of course. And you surely will have a preference on diverse songs in the same way, frequently related to special experiences in everyday life most likely. What sooner or later may lead on to the idea, or even obsession maybe, to re-interprete them according to your taste. Be it just for fun, as a contribution to a gig, sampler or vinyl-only single, or whatever. So now here we have a (first = Volume I) collection of rarities, recorded by Cary Grace over the last decade. This in cooperation with diverse musicians she has been, respectively still is recording as well as playing on live performances with her band. First and foremost to name Andy Budge (bass) and drummer David Payne.

Finally that makes a very personal crossover of rock songs from Bowie to Pink Floyd, Cream to Amon Düül 2 and so on. A singer/songwriter who is focussed on psychedelic space rock, I would say this is not a common affair really. This description relates to her albums in general, and 'Covers Volume I' won't be an exception. Although every track bears some recall value, it sounds different in the same way, sometimes more, sometimes less. For instance, you've got it, quite obvious, a female voice is dominating here. By example Bowie's Black Country Rock or Tales Of Brave Ulysses have turned out very well. Every piece is provided with finesse, worked out with care, taken for granted. This is a really nice collection, culminating into the extended album highlight Fat Old Sun, which shows her preferences quite well. 3.5 stars.

 The Weirding by ASTRA album cover Studio Album, 2009
3.89 | 290 ratings

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The Weirding
Astra Psychedelic/Space Rock

Review by TenYearsAfter

3 stars Five piece band Astra was founded in 2001 under the name Silver Sunshine. In 2004 they released their eponymous debut album on Empyrean Records, followed by the EP entitled A Small Pocket of Pure Spirit in 2005 on the same label. With the departure of original Silver Sunshine drummer Iain Andrew Sclater and the joining of new drummer/multi-instrumentalist David Hurley in 2006, their sound and direction has evolved and grown. At that moment the band not only decided to change their name (into Astra) but also their sound and line-up (new guitarist), Astra now features: Richard Vaughan (guitar, Mellotron and vocals), Conor Riley (guitar, Mellotron, ARP Odyssey synthesizer, organ and vocals), Stuart Sclater (bass guitar), David Hurley (drums, flute and various noisemakers) and Brian Ellis (guitar and Moog synthesizer). In May 2009 Astra released their debut full length album entitled The Weirding on Rise Above Records and a tour in the USA and Europe is one of their future plans.

In fact Astra their music is simply structured, to me most of the eight compositions even sound like extended jam- sessions: the musicians let the three guitars and the vintage keyboards speak, this makes listening to The Weirding to a very compelling musical experience, often I am carried away to Space Rock Heaven! The special element in Astra their sound is the fact that all of the three guitarists play vintage keyboards, we can even enjoy a double-Mellotron sound. Especially in the two epics The Weirding (first brass ? and violin section and in the end brass ? and flute section) and Ouroboros (lots of violin ? and choir-sections sounds). The interplay between the distinctive sound of the Mellotrons and the moving work on the guitars evoked many times goose bumps! The final composition Beyond To Slight The Maze delivers exciting work on Mellotron (again), Moog and especially the Hammond organ. This culminates in a breathtaking grand finale with majestic choir-Mellotron, soaring Hammond organ and fat Moog synthesizer flights, what a mighty musical experience! The short song Broken Glass is a bit of a maverick because of the acoustic guitars, beautifully blended with warm vocals and the sound of the flute ? and violin section of the Mellotron. But in general the atmospheres shift from dreamy and spacey to bombastic and from slow and hypnotizing rhythms to heavy eruptions. Often early Pink Floyd (Pompeii-Meddle era), Seventies German Progrock (melodic and emotional) and some Black Sabbath (vocals and heavy rhythm-section, mainly in the titletrack) come to my mind.

Recommended to Tron-Maniacs and space rock freaks, my rating: 3,5 star.

 Nocturnal Transmission by BROTHERHOOD OF THE MACHINE album cover Singles/EPs/Fan Club/Promo, 2016
4.00 | 1 ratings

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Nocturnal Transmission
Brotherhood Of The Machine Psychedelic/Space Rock

Review by Mellotron Storm
Prog Reviewer

— First review of this album —
4 stars "Nocturnal Transmission" is a 31 minute EP from these Electronic wizards from the UK. Hopefully they are getting better weather than we are here in Ontario. I've never seen schools closed and buses cancelled this late in April before. I'm home because I was stuck in my driveway. This is their latest EP and one that has really impressed me over the last month or so. I like the variety on this one as well.

"Nocturnal Transmissions" opens with faint sounds then we can hear a phone ringing before the sax arrives in atmosphere. This continues throughout and it works. "Deus Ex Machina" features the sound of seagulls and waves as electronics arrives and buzzes away and synths sweep in over top. The synths stop as the tempo picks up and drums join in. The synths are back. Great sounding track.

"Ketamine Dream Machine" opens with growling synths and windy sounds that blow across the soundscape. Some dissonant sax too comes in over top. A change before 3 minutes as the sax leaves and electronics, synths and drums lead the way. It's kind of catchy after 4 minutes with the beats and growly synths.

"Aurora" is the longest track at 10 1/2 minutes. It's kind of eerie sounding and dark throughout. It settles back after 5 1/2 minutes but it's still haunting as we get percussion and atmosphere. Love the choir-like sounds 7 1/2 minutes in. "Blues For Pluto" starts out with spacey winds before piano and atmosphere take over. I like this it's different. Drums join in as well. Quite the moving piece for me.

A solid 4 stars and a great place to start if you want to check out their sound. Better yet, their album "Trip Hazard" is an incredible recording.

Data cached

Psychedelic/Space Rock bands/artists list

Bands/Artists Country
ÄLGARNAS TRÄDGÅRD Sweden
3 LEAFS United States
35007 Netherlands
3RD EAR EXPERIENCE Multi-National
THE 4 LEVELS OF EXISTENCE Greece
ABUNAI! United States
ACID FLORIANI Russia
ACID MOTHERS TEMPLE Japan
AD'ABSURDUM Switzerland
ADDICTHEAD Switzerland
AGAMEMNON Switzerland
AGUSA Sweden
AHKMED Australia
AHORA MAZDA Netherlands
AKASHA Norway
ALAMEDA 5 Poland
ALASEHIR United States
ALEX DELIVERY United States
ALHAMBRA Italy
ALICE France
ALIEN PLANETSCAPES United States
ALIENTAR United States
ALITHIA Australia
ALMUADEM Portugal
ALPHA NORD Germany
ALPHA OMEGA Australia
ALRUNE ROD Denmark
AME SON France
AMONULLUNOMA Ireland
THE AMORPHOUS ANDROGYNOUS United Kingdom
AMPACITY Poland
AMPLIFIER United Kingdom
ANALOGY Italy
ANDROMEDA SPACE RITUAL Poland
ANGEL'IN HEAVY SYRUP Japan
ANNOT RHÜL Norway
ANONIMA SOUND LTD. Italy
ANTA United Kingdom
ANTLERS United States
DADDY ANTOGNA Y LOS DE HELIO Argentina
ANUBIAN LIGHTS United States
APHODYL Germany
APPALACHIAN TRANSLATOR United States
APRYL FOOL Japan
APTEKA Poland
AQUA NEBULA OSCILLATOR France
AQUANAUT Australia
AQUASERGE France
AQUELARRE Argentina
ARCADIUM United Kingdom
ARCHITECTURAL METAPHOR United States
ARILYN Germany
ARZACHEL United Kingdom
ASSEMBLE HEAD IN SUNBURST SOUND United States
ASTRA United States
ASTRAL SON Netherlands
ASTRALIA Italy
ASTRODOME Portugal
ATAVISM OF TWILIGHT United States
ATAVISMO Spain
ATAXIA United States
ATHENE NOCTUA Italy
ATLETA Spain
ATOMIC SIMAO Ukraine
AURORIS United Kingdom
AVARUUSKORPRAALI PAHA HIRVI Finland
AXE United Kingdom
AYAHUASCA DARK TRIP Multi-National
AYERMANIANA Argentina
BABILS Belgium
BABY GRANDMOTHERS Sweden
BACHDENKEL United Kingdom
BACKSTREET ROMEOS Germany
BAIKAL United States
BAND OF RAIN United Kingdom
BARDO POND United States
BARN OWL United States
BARRETT ELMORE Sweden
BARROWS United States
MASAKI BATOH Japan
BËIRUTH Spain
BEYOND-O-MATIC United States
BIG RED PANDA Portugal
BLACK BOMBAIM Portugal
BLACK LIGHT SECRET United Kingdom
THE BLACK NOODLE PROJECT France
BLACK SCIENCE United States
BLAND BLADEN Sweden
BLIM United Kingdom
BLONDE ON BLONDE United Kingdom
BLUE PHANTOM Italy
BOAT BURNING United States
BOSQUES Argentina
CHRISTIAN BOULÉ France
BRAINSTORM Australia
BREMEN Sweden
DAVE BROCK United Kingdom
BROTHERHOOD OF THE MACHINE United Kingdom
BROWN SPIRITS Australia
ARTHUR BROWN'S KINGDOM COME United Kingdom
BUHO ERMITANO Peru
BURNT NOODLE United States
ROBERT CALVERT South Africa
CAMEL United Kingdom
CANTERBURY GLASS United Kingdom
CAPITAL SENTIMENTAL Netherlands
CARLTON MELTON United States
THE CARPET KNIGHTS Sweden
CARRÉ.LADICH.MARCHAL Multi-National
CATHARSIS France
CATS ON THE ROOF Ukraine
CAULDRON Sweden
CAUSA SUI Denmark
CAVE United States
CENTRIC JONES United States
LES CHAMPIGNONS Canada
CHARLIE & ESDOR Sweden
CHICKENCAGE EXPERIENCE Germany
CHILLIWACK Canada
CHIMERA United Kingdom
CHROMA KEY United States
CHROMIUM HAWK MACHINE United States
CIOLKOWSKA Russia
CIRCLE Finland
CIRCUS 2000 Italy
COBALT BLUE Brazil
COBRA FAMILY PICNIC United States
COCK C'NELL Japan
COLD SUN United States
COLORSTAR Hungary
COLSTER Italy
COMA STEREO Slovenia
COMETS ON FIRE United States
LA COMPAGNIA DIGITALE Italy
O CORVO MUDO Portugal
COSARARA Italy
LAS COSAS Argentina
THE COSMIC DEAD United Kingdom
COSMIC FALL Germany
COSMIC TRIGGERS Russia
COSMIC TRIP MACHINE Belgium
COSMONAUTTRANSFER United Kingdom
COSMOS FACTORY Japan
CRANIUM PIE United Kingdom
CRIPPLED BLACK PHOENIX United Kingdom
CRONOMAD Mexico
CROW United Kingdom
CRUMBLING GHOST United Kingdom
CUCUMBER FARMER Finland
CUZO Spain
D SOUND Hungary
D'ARCANA United States
DARK BUDDHA RISING Finland
DARK SUN Finland
DARXTAR Sweden
DASPUTNIK Finland
DATETENRYU Japan
ALAN DAVEY United Kingdom
DAY OF PHOENIX Denmark
DAY SHIFT United Kingdom
DE CRONOPIOS Argentina
DEAD MEADOW United States
DEAD SEA APES United Kingdom
DEAF SCENE United States
DEEP SPACE DESTRUCTORS Finland
DEIGEN Japan
DHVANI Italy
EL DIABLO Mexico
DOMO Spain
THE DOPPELGÄNGERS United States
DOWNLOUDERS Italy
DR HASBEEN United Kingdom
DR. TOTEM Mexico
DRAGONTEARS Denmark
DRAGONWYCK United States
DRAHK VON TRIP Sweden
DREAM MACHINE United Kingdom
DRUNKEN GUNMEN Australia
DUNGEN Sweden
DUNST Germany
THE EARLIES Multi-National
EARTHLESS United States
EARTHLING SOCIETY United Kingdom
EASTERN SYNDROME Russia
EATING.SEATS Italy
ECHOLOT Switzerland
ECSTATIC VISION United States
EDEN ROSE France
EDGAR'S HAIR Netherlands
EGO ON THE ROCKS Germany
THE EGOCENTRICS Romania
EGYPTIAN KINGS Portugal
EIDETIC SEEING United States
EKOS Mexico
EKTROVERDE Finland
ELECTRIC EYE Norway
ELECTRIC MOON Germany
ELEVATOR Canada
BRIAN ELLIS United States
ELMER GANTRY'S VELVET OPERA United Kingdom
ELOY Germany
AN EMERALD CITY Multi-National
THE ENTRANCE BAND United States
EQUATIONS Portugal
ESCAPADE United States
ETER-K Peru
ETERNAL TAPESTRY United States
ETHIVA Spain
EVEL GAZEBOW United Kingdom
EYE United States
F/I United States
THE FACEDANCERS United States
FAIRUZ DERIN BULUT Turkey
FALSOS CONEJOS Argentina
FANTASY United States
FAR EAST FAMILY BAND Japan
FAR OUT Japan
FARFLUNG United States
MICK FARREN United Kingdom
FIFTY FOOT HOSE United States
FIRECLAN United States
FIRST BAND FROM OUTER SPACE Sweden
FISH EYE LENS United States
FJODOR Croatia
FLEUR DE LIS Denmark
FLOORIAN United States
THE FLOW Greece
FLOWER TRAVELLIN' BAND Japan
FLOWERS MUST DIE Sweden
FÖLLAKZOID Chile
FONYA United States
FOOD BRAIN Japan
FORCE MAJEURE Hungary
FRAKTAL Argentina
FROGGIE BEAVER United States
FROLIC FROTH Mexico
FROM GROTTO Finland
FROZEN GEESE United Kingdom
FUNGAL ABYSS United States
THE FUTURE KINGS OF ENGLAND United Kingdom
GALACTICKA Finland
GALÁPAGOS Argentina
THE GATE TO ALPHA CENTAURI United Kingdom
GDEVA Russia
GHOST Japan
THE GIANT HOGWEED ORCHESTRA Finland
GLOSSOLALIA Multi-National
GO-NEKO! Argentina
GOAT Sweden
ALAIN GORAGUER France
CARY GRACE United Kingdom
GRAILS United States
GREEN MILK FROM THE PLANET ORANGE Japan
GREY MOUSE Russia
GREYLEVEL Canada
GROUP 1850 Netherlands
GROWING SEEDS Germany
GUILD NAVIGATORS United States
GURU & ZERO United Kingdom
HADAL SHERPA Finland
HANADENSHA Japan
HANDLINGNOISE Finland
HANDWRIST Portugal
HASH JAR TEMPO Multi-National
HAUNTED LEATHER United States
HAWKWIND United Kingdom
A HEADFULL OF MONSTERS United Kingdom
THE HEADS United Kingdom
HEAVY WATER EXPERIMENTS United States
DASHIELL HEDAYAT France
HELLBENDER United States
HEPTAGRAM Bulgaria
HERBCRAFT United States
HERE & NOW United Kingdom
HERU AVENGER United States
HIDRIA SPACEFOLK Finland
HIGH DEPENDENCY UNIT New Zealand
HILLS Sweden
HIMMELLEGEME Norway
HISKO DETRIA Finland
HOLLOW MIRRORS United States
HOLY RIVER FAMILY BAND Sweden
HONDURAS LIBREGRUPO Argentina
HOTEL WRECKING CITY TRADERS Australia
HOUSE OF NOT Canada
HOWLIN' MAGIC United States
HUMAN FACTOR Russia
HUMANOID Canada
HUMINOITA Finland
HUMUS Mexico
HUNDOS United States
HYPNOS 69 Belgium
I.E.M. United Kingdom
ICI MAINTENANTS United Kingdom
ID United States
IGRA STAKLENIH PERLI Yugoslavia
IKIHEVONEN Finland
DJORDJE ILIJIN Yugoslavia
IMANISSIMO Indonesia
IN A NUTSHELL Russia
IN ZAIRE Italy
INCANDESCENT SKY United States
INOMATA TAKESHI & SOUND L.T.D. Japan
INSIDER Italy
INSTANT FLIGHT Multi-National
INTERKOSMOS Austria
INTERNATIONAL HARVESTER Sweden
THE INVISIBLE BAND! United Kingdom
INVISIBLE OPERA COMPANY OF TIBET (BRAZIL) Brazil
ION QUEST United States
LA IRA DE DIOS Peru
IT'S NOT NIGHT: IT'S SPACE United States
IVORY Germany
IXTHULUH Austria
J. A. CAESAR Japan
JACKO WACKO Peru
JACKS Japan
ANDY JACKSON United Kingdom
JADE France
JADE WARRIOR United Kingdom
THE JELLY JAM United States
JESUS WITH ME United States
JOY HEIGHTS Japan
JUKE France
JUUDAS ISKARIOTIN SUUDELMA Finland
KAARNA Finland
KALUTALIKSUAK Russia
KANZEON Japan
KARABA Germany
KARAKORUM Germany
KARMA CANON United States
KARMIC SOCIETY Germany
KARUNA KHYAL Japan
KAULA SPANDA Russia
ROSE KEMP United Kingdom
PAUL KIDNEY EXPERIENCE Australia
KIKAGAKU MOYO Japan
KIKI PAU Finland
KILL FOR TOTAL PEACE France
KILLFLAVOUR Germany
KING SUFFY GENERATOR Italy
KINGBATHMAT United Kingdom
KINGSTON WALL Finland
KINSKI United States
KIRKBINSINEK Turkey
KIRUNA Norway
KLAR Czech Republic
KNALL Germany
PASI KOIVU Finland
KORAI ÖRÖM Hungary
ERKIN KORAY Turkey
KOSMOS Canada
KOUSOKUYA Japan
KOZMIC MUFFIN Spain
KRAUTZONE Germany
KREL United Kingdom
KROM LEK United Kingdom
KUNGENS MÄN Sweden
KUNI KAWACHI TO KARE NO TOMODACHI Japan
KVASAR Spain
LA OTRACINA United States
LAGHONIA Peru
LAMAGAIA Sweden
LANA LEE Spain
LANDING United States
LANDS END United States
LAVA Sweden
LAY LLAMAS Italy
LE MUR Germany
THE LEGENDARY PINK DOTS United Kingdom
LEMMUS LEMMUS Israel
LEMONADE INFLUENCE Greece
SELIM LEMOUCHI AND HIS ENEMIES Netherlands
LENIN Argentina
LENINGRAD BLUES MACHINE Japan
LES LEKIN Austria
LES RALLIZES DENUDES Japan
LIQUID ORBIT Germany
LIQUID SOUND COMPANY United States
LIQUID VISIONS Germany
LIQUIDO DI MORTE Italy
LITMUS United Kingdom
LIZARDS EXIST Croatia
LOCH NESS Mexico
LONDON UNDERGROUND Italy
THE LONGEST DAY Australia
LOOP United Kingdom
LORDFISH Costa Rica
LOVE LIVE LIFE + ONE Japan
LOVE MACHINE Germany
LUBIANKA Spain
LÜGER Spain
LUMERIANS United States
LUNAR DUNES United Kingdom
MAAT LANDER Russia
THE MACHINE Netherlands
MACONDO Peru
MADEMOISELLE MARQUEE United Kingdom
MICHEL MADORE Canada
MAGIC LANTERN United States
MAGIC MUSCLE United Kingdom
MAGICAL POWER MAKO Japan
MAGNOG United States
MAINLINER Japan
MAJUTSU NO NIWA Japan
MAMMAL MACHINE Japan
MAMMATUS United States
MAN United Kingdom
MANBURGER SURGICAL United States
THE MANDRAKE MEMORIAL United States
MANTA RAY Spain
MANTRIC MUSE Denmark
MAPPE NOOTICHE Italy
KEVIN MAPPLEBECK United States
MARBLE SHEEP Japan
MARGIN Germany
ALAIN MARKUSFELD France
MARS EVERYWHERE United States
MARS RED SKY France
MARY NEWSLETTER Italy
MÁSFÉL Hungary
MASTER MUSICIANS OF BUKKAKE United States
MATUSHKA Russia
MECHANIK Spain
MELTING EUPHORIA United States
MERKABAH Poland
MESS Estonia
MESSAGE Germany
MIDDAY VEIL United States
MIDNIGHT ZOMBIE ALLIGATOR Spain
MIJA United States
MILES FROM PANGAEA United States
MILO BLACK United Kingdom
MIND! Spain
MISTY MOUNTAIN FOUNDATION Finland
MOBY TRIP New Zealand
MOHODISCO United States
MOLECULE France
MONDO DRAG United States
MONKEY3 Switzerland
MONOMYTH Netherlands
MOOCH United Kingdom
MOON DUO United States
MOON FOG PROPHET Finland
MOON PHANTOMS Multi-National
MOONWAGON Finland
THE MOOR Sweden
MOTHER DUST Germany
MOTHER GONG United Kingdom
MOTHER OF FIRE United States
MOTHER-UNIT Netherlands
MOTHERSHIP United States
THE MOVEMENTS Sweden
MR QUIMBY'S BEARD United Kingdom
MUGSTAR United Kingdom
MUSHGOONS Italy
MUSHROOM United States
MUSHROOM GIANT Australia
MUSIC EMPORIUM United States
OS MUTANTES Brazil
MY BROTHER THE WIND Sweden
MY SLEEPING KARMA Germany
MYRIAD Australia
THE MYRRORS United States
MYTHIC SUNSHIP Denmark
NAAM United States
NAKED ELF United States
NANGYALA Netherlands
NAPATISTA United States
THE NARCOTIC DAFFODILS Belgium
LOS NATAS Argentina
NAXATRAS Greece
NAZCA SPACE FOX Germany
NEGATIVE ZONE France
NEKTAR United Kingdom
NEMRUD Turkey
GIORGIO C. NERI Italy
THE NIGHT SEA United States
NIMBUS Finland
NNECRA PACKE France
NO MAN'S LAND Greece
NO-MAN United Kingdom
NODENS ICTUS United Kingdom
NOETICS Germany
NOPE United Kingdom
NOSOUND Italy
NOSTRADAMUS THE TANK ENGINE United States
NUDITY United States
NUKLI United Kingdom
NUMINOUS EYE United States
NYL France
OATS United States
OBSKURIA Multi-National
OC FEEF United States
OCEANSIZE United Kingdom
OCTAVIO SENDERO Argentina
OCTOPUS United Kingdom
OCTOPUS Germany
OCTOPUS SYNG Finland
OHEAD United Kingdom
OKTA LOGUE Germany
OLE LUKKOYE Russia
OMEGA Hungary
OMENOPUS United Kingdom
OMNIA OPERA United Kingdom
ONE OF THESE DAYS & THEE HEAVY RANDOM TONE COLOUR LAB Spain
ONE SWITCH TO COLLISION Multi-National
ONEIDA United States
ORANGE SHADING STARLIGHT Italy
ORANZADA Poland
ØRESUND SPACE COLLECTIVE Multi-National
ORGANIC IS ORGASMIC Russia
ORION TANGO United States
ORION'S BEETHOVEN Argentina
THE OSCILLATION United Kingdom
OSIRIS THE REBIRTH United Kingdom
OULU SPACE JAM COLLECTIVE Finland
THE OUTERSPACE MILKMEN Multi-National
THE OVALS Australia
OXHUITZA Italy
OZRIC TENTACLES United Kingdom
TA PAICHNIDIA TOU ILIOU Greece
THE PANCAKES Germany
PANTA REI Sweden
PAPIR Denmark
PARADISE 9 United Kingdom
PARADOX United Kingdom
PARADOX ONE United Kingdom
PARALLEL OR 90 DEGREES United Kingdom
EL PÁRAMO Spain
PAVALLION Germany
PÉLOQUIN-SAUVAGEAU Canada
PEOPLE Japan
PEOPLE OF THE NORTH United States
PERIZONA EXPERIMENT Italy
PHARAOH OVERLORD Finland
PHLOX Malaysia
PILOTOCOPILOTO Peru
PINK FLOYD United Kingdom
LA PIRAMIDE DI SANGUE Italy
PLANK United Kingdom
PLASTIC OVERLORDS United States
PLJ BAND Greece
POLSKA RADIO ONE Russia
POLTERGEIST United Kingdom
POLYPHONY United States
POLYTOXICOMANE PHILHARMONIE Germany
POND Australia
POSEIDON Germany
PRE-MED United Kingdom
PRIMORDIAL UNDERMIND United States
PRISMA Germany
PROFESSOR TIP TOP Norway
PROJECT MOONBEAM United States
PSEUDO SUN Sweden
PSI CORPS Russia
PSYCHATRONE RHONEDAKK United States
PSYCHE BUGYO Japan
PSYCHEDELIC SUN'S Finland
PSYCHEDELIC WARRIORS United Kingdom
PSYCHIC ILLS United States
PSYCHIC LEMON United Kingdom
THE PSYCHIC PARAMOUNT United States
PUBLIC FOOT THE ROMAN United Kingdom
PURPLE OVERDOSE Greece
PUSSY United Kingdom
PYRAMIDAL Spain
PYRAMIDION United Kingdom
QOPH Sweden
QUANTUM FANTAY Belgium
QUARKSPACE United States
QUEEN ELEPHANTINE United States
RA CAN ROW United States
RÅD KJETIL AND THE LOVING EYE OF GOD Sweden
RADAR MEN FROM THE MOON Netherlands
RADIOMOBEL Sweden
RAGNAROK New Zealand
MARCO RAGNI Italy
RAINY SEASON Russia
RAPTOR KONRAD Czech Republic
RARA AVIS IN TERRIS France
RASASOUND Hungary
RAVEN SAD Italy
THE RE-STONED Russia
REALEAF Israel
RED SUN Italy
THE RENDLESHAM FOREST INCIDENT United States
THE RESONANCE ASSOCIATION United Kingdom
RHYTON United States
CATHERINE RIBEIRO & ALPES France
RINSE. REPEAT. United States
ROBB & POTT Multi-National
RODOTOTOED Mexico
ROOT United Kingdom
THE ROOTS OF ECHO Sweden
ANDREW DOUGLAS ROTHBARD United States
ROTOR Germany
ROVO Japan
RYODAN Japan
SALMA GANDHI Sweden
SAMSARA BLUES EXPERIMENT Germany
SAPAT United States
SATURNALIA United Kingdom
SAUNABADH Finland
SAVANNA Portugal
SCARED BUNNY Canada
SCARLET UTOPIA Germany
SCHWARZ Spain
SECOND HAND United Kingdom
THE SECRET MACHINES United States
SECRET SAUCER United States
SEHNSUCHT Russia
SEID Norway
SEMENTE Brazil
SEMI Japan
SENDELICA United Kingdom
SENSATIONS' FIX Italy
SENTIENT United Kingdom
SEPSIS Russia
SERPENTINA SATELITE Peru
SEVEN PERCENT SOLUTION United States
SEVEN THAT SPELLS Croatia
SF Japan
SH'MANTRA Australia
SHAMAN ELEPHANT Norway
SHATTER PROJECKT / SHATTER PROJECT United States
SHINKI CHEN & FRIENDS Japan
SHIP OF FOOLS United Kingdom
SHUTTAH United Kingdom
SIDDHARTHA Turkey
SIGNAL TO NOISE RATIO Poland
SILAS NEPTUNE United States
SIMILAR Puerto Rico
SISTRA Italy
SIX ORGANS OF ADMITTANCE United States
SKY PICNIC United States
SLEEPIN PILLOW Greece
SLEEPING PANDORA Germany
SLEEPY SUN United States
SLOW RIDE HOME Ukraine
SMOKING SPORE United States
SNC Italy
SNOVI Croatia
SOLAR CORONA Portugal
SOLAR GLORY United States
SOLAR PROJECT Germany
SOM IMAGINÁRIO Brazil
SOMA United Kingdom
SONAR Hungary
SONIC BOOM United Kingdom
THE SONIC SHAMEN United Kingdom
SONORA Russia
SONTAAG United Kingdom
SOPHIES'S EARTHQUAKE Germany
SOUNDARCADE Latvia
SPACE DEBRIS Germany
SPACE INVADERS Germany
SPACE MIRRORS Multi-National
SPACE MUSHROOM FUZZ United States
SPACE RITUAL United Kingdom
THE SPACE SPECTRUM Germany
SPACEHEAD United Kingdom
THE SPACELORDS Germany
SPACEMEN 3 United Kingdom
SPACESEED United States
THE SPACIOUS MIND Sweden
SPATIAL MOODS Peru
SPECIMEN 37 United States
SPEED; GLUE AND SHINKI Japan
SPIRAL United States
SPIRAL REALMS United Kingdom
SPIRALMAZE Greece
SPIRIT OF THE MATTER France
SPIRITS BURNING Multi-National
THE SPIRITS OF THE EARTH United Kingdom
SPONTANEOUS COMBUSTION United Kingdom
SQUADRA OMEGA Italy
SRI AUROBINDO United States
ST 37 United States
ST MIKAEL Sweden
STAIRCASES United States
THE STARS Japan
STARVING DAUGHTERS United States
STEEO Italy
STEREOKIMONO Italy
STREETMARK Germany
STROBE United Kingdom
STUPID COSMONAUT United Kingdom
SUBARACHNOID SPACE United States
SÜDSTERN 44 Germany
SUISHOU NO FUNE Japan
SULA BASSANA Germany
THE SUN BLINDNESS Australia
SUN DIAL United Kingdom
SUNBURNED HAND OF THE MAN United States
SUNFOREST United Kingdom
SUNGRAZER Netherlands
SUNRISE SUNSET PROJECT Russia
SUNSET OF RA Greece
SUUK Estonia
SVARTBAG Denmark
SWEDENBORG RAUM Germany
SWEET SMOKE United States
THE SYN United Kingdom
SYSTEMS THEORY United States
TABOO STU United States
TAIPUVA LUOTISUORA Finland
TAJ-MAHAL TRAVELLERS Japan
TAKO Yugoslavia
TANGLE EDGE Norway
TANNED LEATHER Germany
TANTRA Argentina
TASHA-YAR United States
JAY TAUSIG United States
TEETH OF THE SEA United Kingdom
TEMPLE OF THE SMOKE Serbia
TEMPLES Finland
TERMINAL LOVERS United States
TESTET ÖLT Multi-National
THE BAND WHOSE NAME IS A SYMBOL Canada
THE FORMLESS FORM United States
THE INFINITE TRIP United Kingdom
THINK FLOYD United Kingdom
THTX United States
TIA CARRERA United States
TIDAL FLOOD Greece
TINY FINGERS Israel
TITAN United States
TMA-1 Spain
TNVVNÜM Estonia
TORGA OSTERA Portugal
TRACTOR United Kingdom
TRAD GRAS OCH STENAR Sweden
TRAFFIC SOUND Peru
TRANSITIONAL PHASE United States
TRAUMMASCHINE Spain
TRAVELING CIRCLE United States
TREATMENT United Kingdom
TRIBE OF CRO United Kingdom
TRIGON Germany
TRIP LAVA United States
TRIPTONUS Austria
TROLDMAND Denmark
TRÚBROT Iceland
TUBILAH DOG United Kingdom
TUNDERGROUND Romania
NIK TURNER United Kingdom
TURZI France
TWILIGHT Germany
TWIN TAIL Japan
TWINK United Kingdom
U SCO United States
U-NI Japan
UBERMODO United Kingdom
ULTIMATE SPINACH United States
ÜMIT! Germany
UNDERGROUND ZERO United Kingdom
UNICORN PORN United States
UNIMOTHER 27 Italy
UNIVERSITY OF ERRORS United States
UNZEN PILOT Portugal
THE URSULA MINOR Tunisia
THE USA IS A MONSTER United States
VAGO SAGRADO Chile
VED Sweden
VERMA United States
VERT:X United Kingdom
VESPERO Russia
VIBRAVOID Germany
VINTAGE CUCUMBER Germany
VIOLETA DE OUTONO Brazil
VIRGEN SIDERAL Peru
VIRTUAL MAX Canada
VLAD TEPES Argentina
THE VOCOKESH United States
VOICE OF THE SEVEN THUNDERS United Kingdom
VOID GENERATOR Italy
VOSTOK PROGRAMME United States
WALRUS Norway
WANIYETULA Germany
THE WARLOCKS United States
WEITES LUFTMEER Germany
WELCOME INSIDE THE BRAIN Germany
WELTRAUM Germany
WHERE THE MOON CAME FROM United States
THE WHIRLINGS Italy
WHITE HILLS United States
WHITE MANNA United States
WILL-O-THE-WISP Greece
WIND Norway
WINDY AND CARL United States
WOODEN BABY United Kingdom
WOODEN SHJIPS United States
XOO United Kingdom
HIRO YANAGIDA Japan
YAWNING SONS Multi-National
THE YELLOW MOON BAND United Kingdom
YUKON TERRITORIAL EXPANSION United States
YUME BITSU United States
YURI GAGARIN Sweden
WILL Z. Belgium
ZEMLJA BROJ 9 Serbia
ZENITH EFFLUVEUM United States
ZODIAC SUNRISE Finland
ZOFFF United Kingdom
ZONE SIX Germany

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