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CROSSOVER PROG

A Progressive Rock Sub-genre


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Crossover Prog definition

Crossover Prog contains progressive rock music that, though 100% progressive, may have a musical connection to popular music-- whether it be the lack of emphasis on extended compositions, or an influence from mainstream music in addition to classical, jazz and folk. Compositions, however, still exhibit a high degree of sophistication, sometimes outright complexity, and the musicianship and virtuosity is often on a par with established Prog acts. Much like their kin in the established prog sub-genres, these groups will incorporate many major parts of what defines prog rock: the fusing of rock with the structures and discipline of more traditional musics, the use of syntheisizers and new technologies, intelligent thematics, and the expansion of the form.

The defining characteristics of Crossover Prog are a pop music influence that is largely vacant in typical prog rock. Songs tend toward shorter, more concise presentations though still reach beyond the typical verse, bridge, chorus pattern. The harmonic, melodic, and rhythmic structures may be more easily digested in Crossover while not losing the musical integrity that a prog listener expects. Whereas Prog Related bands are generally commercial groups with certain prog elements or players that were involved in prog acts, Crossover Prog artists are predominantly progressive with elements of popular music.

The most representative examples for this genre include The MOODY BLUES, SUPERTRAMP, DREDG, CINEMA SHOW, RADIOHEAD.

- written by micky (Michael) and Chus (Jesus)

Current Team Members as at 01/22/2017

kev rowland (Kev)
Evolver (Scott)
tszirmay (Thomas)

Crossover Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Crossover Prog | More Top Prog lists and filters

4.32 | 1127 ratings
OMMADAWN
Oldfield, Mike
4.32 | 1357 ratings
CRIME OF THE CENTURY
Supertramp
4.31 | 1728 ratings
THE RAVEN THAT REFUSED TO SING (AND OTHER STORIES)
Wilson, Steven
4.29 | 1162 ratings
HAND. CANNOT. ERASE.
Wilson, Steven
4.22 | 864 ratings
DOOMSDAY AFTERNOON
Phideaux
4.21 | 1544 ratings
GRACE FOR DROWNING
Wilson, Steven
4.20 | 746 ratings
PETER GABRIEL 3 [AKA: MELT]
Gabriel, Peter
4.19 | 896 ratings
ENGLISH ELECTRIC (PART ONE)
Big Big Train
4.20 | 482 ratings
~
iamthemorning
4.18 | 747 ratings
SNOWTORCH
Phideaux
4.37 | 115 ratings
RETURN TO OMMADAWN
Oldfield, Mike
4.17 | 691 ratings
DAYS OF FUTURE PASSED
Moody Blues, The
4.17 | 640 ratings
THE UNDERFALL YARD
Big Big Train
4.13 | 704 ratings
ENGLISH ELECTRIC (PART TWO)
Big Big Train
4.13 | 526 ratings
NIGHT
Gazpacho
4.35 | 83 ratings
THE EDGES OF TWILIGHT
Tea Party, The
4.23 | 142 ratings
THE SHAMING OF THE TRUE
Gilbert, Kevin
4.08 | 990 ratings
TUBULAR BELLS
Oldfield, Mike
4.13 | 312 ratings
SPIRIT OF EDEN
Talk Talk
4.20 | 153 ratings
LOVE REMAINS THE SAME
Von Hertzen Brothers

Crossover Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Crossover Prog experts team

BROKEN CHINA
Wright, Richard
CONQUISTA
Alux Nahual
CORPUS
Talisma
ABBANDONO DEL TEMPO E DELLE FORME
J'Accuse..!

Latest Crossover Prog Music Reviews


 Before The Dawn by BUSH, KATE album cover Live, 2016
4.16 | 18 ratings

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Before The Dawn
Kate Bush Crossover Prog

Review by Matti
Prog Reviewer

3 stars I'm surprised to be only the second reviewer for this, considering the huge news value of Kate Bush having gone on stage again. One thing is sure: the fans are anxiously hoping and waiting for the DVD release of this three-act concert. (I've said this before, but I strongly prefer DVD's over live albums. And no, I didn't buy this 3-CD, just borrowed it from my library.) Even if Kate's vocals are in a good form and not notably aged, my initial reception was slightly disappointed. The first disc [39:34], or Act One, contains seven unrelated tracks from the albums Red Shoes, Aerial and Hounds of Love ('Never Be Mine' from The Sensual World was recorded when the show was being filmed without the audience). The selection is not very good IMHO, and it's sad that many great albums in her discography were totally excluded. The other reason for my negative feelings was the way the performances are mostly just uninspired replicas of the studio versions.

Act Two: an extended version of "The Ninth Wave" suite that originally formed the B side of the Hounds of Love album. I can imagine the spoken-oriented extensions increase the drama level on the concert when you are/were there (I wasn't, sadly), but on audio-only they become a mere nuisance. And for the music itself, the arrangement here follows very closely the original form, meaning that a lot of sounds and vocals are not real live at all. As a listening experience this theatre-oriented performance is a bit frustrating in several ways, hopelessly losing to the superb original without really adding new MUSICAL ideas. The happy final part, 'Morning Fog', offers the band a good opportunity to blow some extra life into the playing, but, even if it's the one that differs most clearly from the original, it sounds somewhat lame here. The line-up is top-notch: David Rhodes, John Giblin, Jon Carin, Omar Hakim, etc. After listening to two CD's I felt disillusioned.

Act Three: "A Sky of Honey", ie. the suite of the 2nd disc of the 2005 Aerial album. During this 73-minute disc my reception turned for the positive. Maybe it's because the music of this suite is airier, softer -- less "artificial" if you know what I mean -- , the live performance of it functions extremely well. Finally the band finds its real strength. Already the 'Prologue' part contains extensions that are musically inspired, and the suite becomes a cathartic listening experience, even more so than it was on the album. The new song 'Tawny Moon' is sung by Kate's son Bertie (whose name I fail to find from the booklet?) and it's a very good addition to the suite. Also 'Among Angels' I heard now for the first time, a beautiful melancholic piano song of the purest Kate Bush touch. And the encore piece 'Cloudbusting' is gorgeous.

The weakest part is the first act, especially being a missed opportunity in a discographical sense. Act Two made me only crave for the visual side of the performance (the pictures reveal it's awesome). Act Three finally made an impression on me, but I guess I have to rate this with "only" three stars. Hopefully the DVD will be released some day.

 Days Of Future Passed by MOODY BLUES, THE album cover Studio Album, 1967
4.17 | 691 ratings

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Days Of Future Passed
The Moody Blues Crossover Prog

Review by Tapfret
Prog Reviewer

4 stars The lore surrounding the genesis of this concept album and foundation piece for progressive music has several different versions. The version I always heard was the record company approached The Moody Blues to record a rock n roll side of an album while an orchestra would record the other as a demonstration of a fancy new recording system. There is also the more common, and now seemingly refuted version, that the record company intended the album to be an adaptation of a Dvorak symphony....as a demonstration of a fancy new recording system. Whichever it was, it wasn't. Except for the fancy new recording system. The quality of the recording is absurdly clean for 1967. And before anyone asks, yes, I am familiar with the original pressings that occurred prior to the 1978 restoration. The transitions between The Moody's and the London Festival Orchestra appear seamless.

The concept, lifetime in the stages of a day. Perhaps not original, even in 1967. But conveyed with undeniable sound and lyric allusory precision. Even the poetic intro and closing are strong elements to the story. I am not aware of the level of cooperation between the orchestra and band as far as the arrangements go, but the orchestral parts serve almost exclusively as transitional elements. The music is not flawless. In particular Peak Hour, the lunch time theme, which feels completely out of place. Capturing that frantic midday pace with something as groundbreaking as the remainder of the album is somewhat of a metaphor for the frantic pace at which music itself was changing in 1967. As the only real stinker of the album closes side A (for those of you following along on vinyl), the true beauty of the album unfolds on side B as the afternoon-night sections. Tuesday Afternoon, the second most popular single for the album, is permeated with Mike Pinder's mellotron. This fades to the haunting verses of the evening and Twilight Time. This section provides what is certainly the most fluid orchestral to rock transitions. The Sun Set in particular incorporates slow bongo and flute for a safari-like feel, conveying the daily vacation as the work day ends. Then we get to the most identifiable single in the Moody Blue's entire discography, Knights in White Satin. The beautiful lamentation that moves even the most stagnant soul. One could, and I'm guessing some have, write a philosophy dissertation on the meaning and gravity of the few short verses.

I've gone through different stages of finding more or less importance of this album personally, but its place in the history of progressive music is undeniable. It is not perfect, but it is amazing and borders on essential.

 Persona by MATOS, ALEJANDRO album cover Studio Album, 2006
3.22 | 18 ratings

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Persona
Alejandro Matos Crossover Prog

Review by Modrigue
Prog Reviewer

4 stars Heavy gothic prog

Third studio album by multi-instrumentalist Alejandro Matos, "Persona" is quite daring in the progressive rock landscape, as well as in the artist's discography. The record consists in various heavy, depressive, tortured prog songs, including a few instrumentals, but wearing the clothes of 80's gothic rock / cold-wave. Kind of KING CRIMSON and ANEKDOTEN meet THE CURE and CLAN OF XYMOX. In 2006.

Pretty original and uncommon, the result works very well, creating a special melancholic, somber and claustrophobic atmosphere. Furthermore, the quality of the compositions is homogeneous and the music remains accessible.

This particular ambiance can be perceived from the very beginning of the disc. "Dos mil ańos de tierra" is a gloomy gothic lament, powerful and touching. The slow "El camino de la mala suerte" and its sinister bass seems like suspended in time, while "La plaza equivocada" is a paranoid and melancholic heavy prog title. The atmosphere is slightly but constantly shifting: mystical cold wave with "La justificación de los nuevos dientes", supported by its saturated guitar and organ, and depression with the piano rock "Pecado de pecar" and its Spanish tone. Longest track of the album, the dark heavy progressive "Guerra de silencios" alternates tortured and calmer passages. Beautiful, but a bit lengthy. The scission between the two halves is made via the spacey ambient interlude "Fracasos bajo fianza", well suited for an horror movie.

The somber eerie "Estatuas de agua" is a nice cold wave ballad turning surprisingly raging. Great! Darkness stays again with the lament "Teléfonos de negro" and its crying guitars, whereas the little jazzy "Gritos de mańana" possesses strange flangered sonorities. Back now to THE CURE's "Pornography" days with the icy gothic "Dormir", one of the best songs of the disc, prolonged by the cold wave and depressive tortured rock of "Las buenas razones del error" and "Maldita persona". Pleasant but a bit repetitive. "Dos mil ańos menos" concludes the record with a nice 80's-esque heavy prog note and a touching guitar solo.

Despite a few lengthy moments, "Persona" offers a very convincing and uncommon mixture of genres, yet accessible, proving that the "progressive" adjective can be applied to styles of music other than those usually referred to, even if the guitar dominates. The inspiration is present, the atmosphere is unique and the interest remains constant after several listens. Therefore this third opus deserves more attention.

Don't miss it if you enjoy 80's gothic rock, cold wave, as well as dark, melancholic and depressive heavy prog!

 Return To Ommadawn by OLDFIELD, MIKE album cover Studio Album, 2017
4.37 | 115 ratings

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Return To Ommadawn
Mike Oldfield Crossover Prog

Review by The Jester

4 stars Mike Oldfield is back! You know, the extremely talented musician who recorded some real masterpieces in the past, like Tubular Bells, Hergest Ridge, Ommadawn, etc. So, after a series of rather unsuccessful albums, (that had nothing to offer really), he decided to surprise us with this new brilliant album! Return to Ommadawn includes two long suites, which brings to memory the vinyl days. One song for each side of the vinyl edition of the album. (Those who grew up with vinyl albums know perfectly well what I'm talking about). So, what we have here, are the two parts of the same suite, both instrumental and beautiful. Mike Oldfield is playing a big variety of instruments, including guitars, piano, bouzouki, banjo, accordion, mandolin, glockenspiel and percussions, among others. There is a strong "essence" of traditional English and Celtic music spread throughout the album, and that is something I think is wonderful, and improves the listening enjoyment. (Well, mine at least). The structure and the changing tunes and motives of these two songs give the impression of different songs, but the truth is that it is always the same song; which keeps coming back to the repeatable main theme every now and then. I don't know about you, but personally speaking I was kind of impressed. And although it is too early, I have the feeling that Return to Ommadawn is going to be one of the albums that will make the difference this year! To those that can appreciate this kind of music at least. If you want my advice, find/buy the album, put it on your device, (PC, CD, vinyl player, or whatever device you use), pour a glass of wine, sit comfortable, and get ready for a beautiful "travel", having Mike Olfield's music as the soundtrack. You will definitely enjoy it! 4.0 out of 5.0 stars.
 The Art of Mind by APOGEE album cover Studio Album, 2015
3.26 | 24 ratings

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The Art of Mind
Apogee Crossover Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

2 stars Apogee is a side project of Versus X singer, guitarist and composer, Arne Schafer, and here he provides everything except for drums, which are provided by Eberhard Graef. According to the press release this 2015 album revives the typical characteristics of the golden age of prog, and references Jethro Tull, Yes, Genesis, Gentle Giant, Rush, Zappa and UK. Hmm, I guess that means that the album I'm listening to isn't this one at all, as this is the type of album that gives prog a bad name. Normally, when I come across an album where the opening song is twenty minutes long, and the others are all eight minutes plus then I am singing the praises right off the bat. Here, not so much.

There are bits here and there that are quite pleasant, but just when I think it's just me there is another dire passage, or melody switch that doesn't make sense. It is almost as if he has taken those classic bands and has tried to pull together bits and pieces into a coherent whole, but if he was given a jigsaw puzzle there are pieces missing and he's lost the picture he is supposed to be recreating. I find it incredible that this is his eighth album, as in many this is reminiscent of so many tapes I was being sent more than twenty-five years ago, although in fairness the production is a lot better (and easily the best part). My last review of an Apogee album had me feeling rather the same way, that this is likely never to darken my player again.

 Return To Ommadawn by OLDFIELD, MIKE album cover Studio Album, 2017
4.37 | 115 ratings

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Return To Ommadawn
Mike Oldfield Crossover Prog

Review by TheCaptain

5 stars Mike you beautiful son of a gun. After all this time you come back and manage to create a strong contender for best album of the 2010s. "Return to Ommadawn" has got to be the most genuine, beautiful and passionate piece of music out there. Every few minutes is a different emotion, from hope to triumph to yearning, distilled into its purest form.

If you're familiar with Mike Oldfield then it's a return to form of his 70s classics + Amarok with a modern sound (well, 2017 modern anyway) and perhaps a touch more new agey stuff. If you have no idea what to expect from Mike Oldfield then it's instrumental progressive "world music" with a Celtic leaning, often propelled by powerful guitar and evoking a sense of nature.

The only issue I have is the beginning of Part 2 is too good. After the first five minutes are over, I chase that dragon and barely pay attention to the next few minutes. I got a little misty-eyed the first time I heard it, and it still moves me dozens of listens later. And yet, the album doesn't take itself too seriously; there are plenty of parts where Oldfield's obviously having fun.

5/5 stars without a doubt in my mind.

 Tubular Bells by OLDFIELD, MIKE album cover Studio Album, 1973
4.08 | 990 ratings

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Tubular Bells
Mike Oldfield Crossover Prog

Review by martindavey87

3 stars Mike Oldfield's debut album 'Tubular Bells' definitely has a lot to live up to. It put Mr. Oldfield on the map. It made Richard Branson's Virgin Records a household name. It was featured in The Exorcist, one of the most famous horror films of all time. It spent approximately forever in the charts, and a good portion of that forever was the number one spot. It's right up there as one of the most famous, iconic and recognizable albums of all time.

With all that hype behind it, I felt a little underwhelmed when I heard it for the first time (probably around 35 years after its release). I felt the production hadn't aged well, and the compositions just weren't exciting enough to pique my interest.

Don't worry, it grew on me.

Of course, this isn't the sort of record you put on and memorize after one listen. It takes a bit of time and perseverance to get into, but once you do, there's some pretty good stuff to be heard. At times the music is very random and creative, at others it's simple and elegant. It's just a whole new musical experience, and a great starting point for progressive, world or new age music (although, wouldn't it now be... "old age"?).

That's not to say that this is the best album I've ever heard, because it is nowhere near. Nor would I consider it Mike Oldfield's finest work. But I can understand its cultural significance. It's just one of those iconic albums that everyone should own. Michael Jackson's 'Thriller'. Pink Floyd's 'The Wall'. The Beatles' 'Sgt. Pepper...'. Mike Oldfield's 'Tubular Bells'. It's up there in that handful of elite releases that no music collection in the world should be without.

Oh yeah, and Oldfield wrote and recorded the whole damn thing by himself, at just 19 years of age. Bloody 'ell.

 Face The Music by ELECTRIC LIGHT ORCHESTRA album cover Studio Album, 1975
3.33 | 209 ratings

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Face The Music
Electric Light Orchestra Crossover Prog

Review by HarmonyDissonan

4 stars ANOTHER PERSONAL FAVORITE FOR PERSONAL REASONS!

I have been a fan of ELO since the release of Eldorado with an album cover which I found very much to my taste at the time and still do. I wonder if it was strictly an artistic gamble using that image which was and is undoubtedly strongly affiliated with the movie The Wizard Of Oz from which it was taken or was there legal ramifications? Anyway, I liked it's use, and since then and also having seen them on I believe it was The Midnight Special performing their On The Third Days version of Edvard Grieg's In The Hall Of The Mountain King became a fan. I was lucky enough to have seen them as they passed through town back in the day also. Personally this album has a fond spot in my heart since another good friend of mine from the time period of early high school and I used to enjoy this album specifically along with Queen I and Steve Miller Bands Book Of Dreams (not a proggy album) at his folk's place. We also used to listen to MO's Tubular Bells and during the chanting part on side two, imagined it being performed by prehistoric people around a fire on the shore of Lake Michigan which was across the road and a small field from my friend's folk's house. Although this album holds a definite emotional bias for me, I still believe that it is a very good album! Not having that bias, I would probably round it's rating down from 3.5 stars to 3, but with that bias I do not find it difficult to round the rating up to a 4 position. Also their albums, Electric Light Orchestra (aka: No Answer), Eldorado and A New World Record are also favorites of mine that would each hover between 3.5 and 4 star ratings. I would recommend these albums to anyone interested in trying some of ELO's music.

Take care and enjoy God's gift of music!

 Crime Of The Century by SUPERTRAMP album cover Studio Album, 1974
4.32 | 1357 ratings

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Crime Of The Century
Supertramp Crossover Prog

Review by HarmonyDissonan

5 stars ONE OF THOSE ALBUMS WHICH WILL ALWAYS BE FONDLY REMEMBERED!

I still remember hearing this in it's entirety outside of my good friend's bedroom window with his speakers turned out in that direction. It was a warm Wisconsin summer evening while out on summer break and free as a bird. "Those were the days". If only a person could REALLY appreciate the moment that one is presently being in, life would be such an awesome event! Anyway enough of the folksy philosophizing. It was awesome! He turned some of our gang on to a few classics back in the day-PF Wish You Were Here was another. It was a memorable evening. Some years later, along with a slew of other high school time period concerts, I saw them live! It was a great show and as I remember the Rudy instrumental break w/train film - and some assistance from the freely attained recreational smoking paraphernalia that was being passed about generously, became a lasting memory from that show, though the whole thing was outstanding! In Milwaukee, back at the concerts in the 70's, cannabis was just handed around pretty freely and always seemed to be fairly ubiquitous. One other thing if I may, as I digress, which I often do, as far as memorable concert moments go, I have to include one of my favorites here for posterity. That would be from an Al Stewart concert I attended back in '78-'79 were Al and I believe it was Peter White sat on bar stools and performed Roads to Moscow and during the acoustic break in the song a large screen shown black and white photos of the German advance on Russia in WWII! Another amazing concert moment, and I apologize profoundly for my rambling. Getting back to the classic album at hand, all of the tracks on the album are IMHO - classics! If I had to choose a low point for me, it would probably have to be Dreamer. Don't get me wrong, it's a great song, but a hair too poppy for me. Otherwise the rest are all great! My personal favorites are Hide In Your Shell, Asylum, Rudy and If Everyone Was Listening, although I like them all! They're next three albums are all very good albums also, but they never quite come near the stratospheric production that they acquired here! If there is anyone out there who hasn't purchased this album as of yet, I jump on board the bandwagon to say that this is highly recommended from me also!

Take care and enjoy God's gift of music!

 Nowhere Now Here by TÉMPANO album cover Studio Album, 2016
4.05 | 38 ratings

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Nowhere Now Here
Témpano Crossover Prog

Review by begnagrad

5 stars Every now and then an album appears out of nowhere that knocks you out, an unexpected instant desert island, an album you know you can't forget about it, one classic, forever with you, one you revisit frequently.

Nowhere nowhere is that album for me, Tempano has matured into a band that can do no wrong and delivered the most inspired album of their career and, again, for me, one of the best albums of the last few years so far.

The album encapsulates musical styles ranging from fusion to progressive rock, blended magically in a way that makes you wonder how do they do it so smoothly. An eclectic work that navigates from song to song across different moods.

There is a great balance between all instruments but if you listen closely you will discover that each one plays their own melody, the result, an elegant complexity that does not invade you, music played with passion.

There is one more thing about this band, the lyrics are carefully written, meaningful, there is a sense of direction that many bands lack, and to add one more magical element, the voice by an experienced singer, amazing how the guy can sing.

Tempano is formed by professional musicians, its evident just by listening to this album, it's simply rewarding for my ears, and with so much music being made, finding albums that really are different and special is becoming harder, Thanks you guys !

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Crossover Prog bands/artists list

Bands/Artists Country
17 PYGMIES United States
1974 United States
1O1 United States
3 United Kingdom
3 LEGGED MONSTER United States
3RDEGREE United States
7TH KIND United States
90 DAY MEN United States
A.L.F. Brazil
AARDVARK United Kingdom
AARDVARK' Finland
THE AARON CLIFT EXPERIMENT United States
ABACUS Germany
ABARAX Germany
ABBFINOOSTY United Kingdom
ABIOGENESI Italy
LEE ABRAHAM United Kingdom
ABSENTE H Spain
ABSINTHE JUNK United States
ACANTHE France
ACTIVE HEED Italy
THE ADDICTION DREAM United States
THE ADVANCEMENT United States
AFTER... Poland
AGATHORN Denmark
AGRABAH Argentina
EDUARDO AGUILLAR Brazil
AHOORA Iran
AKIN France
AKROPOLIS Denmark
ALEPH Australia
ALIAS EYE Germany
ALL OVER EVERYWHERE United States
ALPHA LIGHTING SYSTEM Mexico
ALTERNATIVE 4 United Kingdom
ALUX NAHUAL Guatemala
AMAROK Poland
AMAZING MACHINE Norway
THE AMAZING Sweden
AMITY IN FAME Austria
TORI AMOS United States
AMPERA Norway
AMPHETAMIN France
ANALOG MISSIONARY United States
THE ANALOGUE United Kingdom
ANANTA Venezuela
ANAWA Poland
ANDERSON PONTY BAND Multi-National
LAURIE ANDERSON United States
ANGULART Chile
ANOTHER ROADSIDE ATTRACTION Canada
ANTARES Italy
JERZY ANTCZAK Poland
ANUBIS SPIRE United States
ANYWHERE United States
APATHEIA Czech Republic
APOCALYPSIS Greece
APOGEE Germany
THE APPLE ZED United States
APPLESEED Poland
APPLESMELLCOLOUR Spain
AQUILA United Kingdom
ARCHANGELICA Poland
ARCHIVE United Kingdom
ARCPELAGO Brazil
AREA 39 United Kingdom
ARGENT United Kingdom
ARGO Lithuania
ARID GARDEN Italy
ARNIOE Australia
BRADY ARNOLD United States
TONY ARNOLD United States
ARONORA Australia
THE ARS SUPERNOVA United States
ART BY NUMBERS United States
ART CINEMA Denmark
ART DECO Finland
ARTIFICIAL HOME Latvia
ARTLAND Israel
ARZ United States
AS FOLLOWS United States
AS TALL AS LIONS United States
ASFALTO Spain
ASGARD United Kingdom
ASIDE BESIDE France
ASTRONOMY United States
ASZENSION Canada
ATARAXIA Japan
ATIK MAZE Portugal
ATLANTYCA France
ATMOSPHERA Brazil
AUDIAC Germany
AUDIO'M France
AUDIOCRACY Multi-National
THE AURORA OBSERVATORY United States
AUT' CHOSE Canada
AUTOGRAPH (AVTOGRAF) Russia
AUTOMATIC MAN United States
AUTUMN ABOVE United States
AUTUMN CHORUS United Kingdom
AUTUMN ELECTRIC United States
AUTUMN PEOPLE United States
AUTUMN WHISPERS Multi-National
AUXFORD Russia
AVALON Canada
AVGRUNDEN Sweden
AVIARY United States
AMADEUS AWAD Lebanon
DAVID AXELROD United States
AZURETH Multi-National
BACKHAND Venezuela
BADWATER FIRE COMPANY United States
DAVE BAINBRIDGE United Kingdom
KEN BAIRD Canada
BAKU Germany
ANDRE BALZER France
BANDA DO SOL Brazil
TONY BANKS United Kingdom
BARCLAY JAMES HARVEST United Kingdom
THE BARDS OF ANTIQUITY United States
NICKLAS BARKER Sweden
BARNUM'S FREAK Italy
BARON United Kingdom
MARTIN BARRE United Kingdom
BARROQUEJON Chile
SEBASTJAN BARTOL Slovenia
M.M. BARTULICA Bosnia and Herzegovina
COLIN BASS United Kingdom
BAT LENNY United States
BATISFERA Russia
BAUER Argentina
BE BOP DELUXE United Kingdom
BEAD GAME United States
BEAM-LIGHT Poland
DAVID BEDFORD United Kingdom
BEDUÍNOS A GASÓLEO Portugal
BELGRAD Poland
BEND SINISTER Canada
BENT KNEE United States
THE BENZENE RING United States
ROBERT BERRY United States
EMILY BEZAR United States
BIG BIG TRAIN United Kingdom
BITTERTOWN Netherlands
BJÖRK Iceland
BLACK CAT BONES United Kingdom
BLACK MOTH SUPER RAINBOW United States
BLACK MOUNTAIN Canada
THE BLACK OF SPACE United States
BLONDIE FOX Italy
BLOW UP HOLLYWOOD United States
BLURRED VISION Canada
THE BODY POLITIC Canada
BORAY Sweden
LINDSEY BOULLT United States
TIM BOWNESS United Kingdom
BOX OF CRAYONS United States
THE BOX Canada
THE BOY; THE BIRD & THE BEAST United States
VICTOR BRADY United States
BREATHING SPACE United Kingdom
BREZOVSKY-ROZSA Slovakia
BRIDGES Norway
BRIGHT BROWN United States
THE BRIMSTONE SOLAR RADIATION BAND Norway
STEVE BROCKMANN AND GEORGE ANDRADE Multi-National
PATRICK BROGUIERE France
DAVE BRONS United Kingdom
DUNCAN BROWNE United Kingdom
ROLAND BUHLMANN Switzerland
BUILT FOR THE FUTURE United States
BUKE AND GASE United States
BULBS United Kingdom
BUNCHAKEZE United Kingdom
BURNING SIDEWAYS United States
BURNT BELIEF Multi-National
TARA BUSCH United Kingdom
KATE BUSH United Kingdom
BY SUNLIGHT United States
DAVID BYRNE United Kingdom
BYRON Romania
CAIRO United Kingdom
CALIFORNIA GUITAR TRIO United States
THE BEN CAMERON PROJECT Australia
CANAMII South Africa
CANNATA United States
CANTURBE Argentina
CAP OUTRUN Sweden
CAPABILITY BROWN United Kingdom
CAPTAIN MARRYAT United Kingdom
FRANCK CARDUCCI Netherlands
CAREWORN United Kingdom
MARC CARLTON United Kingdom
CARVED IN ASHES Finland
CASTLE CANYON United States
STEPHEN CAUDEL United Kingdom
GUILLAUME CAZENAVE France
CEILING UNLIMITED United States
CELL15 United States
CHANCE France
CHANCE:RISIKO Italy
CHANGES Switzerland
CHANGING IMAGES Germany
THE CHANT Finland
SPYROS CHARMANIS Greece
CHASM Norway
CHEETO'S MAGAZINE Spain
CHILDREN IN PARADISE France
CHIMPAN A United Kingdom
CHOICE Germany
CHOKE THE WORD United States
CHROME HOOF United Kingdom
CHURN MILK JOAN Multi-National
CINEMA SHOW Brazil
CIRCA United States
CIRCA SURVIVE United States
CIRCULINE United States
CIRCUS PARANOIA Netherlands
CIRCUSFOLK Finland
CITADEL France
CLARION Italy
STEVE CLARK Australia
CLOUD ATLAS United Kingdom
CARY CLOUSER Canada
CLOVER SEEDS France
CLUB MERANO Finland
SUSAN CLYNES Belgium
STEVE COCHRANE Canada
COHEED AND CAMBRIA United States
COLLECTING SPACE United States
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