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DEEP PURPLE

Proto-Prog • United Kingdom


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Deep Purple biography
The archetypal hard rock band, hugely influential, and still alive and well after almost 40 years, DEEP PURPLE were formed in Hertford (England) in 1968. Their earliest line-up (known as Mark I) featured guitarist Ritchie Blackmore, drummer Ian Paice (who was to be the only constant member in all the numerous incarnations of the band), keyboardist Jon Lord, bassist Nick Simper and vocalist Rod Evans. Their first album, "Shades of Deep Purple", included a cover of JOE SOUTH's "Hush", which became a big hit in the USA. The following two efforts were definitely more progressive in tone, especially their third, self-titled album, which saw Lord's masterful, classically-influenced use of the B3 Hammond organ steal the limelight.

In 1969, Evans and Simper were fired, to be replaced by two former Episode Six members, bassist Roger Glover and legendary vocalist Ian Gillan, who had also starred in the lead role in the original version of Andrew Lloyd-Webber and Tim Rice's "Jesus Christ Superstar". This line-up, which is widely known as DEEP PURPLE Mark II, gave the band international renown - even though their first album, Lord's pet project "Concerto for Group and Orchestra" (recorded with the Royal Philharmonic Orchestra) was poorly received.

With Gillan and Glover on board, DEEP PURPLE recorded a series of extremely successful albums, which saw them blend the progressive stylings of their first three albums with an increasingly harder-edged approach, like 1970' ground-breaking "In Rock". Their sound featured lengthy, dazzling duels between Lord's Hammond and Blackmore's Stratocaster, punctuated by Gillan's sky-high screams - nowhere better embodied than in their stunning, 1972 live album, "Made in Japan". In the same year, they released "Machine Head", one of the essential rock albums of all time, which featured the seminal riff of "Smoke on the Water" (inspired by a true episode happened during the recording of the album itself in Montreux, Switzerland), as well as other classics such as "Highway Star" and "Space Truckin'".

Unfortunately, ego clashes and differences in musical direction caused the departure of both Gillan and Glover, who were replaced by an already established musician (also possessed of awesome pipes), former TRAPEZE bassist and vocalist Glenn Hughes, and an unknown singer from North Yorkshire, David Coverdale, whose deep, bluesy voice was distinctly different from Gillan's high-pitched wail. The first Mark III album, ...
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Buy DEEP PURPLE Music


InFiniteInFinite
EARMUSIC 2017
Audio CD$8.55
$9.99 (used)
The Very Best of Deep PurpleThe Very Best of Deep Purple
Remastered
Warner Archives / Rhino 2000
Audio CD$5.70
$2.85 (used)
Machine HeadMachine Head
Rhino Flashback 2011
Audio CD$3.49
$2.90 (used)
The Complete Album 1970-1976 (10CD)The Complete Album 1970-1976 (10CD)
Rhino/Warner Bros. 2013
Audio CD$36.71
$50.19 (used)
Perfect Strangers (Remastered)Perfect Strangers (Remastered)
Remastered · Extra tracks
Mercury 1999
Audio CD$3.40
$0.33 (used)
Made In JapanMade In Japan
Warner Off Roster 1988
Audio CD$3.17
$3.50 (used)
All I Got Is YouAll I Got Is You
Single · Import
Imports 2017
Audio CD$4.86
$3.95 (used)
Time For BedlamTime For Bedlam
Single · EP
EARMUSIC 2017
Audio CD$4.42
$1.00 (used)
FireballFireball
Flashback - Rhino 2008
Audio CD$3.29
$1.17 (used)
In Rock: Anniversary EditionIn Rock: Anniversary Edition
Import · Remastered
EMI 1995
Audio CD$4.08
$4.71 (used)
Right Now on Ebay (logo)
JOE LYNN TURNER Holy Man 2000 CD / 0681-17 Rainbow Deep Purple USD $14.00 Buy It Now
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(CD + DVD) JON LORD Concerto For Group And Orchestra DEEP PURPLE / IRON MAIDEN USD $8.99 Buy It Now
Deep Purple MkIII The Final Concerts 2CD Japan Obi TECW-35234-5 1996 USD $14.00 Buy It Now
DEEP PURPLE - SCANDINAVIAN NIGHTS. 2CD. JAPAN.OBI.MINI-LP SLEEVE USD $9.50 [6 bids]
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Deep Purple - Black Night 7" Japan 1976 EX+/EX+ Classic / Hard Rock USD $19.24 Buy It Now
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DEEP PURPLE KNOCKING AT YOUR BACK DOOR CD BRAZIL MILLENNIUM LIMITED EDITION 1999 USD $23.99 Buy It Now
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DEEP PURPLE Fireball b/w Demon's Eye Danish 45PS 1971 USD $17.64 Buy It Now
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DEEP PURPLE discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

DEEP PURPLE top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.29 | 483 ratings
Shades Of Deep Purple
1968
3.20 | 467 ratings
The Book Of Taliesyn
1968
3.61 | 535 ratings
Deep Purple
1969
4.33 | 1067 ratings
Deep Purple In Rock
1970
3.75 | 752 ratings
Fireball
1971
4.31 | 1075 ratings
Machine Head
1972
2.97 | 493 ratings
Who Do We Think We Are
1973
3.84 | 717 ratings
Burn
1974
3.06 | 554 ratings
Stormbringer
1974
3.19 | 453 ratings
Come Taste The Band
1975
3.48 | 544 ratings
Perfect Strangers
1984
2.85 | 342 ratings
The House Of Blue Light
1987
2.71 | 283 ratings
Slaves And Masters
1990
2.75 | 308 ratings
The Battle Rages On...
1993
3.63 | 359 ratings
Purpendicular
1996
2.78 | 265 ratings
Abandon
1998
3.03 | 290 ratings
Bananas
2003
3.34 | 290 ratings
Rapture Of The Deep
2005
3.91 | 291 ratings
Now What?!
2013
3.54 | 38 ratings
InFinite
2017

DEEP PURPLE Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.24 | 262 ratings
Concerto for Group and Orchestra
1969
4.50 | 626 ratings
Made In Japan
1972
3.80 | 91 ratings
California Jamming
1974
3.42 | 195 ratings
Made In Europe
1976
2.09 | 66 ratings
Last Concert In Japan
1977
4.36 | 117 ratings
Deep Purple In Concert
1980
3.29 | 56 ratings
Live in London
1982
3.17 | 60 ratings
Scandinavian Nights (AKA Live and rare)
1988
2.82 | 80 ratings
Nobody's perfect
1988
3.37 | 27 ratings
In The Absence Of Pink: Knebworth 85
1991
3.91 | 37 ratings
Gemini Suite
1993
4.63 | 66 ratings
Live In Japan
1993
3.36 | 71 ratings
Come Hell Or High Water
1994
4.60 | 5 ratings
On Stage: Black Night
1994
4.60 | 5 ratings
On Stage: Highway Star
1994
4.20 | 5 ratings
On Stage 1970 -1985
1994
3.60 | 28 ratings
Live in California 1976: On the Wings of a Russian Foxbat
1995
3.24 | 17 ratings
King Biscuit Flower Hour Presents Deep Purple In Concert
1995
3.31 | 17 ratings
MK III The Final Concerts
1996
3.70 | 45 ratings
Live At The Olympia 96
1997
3.23 | 69 ratings
In Concert With the London Symphony Orchestra
1999
3.90 | 21 ratings
Total Abandon
1999
2.41 | 21 ratings
This Time Around: Live in Tokyo '75
2000
4.33 | 6 ratings
Australian Tour 2001 - Wollongong
2001
3.33 | 12 ratings
Live At The Rotterdam Ahoy
2001
3.28 | 10 ratings
Kneel & Pray
2001
2.00 | 12 ratings
Space Vol 1&2 - Live in Aachen 1970
2001
3.38 | 13 ratings
Inglewood - Live in California 1968
2002
3.88 | 17 ratings
Live in Denmark 1972
2002
4.14 | 7 ratings
Perks And Tit
2004
3.57 | 25 ratings
Live In Paris 1975: La Derničre Seance
2004
3.07 | 5 ratings
Deep Purple with the London Symphony Orchestra and friends
2005
4.25 | 4 ratings
Australian Tour 2001 - Newcastle
2005
3.17 | 11 ratings
Live in Europe
2006
3.72 | 31 ratings
Montreux 1996
2006
3.77 | 22 ratings
Live at Montreux 2006
2007
4.33 | 6 ratings
Live at Montreux and in Concert
2007
2.64 | 12 ratings
NEC 1993
2007
3.61 | 18 ratings
Deep Purple with Orchestra - Live at Montreux 2011
2011
3.31 | 16 ratings
BBC Sessions 1968-1970
2011
4.41 | 22 ratings
Perfect Strangers Live
2013
3.67 | 15 ratings
The Official Deep Purple (Overseas) Live Series: Graz 1975
2014
4.13 | 15 ratings
Long Beach 1971
2015
4.00 | 12 ratings
From the Setting Sun... (In Wacken)
2015
3.80 | 10 ratings
...To the Rising Sun (In Tokyo)
2015

DEEP PURPLE Videos (DVD, Blu-ray, VHS etc)

2.54 | 9 ratings
Rises Over Japan
1976
4.22 | 9 ratings
The Videosingles
1987
4.64 | 11 ratings
Doing Their Thing
1990
4.22 | 9 ratings
Heavy Metal Pioneers
1992
4.38 | 16 ratings
Scandinavian Nights
1992
3.66 | 34 ratings
In Concert With The London Symphony Orchestra
1999
4.18 | 14 ratings
Total Abandon
1999
4.02 | 11 ratings
Bombay Calling
2000
4.33 | 3 ratings
Around the World 1995-1999
2000
3.93 | 14 ratings
New, Live & Rare - The Video Collection 1984-2000
2001
4.01 | 44 ratings
Come hell or high water
2001
4.21 | 37 ratings
Concerto For Group And Orchestra
2002
4.14 | 20 ratings
Perihelion
2002
3.64 | 29 ratings
Machine Head - Classic Albums
2002
4.56 | 9 ratings
Masters From the Vaults
2003
4.50 | 8 ratings
Live Encounters
2004
3.74 | 9 ratings
Rock Review 1969-1972
2004
3.63 | 8 ratings
Deep Purple's Made In Japan (Rock Milestones)
2005
4.79 | 40 ratings
"Live in concert 1972/73"
2005
4.12 | 35 ratings
Live in California 74
2006
3.29 | 5 ratings
Reflections
2006
4.08 | 20 ratings
Live At Montreux 2006
2007
4.38 | 8 ratings
Around The World Live Boxset
2008
4.60 | 5 ratings
Stormbringers - The Inside Story
2008
4.63 | 19 ratings
History, Hits, & Highlights
2009
4.00 | 15 ratings
Phoenix Rising
2011
4.75 | 8 ratings
Deep Purple with Orchestra - Live at Montreux 2011
2011
4.39 | 19 ratings
Perfect Strangers Live
2013
4.29 | 7 ratings
Deep Purple with Orchestra - Live In Verona
2014
4.29 | 7 ratings
From the Setting Sun... (In Wacken)
2015
4.50 | 8 ratings
...To the Rising Sun (In Tokyo)
2015

DEEP PURPLE Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.40 | 5 ratings
Best of Deep Purple
1970
4.13 | 12 ratings
Purple Passages
1972
4.36 | 14 ratings
Mark I & II
1973
3.35 | 41 ratings
24 Carat Purple
1975
3.28 | 19 ratings
Powerhouse
1977
3.18 | 12 ratings
When We Rock, We Rock, and When We Roll, We Roll
1978
4.32 | 22 ratings
The Singles A's and B's
1978
4.13 | 8 ratings
The Mark 2 Purple Singles
1979
2.90 | 58 ratings
Deepest Purple - The Very Best Of Deep Purple
1980
4.50 | 6 ratings
Fireworks
1985
4.33 | 6 ratings
Greatest Purple
1985
4.50 | 4 ratings
Black Night - Best
1990
2.80 | 13 ratings
Knocking At Your Back Door: The Best Of Deep Purple In The 80s
1991
3.89 | 17 ratings
The Compact Disc Anthology
1991
1.59 | 8 ratings
Progression
1993
4.06 | 15 ratings
The Deep Purple Singles A's and B's
1993
4.33 | 3 ratings
I Successi
1993
4.50 | 4 ratings
Soldier of Fortune: The Greatest Hits
1994
3.19 | 8 ratings
Smoke On The Water - The Best Of
1994
3.86 | 7 ratings
Child in time 1984-88
1995
4.25 | 4 ratings
The Collection
1997
2.17 | 10 ratings
Purplexed
1998
2.48 | 31 ratings
30: Very Best Of
1998
3.20 | 6 ratings
Under The Gun
1999
4.29 | 7 ratings
Shades 1968-1998 boxset
1999
3.65 | 5 ratings
Anthems
2000
4.00 | 5 ratings
Extended Versions
2000
3.10 | 11 ratings
The Very Best of Deep Purple
2000
4.08 | 5 ratings
On the Road
2001
4.20 | 5 ratings
The Soundboard Series
2001
4.50 | 4 ratings
Collectors Edition - The Bootleg Series 1984-2000 (12 CD)
2001
4.50 | 4 ratings
Very Best Deep Purple Album Ever
2001
4.20 | 5 ratings
In Profile
2001
4.56 | 9 ratings
Listen Learn Read On
2002
3.37 | 8 ratings
20th Century Masters: The Best of Deep Purple
2002
4.00 | 7 ratings
Singles Collection 68/76
2002
4.50 | 4 ratings
Winning Combinations split CD
2003
4.50 | 4 ratings
The Essential
2003
4.67 | 6 ratings
Purple Hits - The Best of Deep Purple
2003
2.56 | 8 ratings
The Early Years
2004
4.08 | 13 ratings
The Platinum Collection
2005
4.50 | 4 ratings
The Ultra Selection
2005
1.73 | 4 ratings
The Deep Purple Collection
2006
3.38 | 4 ratings
Higway Stars
2006
3.31 | 4 ratings
Greatest Hits (Steel Box Collection)
2008
4.43 | 7 ratings
Singles & E.P. Anthology 1968-1980
2010
4.43 | 7 ratings
Now What?! (Gold Edition)
2013
5.00 | 2 ratings
Hard Road: The Mark 1 Studio Recordings 1968-69
2014

DEEP PURPLE Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.63 | 13 ratings
Hush / One More Rainy Day
1968
3.67 | 9 ratings
Kentucky Woman / Hard Road
1968
3.21 | 10 ratings
Emmaretta / The Bird Has Flown
1969
3.44 | 9 ratings
River Deep Mountain High / Listen, Learn, Read On
1969
3.31 | 14 ratings
Hallelujah (I am the preacher) / April (part one)
1969
4.50 | 18 ratings
Black Night/Speed King
1970
4.25 | 12 ratings
Speed King / Into the Fire
1970
2.54 | 7 ratings
Deep Purple In Rock
1970
4.04 | 15 ratings
Strange Kind Of Woman/I'm Alone
1971
4.15 | 13 ratings
Fireball
1971
4.00 | 8 ratings
April
1972
4.55 | 11 ratings
Black Night
1972
3.38 | 13 ratings
Never Before / When a Blind Man Cries
1972
4.42 | 12 ratings
Highway Star
1972
3.67 | 9 ratings
Super Trouper / Blood Sucker
1973
4.10 | 10 ratings
Woman from Tokyo
1973
4.50 | 14 ratings
Smoke On The Water
1973
4.17 | 12 ratings
Burn
1974
3.78 | 9 ratings
Might Just Take Your Life
1974
3.33 | 9 ratings
Lady Double Dealer
1974
3.29 | 7 ratings
You Can't Do It Right / High Ball Shooter
1974
3.90 | 10 ratings
Stormbringer
1975
4.00 | 7 ratings
You Keep on Movin'
1975
4.22 | 9 ratings
Child In Time / Smoke On The Water / Fireball
1975
4.00 | 5 ratings
New Live & Rare Vol. 2
1976
3.57 | 7 ratings
El vuelo del pajaro (The Bird Has Flown)
1977
4.00 | 5 ratings
New Live & Rare
1977
4.13 | 8 ratings
Black Night
1978
4.14 | 7 ratings
Burn
1980
3.80 | 5 ratings
New Live And Rare Vol.3
1980
4.10 | 10 ratings
Knocking At Your Back Door
1984
3.75 | 8 ratings
Nobody's Home
1984
4.25 | 12 ratings
Perfect Strangers
1984
4.00 | 6 ratings
Deep Purple
1984
3.80 | 5 ratings
Off the Record Special with Mary Turner
1985
4.00 | 6 ratings
Smoke On The Water / Living Wreck / No, No, No
1985
4.00 | 5 ratings
Black Night
1985
3.50 | 6 ratings
Bad Attitude
1987
4.00 | 6 ratings
Call of the Wild
1987
3.29 | 7 ratings
Hush
1988
3.14 | 7 ratings
Love Conquers All
1990
3.88 | 8 ratings
King of Dreams
1990
3.86 | 7 ratings
Anya
1993
3.50 | 6 ratings
Time to Kill
1993
3.50 | 6 ratings
Talk About Love
1993
2.44 | 7 ratings
The Battle Rages On
1993
3.75 | 4 ratings
Anyone's Daughter / Speed King
1994
4.14 | 7 ratings
Black Night
1995
3.00 | 3 ratings
Aviator
1996
2.33 | 3 ratings
Hey Cisco
1996
4.63 | 7 ratings
Sometimes I Feel Like Screaming - Vavoom: Ted The Mechanic
1996
2.00 | 2 ratings
The Turtle Island Shuffle
1996
2.33 | 3 ratings
Don't Hold Your Breath
1996
3.25 | 4 ratings
Any Fule Kno That
1998
2.33 | 3 ratings
Don't Make Me Happy
1998
2.33 | 3 ratings
Whatsername
1998
3.67 | 3 ratings
Black Night (live Australia 1999)
1998
2.67 | 3 ratings
Smoke on the Water (live '99)
1999
2.79 | 19 ratings
Days May Come and Days May Go: The 1975 California Rehearsals
2000
4.00 | 8 ratings
1420 Beachwood Drive: The California Rehearsals Pt 2
2000
3.00 | 5 ratings
Rapture Of The Deep
2005
3.00 | 3 ratings
Rhino Hi-Five: Deep Purple
2005
3.60 | 5 ratings
Well Dressed Guitar
2005
3.00 | 1 ratings
Encore: Lucille / Maybe I'm a Leo
2012
3.50 | 6 ratings
All The Time In The World
2013
4.13 | 8 ratings
Time For Bedlam
2017
4.14 | 7 ratings
All I Got Is You
2017
4.00 | 5 ratings
Limitless
2017

DEEP PURPLE Reviews


Showing last 10 reviews only
 InFinite by DEEP PURPLE album cover Studio Album, 2017
3.54 | 38 ratings

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InFinite
Deep Purple Proto-Prog

Review by siLLy puPPy
Collaborator PSIKE Team

3 stars An unbelievable half century, yes that's correct, 50 years(!!!) since the seeds of the group were sown in their first incarnation called Roundabout, the band that became DEEP PURPLE just a year later has defied the odds of surviving far into the following century. Almost as if giving a sign of their intent to stay around forever, they release their 20th studio album INFINITE (which cleverly depicts the initials DP forming the infinity sign that has been broken into ocean ice floes by the icebreaker USCGC Healy of the US Coast Guard) in 2017 although the first single "Time For Bedlam" was released as a teaser in Dec 2016 and caught my attention as it signaled that the band were aiming for their classic early 70s sound when they were hitting high notes with "In Rock" and "Machine Head." Despite the classic Mark II sound, this is the same DEEP PURPLE lineup that has been consistent since 2003's "Bananas" album with longtime members Ian Gillan, Roger Glover and Ian Paice alongside newbies Steve Morse filling the shoes of the classic Ritchie Blackmore and Don Airey taking over the keyboard duties of legendary Jon Lord. Despite the newer lineup, everyone successfully channeled their inner early 70s zeitgeists and create one of the most retro albums of their career with INFINITE.

After an unusual monk like chant accompanying a droning synthesizer the band jumps right into their classic business on the opener "Time For Bedlam" which contains all of the elements that made the classic period so damned good as they check off each and every one of them. All those classic guitar riffs and melodic solos? Check. Magical organ runs that provide ample amounts of atmosphere and exquisitely designed classical workouts? Check. Catchy hooky melodies that make memorable sing-alongs? Check. Percussive drive with all the rhythmic breaks and appropriate pauses? Ditto. Even Ian Gillan sounds the same although it's somewhat obvious at times that he has passed his prime but at the age of 71 his voice has held up quite well. The only time i feel he's woefully substandard is on the Doors cover track "Roadhouse Blues," but then again who could possibly fill Jim Morrison's shoes?!!!

INFINITE delivers exactly what you would expect from a retro sounding album that somewhat makes the listener wonder if the album was actually created in the early 70s and the band have just finally gotten around to it as every aspect including lyrical content brings one back to a more care-free era of energetic hard rock and free love at its creative peak. While DEEP PURPLE released a fair number albums of this type in the 70s, the songwriting has always been a bit hit and miss on some of their lesser knowns but on INFINITE they manage to conjure up a whole album's worth of catchy hard hitting tracks that for the listening time suspend all belief that the most members are well into their 70s and the youngest band member, Steve Morse is 62! Perhaps my favorite aspect of this album is the letting-it-loose keyboard skills of Don Airey who unleashes his playing prowess in myriad forms. Not only does he emulate Jon Lords rhythmic key riffing of the past but dishes out some seriously quickened and individualized solos and really fills Lord's shoes in every possible way while adding his own touches that fit in with the intended retro sound so well.

If a totally retro DEEP PURPLE album appeals to you then you are in for a treat. The album is particularly strong in the songwriting department and will truly tinkle your ivories with riff and after riff reminding you of the good old days however this album is not without its flaws. My main gripe is with the horribly compressed production which sounds too flat and tinny for its own good. Perhaps they were trying too hard to sound authentically retro but ultimately this is the biggest impediment for enjoying the album despite the great tracks. Ultimately this is a decent comeback album that follows the direction initiated by 2013's "Now What?!" with a return to bluesy hard rock with that classic keyboard sound but for an album that is released in 2017 i would expect a more robust engineering job in the studio even if the final desired product was to be as 1972 as possible, i mean even albums FROM 1972 sound better than this. As for the music itself, i personally think this is the best DEEP PURPLE album since 1984's "Perfect Strangers" as i've always found the three decades of material that came after to be fairly stagnant and well,,,, boring! INFINITE finds DEEP PURPLE realizing they needed to move away from their less than exciting experiments they've engaged in and revert back to what they have always been the best at, namely crank out the classic keyboard driven hard rock gusto that made them a household name in the first place and with INFINITE they more than prove that they don't need Blackmore or Lord to revisit those glory days.

3.5 but i can't seem to let myself round this one up

 Come hell or high water by DEEP PURPLE album cover DVD/Video, 2001
4.01 | 44 ratings

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Come hell or high water
Deep Purple Proto-Prog

Review by tvtennis

5 stars From time to time I have gone back to revisit this performance by MK II. On both; CD as well as the DVD releases. I've owned them since their release, but due to the emphasis being predominantly on Blackmore throwing water on the cameramen, I have missed the high level of the performance the band puts on. It is true by the bands' own admission that they had to work "extra hard". Perhaps that is the reason why this performance is somewhat different from the handful of others out there. All of the members have picked up their level a little extra. As far as Richie goes, he is being himself. His standards, as we all know, are quite high, so it does not hurt the show. It might even add to it a little. Having seen most of these songs performed n'teen times in the past over the years, from numerous live performances official and not. It is rather interesting to experience how an experienced band of guys can make it happen, and hardly miss a beat, giving the audience their value. Note: the DVD has a few more tracks on it than the CD release. The set list is impressive, "Anyone's Daughter" is a special treat from Fireball, and the sound quality is outstanding. Yes, Blackmore is in some what of a foul mood at the start, but having said that, it effects ONLY the first few minutes of Highway Star. If anything, it is exciting to see the slightly different (organ heavy) version of this track. Now I wish the CD reflected the rest of the tracks found on the DVD, I actually miss them.
 Come Hell Or High Water by DEEP PURPLE album cover Live, 1994
3.36 | 71 ratings

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Come Hell Or High Water
Deep Purple Proto-Prog

Review by tvtennis

5 stars From time to time I have gone back to revisit this performance by MK II. On both; CD as well as the DVD releases. I've owned them since their release, but due to the emphasis being predominantly on Blackmore throwing water on the cameramen, I have missed the high level of the performance the band puts on. It is true by the bands' own admission that they had to work "extra hard". Perhaps that is the reason why this performance is somewhat different from the handful of others out there. All of the members have picked up their level a little extra. As far as Richie goes, he is being himself. His standards, as we all know, are quite high, so it does not hurt the show. It might even add to it a little. Having seen most of these songs performed n'teen times in the past over the years, from numerous live performances official and not. It is rather interesting to experience how an experienced band of guys can make it happen, and hardly miss a beat, giving the audience their value. Note: the DVD has a few more tracks on it than the CD release. The set list is impressive, "Anyone's Daughter" is a special treat from Fireball, and the sound quality is outstanding. Yes, Blackmore is in some what of a foul mood at the start, but having said that, it effects ONLY the first few minutes of Highway Star. If anything, it is exciting to see the slightly different (organ heavy) version of this track. Now I wish the CD reflected the rest of the tracks found on the DVD, I actually miss them.
 Burn by DEEP PURPLE album cover Studio Album, 1974
3.84 | 717 ratings

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Burn
Deep Purple Proto-Prog

Review by Progfan97402

4 stars Although I have always enjoyed Deep Purple, I hadn't bothered buying much of their albums but sporadically, probably due to a lot of my years spent on buying more obscure stuff, but since a lot of the obscure stuff is just costing too much (the Italian prog, for example), I had to concentrate on lesser obscure stuff, like the Doors or Deep Purple for some catch up work. Burn brought in an then-unknown David Coverdale and Glenn Hughes from Trapeze, and for many, it's an improvement over Who Do We Think We Are (although I thought that one was underrated and I enjoyed that one too). It's been said the Coverdale and Hughes had brought in soul and funk influences in the band, but that's pretty much toned down on Burn, but brought much more in the front on their next one, Stormbringer. I remembered as a kid hearing the title track on the radio, it doesn't get the recognition of "Smoke on the Water", but still full of great guitar playing from Ritchie Blackmore, and Jon Lord does some extended organ, and even synth solos here. "Might Just Take Your Life" really features a nice organ riff from Lord, but for the most part, a bit on the bluesy side (Deep Purple only proves how much early heavy metal was rooted in the blues). "Lay Day, Stay Down" shows a bit of that boogie influence, but at least Blackmore made sure it still stayed in the hard rock/early metal vein. "Sail Away" is a bit on the funky side that I really like. The vocals sound deeper, so it's probably not Coverdale singing this one, but Hughes. Check out that big fat Moog solo Lord gives, it's brief, but you could imagine that coming out of a modular Moog, although it was a MiniMoog (except for ELP, and some electronic artists like Tangerine Dream, the modular Moog was pretty much passe in the prog rock world by 1974). "Mistreated" is another one of those bluesy numbers, while "A" 200", clearly John Lord's is much more in the prog vein, and is the one song that progheads are most likely to enjoy. But then Deep Purple did help to pioneer metal, but they frequently had prog tendencies from time to time. This particular song even had a little bit of Mellotron (Mellotron also appeared on Stormbringer, as well as The Book of Taleisyn on "Anthem"). While it's clear Burn isn't as great as the best Mark II lineup albums, it certainly is still very much well worth having, and still sounds like a Deep Purple album.
 Made In Japan by DEEP PURPLE album cover Live, 1972
4.50 | 626 ratings

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Made In Japan
Deep Purple Proto-Prog

Review by LadyScarlet

5 stars This is without doubt the best live album made by anyone, and the most worn out LP of mine. Made in Japan shows Deep Purple at their peak, and the album contains many interesting parts. The album starts with the perfect show-opener "Highway Star". It contains of simple and effective riffs, mixed with virtuostic solos, beautiful arpeggios and Ianīs screaming vocals. The Made in Japan version of this song is also a perfect example of how tight Deep Purple was back then. "Child in Time" is the next song, and it is also one of my Purple favourites. On this version, you hear epic dynamics, unmatched singing from Gillan, a great organ solo by Jon Lord, extended and rapid guitar improvisation by Blackmore etc. As a whole, incredible song and performance! "Smoke on the water" isnīt the most known riff in the world for nothing. Killer riff, and great energy througout the song. As usual, unique and great solos by both Blackmore and Lord, and also the lyrics tells us a funny story. "The Mule", with its snakecharming theme, is the showcase for the amazing drummer Ian Paice. With that said, I tend to be inpatient with drum solos, so this is not my favourite track on the album. But I really like the way the band starts playing those rapid, unison licks after a long drum solo, and Paice just keeps going, drumming like a maniac! "Strange kind of Woman" is another favourite of the album. Very simple, swinging rock song, and then the guitar solos come! this song may contain the best guitar improvisation ever recorded with the two extended solos by Blackmore. The solos contains technique, melody, feeling, creativity and energy, just about everything you could wish! Strange kind of Woman also includes the interesting vocal/guitar battle between Gillan and Blackmore, which shows off Gillans incredible vocal range, and how good the two of them worked together musically. "Lazy" is in a way very basic, and in a way not basic at all. It starts off with a crazy organ intro, where Lord show us every possible way of playing a hammond. The song is simply a 12-bar, but heavily modified with Purple charachteristics. Fantastic soloing, great energy and pace, a break were Blackmore is quoting a swedish tune called "Midsommarvaka" and then the band get together again and finish the song in a classy way. Stunning performance! "Space Truckin" is the last song of the album, and covers a whole side on the LP. Itīs a classic Purple song, and in this version it includes endless improvisations by the band, primarly by Lord. Not my favourite, but still a cool way to end an album. Five stars on this one without doubt, it belongs in everyones record collection!
 Shades Of Deep Purple by DEEP PURPLE album cover Studio Album, 1968
3.29 | 483 ratings

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Shades Of Deep Purple
Deep Purple Proto-Prog

Review by siLLy puPPy
Collaborator PSIKE Team

3 stars What strange beginnings for one of the three unholy trinity bands that together with Led Zeppelin and Black Sabbath would introduce the world to a new universe of music in the forms of hard rock and heavy metal. Despite their contributions they started out much like The Monkees in formation, meaning that members were recruited by Chris Curtis who had visions of creating a supergroup called Roundabout which was to have a rotating cast of musical members. He approached the business tycoon Tony Edwards for funding and the first members he managed to woo into the project were none other than keyboardist Jon Lord and guitarist Ritchie Blackmore. Also fulfilling what is now referred to as the Mark I era of DEEP PURPLE, were Nick Simper on bass, Ian Paice on drums and original vocalist Rod Evans who was definitely no Ian Gillan but did suit the 60s psychedelic leanings of the sound the band were engaging in at this stage.

This album starts off with the groovy instrumental "And This Address" which gives me flashes of partying with Austin Powers in somewhere 60s London which also has slight references to the following track and single "Hush." This single is one of those songs i never dug too much but i have to admit it's played very well and the instrumental exchanges are fairly complex for psychedelic music of this era. It's not really as bad as i've always made it out to be. I have to admit that i've had a change of heart on this debut album. I used to despise early DEEP PURPLE but as i've grown more fond of 60s heavy psych and the sound that surrounds it, i have gained an appreciation for album number one of one of hard rock's most famous offerings. While there are still many things i dislike about this one in comparison to later releases, there is still a lot to like here. This is 60s psychedelic rock through and through and on this one Jon Lord is the star with his classically infused keyboard runs and i can only admit that this music is played extraordinarily well and quite sophisticated for this era in rock history. The musicians gel together beautifully. Nick Simper's bass playing is surely a major factor as he displays a passionate energy that seemingly holds the whole thing together. Surprisingly Blackmore's guitar contributions are quite subdued.

The reasons this album fails to blow me away are manyfold. Firstly, i'm not a huge fan of Rod Evans vocals. Although he gets the job done in tune and all he still fails to be a charismatic lead vocalist and is no Jim Morrison or, you guessed it - Ian Gillan. Secondly, i'm not a huge fan of cover songs unless the band can take the bull by the horns and lead it to strawberry fields forever. While i admire their attempt on this one to conquer huge hits by The Beatles ("Help") and Jimi Hendrix ("Hey Joe") and i quite love the instrumental embellishments, i simply feel these tracks derail the momentum of the album as a whole. Thirdly, while the musical equation of the album is fairly well done, the lyrical contributions have some serious lameness at times. Perfect example is the instrumentally competent "Prelude: " which delivers "Happiness" in the beginning but once it gets to "I'm So Glad" and repeats that phrase ad infinitum, it makes me want to gag myself with a pitchfork and orally excrete my stomacal contents. In the end this is too much of a mixed bag and the bad makes me enjoy the good less than others seem to. For all the positive elements on this debut release, i'd rather just fast forward to the Mark II phase and be issue free.

 Concerto for Group and Orchestra by DEEP PURPLE album cover Live, 1969
3.24 | 262 ratings

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Concerto for Group and Orchestra
Deep Purple Proto-Prog

Review by Progfan97402

3 stars Jon Lord must've had a monster-sized ego to come up with orchestra and rock group concept. Not that they would be the first (the Moody Blues were the first with Days of Future Passed) nor the last (Procol Harum, Rick Wakeman, The Nice, ELP, even Eloy, if you're wondering what that Eloy album was, it was Dawn) had all tried rock with orchestra concepts with varying degrees of success. Lord had a background in classical so I guess he was familiar with the music. I'm sure at fire Malcolm Arnold, the conductor had his reservations, but then it resulted in him being pleasantly surprised to see a rock and roll musician try classical and had an understanding in classical composition. Ritchie Blackmore thought it was a bad idea and felt the orchestra was rather condescending (the usual rift between classical and rock). This album was the first with the Mark II lineup (Roger Glover and Ian Gillan as the newcomers, as you probably already knew that) and a rather strange way to get started. I was resistant in buying the album because of the mixed reaction, but since I found a used LP for cheap (second American pressing on Warner) I gave it a shot and wasn't all that bad. Certainly there are big glaring obvious flaws that there isn't too much band/orchestra interaction. Usually it seems one of the band members will participate with the orchestra but rarely the whole band, and when the whole band performed, as in the killer jam they do on "First Movement" the orchestra remains silent. "Second Movement" is actually two parts (because of the time constraint of the LP). Ian Gillan does everything to sound like his predecessor Rod Evans, you'd almost think Evans was still a member of the band. He never uses his trademark high pitch screams (a big influence on the likes of Rob Halford, Bruce Dickinson, Ronnie James Dio and many other heavy metal singers). The second half of the "Second Movement" has some bluesy passages from the band, while "Third Movement" is most notable for the extended Ian Paice drum solo, like they were taking after the likes of "Toad", "In-a-Gadda-da-Vida" or even "Moby Dick" (but bear in mind this was recorded in September 24, 1969, LZII was released a month later). The '70s was often considered a decade of excess, and this album is the epitome of '70s excess, even if it was released in December 1969 (originally in the US on Bill Cosby's Tetragrammaton label, yes THAT Bill Cosby, although that pressing is hard to find give the label quickly went belly up shortly after this album's release and no wonder Warner gave that album a second life when the band moved to that label in the States, since it didn't have much a chance on Tetragrammaton).

I have to say it wasn't entirely a success. There could have been more band and orchestra interaction. The Moody Blues's Days of Future Passed wasn't entirely a successful combination of rock band and orchestra, it too suffered problems of lack of band/orchestra interaction (either the band plays or the orchestra), it was a big commercial success, and even a critical success, because at least there the orchestra frequently played themes that the band would often play too, although (I'm not the only one) many had criticized Peter Knight's orchestral style as it veered too close to lite classical (but then to be fair, it seemed lite classical was a big influence on the Moodies). Deep Purple it sounded like the orchestra did not relate to the band, and neither did the band relate to the orchestra, aside from Jon Lord.

It can be easily thought of in many different ways: Rubbish, a rock band/orchestra experiment that failed, 70s excess at its worst, or actually a great example of proto-prog. I am a bit torn about this album, but to my ears it isn't too bad, but this isn't exactly In Rock or Machine Head, and I obviously didn't expect that. There are some brilliant ideas, but there areas either the band or the orchestra loses focus. So I guess three stars it is, because I enjoyed it despite obvious flaws.

 Machine Head by DEEP PURPLE album cover Studio Album, 1972
4.31 | 1075 ratings

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Machine Head
Deep Purple Proto-Prog

Review by FragileKings
Prog Reviewer

4 stars I don't like to review classic albums very much because anything that can be said about them has already been said and everybody already has an opinion anyway. Obscure bands or lesser known albums are more fun to dig up and inform the world of their existence. But today I listened to this album all the way through for the first time in maybe 8 years or so, and I found I heard it in a whole new way.

I became a fan of Deep Purple back in '84, only a couple of months before the reunion album "Perfect Strangers" was released. I loved it! But DP albums were not easy to find on cassette back then. I was lucky to find "Burn" and "Fireball" but "Stormbringer" and "Come Taste the Band" were not available. After "House of Blue Light" I lost interest for many years. Ian Gillan was gone then back. Then Ritchie Blackmore was gone. But in 2006 I was curious about "Rapture of the Deep" and I liked it enough to go and buy all DP's studio albums on CD. All of them!

Then for the last nine years or so, I haven't listened to any album from start to finish except for maybe "In Rock", which is still my favourite. But last night I was suddenly struck with the desire to hear "Machinehead" again and this morning in went on play.

From the start, "Highway Star" seemed to be lacking something. There was a lack of bass depth. My ear buds? The music is fast but basically very simple-sounding. The lyrics are like something a bored person would write when half drunk and just taking the piss on lyric writing. The only place I felt the song really shines and shows what the band is truly capable of is in the guitar and organ solos. Here we get a glimpse of the musical prowess of the band. But "Highway Star" is a rock classic, and for speed and Gillan's soaring screams at the start, the proto-metal element is sufficiently there.

"Maybe I'm a Leo" is strangely my favourite track. It has this funky drop down groove and the music is full, rich in bass, and sounds wonderful. The guitar solo comes in with style and smoothness. The 30th anniversary reissue includes a disc of remixes with alternate guitar solos and the solos for this song and "Smoke on the Water" just don't have the same articulation and style. They are just lead guitar solos. On the originally released version, Blackmore goes for style and feel rather than technincal skill or speed and it just works! Jon Lord's organ sound on his lead part is not really a favourite of mine but he makes it work for a simple but appropriate bluesy solo. Ian Paice still has his chops, putting in fills and doing great stuff on the drums. This would slowly disappear from his drumming with Deep Purple and be almost absent for many years.

"Pictures of Home" is one of three songs the band wrote about their experience recording in a closed down hotel (closed for the season) at Lake Geneva. It opens with a drum intro and features solos by Blackmore, Lord, and Roger Glover (bass) as well!

The original side one closes with "Never Before". It has another funky groove to the intro. It's here where I began to really notice how the band was playing their music. Everybody has a part and each part seems independent in that each musician has his own riff or rhythm bit to do. But they of course put all their parts together to make the songs. This is what I was missing on "Highway Star". Now the band are like different components of a machine all moving in their own functional space but all responsible for making the machine work smoothly. It's not rhythm guitar, organ, and bass all playing the same thing to a 4/4 beat. This is prog style composition. And the remarkable thing is that Deep Purple, on "Machine Head" for sure, are playing heavy rock with blues and funk and classically-influenced solos, composed with prog thinking and coming all together in songs that became radio hits and fan favourites. I've been listening to an awful lot of proto-metal and prog from the 1969-1974 period (I don't mean the music is awful) and I think I can finally appreciate just what a feat Deep Purple accomplished with this album. When David Coverdale joined the band, he said in an interview that he had played with great musicians before but this was a whole knew level. I'm starting to appreciate that.

"Smoke on the Water", everyone knows the riff, everyone knows the story in the lyrics. But what about the riff during the verses and chorus? Again, each musician has got his own thing going on. It's not as simple as one might first think. The guitar solo is really so well laid out, especially how it wraps up as the lead riff returns. The organ solo is left until the end and Paice puts in some tasty drum work as the song slowly fades out. The band never intended for this to be a single. They had high hopes for "Never Before". But the audience told them that this song was the ticket! On YouTube I saw a video of songs Deep Purple allegedly ripped off and the "Smoke" riff apparently already existed in some jazz piece, but in another interview, Blackmore said he got the idea by reversing Beethoven's Fifth Symphony intro notes. Whatever the case, the "Smoke" riff along with "Satisfaction" by the Stones have been recognized as the two most well-known riffs in rock history. Elementary school students in Japan who haven't the first clue about anything other than The Beatles (and only if their parents like them) know the "Smoke" riff. Like Beethoven, Blackmore's riff may just live on for centuries.

"Lazy" is a clever piece with a classical organ intro that slides into a grumbling blues. The whole instrumental first half of the song has the band putting out so many moves shifting between straight ahead blues and blues-based rock. The song itself is alright and Gillan brings back his scream vocals. It wraps up like a blues club act.

The album closer "Space Truckin'" is where the band probably reach their most metal point. There's this awesome groove where the drum beat and the guitar/organ notes alternate and it gives the song a terrific charged feeling. Gillan goes full force at the end and the blues-based heavy riff is really a peak point on the album.

The 30th anniversary edition includes "When a Blind Man Cries" and is the third song about the Swiss experience. Though it wouldn't have really had an appropriate spot on the album, it makes a great bonus track. Gillan is so smooth and Blackmore's guitar solo is full of emotion.

I was originally disappointed with this album, way back in 1984 when I first got it, because it didn't rock out with that same wrecking ball assault attack that "In Rock" did. This album is smoother, cooler, groovier, and more mature. It's very cleverly composed songs and music. It's not heavy as in metal very much and it's not prog like their first three albums were more like. It is a classic album for a very good reason, though. It's some damn fine music!

 Deep Purple by DEEP PURPLE album cover Studio Album, 1969
3.61 | 535 ratings

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Deep Purple
Deep Purple Proto-Prog

Review by Magnum Vaeltaja
Collaborator Eclectic Prog Team

3 stars What we have hear is possibly the finest example of proto-prog that Deep Purple ever put out. But, as experimental and original as the music on this self-titled release is, it is not quite up to the same standard as what would come with the band's Mark II era.

Even though "Deep Purple" has numerous tracks, ranging from "Chasing Shadows", which sounds like an early demo version of Uriah Heep's "Look At Yourself", to backwards tape experiments to folk-ier acoustic ballads to typical blues rockers, the one that should be on everyone's mind is "April". Indeed, if there's ever a reason to buy this album, that would be it. A 12 minute suite, "April" was probably one of the finest prog tracks when it came out, perhaps even one of the first prog epics, period. The first section is classic British prog-folk, with Ritchie Blackmore offering beautiful pastoral guitar and Jon Lord complementing him with his signature distorted Hammond organ. If you're a fan of early Genesis or just a fan of the general pastoral English vibe with blues touches going on in a lot of the prog of the time, these 4 minutes alone are worth investigating. From there follows some orchestral string interplay, before a haunting bluesy conclusion wraps up the album.

If only "April" had been revisited later with the Mk II era and included on one of their phenomenal albums; unfortunately the rest of the material on "Deep Purple" is too forgettable to give this album over 3 stars. Still a great disc to look for if you're into turn-of-the-70's proto prog, a la "Salisbury". Good, but non-essential.

 Stormbringer by DEEP PURPLE album cover Studio Album, 1974
3.06 | 554 ratings

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Stormbringer
Deep Purple Proto-Prog

Review by Prog Leviathan
Prog Reviewer

2 stars Easy and approachable, Stormbringer satisfies a hard-rock itch by scratching with the right combination of loud and heavy riffing, rugged vocals by David Coverdale, and Blackmore's signature guitar soloing. John Lord's keyboards, which occasionally drift into the funky lilting of the era's R&B/Soul sound, add an interesting touch as well. Some reviewers describe that Stormbringer is an off putting album because it plays with the Deep Purple formula a little too much; after all, this is Blackmore's last record with the group before he formed the (more interesting) Rainbow. For me, my criticism drifts more to the song writing, which is about 50% creative hard rock or thoughtful balladry, and 50% sex-drugs-and-rock-and-roll schlock. A few of these moments will appeal to prog fans, but for newcomers to the band Stormbringer may not be much more than a fun diversion in to '70's hard rock. Which, in scheme of things, is actually a pretty awesome place to be! Check it out after listening the bands more complete and influential works.

Songwriting: 2 - Instrumental Performances: 3 - Lyrics/Vocals: 2 - Style/Emotion/Replay: 3

Thanks to Raff for the artist addition.

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