HOLY LAMB

The concept must be taken with a pinch of salt, and thankfully the band themselves seem to take it with humour because otherwise it could have sounded terribly nerdy and pretentious. The album booklet includes the lyrics (in English) but not the story itself, which used to be available in the band's website but apparently has been mysteriously removed, so at risk of making this a painfully long review I will post it here for you:

Headturn was the demi-god assigned to rule the World of Music, and under his control musical art flourished, filling the world with peace, art and happiness. But another demi-god, the evil and greedy Makhtartam had different plans and wanted to turn music into a money-making machine at his service. He had been conquering different aspects of the world and locking their respective demi-gods in cages, but Headturn's cage was still empty. With help from the Low Brotherhood he managed to catch Headturn and lock him too into his cage. The Low Brotherhood then proceeded to create cheap music in the form of 'bricks' which they unleashed on the unsuspecting world. These bricks were highly addictive thus enslaving the music consuming population and generating big revenues for Makhtartam and his fellows.

Yet, before his capture, Headturn had seized stars from Heaven and sprinkled them throughout his land. Some of these fell onto fertile soil and thus the Fatty Brothers heard true music of the stars and avoided the enslavement of the musical bricks.

Meanwhile, God was not pleased with the imprisonment of his favourite demi-god and intervened to save him through the Angel Laudor, who provided the Fatty Brothers with 'the Skin of the Lamb', a sort of invisibility cloak by which they could approach the cages undetected and free Headturn. Along the way they met others who'd been touched by Headturn's scattered stars and joined them in their quest. Protected by the Skin, they finally free Headturn and depart for distant shores were pure music can develop again.

Yeah, even Rush's 2112 sounds serious next to this!

After such a long introduction I will not make a track by track review, but we find here excellent Prog with multiple influences ranging from King Crimson to Neo-Prog, Camel, Van Der Graaf Generator, other Rock- Operas such as The Rocky Horror Picture Show, Mike Oldfield, some Jazzy moments, Hard-Rock riffs, church organ parts, you name it. No weak moments in the whole album, my only warning concerns the vocals, not very good timbres and often excessively theatrical which can put some people off.

If this album was by a renowned band I would possibly rate it 4 stars but coming from an obscure Latvian band I find that I must reward their achievement and I will give it the 5 stars status.

It is a hugely impressive album from start to finish, with more than enough on here to interest the proghead. It is an album that is very cinematic in concept and in some ways it has more in common with shows such as Jesus Christ Superstar than to many other prog albums. I found that right from the beginning I was very involved in the music as it is highly complex, bringing in not only different keyboard sounds but also moving from pop into complicated hard rock.

Different vocalists have been used to assist in the telling of the story and this all adds to the theatricality of the album as a whole. Gentle flute and harp lend some passages a gentle tranquillity that is certainly missing from other sections! This is by far the best album that I have heard from Periferic and one that I can heartily recommend to all lovers of prog.

Originally appeared in Feedback #73, Jun 03

Any metal influence was now history and ''Salt Of The Earth'' presents a band heavily influenced by CAMEL, GENESIS, MARILLION and PINK FLOYD.''Whoever Designed This Game'' is characterized by its strong guitar work and the great sound twists in a typical Neo Prog mood along with excellent vocals, while ''The Lingering Dream'' is nice spacey instrumental track with hypnotic piano all the way and a fine FLOYD-ian ending solo.The 12-min. ''My Star Untouchable'' sees the band at its best, despite being almost a MARILLION rip-off.Incredible and dramatic guitar workouts, heavy sense of melody on the piano breaks and FISH-like spoken narrations among the great vocals of Aigars Cervinskis picture a composition full of intense emotions and shifting moods.''Rainfall In Your Heart'' is the most original composition by Holy Lamb on this work, having a Fusion-touch on the guitars and a light jazzy piano middle part next to the familiar melodic content.But this style does not fit the band very well I admit.The closing ''The Sea'' clocks at over 16 minutes and offers a nice Symphonic Rock experience with melodic guitars, calm pianos, crystalline female vocals and even a strong organ wash towards the end.Good track but not as compentent as ''My Star Untouchable''.

Well-crafted Progressive Rock with a few highlights to be found, that deserves a better fame.Very good vocals, impressive guitar work and intricate melodies will please the majority of prog listeners, though I can see many of them being turned down by the evident GENESIS and MARILLION influences.Still strongly recommended...3.5 stars.

Best tracks: The Plan That Failed Makhtartam & The Low Brotherhood The Meeting Of The Majorminors

The feeling is generally dark-symphonic, with solemn organ, magnificent piano and guitars and even gothic chorus sometimes, but melodies are very clear and beautiful at the same time.

I find reminiscences from bands like VDGG (and the contemporary VDGG influenced VERSUS X), a little bit from KING CRIMSON and many influences from the nostalgic Scandinavian bands (ANGLAGARD or SINKADUS). But despite these obscure references, it isn't an album difficult to listen to, being each track a little symphonic prog gem itself.

Almost 60 minutes with dark and -paradoxically- very luminous music. Really enjoyable, don't miss it.