ABSOLUTE ELSEWHERE

Wow totally different than their first mostly ambient 1976 electronic album (In Search of Ancient Gods) which I did not care for at all. Their intent was to be totally different on this one, and they did just that. This is straight up excellent complex and diverse yet unique late 70s prog/fusion mix (recorded 1977/78) with vocals that do not detract, dashes of fusion and harder rock. Production is excellent...both clear and warm. Recorded at CTS Wembley studio on the first Neve automated console, and it sounds like it, organic and state of the art for it's time. Guitar lines take center stage over a keyboards foundation a lot of the time. Drums are excellently complex, great feel and flow to the technical playing. Dashes of late 70s hard rock/metal almost (double bass in parts). Lots of creative changes and odd meters, keeping you at attention and surprised for what is to come next at every twist and turn.

I almost hear bits of Supertramp mixed with Gentle Giant if that makes any sense. Also Greenslade because of the jazzy prog blend and vocals remind me of Dave Lawson, thru a Daevid Allen or Steve HIllage filter, tho not jazz enough to be canterbury. A pinch of KC and VDGG edge. Really neat mix, Maybe some early Saga, Brand X, Alan Parsons Project, Camel, a dose of Gong, even borderline AOR ala Ambrosia, and yacht rock Doobie Bro/Steely Dan vibes with the chorused Rhodes, An overall quirky britishness is always present. Lots of floating lush keyboard pads set an ethereal spacey mood. Quite bright, fresh and uplifting, Keyboards mostly fender rhodes adds to the 70s fusion feel but doesn't push it to jazz.

Why this album was not released til 2024 is crazy...the reason cited was the new punk trend made their label drop it. If this was released then I think it would be a solid classic, The late 70s was not my fave prog period, but these guys really take the best of that time period and twist it into something their own, really stands out as special, I cannot think anything that sounds like it. They probably could have been big with their seamless mix of accessibility meets complexity, really surpassing so many of the best prog groups of the time at that. Very few mixed prog and fusion so seamlessly, along with the great balance of songwriting, vocals and technical playing, just super all around.

I think most any prog fan will find much to like as it covers a wide ground, just not their early dark electronic ambient style, but that is fine as that was quite an odd love it or hate it album, this one had/has far more mass appeal but never got it's due, so check it out and show it the attention it should have gotten back then, a real time capsule treasure. Just wish it were longer, feels about 3 songs too short. Please guys release more if any left in the vaults, a new fave.

Keyboardist and flautist Paul Fishman's 1976 work `In Search of Ancient Gods', under the project name Absolute Elsewhere, is something of a minor classic of both spacey and symphonic instrumental progressive rock of the vintage era. Based on the pseudo-science/alternative history books inspired by the theories of author Erik von Daniken, `...Ancient Gods' enjoys something of a raised profile due to the drumming contributions of King Crimson/Yes member Bill Bruford, yet it still remains fairly obscure and something of a kept secret! Swamped in dreamy and lavish keyboards, the album houses everything from extravagant symphonic multi-part suites, drifting space-music electronics, shorter Rick Wakeman-esque fanfare interludes and experimental psychedelic fragments.

There's spacey whirring synths and glorious dreamy Mellotron-glossed themes aplenty throughout nine-minute opener `Earthbound', laced with a chilled-out Seventies coolness (some of it sounding like a template that French band Air would employ on their classic full-length debut `Moon Safari' in 1998, though it's likely a coincidence) that even calls to mind the fuzzy dreaminess of Bo Hansson's `Attic Thoughts', some laid-back drumming and drifting flute giving the piece a soft pattering of jazzy flavours, and a final run of electric guitar fire bringing a smouldering groove. Trickling subtle sequencer beats pan left and right throughout `Moon City's bleeding deep-space drones, and the near twelve-minute five-part suite `Miracle of the Gods' darts through everything from nightmarish electronic twitches and reprising soaring Mellotron/Moog themes in the manner of Pink Floyd, Novalis, Camel and Pulsar, delicately moving towards ethereal ambient paths and pristine piano ruminations in crucial little diversions.

The second side opens with two shorter interludes, `The Gold of the Gods' and `Tokleta', the first a whimsical and slightly kitsch synth fanfare, the latter a mysterious and softly melancholic Moog reflection. Two ten minute workouts close the album, first `Chariots of the Gods' opens as a subdued and melancholic Rick Wright-like piano reflection before revealing relaxed jazz/funk grooves, and `Return to the Stars' is a slowly revealing Tangerine Dream-like expansive distortion-laced ebbing electronic drone that is completely seductive, enveloping and deeply immersive.

Although there's some conflicting little passages and a few questionable production choices here and there (the pretend `stuck vinyl' fade-out halfway through `Chariots of the Gods' is a bit of a cop-out, and the little pieces that open the second side are somewhat out-of-place distractions!), `In Search of Ancient Gods' is mostly full of exquisite and grand instrumental symphonic music crossed with experimental and atmospheric electronics, with several truly jaw-dropping moments for lovers of lengthier keyboard and Mellotron-drenched grandiosity. This successful fusion of styles makes for an album that is so close to being an absolutely classic symphonic/chill-out/electronic crossover work, one well deserving of renewed attention for its own merits far beyond the contribution of a legendary drummer alone.

Four and a half stars.

(Thanks for Bruce Jenkins of the superb music blog Vinyl Connection for hooking me up with an LP copy!)

No one talks about these records anymore. And it's a shame, because in this case we have the brainchild of the one (16 years old at the time !) Paul Fishman who wanted to make the music behind Erich von Daniken's books (indeed the sleeve is like one of all those books) and ended up with this magnificent symphonic-alien soundrack. I've read the complaints of fellows reviewers about Bill Brufford's undistinguished involvment, but I find them pointless. Brufford was a hired hand here, the music would be the same even without his presence. The keyboards are the dominant force played very creatively from Fishman himself and in a very melodic manner. Synthesizers, piano, mellotrons e.t.c. go in and out with a logical sequence which could be found only in the best Tangerine Dream music of the period (1976) but the more symphonic approach will please Camel fans too. This is the best chill-out music I've heard so far. For full effect, listen to it alone in the dark or better still, in a very distant place. Magic stuff.

Featuring Bill Brufford on drums, In Search of Ancient Gods doesn't sound like Yes. Actually, Absolute Elsewhere was a project by Paul Fishman, the brainchild who wrote it all. He plays almost everything here (synths, flute, pianos, mellotron...), but drums and guitar. The album is very ecletic, including symphonic / electronic suites, trippy and atmospheric songs and some cheesy moments, but the spacey mood of the album wasn't that bad for me, as many other reviewers have been describing along the years. This is a concept album, inspired by Eric von Däniken books and theories about supposed aliens that came down to earth in distant ancient times. I'm not a believer, but I totally agreed that Däniken works are great material to study and write a conceptual suite about it, since I wrot a song with a similar concept (Protoculture), but influenced by a theory from a sci-fi series.. For sure, you will find a big s booklet together with the music, full of quotes and stuff, and pics from places that Däniken claims prove his ideas. My favorite moment of the album is the short analog synth solo The Gold Of The Gods, and the hypnotic progression of Chariots Of The Gods. Absolute Elsewhere's one shot "In Search of Ancient Gods is not an essential album, but the SCI-FI development together with the enjoyable suites and rarity level to find this piece nowadays, make this one a valuable album for any progressive rock collection.

This is an album I didn't know at the time. Like much of the Italian prog music, I never saw it in the shops over here. It's not too bad an album. I actually have the impression that the French band "Air" found some inspiration here from "Earthbound/Future past".

The music varies from mellow strings to now and then darker passages. Everyone seems to drewl by the name of Bill Bruford here... He's a decent drummer true, but this is not HIS album. I didn't really know what to think at first hearing but music holds together well. Beautiful flute, good bass..

I always loved Von Dainikins books, I think I read them all at the time and the music quite fits them. And the artwork is just too beautiful!!! A 4 star.

Absolute Elsewhere was just formed to put music behind the story written by Eric von Däniken, a Swiss author known for his claims about extraterrestrial influences on early human presence on earth (his ideas are mostly rejected by scientists and academics ...but who cares...the story behind the facts was good !).

The music had to be in such context, and sometimes melodies with deep «background sentiments» and fewer notes is much more inherent to similar writings than fast «riffs».

From my view, musicians on this album were of great talent. Melodies are appropriated and well played. I discovered (at that time) Phillippe Saatchi, on electric guitar, who played really nice lines. Saatchi was a jazz guitarist and I can assure you his play was not that easy as it could looks at first.

Of course the presence of Bill Bruford add a special tempo and mood to this album, but overall it still is a really nice piece of «vinyl» to keep in a collection.

what can i say about this AMAZING album???

the first time i hace this in my hands was when i was 12 o 13 years old :-P remember those PETROLEUM discs????? XDD it sounded interesting quite a bit because i have hear some old great YES stuff...and i wanted to hear anything related to YES...needless to say, the grat Bull Brufford played drums on this album

it was like and ENDLESS circle....the more i hear this album, the more i wanted to read about Erich Von Däniken books....and the more i read, i wanted to keep listening this album

Starting with EARTHBOUND, is just an amazing SPACE VOYAGE (no drugs needed XD) with all the mellotron sequences....back to earth with MOON CITY and its prog sound

MIRACLES OF THE GODS...retakes the amazing and LONG journey (11:49 MIN) throug space with tons of mellotro, synthesisers and sequencers

THE GOLD OF THE GODS...man...this reminds me CLOSE ENCOUNTERS...the part when they make CONTACT :-P

TOKTELA take you to another lavel with meoldic and peacefull mellotron sounds...to bad this song last just 1 and a half inute :-(

CHARIOTS OF THE GODS...amazing SPACE SOUNDS along with melodic and depressive piano notes...the bass solo lines put some heaviness the the song and the drums add some progressive sound to the song along witht the forth and last part of the song...VERY prog...

RETURN TO THE STARS...space sounds, synthesysers, sequencers...this one reminds me the beginning of XANADU´s RUSH

NO VOCALS WANTED or NEEDED for this album

one of my very very fav prog albums

Very nice album. Very balanced and calm and I really apreciate this work. To me, this album is not in Jazz Fusion family that I realy apreciate to, but is in Psichedelic Space Rock vein. The works of keiboards create a space melodic atmosphere, and the guitar, made the synergy of all power of this album. The drums are nothing special but the necessary to made all calm music and space. I like this work. I think that we can listen a really Progressive album of the best of 70 years. If you don't like calm music you don't like this. Not for metal fans but is a album for who like the Progressive melodious music of 70 décade. 4 to 4.5 stars.

Only thing I originally knew about this album was that it deals with some von Däniken's stuff, and Bill Bruford plays in it (later case was the main attractor). Spacey sounds introduce the mellow bluesy synth rock sound of this record, reminding a slightly more cosmic version of mid 1970's Pink Floyd sounds. The rhythms are not very unconventional, so the drum maestro is not highly in front. Some kind of reference of the sound could also be Alain Goraguer's music from the film "La Planète Sauvage", and some moments of Camel's "Moonmadness" record.

In the songs there is usually some quite simple theme as leading them, and then the solos for melodic harmonies are introduced for supporting it. Though there are longer tracks on the album, they are built from very simple elements which do not construct very ambitious compositions. So quite easy-listening stuff, but not irritating to my ears in anyway, more like some kind of proto-new age record for relaxation and amusement due some sympathetic playful fooling detected from the music. This works also as perfect background music for playing Commodore 64 games (especially song "The Gold of The Gods" for Commodore 64's "Montezuma's Revenge" game). The last song "Return to The Stars" is really great, an open calm aural space with minimal amount of events, just distant harmony.

I would recommend this for fans of vintage keyboard sounds, retrogamers. and certainly all those interested of von Däniken's fantastic books... Well, maybe the album titles referring to them do not have any impact to the music, but in this case I do not see it as any kind of trouble, but actually underlining the deep meaningfulness of this all. But I warn, DO NOT buy this due the famous great drummer included in it! His presence does not make this record anything special, nor does it ruins it, he just IS there. I encourage to try to approach the record without any preliminary demands, if descripted characteristics appear appealing.

Composition/Creativity: 18/25 The concept is interesting, if not particularly inspiring. It was certainly more in keeping with the times (1976) than it would be now. Compositions are not particularly well structured, a bit too meandering.

Musicianship: 17/25

It is a bit hard to tell just what the capabilities of the players on the album (besides Paul Fishamn) are.

Production/Sound: 22/25 Just what you'd expect ca. 1976.

Overall Effect: 18/25 In spite of some shortcomings I rather like this record. It has a nice peaceful vibe and the tracks Earthbound and Chariots of the Gods are particularly good.

Total Score: 75

Letter Grade: C / 3 Stars