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Prog Folk • United Kingdom

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Jethro Tull picture
Jethro Tull biography
Founded in Blackpool, UK in 1967 - Hiatus from 2012-2016

"I didn`t have to play it all the time, I just had to wave it around and look good" - Ian Anderson 2003.

Eccentric on stage yet rather thoughtful, reserved and even sombre at times when not in the limelight, the Jethro Tull image was the brainchild of flute wielding frontman Ian Anderson. Clad in scruffy vagabond apparel, and looking more like an anachronism out of a Charles Dickens tale, Anderson conveyed an old English aura during the band`s formative years in the late 60`s and early 70`s which would persist throughout the band's 40 year career both visually and musically.

Born on August 10, 1947 in Dunfermline, Fife, Scotland, Anderson was augmented by a revolving door of colourful musicians over the years which added to the flamboyance of the Jethro Tull phenomenon. Conceived as a psychedelic blues band in late 1967 the music of Jethro Tull has always been dauntingly intricate embracing many styles including blues, jazz, folk, medieval, classical, hard rock along with forays into electronic music, sometimes referred to as "space age prog". The lyrics were equally as sophisticated and sometimes reached new heights of grandiloquence commenting on depressing world events such as drug abuse, the oil crisis, modernisation, third world troubles and a deteriorating economy.. Other topics included fads, spy novels, environmental and social issues as well as metaphysical musings. With lyrics and music which ran deep Jethro Tull have often been over-analysed by both fans and critics alike and many of their albums have been erroneously interpreted as autobiographical due to the fact that many of their record covers featured artwork which seemed to depict Ian Anderson's likeness, something which he has vehemently denied in numerous interviews.

Jethro Tull can trace their origins back to 1963 when as a young art student in Blackpool, England Anderson formed a band called THE BLADES (after a club in a James Bond novel). By 1965 as a 7-piece they had changed their name to THE JOHN EVAN BAND and subsequently to THE JOHN EVAN SMASH (his mother supplied their tour van) Evan, whose real name was Evans, would eventually become the band's keyboard player for most of the seventies. The band relocated to London in`67, the centre of the British blues movement of the sixties in search of more lucrative gigs. However the band was gradually d...
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Heavy Horses (New Shoes Edition)(3CD/2DVD)Heavy Horses (New Shoes Edition)(3CD/2DVD)
Rhino/Parlophone 2018
$33.94 (used)
Songs From The Wood: The Country Set, 40th Anniversary EditionSongs From The Wood: The Country Set, 40th Anniversary Edition
Box set
Rhino/Parlophone 2017
A Passion Play (2xCD+2xDVD)A Passion Play (2xCD+2xDVD)
Rhino 2014
$20.38 (used)
The Very Best of Jethro TullThe Very Best of Jethro Tull
Parlophone 2001
$4.82 (used)
Thick As A BrickThick As A Brick
Parlophone 1998
$5.53 (used)
Parlophone 1999
$2.70 (used)
Minstrel In The Gallery 40th Anniversary La Grande Édition (2CD/2DVD)Minstrel In The Gallery 40th Anniversary La Grande Édition (2CD/2DVD)
Deluxe Edition
Rhino/Parlophone 2015
$31.99 (used)
Too Old to Rock 'N' Roll: Too Young To Die (2CD/2DVD)Too Old to Rock 'N' Roll: Too Young To Die (2CD/2DVD)
Box set
Rhino/Parlophone 2015
Jethro Tull - Original Album SeriesJethro Tull - Original Album Series
Box set
Rhino/Parlophone 2014
$13.09 (used)
Triple Album Collection (This Was/Stand Up/Benefit) - Jethro TullTriple Album Collection (This Was/Stand Up/Benefit) - Jethro Tull
Chrysalis 2015
$11.86 (used)
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*SEALED CASSETTE TAPE* JETHRO TULL "A Little Light Music" 1992 Chrysalis USD $8.50 Buy It Now
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JETHRO TULL 'Sweet Dream' 1969 German 7"/45 rpm vinyl single USD $16.86 [0 bids]
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JETHRO TULL discography

Ordered by release date | Showing ratings (top albums) | Help to complete the discography and add albums

JETHRO TULL top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.31 | 759 ratings
This Was
4.05 | 1124 ratings
Stand Up
3.91 | 953 ratings
4.34 | 2363 ratings
4.63 | 3017 ratings
Thick As A Brick
4.02 | 1330 ratings
A Passion Play
3.30 | 746 ratings
War Child
4.03 | 1092 ratings
Minstrel In The Gallery
3.09 | 693 ratings
Too Old To Rock 'n' Roll: Too Young To Die!
4.18 | 1288 ratings
Songs From The Wood
4.03 | 1054 ratings
Heavy Horses
3.47 | 668 ratings
3.21 | 559 ratings
3.27 | 599 ratings
The Broadsword And The Beast
2.23 | 474 ratings
Under Wraps
3.01 | 141 ratings
A Classic Case
3.23 | 533 ratings
Crest Of A Knave
2.70 | 420 ratings
Rock Island
2.61 | 391 ratings
Catfish Rising
3.64 | 474 ratings
Roots To Branches
3.03 | 394 ratings
J-Tull Dot Com
3.50 | 372 ratings
The Jethro Tull Christmas Album

JETHRO TULL Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.17 | 382 ratings
Live - Bursting Out
2.88 | 52 ratings
Live At Hammersmith '84
3.64 | 170 ratings
A Little Light Music
3.05 | 45 ratings
In Concert
3.64 | 115 ratings
Living With The Past
4.10 | 151 ratings
Nothing Is Easy: Live At The Isle Of Wight 1970
3.46 | 95 ratings
Aqualung Live
3.76 | 84 ratings
Live At Montreux 2003
4.32 | 19 ratings
Live At Carnegie Hall 1970

JETHRO TULL Videos (DVD, Blu-ray, VHS etc)

3.85 | 51 ratings
Slipstream (DVD)
3.77 | 39 ratings
20 Years of Jethro Tull (VHS)
3.45 | 80 ratings
Living With the Past
3.04 | 51 ratings
A New Day Yesterday - The 25th Anniversary Collection
3.85 | 89 ratings
Nothing Is Easy: Live At The Isle Of Wight 1970
2.94 | 66 ratings
Live At Montreux 2003
4.00 | 21 ratings
Slipstream (9 song version)
4.37 | 27 ratings
Classic Artists Series: Jethro Tull
3.30 | 29 ratings
Jack In The Green - Live In Germany
3.71 | 22 ratings
Songs From Bethlehem
4.45 | 99 ratings
Live At Madison Square Garden 1978 (DVD + CD)
3.83 | 33 ratings
Live at AVO Session Basel 2008
4.53 | 30 ratings
Around the World Live (4DVD)

JETHRO TULL Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.13 | 299 ratings
Living In The Past
3.09 | 74 ratings
M.U. - The Best Of Jethro Tull
3.17 | 50 ratings
Repeat - The Best Of Jethro Tull - Vol. II
3.18 | 71 ratings
Original Masters
3.60 | 79 ratings
20 Years Of Jethro Tull Box
4.54 | 80 ratings
20 Years Of Jethro Tull (The Definitive Collection)
3.73 | 51 ratings
20 Years Of Jethro Tull (USA release)
3.64 | 151 ratings
3.81 | 48 ratings
The Best Of Jethro Tull: The Anniversary Collection
4.41 | 76 ratings
25th Anniversary Box Set
2.60 | 25 ratings
A Jethro Tull Collection
1.51 | 30 ratings
Through The Years
3.00 | 69 ratings
The Very Best Of Jethro Tull
2.50 | 15 ratings
Essential Jethro Tull
3.39 | 51 ratings
The Best Of Acoustic Jethro Tull
3.79 | 44 ratings
The Jethro Tull Christmas Album / Live - Christmas At St Bride's 2008
4.69 | 49 ratings
Aqualung - 40th Anniversary Collector's Edition
4.86 | 72 ratings
Thick As A Brick - 40th Anniversary Special Edition
4.90 | 60 ratings
A Passion Play: An Extended Perfomance
4.63 | 40 ratings
War Child - The 40th Anniversary Theatre Edition
4.84 | 40 ratings
Minstrel In The Gallery - 40th Anniversary: La Grande Edition
4.69 | 13 ratings
Too Old To Rock'n'Roll: Too Young To Die - The TV Special Edition
4.97 | 25 ratings
Songs From The Wood - 40th Anniversary Edition - The Country Set

JETHRO TULL Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.79 | 14 ratings
Love Story
4.10 | 21 ratings
A Song For Jeffrey
3.09 | 15 ratings
Sunshine Day
4.09 | 26 ratings
Sweet Dream / 17
4.11 | 19 ratings
The Witch's Promise
4.62 | 28 ratings
Living In The Past
3.81 | 16 ratings
4.65 | 34 ratings
Life Is A Long Song
4.13 | 16 ratings
Hymn 43
4.41 | 22 ratings
4.00 | 2 ratings
Locomotive Breath
4.18 | 28 ratings
Living In The Past
3.54 | 24 ratings
Bungle In The Jungle
3.15 | 24 ratings
Ring Out, Solstice Bells
3.50 | 4 ratings
Too Old To Rock 'N' Roll; Too Young To Die
4.24 | 25 ratings
The Whistler
3.60 | 5 ratings
A Stitch In Time
4.07 | 26 ratings
3.67 | 6 ratings
Warm Sporran
2.70 | 18 ratings
North Sea Oil
4.47 | 17 ratings
Home E.P.
3.20 | 21 ratings
Working John, Working Joe
3.28 | 21 ratings
Fallen On Hard Times
3.37 | 19 ratings
3.05 | 20 ratings
Lap Of Luxury
4.50 | 2 ratings
3.92 | 13 ratings
3.77 | 13 ratings
Said She Was A Dancer 12''
3.60 | 15 ratings
Steel Monkey 12''
5.00 | 2 ratings
Part Of The Machine
3.74 | 18 ratings
Another Christmas Song
3.58 | 17 ratings
This Is Not Love
3.84 | 16 ratings
Rocks On The Road
3.00 | 14 ratings
Living in the (Slightly More Recent) Past / Living in the Past
2.67 | 18 ratings
Rare And Precious Chain
3.29 | 17 ratings
Bends Like A Willow
3.22 | 9 ratings
The Christmas EP
5.00 | 2 ratings
Living in the Past


Showing last 10 reviews only
 Aqualung by JETHRO TULL album cover Studio Album, 1971
4.34 | 2363 ratings

Jethro Tull Prog Folk

Review by Windhawk
Special Collaborator Honorary Collaborator

5 stars UK band JETHRO TULL have been one of the household names in the music scene for almost 50 years. In fact, they became a household name due to this very album, "Aqualung", their fourth studio production and also an album that saw them depart from their previous albums quite a bit in style.

I do not know what got over the band when they made this album, as well as their next one (Thick as a Brick), but the mighty Tull would never again create albums of this particular stature. What is striking about "Aqualung" is that it sounds so authentic I guess. It is by far a flawless album, but it is the combination of elements that makes it work despite those flaws I guess.

Quite a few of the songs would be a bit lost without some key element or other. The addition of piano and strings to an acoustic folk piece for instance. The choice to cut some of the other acoustic interludes short also makes them stand out as something admirable rather than as mere fillers. The change in mood and atmosphere is perhaps the biggest detail of note here, especially on the almost perfect A side, wandering from the dark and despondent towards the light and whimsical. The manner in which this album place acoustic and hard rock based creations side by side with creations of a more distinct folk orientation another such detail. Up to and including some piano details with a sacral and perhaps even hymn-like touch at times, explored in the confines of an early hard rock context.

It is difficult to give a good description of this album really. The songs differ a bit more in style than one gets the initial impression of, as well as in approach. There is a folky vibe running through the album though, as well as a minor sacral undercurrent, but none of them are ever present. There's also some tasteful morsels of hard rock, concluding cut Wind Up comes across as a likely inspiration for many later hard rock and metal guitarists for instance.

Still, blues based hard rock, acoustic rock and folk-oriented rock are the main ingredients here I guess, explored in a rather eclectic manner and often with a sophisticated approach to either song structure or arrangements - or both - that makes this album a classic of progressive rock as well.

What makes this album tick is, for me at least, the vocals. Ian Anderson isn't a good singer, but you can get away with a lot if you have good voice control, and even more if you can add passion to your material. Which is the case here, throughout the album. Be it as a whimsical observer or a condemning preacher, Anderson have messages to tell and by Jove you are going to listen to them. About the use and misuse of people, power and God, but also about the sensual small joys of life. The highs of existence and the lows of existence. The messages, like the music, wander about quite a lot. But always with the voice of Anderson as a secure and interesting, dominating guide.

There aren't too many perfect albums around, but in my opinion "Aqualung" is, in sum, a production that comes pretty close to being just that. An eclectic production, ranging from simplistic folk of the singer/songwriter variety to hard rock of the kind that probably have had a bit to say in the development of NWoBHM, and quite a lot of blends of folk, acoustic rock and hard rock in between. But Anderson the preacher is the one on his pedestal invigorating everything, despite his qualities as a singer being a bit so-so, but where his sheer passion soars and brings the greater parts of the material to the same heights. One of the albums everyone with an interest in rock music needs to hear at least once.

 A by JETHRO TULL album cover Studio Album, 1980
3.21 | 559 ratings

Jethro Tull Prog Folk

Review by SteveG

4 stars My first taste of the "A" album by Jethro Tull came via listening to "Working John, Working Joe" on one of NYC's FM stations sometime in 1980. It sounded solid and refreshing, especially after the staid "Stormwatch" and the lackluster "Heavy Horses". Don't get me wrong, as both albums were chock full of quality songs but they just seemed to lack the fire and inspiration of the stellar hit album "Songs From The Wood" released previously to both album by Tull in 1977.

I believe that the backstory of "A" is pretty well known. A proposed solo album by Anderson with backing from prog alumni Eddie Jobson (ex UK and Roxy Music) and ex Fairport Convention bassist Dave Pegg with drums handled by an American mate of Jobson named Mark Carney. The only other current Tull member, aside from Anderson, to participate was the erstwhile Martin Barre. And supposedly, that's were the all drama originates from, as Tull's record label Chrysalis wanted the album put out as a Jethro Tull release as it at least featured both Anderson and Barre from the former incarnation of Tull. Tull bassist Dave Glascock had sadly passed away just after Stormwatch was recorded and super drummer Barry Barlow no longer wanted to play. So, dual keyboardists John Evan and David Palmer were excised from Jethro Tull for the sake of good business sense. At least that's, more or less the official version from Ian.

On to the music on "A". Without doubt, Jobson could almost be the co creator of "A's" magnificent sound. A combination of his unique sythn tones and playing style is perfectly and sympathetically meshed with Anderson's harmonic and melodic genius. Using near Styx styled synth melodies matched up with quirky but subtle synthesized atmospheric embellishments, Jobson lives a modern (for Tull!) sounding sonic template that's mated perfectly with Barre's own atmospheric and slightly quirky guitar playing. Jobson also adds his electric violin to two songs with all manner phasing, delay and echo while still remaining absolutely grounded in the song's folk based melodies and stance.

Drummer Carney, while being no match for the proceeding prog fueled drumming of Barlow, still holds his own with a more rock orientated sound and playing style that's greatly enhanced by being loudly recorded with tons of reverb applied by studio means. His exhausting playing is a major feature of every song on the album and does make "A" sound somewhat one dimensional. Ah, but what a dimension to be stuck in! With Pegg's rubbery bass playing and many stop-start rhythm passages and breaks, trying to remember any one song absolutely is nearly impossible. And that says quite a lot for an album that's made up of ten 4-6 minute songs!

Standouts include "Flyingdale Flyer", "Working John, Working Joe (in which Anderson resurrects his multi tracked chorus vocals from "Songs From The Wood)", "Black Sunday (in which Anderson tempts his abilty to breath while singing run on song verses ad infintium)", "Black Sunday", "Protect And Serve (featuring a tour deforce of synths and piano from Jobson)", "Uniform" and the truly prog folk of "Pine Martin's Jig", in which Jobson smokes his electric fiddle. Only "Batteries Not Included" , which is too cute for it's own good, and the workman like "4 W.D. (low ratio)" seem week to me, but quite tolerable.

If I have a criticism of "A", it's only that the lack of a break in the music's non stop rapid fire delivery for something acousticly soothing as a palette cleanser seems remise. After all, "A" is a creation of the acoustic based Anderson, be it a veiled Anderson solo album or a true Jethro Tull project. Regardless, the music is killer. So, damn it, I like it. 3.5 stars rounded up to 4.

 Stormwatch by JETHRO TULL album cover Studio Album, 1979
3.47 | 668 ratings

Jethro Tull Prog Folk

Review by kenethlevine
Special Collaborator Prog-Folk Team

3 stars "Stormwatch" finds Ian Anderson and company not so much kicking and screaming towards the 1980s as lurching one step towards the future before falling two steps back to the past in wrenching ambivalence. The difficult circumstances at the time, with John Glascock ill and eventually passing on, only added to the fragmentation. We still get classy folk rock like "North Sea Oil", "Orion", and "Elegy", and a couple more extended proggy tracks, one which works - "Flying Dutchman" - and another which grates - "Dark Ages". The rest are mostly good but not up to the standards and focus of the last couple of albums, with a germ of what could have made them exceptional, but without the energy and self confidence to just do it. Interestingly, the bonus tracks are on par with the originally released material. Most tellingly, nothing here would rank in my top 20 TULL tracks. Overall, "Stormwatch" shows a classic 1970s band weathering turbulent times as best they could. They had their ups and downs after, but were never really this folk oriented again.
 Ring Out, Solstice Bells by JETHRO TULL album cover Singles/EPs/Fan Club/Promo, 1976
3.15 | 24 ratings

Ring Out, Solstice Bells
Jethro Tull Prog Folk

Review by siLLy puPPy
Collaborator PSIKE & JR/F/Canterbury Teams

3 stars While JETHRO TULL fans are almost certain to know of their final release as group titled "The Jethro Tull Christmas Album" in 2003 which unofficially saw the band brand turn into Ian Anderson solo projects, many including myself have not been aware of this other Christmas album that came out as a small little four song EP that emerged in 1976 in between the "Too Old To Rock 'n' Roll: Too Young To Die!" and "Songs From The Wood" albums. This is possibly because the short 11 minute and 55 second EP was only released once as a 7" Vinyl once in 1976 and yet again in 1979 but unbeknownst to fans across the globe, it did find a modern day pressing once again as the 40th anniversary 7" Vinyl format on the Rhino label in 2016 which even includes two unreleased Steven Wilson remixes titled "Magic Bells (Solstice Bells)" as well as the title track.

The two longest tracks on the EP, "Ring Out, Solstice Bells" and "Christmas Song" were recycled for the 2003 "JT Xmas Album" leaving only the short "March, The Mad Scientist" and more regularly timed "Pan Dance" to exist exclusively on this release. Musically speaking this is the typical progressive folk rock style that JETHRO TULL has implemented since their origins but as with the 2003 Christmas album, this one is rooted more on the folk side of the equation existing closest to the sounds heard on the "Songs From The Wood" album that followed the original release. While the titles may indicate more of a Pagan celebration rather than Christmas, it is more of a celebration of how the two are intimately intermingled with holiday traditions emerging in the former and shapeshifting to fit into the latter.

While the first three tracks are vocal oriented with Ian Anderson dishing out his baritone magic, the closer "Pan Dance" is an instrumental flute dominated track that makes me think of classics such as Tchaikovsky's "The Nutcracker." Since the inclusion of two of the tracks (which are the superior of the four) have been included on the 2003 Christmas album, it renders this little under the radar release as somewhat unessential for all except the completists of the world despite the other four minutes plus of music being quite pleasant tracks. While the album has been reissued it still hasn't made the impact of the fully developed album that came out in 2003. It's worth a quick spin on YouTube to experience the two tracks that lag behind in the 70s but overall i wouldn't go out of my way to track this down. Still though, not a bad way to say MERRY CHRISTMAS!!!

BTW?. this exists with two covers. One with the beautiful artwork with what looks like Jesus Christ next to a live tree and a Christmas tree to the side and another that has no cover at all and merely shows the vinyl peeking through plain paper. By all means, if you do choose to seek this out, get the artwork edition!

3.5 but rounded down

 Minstrel In The Gallery by JETHRO TULL album cover Studio Album, 1975
4.03 | 1092 ratings

Minstrel In The Gallery
Jethro Tull Prog Folk

Review by SteveG

5 stars "Oh Officer-Let me send her to a cheap hotel. I'll pay the bill and make well."

After setting up a down and out scene of a female drunkard, Ian Anderson's lyrical concern, in the third suite to to the prog epic "Baker Street Muse", still brings a lump to my throat. Why it does after all these years is a mystery, but I find that it sends this well written and expertly played album into a higher Jethro Tull realm. Minstrel In the Gallery is the only Anderson creation with the power to do that. As a matter of fact, it's Anderson's brief but autobiographical clues and allusions that brings so much to Minstrel In The Gallery that can't be found in any Tull album before or after.

It's not that Anderson is spilling his guts here but allusions to infidelity, deceit, and duplicity in songs such as "One White Duck" seemed to have brought Ian's other feelings out on to his sleeve. Anderson is never overtly confessional. It's just his unique mixing of cynical lyrics and sardonic wit with human emotions that frees Minstrel In The Gallery from a clinical grave.

And six feet under it could have been. But I digress. Mixed with an instrumental concert romp from the brain of guitarist Martin Barre, the title track is both a pleasure and an aural showboat. Anderson's deft lyrics dance around or weave and deflect the pulsing bass of Jeffrey Hammond, who somehow manages to anchor the busy playing of uber drummer Barrie Barlow, without ever sounding overly busy himself all the while goose stepping around like a six foot metronome.

Long gone is the loudly played, recorded and mixed "Aqualung guitar" of Barre. A quieter, dryer but excellently toned unrelenting guitar assault by Barre removes himself from the rock wars and places him squarely in the heart of prog rock. There is more great Barre playing to come, especially on the "Cold Wind To Valhalla", "Black Satin Dancer" and the above mentioned "Baker Street Muse." Good old John Evan's piano and B3 organ seems a bit forced on most songs, especially on the album's title track, and a bit redundant on other songs that feature a string quintet arranged by David Palmer. Indeed, it's Palmer's strings and Anderson's over dubbed acoustic playing on song intros and featured on "Requiem" and "One White Duck/0^10=Nothing At All" that has made many people forget themselves and regard Minstrel In the Gallery" as some kind of bizarre unplugged acoustic based concoction. I wonder what Barre, Hammond and Barlow would have felt about that? Its easy to guess that they would not been amused.

The penultimate album cut on the original vinyl LP was the fantastic 16+ minute four part epic suite "Baker Street Muse." I don't know what I can say about this fantastic piece of prog rock music that hasn't been said many times before, except that when the song starts with Anderson flubbing the first take of his acoustic intro and calling for "take two", I actually believe that "take two" was the actual mix master for this complex song. So great was the playing of all mentioned, so great was the lyrics of Anderson, so great was the string arrangements by Palmer, so great were Anderson's vocals, on this and every other song on Minstrel In The Gallery, that the record could have come off as some clinically cold creature that could have easily resembled the reanimation of Frankenstein's monster. But it didn't. Anderson, for the once and only time in his career, breathed some real life and emotion into this work and turned Minstrel In The Gallery into a 5 star masterpiece. Bravo. I'm only sad that there was never an encore.

 A New Day Yesterday - The 25th Anniversary Collection by JETHRO TULL album cover DVD/Video, 2003
3.04 | 51 ratings

A New Day Yesterday - The 25th Anniversary Collection
Jethro Tull Prog Folk

Review by AtomicCrimsonRush
Special Collaborator Symphonic Team

3 stars As a Tull fan starved of anything Tull on DVD, this was a must get DVD. There's bugger all about Tull in Australia so a DVD like this is a veritable gold mine of treasures and gems from the Tull years. There are interviews with most of the Tullites though John Glascock is mystically absent, as is Dee, but the majority of members are here to give their pennies worth. There are extracts galore from the old live shows and promo clips that one might find hard to get hold of; or impossible to find stuff, but unfortunately they are mostly incomplete excerpts which is a real disappointment when you are as into Tull as I am.

Thankfully, there are some complete clips, namely Teacher, The Witch's Promise, The Story of the Hare Who Lost His Spectacles, Aqualung, Kissing Willie, Rocks on the Road and Living in the Past. They are all great except for The Story of the Hare Who Lost His Spectacles which I can hear on the album okay but it is a drag watching them prance about in pantomime gear with kangaroos and rabbits, sillier than Monty Python, and that is saying something. A Passion Play enhanced CD features the same clip so its not exactly rare anymore.

The excerpts include unearthed treasures such as Nothing Is Easy (Isle of Wight 1970), Minstrel in the Gallery (Paris 1975), Thick As A Brick (Madison Square Gardens, NY 1978) and Songs from the Wood (LA 1980). Overall the set is a very good insight into the band and how they perform but could have been so much better with full versions of all the clips as they are very difficult to find.

 Live At Montreux 2003 by JETHRO TULL album cover DVD/Video, 2007
2.94 | 66 ratings

Live At Montreux 2003
Jethro Tull Prog Folk

Review by AtomicCrimsonRush
Special Collaborator Symphonic Team

2 stars This Live in Montreux concert is a good way to fill in an afternoon but it is certainly not a prime example of Tull by any measure. The setlist is not the problem as there is enough here to satiate the appetite; Bouree proves Anderson still has flute chops and knows how to warble with the best of them. Living In The Past is always a crowd pleaser and one of the best Tull tunes proving Anderson can still stand on one leg. Nothing Is Easy is one of the rockers that gets the feet tapping. My God is one of the "Aqualung" tracks that stands the test of time. Aqualung is always a definitive classic with that Martin Barre riff that haunted me since the 70s. Locomotive Breath closes the show with a killer track that never disappoints.

The problem is that Andersons voice is as dry as sandpaper and the band at times looks disinterested. A more enthusiastic approach would have sufficed, but it reminded me of when I saw Bob Dylan live at the Casino in Australia, and the thing that stood out was that he didn't seem to notice the crowd, almost totally oblivious that we were even there and stuck to playing tunes from his latest album rather than any of the classics. At least Tull here do play classic Tull tunes but it is not enough for the average fan and seems to be more for the die hard fans. This is why on his more recent live albums or concerts he sticks to a very solid classic album setlist as the songs cover up the fact he is an ageing musician. I know when I saw him playing in Saint Kilda some years ago, he had other singers to help him sing the songs that are too high for his range now, and that is a good move. You can still enjoy the show, because the songs are the real stars. And he came across as very energetic and full of enthusiasm on that show too. The Montreux concert seems like an after thought and it is disappointing to see the band like this.

Grab this if you are a completist as the sound is very good but make sure you pay a low price as I did, because you may only view it once or twice.

 Songs From The Wood - 40th Anniversary Edition - The Country Set by JETHRO TULL album cover Boxset/Compilation, 2017
4.97 | 25 ratings

Songs From The Wood - 40th Anniversary Edition - The Country Set
Jethro Tull Prog Folk

Review by fraanco3

5 stars First off, this is no ordinary reissue. Besides having the original album receive an incredible Steven Wilson re-mix, CD1 also includes 8 "associated recordings." Some of those recordings are unedited alternate versions of the originals. Newly revived, they become quintessential Jethro Tull.

The most jaw-dropping of those associated recordings on CD1 is Track 10, "Old Aces Die Hard." It will blow away any longtime Tull fan. Previously unreleased and recorded in '76/77, it is an amalgam of what would become "Dark Ages" and "Living In These Hard Times" intersecting with "A Passion Play" and the "Chateau D'isaster Tapes." At nearly 9 minutes, it feels like a whole new Tull mini-album that after repeated listens, only gets better. A true prog rock gem, "OADH" is a soft, loud, rocky, acoustic, weirdly complex and abstract thrill ride of 70s Jethro Tull. Seriously GREAT vintage Tull.

That track is followed by another previously unreleased original version of "Working John, Working Joe" with energy and instrumentation that totally eclipses the rather subdued version that eventually appeared on the "A" album.

And if the CD re-mix of SFTW and associates isn't enough, there is also a Wilson DVD surround sound re-mix of those tracks that is sublime. Oh yes, they also throw in the best songs from SFTW in their original Quad format and 4.0 surround. Why not?

But wait, there is more. 2 CDs worth of the full 1977 SFTW tour concert -- 112 minutes of the best live recording of JT that I have heard...a front row seat with Tull in their performance prime.

There is also a DVD of that same concert...great audio and video quality that is better than expected given the age of the original. Thank you Jakko Jakszyk for that production miracle!

A very cool, hard-cover 96 page booklet accompanies the 5 pieces of media, containing stories, lyrics, interviews, anecdotes, etc. Very professionally produced.

Five stars for this well engineered slice of prog rock history!

 Songs From The Wood by JETHRO TULL album cover Studio Album, 1977
4.18 | 1288 ratings

Songs From The Wood
Jethro Tull Prog Folk

Review by Lupton

5 stars After producing the classic Thick as a Brick album, Jethro Tull seems to struggle to come up with a strong follow- up.By the time of the alarmingly lacklastre Too Old To Rock And Roll Album released in 1976 their career seems to be on a downward spiral. Their next album 1977's Songs From The Wood was a stunning return to form and is my personal favourite by this band.

The opening title track is for me the definitive Jethro Tull track. With its richly harmonized a Capella opening, the song quickly develops into a stunning tour de force with its constantly shifting rhythms and ornate instrumentation. The musical backing continues to build and build as the song progresses in a most exhilarating manner. Jethro Tull have used this combination of additive rhythms and textural layering before but never as effectively as here and all in under five minutes.

The rest of the album does not disappoint.The next track" Jack in The Green" is a delightful acoustic song- essentially just Ian Anderson playing all the instruments. Cup of wonder is a wonderfully upbeat flute led track with a bouncy and complex rhythm. Hunting Girl gallops along nicely is probably the closest thing to straight ahead rock with some blistering guitar playing by Martin Barre.Ring Out Solstice Bells is quite a poppy number and was originally released on an EP the previous year.And that is just Side1.

Side 2 opens with Velvet Green which is a wonderful slice of Renaissance influenced progressive rock and incorporates a particularly complex instrumental section incorporating flute, portative organ and medieval drums.The opening harpsichord led passage is perhaps a little cod but really adds to the Early Music ambiance.Next to the Title track it is probably the most sophisticated track on the album.The following track, "The Whistler" is another whimsical and quirky upbeat song with a particularly complex and exhilarating whistle break coming after each chorus.Only "Pibroch" the penultimate track brings the mood down with a rather somber tale of a man being cheated on by his wife and at over eight minutes long is a tad long. Nevertheless, it is still highly inventive with Barre's guitar replicating the sounds of bagpipes long before the 80's band,Big Country tried to do the same thing.The final track is a fairly slight but upbeat song with yet another flute led instrumental section.

All in all this is a true masterpiece and arguably the most repeat listenable album they ever created. A solid 5 stars

 Thick As A Brick by JETHRO TULL album cover Studio Album, 1972
4.63 | 3017 ratings

Thick As A Brick
Jethro Tull Prog Folk

Review by Lupton

5 stars Jethro Tull's follow up to Aqualung was their first truly progressive rock album and a concept one at that. Aqualung had its progressive elements and even a loose concept per side but this time Ian Anderson and Co went the whole hog and produced what in effect was a single continuous piece of music.

Technically this album is a major achievement for the band and is far superior to their previous efforts.The album starts off quite gently with the famous acoustic introduction (the single "edit" that graces virtually every Jethro Tull compilation) before suddenly exploding into action at the three minute mark with Martin Barre's huge stabbing chords interspersed with Ian Anderson's forceful acoustic guitar strumming. It reminds me slightly of the way the band comes crashing in near the beginning of My God off the Aqualung album.

What follows is close to twenty minutes of some of the most dynamic playing ever committed to vinyl . The ever changing rhythm and tempo changes along with the interplay between Martin Barre's spirited electric guitar and Ian Anderson's flute riffing is quite exhilarating. The whole enterprise is held together by John Evan's Hammond organ.One of my favorite sections is his jaunty solo that introduces a new musical theme where Ian Anderson sings "I've come down from the upper class...".Interestingly, that theme (edit#4) is included on the Repeat Best of Volume 2 compilation. Even out of context as with the familiar introductory edit works surprisingly well as a stand alone piece of music.

Side 2 basically carries on where Side 1 left off. Original themes are reprised and a couple of new ones are introduced at the four minute mark. Overall the second side is similarly dynamic but less melodic and somewhat downbeat in comparison to the first side. There are also a few jarring moments where the band seem to enter into King Crimson free jazz territory at the three minute mark which really does not suit their style. While ultimately less memorable the second side at least ends on familiar turf with the reprise of the original theme which helps bring the whole affair to a logical conclusion.

What really stands out for me as much as the composition is the overall production . The band were really tight and the sound really gelled when they recorded this album especially with new recruit Barriemore Barlow on drums and percussion and the use of Hammond organ instead of the somewhat antiquated piano helps give the music a slicker dynamic. Thick As A Brick is one of Progressive Rock's crowning glories.

Thanks to ProgLucky for the artist addition. and to Quinino for the last updates

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