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Tech/Extreme Prog Metal • United States

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Mastodon biography
MASTODON was formed in 1999 when Brann Dailor (drums) and Bill Kelliher (guitars),former members of TODAY IS THE DAY and LETHARGY emmigrated to Atlanta from their native Rochester,New York and met Brent Hinds (guitars,vocals) and Troy Sanders (bass,vocals).In 2000 they recorded a demo that is referred to as the "9 song demo",which actually featured the bands first lead singer Eric Saner on vocals.This recording was remastered and released by Relapse Records with the title "Call of the Mastodon" in 2006.After a short time Saner left the band due to personal reasons and MASTODON signed with Relapse in 2001.

The bands first official release was the well received "Lifesblood" EP in 2001,but since then the band has moved away from the music of this release stylistically.In 2002 MASTODON released their first official full-length album "Remission".

2004 heralded the release of Leviathan,a concept album loosely based on Herman Melville's novel Moby Dick.This is the album that steers MASTODON'S music away from the sludge/post-hardcore sound and sees the band experimenting and becoming more progressive.It is impressively well constructed,with each song flowing into the next,giving it a very natural feel.With slower,chunkier riffs,odd-time rhythms,cleaner vocals and a better production,it also contains a bona-fide epic with the 13 minute track "Hearts Alive".This album is literally driven by Dailor's hyperactive,fill-happy jazz/progressive style melded seamlessly with Sanders bass work,Kelliher's and Hinds' intricate and complex riffs and Sander's and Hind's alternating clean and growling vocals to tell the tale.

In 2005 two forthcoming releases were announced,the aforementioned "Call of the Mastodon",and the "The Workhorse Chronicles",a DVD containing interviews and concert footage,including material from the band's early days as a five-piece.Both were released in 2006.This effectively ended MASTODON'S deal with Relapse Records.

In 2006 MASTODON released their third full-length album "Blood Mountain",which was originally planned as one long piece of music,but which later became a collection of individual songs rather than another full blown concept album.The album contains guest appearances from NEUROSIS vocalist Scott Kelly,QUEENS OF THE STONE AGE'S Josh Homme and Cedric Bixler-Zavala of THE MARS VOLTA.

MASTODON'S greatest strength is their ability to explore the progressive and experimental side of the metal coin while keeping t...
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Emperor Of SandEmperor Of Sand
Reprise 2017
Audio CD$9.52
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Crack The SkyeCrack The Skye
Reprise 2009
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The HunterThe Hunter
Reprise 2011
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Once More 'Round The SunOnce More 'Round The Sun
Reprise 2014
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Blood MountainBlood Mountain
Reprise 2006
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Remission Deluxe ReissueRemission Deluxe Reissue
Relapse 2014
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Call Of The MastodonCall Of The Mastodon
Relapse 2006
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The Workhorse ChroniclesThe Workhorse Chronicles
Multiple Formats
Relapse 2006
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MASTODON discography

Ordered by release date | Showing ratings (top albums) | Help to complete the discography and add albums

MASTODON top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.52 | 159 ratings
3.88 | 306 ratings
3.71 | 318 ratings
Blood Mountain
4.09 | 562 ratings
Crack the Skye
3.73 | 374 ratings
The Hunter
3.64 | 162 ratings
Once More 'Round the Sun
3.78 | 28 ratings
Emperor of Sand

MASTODON Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.67 | 33 ratings
Live at the Aragon

MASTODON Videos (DVD, Blu-ray, VHS etc)

4.00 | 10 ratings
The Workhorse Chronicles: The Early Years, 2000 - 2005

MASTODON Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.32 | 28 ratings
Call Of The Mastodon

MASTODON Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.03 | 18 ratings
3.16 | 12 ratings
3.80 | 11 ratings
Oblivion EP
3.04 | 21 ratings
Jonah Hex: Revenge Gets Ugly EP
2.48 | 10 ratings
Curl of the Burl
3.67 | 9 ratings
Black Tongue


Showing last 10 reviews only
 Emperor of Sand by MASTODON album cover Studio Album, 2017
3.78 | 28 ratings

Emperor of Sand
Mastodon Tech/Extreme Prog Metal

Review by InTheFlesh

4 stars Oh, yes! This is Mastodon's best album since "Crack the Skye" and for me an instant like. It seems like a return to melody without abandoning their heavy side. It's melodic (well, by Mastodon standards) and it rocks as hard as hell. In fact, this is what I expected to hear right after the magnificent CtS. After two solid efforts, they came back with this new gem. With these guys I especially find it interesting how three of the four band members provide the vocals. None of them is a true lead singer, but they make it work and the transitions between the voices are spot on. The musical formula works just as well; when you are not treated with beautiful melody, you get blasted with amazing riffs and rhythm. Song starts with killer riffs only to explode again into beautiful melodic passages. Rinse and repeat.

"Sultan's Curse": Instant like! Almost makes me feel like I'm listening to Crack the Skye volume 2.

"Show Yourself": Another beautiful melody somehow reminiscent of Queens of the Stone Age.

"Precious Stones": Killer riffs, song flows beautifully!

"Steambreather": Cool rhythm followed by Brann Dailor's pleasant and higher pitched voice and shortly explodes into a majestic chorus.

"Roots Remain": Starts heavy as hell with Troy Sanders providing the intro vocals somewhere between growling and singing. Dailor again sings during the chorus. Good, complex song with a B section that's more on the mellow side continued with a beautiful solo and ending with what sounds like a piano section.

"World of the Wise": Slightly weaker track. Still rocks nicely and the guitar work is beautiful.

"Ancient Kingdom": Another grower. If this would have been on the previous album, it would have been one of my favorites. On this one it's just a good track.

"Clandestiny": Brent Hinds, whom we don't hear as much on this album, provides the chorus here. The song is heavy but in the middle it changes rhythm and moves into a progy section with synths only to return to heaviness one minute later. This middle section works amazingly well and it's my favorite part of the track.

"Andromeda": Don't really know how to comment on this one. I like it. It's complex and it moves through many short sections.

"Scorpion Breath": Interesting rhythm section with beautiful guitar work as usual. This one runs you over like a steamroller.

"Jaguar God": The most complex song on the album. It starts as a ballad with acoustic guitar, drums, bass and Hinds on vocals, but don't let that fool you. Two minutes in, the beast starts stirring. Rhythm is picked up and Dailor provides the vocals for this section. As the song gets heavier, Sanders helps with the vocals. Amazing riffs and rhythm at almost five minutes in. A beautiful guitar solo helps the song mellow back down.

I still think "Crack the Skye" is the better album, but this is as close at they got to that masterpiece. Very solid and well deserved 4 stars!

 Leviathan by MASTODON album cover Studio Album, 2004
3.88 | 306 ratings

Mastodon Tech/Extreme Prog Metal

Review by Pastmaster

5 stars "Into sight 60,000 years of light, fascination with a mountain put to sea. Built to slay and conquer, all with teeth of beasts."

...and built to slay and conquer they were back in the sludge metal era of their career. Now one of the most successful metal bands of the past decade and current one, Mastodon brought back sludge metal in full force at the beginning of the 2000's. While the band has since mellowed out a bit, Mastodon once combined the intensity and pummeling force of Crowbar with the atmospheric brutality of Neurosis. Add in a bit of alternative metal in the vein of Alice in Chains or System of a Down for taste, and you've got yourself Mastodon's classic sound.

Mastodon were a pretty unique band, so these aforementioned influences are mainly just references. The majority of the album is pure raw sludgy brutality, as best exemplified in classics like "Blood and Thunder", "I am Ahab", "Naked Burn", and my personal favorite, "Iron Tusk". The experimental/alternative metal elements come along in the form of plenty of odd time signatures and rapid chromatic riffing that is played in a style akin to SoaD or other bands of similar ilk. This combination of two often separated styles is part of what gave Mastodon such a unique sound when they came out, giving a brutal yet fresh sound during a time when the metal world was still at the end of the reign of generic nu-metal bands (although those would soon be replaced by generic metalcore bands).

The only times the album lets up with the chaotic sludge attack is with the final two tracks, the nearly 14-minute long behemoth "Hearts Alive" and the classical/acoustic guitar ending "Joseph Merrick". These two tracks showcase a more experimental sound in the vein of Neurosis, albeit being more melodious. Speaking of, Neurosis's frontman Scott Kelly makes his first guest appearance on this album as he would on the band's future albums. Other guests include Clutch's Neil Fallon with additional vocals (Blood and Thunder), Matt Bayles on Organ (Joeseph Merrick), and Phil Peterson on Cello (Hearts Alive).

Only their second album, and Mastodon were already in their prime. While the following Blood Mountain is my favorite, both that and Leviathan are up there with the best sludge metal albums and are already considered modern classics. If you want some forceful and sludgy brutality that's a bit more recent than sludge masters like Crowbar and Melvins, the first three Mastodon albums are essential listening.

Written on MMA (MetalMusicArchives) See review here:

 Crack the Skye by MASTODON album cover Studio Album, 2009
4.09 | 562 ratings

Crack the Skye
Mastodon Tech/Extreme Prog Metal

Review by Ghost_of_Prog

4 stars I've always considered Mastodon to be one of the better heavy metal bands of the 21st century. They seem to be focused on creating a heavy, yet melodic atmosphere, as opposed to many others who seek only to be brutal or hardcore. They started off rusty with Remission and refined themselves with Leviathan and Blood Mountain. From a progressive rock standpoint, Crack the Skye is their most refined album. Featuring two epics as well as an entire album drenched in psychedelic and eastern tinged melodies, it's a treat to both fans of the band and any potential newcomers.

In addition to the prog influence, the band has some fantastic drumming on their part thanks to one Mr. Brann Dailor, a jazz influenced drummer who cites Yes, Genesis, and King Crimson as influences. I bring him up because not only is he a great drummer, but he is also a great singer, as his sections of the album's opener Oblivion show. As for the song itself, it is pure Mastodon; extremely heavy, melodic, and catchy. The same can be said of its follow up Divinations. This formula is repeated with Quintessence, which alternates between it's heavy and psychedelic parts rather than merging the two together.

The album's first epic The Czar is reminiscent of the traditional prog epic; a larger than life plot (Rasputin and attempted assassinations on the Czar of Russia), diverse instrumentality, and sum's up the band or album's sound wonderfully. It starts off quiet and slowly builds and builds until it climaxes with heavy guitars before descending (or ascending) into a mystical psychedelic melody. Easily one of Mastodon's best.

Ghost of Karelia reminds me a bit of Iron Maiden's "Wasted Years" and continues the album's mixture of heavy, psychedelic metal. The title track is probably the weakest song on the album, that really fails to try anything new, but on it's own, it's still decent. The Last Baron, the album's second epic and closer, starts off loud and bombastic, and just keeps on soaring. The vocals alternate between respect and awe and intense fear of the song's subject, which balanced with the album's signature style creates a mesmerizing piece that perfectly finishes this album.

A great intro album for progressive fans who want a little bit of taste of both prog's more extreme side and metal fans who want to see metal get a little experimental.

Four stars easily.

 Once More 'Round the Sun by MASTODON album cover Studio Album, 2014
3.64 | 162 ratings

Once More 'Round the Sun
Mastodon Tech/Extreme Prog Metal

Review by Prog Leviathan
Prog Reviewer

3 stars I was introduced to Mastodon by a youthful co-worker many years ago, who recommended their album Leviathan to me after hearing that I liked Dream Theater and Opeth. I wasn't impressed, and sort of hated it. I gave the band another chance with Blood Mountain. I didn't hate it, but wasn't impressed. The band's style of noisy, distorted, "sludge" metal failing to grab my attention despite the group's instrumental talent. With Once More 'Round the Sun, the third time seems to do the trick, because I think that this is actually a entertaining, well executed, and ass-kicking piece of heavy metal.

The band has shifted their sound to feel a bit more bite-sized, relying more on melody and hooks than walls of distorted noise. The song writing isn't very ambitious or complex, but the energy the group puts into the savage riffing, explosive drumming, and tone of the songs out weighs this short coming. Take for example the very catchy "The Motherload," which is a heavy, fuzz-filled crunch fest that features blistering and gymnastic riffing, a prodigiously busy rhythm section, and memorable vocals that grabs hold of, and sticks with you.

The consequence of this is that the band is leaning more mainstream, which may not appeal to fans of this web site. I feel like Mastodon is what a band like Isis would sound like if they opted to sell more albums to stoners in their early 20's instead of those seeking a full-blown art rock experience. I'm not passing judgement, just saying that the band has focused on hooks backed by their instrumental chops, so don't expect any epic compositions or experimentation.

While more listenable than other Mastodon albums, Once More 'Round the Sun will probably only appeal to fans of the heavy "tech metal" genre. A confident 3 star release.

Songwriting: 2 - Instrumental Performances: 4 - Lyrics/Vocals: 2 - Style/Emotion/Replay: 3

 Lifesblood by MASTODON album cover Singles/EPs/Fan Club/Promo, 2001
3.03 | 18 ratings

Mastodon Tech/Extreme Prog Metal

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars Progressive death sludge, anyone? Yeah? Then check out LIFESBLOOD, the very first release by MASTODON. This is the first official release preceding 'Remission' by a year but like that debut LP it's a massive molten heap of hot, sludgy brutality. This EP only contains five tracks that are just shy of the 16 minute mark, but this little beast does not disappoint, that is if you love your metal fast, brutal and raw. Think Behemoth meets Neurosis here, only with the progressive leanings of a much more sophisticated band like early Atheist. While the the vocals are brutal, growly and tortured, the music is equally brutal but sophisticated and unrelenting and most of all shows MASTODON with a unique progressive style of metal from the very first track.

Like many, i didn't hear this one until after all the full-length albums. I never hold out any hopes for these early releases but i have to admit that with MASTODON it's the early brutal beasts that rock my world the most. Brann Dailor is the star here showing us from the start that he is one of the fastest technical drummers in the universe. He claims his playing was developed from playing with the guitars instead of the bass as most metal bands tend to. Whatever the case, wow! I can hardly ignore the excellent guitar and bass work of the rest of the band. Every player is top notch and the passion pits are flowing here living up to the name of the giant extinct mammal after which they are named.

While this EP isn't essential, i would argue that the tracks on it are. They are also available these days on the 'Call Of The MASTODON' compilation albeit without the movie track samplings that begin the tracks on the original, which has become quite the rare collectible only having been produced limited numbers. If you love MASTODON at their most aggressive and unpolished then you will love this one. I swear this even blows 'Remission' away. Not even close to as polished as the later works but satisfying for its raw beastly brutality nonetheless. LIFESBLOOD is an excellent slice of progressive death sludge metal in my world.

 Oblivion EP by MASTODON album cover Singles/EPs/Fan Club/Promo, 2009
3.80 | 11 ratings

Oblivion EP
Mastodon Tech/Extreme Prog Metal

Review by thwok

4 stars It seems to me there are a couple of reasons for a band to release an EP. The first is to give curious listeners an introduction by offering something music. The other is to give existing fans of the band some extra material or songs to satisfy them between albums. I think the OBLIVION EP succeeds brilliantly at the first task. I really enjoy Mastodon, although I haven't listened to a lot of their music yet. This EP is a good introduction to the band's sound. I would pick the title track and the last one, "Colony of Birchmen", as my favorite songs here. Since they are listed as Mastodon "Top Tracks" on YouTube, these two seem to be among the band's most popular and well-known songs. They just strike me as more progressive than the middle two songs, although all four are very good.

One way to judge a band is to compare it to similar bands in the same category. Mastodon are often compared to Baroness. Although I can respect what Baroness does, Mastodon are stronger songwriters IMHO. I won't discuss the contributions of individual band members at length; I usually don't care to do so in my reviews. I will reiterate what others have said about the drummer, Brann Dailor. His handling of the band's often complex music is a major part of Mastodon's success. He is without a doubt one of the best drummers in progressive metal music (using a broad definition of that phrase). To wrap things up, I'm giving four stars to this excellent EP.

 Blood Mountain by MASTODON album cover Studio Album, 2006
3.71 | 318 ratings

Blood Mountain
Mastodon Tech/Extreme Prog Metal

Review by Prog Leviathan
Prog Reviewer

2 stars Before you decide to listen to Mastadon's Blood Mountain you need to ask yourself a question: how much metal sludge, thrash, and slop do you like with your prog metal? If the answer is, "a lot," then you're in for a treat. Blood Mountain delivers. If you like your metal crisp, melodic, dynamic, emotive, or thought provoking, then take heed... Blood Mountain is a noisy and violent slap to the face that will not appeal to everyone.

Mastadon knows how to kick-ass. Every second of this album feels precisely arranged to do just that. However, the band has decided that their style should hide the precision playing, time signature changes, and intense instrumental breaks behind a wall of tuned-down fuzz and crunch that just makes the album sound sloppy. Each band member sounds busy for the sake of being busy, and after several listens I was left wondering what the standout moments were.

Some people love this sound, as you can see in the high ratings for this album, but to me the few moments of genuine creativity are lost in the noise, and it literally hurts my ears to try to find them.

In a way, I guess that's actually a pretty cool compliment to pay a heavy metal album, but if I'm going to subject myself to gruff violence - like someone kicking my chair for 50 minutes - then the pay-off better be high, and Blood Mountain simply isn't interesting enough.

A heavy metal fist held high for those that want to punish themselves with Blood Mountain's bombardment of shredding riffs and indecipherable lyrics, but I'll go back to listening to the other, more interesting metal groups out there.

Songwriting: 2 - Instrumental Performances: 3 - Lyrics/Vocals: 2 - Style/Emotion/Replay: 2

 Once More 'Round the Sun by MASTODON album cover Studio Album, 2014
3.64 | 162 ratings

Once More 'Round the Sun
Mastodon Tech/Extreme Prog Metal

Review by DrömmarenAdrian

2 stars I am examining some records from 2014 to get an idea of the music of modern times. Sometimes I grab music which dwells in a genre I am not used to, or especially found of. I though listen to it carefully and try to find glimpses of glory also there. Mastodon is an example of such a music. I had heard that band was progressive and inspired of many of my favourite bands. That made me curious and I wanted to hear their latest, the be exact their sixth record "Once More 'Round The Sun" from 2014. The cover is colourful and interesting even if I don't really like monsters on records.

The musicians to be credited for this record are Troy Sanders(vocals, bass), Brent Hinds(vocals, guitar), Brann Dailor(drums, vocals) and Bill Kelliher(guitars). I am not going to be so detailed now. Quite early I understood this music wasn't something for me. It just felt so nasal and American in vocal style and the instrumental parts was almost just heavy. Heaviness often exaggerates and this was the case here. I heard from time to another fine parts of instrumental music, for example in "The Motherload"(6/10) which is one of the most interesting songs on the record. "Tread Lightly"(6/10) and "Asleep in the deep"(6/10) are also quite good songs but over all I have very hard to understand or appreciate these kind of sounds.

I guess Mastodon has something great to offer for people who like agressive and hard music. For people more into sweaping melodies and nice voices, it's not perfect at all. My song to song rating ended at 2.5 stars which I in this case have to lower to two stars. Not extremely bad, but nothing for me.

 Crack the Skye by MASTODON album cover Studio Album, 2009
4.09 | 562 ratings

Crack the Skye
Mastodon Tech/Extreme Prog Metal

Review by YagKosha

5 stars "Crack the Skye" is a psychedelic progressive sludge metal masterpiece. A trip through time, space, and the mind. Mastodon had been climbing a mountain throughout their career; their first album "Remission," indicated the foot of that mountain, and the following two (Leviathan, and Blood Mountain) were the rest of the upward climb. Whether you think likewise about their two most recent releases (The Hunter, and Once More 'Round the Sun), there's no denying that "Crack the Skye" is the band's time spent at that mountain's peak.

Trippy guitar motifs and interestingly mystical Acappella choruses throughout, Crack the Skye remains one-of-a-kind in the realm of not just progressive rock/metal, but music in general. Here, the classic progressive sludge metal band dug deep to find a sound (hitherto this album's release) unheard of. From introducing banjo riffs to shredding 70s style guitar solos, songs like "Divinations" carry a peculiar power that embodies this album as a whole. With "Quintessence" onward, the band continues their journey- based record with excellently crafted progressive material. Before all these tracks, "Oblivion" opens the album with a concise indication of what is ensuing: trippy guitar works and lyrical themes on out-of-body experiences.

This psychedelic progressive sludge metal masterpiece may not be the album for everyone, but it is definitely an album that should be tried by everyone.

 Call Of The Mastodon by MASTODON album cover Boxset/Compilation, 2006
3.32 | 28 ratings

Call Of The Mastodon
Mastodon Tech/Extreme Prog Metal

Review by CassandraLeo

4 stars Mastodon probably needs no introduction to fans of modern metal music. Leviathan was one of the defining metal releases of the 2000s, and Crack the Skye proved they could play progressive rock as well as many of the genre's '70s stalwarts. Their blend of progressive metal and sludge earned them a justifiable reputation as one of the most formidable forces in the genre.

Call of the Mastodon, however, is not as widely known. It's a re-release of the band's original demo with a rearranged track order and new vocals by Troy Sanders and Brent Hinds (replacing the vocals of original vocalist Eric Saner, who only appeared on the band's first demo). Some of the songs here were also re-recorded for their early EP releases Lifesblood and Slick Leg. (The reordering of the tracks annoys me since I've been used to the demo's song order since 2004, and due to the fact that several songs segue seamlessly into one another, simply reordering my playlist here doesn't sound too great).

More annoyingly, the material has also been given a really bad remastering. The original demo was fairly loud, which is fine - it's sludge; it's supposed to be loud. Here, though, the mastering is so loud that the material clips throughout, with the result that Brann Dailor's virtuosic drumming sounds muffled and distorted.

I honestly kind of miss Saner's vocals here. I don't think Saner would have been a good fit for the band's later material, but his vocals on the original demo were a good match for the band's unearthly roar. Which vocals a listener prefers will probably be down to personal taste. Sanders and Hinds' vocals are fine, of course; if you've enjoyed the harsh vocals on later Mastodon material, you probably won't have much of a problem with the ones here either.

While the band demonstrates some of the progressive sensibilities that would later stretch some of their songs past the ten-minute mark, none of the songs here reaches much past four and a half minutes. The band is most interested in pummelling you with an endless succession of killer sludge riffs. These riffs often result in unusual song structures (nearly every song changes meter signature at least once, and most of them contain compound meters like 5/4 or 7/4), but compared to their later material (particularly from after they signed to a major label), it's heavy.

The band's later material is definitely more sophisticated, and a listener expecting an experience like that of Crack the Skye will be in for a huge shock. However, this is definitely recommended for fans of more adventurous sludge. I'd give the demo a four-and-a-half star rating, but since the reordering of the tracks and horrible remastering here annoyed me, I'll give this version of the release a solid four stars.

One final note: If you have the choice, I'd pick up the Japanese version of this compilation rather than the domestic release. It contains a bonus track (a ferocious performance of "Where Strides the Behemoth" from Remission) and add the film samples that were included in the Lifesblood versions of these tracks, which often provides some interesting flavour for the songs (especially "Battle at Sea").

Note: This is a revision of a review I wrote for Metal Archives of Mastodon's original demo. Some aspects have been changed due to the differences in the material.

Thanks to TheProgtologist for the artist addition.

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