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Progressive Metal • United States

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Redemption biography
REDEMPTION is an American progressive metal band comprising former members of FATES WARNING and PRYMARY. Early incarnations of the group featured members of SYMPHONY X and STEEL PROPHET. Led by guitarist Nick van Dyk, the band originally featured Rick Mythiasin on vocals, Bernie Versailles on guitar, and Jason Rullo on drums, with Michael Romero providing symphonic arrangements. Mythiasin left in 2003, and Corey Brown of MAGNITUDE 9 stepped in and performed live with the band, but Ray Alder of FATES WARNING, who had sung on one track on Redemption's self-titled debut, agreed to join as REDEMPTION'S full-time vocalist, beginning with 2005's "The Fullness of Time". Although highly original, fans of FATES WARNING, ARK, ANDROMEDA & DREAM THEATER will enjoy what they hear.

Although I've only heard one of their albums, "The Fullness of Time", I encourage prog metal fans to check it out, as it's my favourite release of 2005.

Highly recommended.

Why this artist must be listed in :
To spread awareness of this awesome supergroup!

Redemption, s/t studio album (2002)
The Fullness of Time, studio album (2005)
The Origins of Ruin, studio album (2007)

Redemption official website

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  • Threads The Fullness Of Time, 2005

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Live From The PitLive From The Pit
Dual Disc
Audio CD$10.11
$14.41 (used)
The Art of LossThe Art of Loss
Audio CD$11.68
$8.00 (used)
The Fullness of TimeThe Fullness of Time
Sensory 2005
Audio CD$20.69
$19.99 (used)
This Mortal Coil (2CD)This Mortal Coil (2CD)
Inside Out Music 2012
Audio CD$12.44
$6.68 (used)
Original Album Collection-Discovering RedemptionOriginal Album Collection-Discovering Redemption
Imports 2015
Audio CD$9.43
$18.20 (used)
Snowfall on Judgment DaySnowfall on Judgment Day
Inside Out 2012
Audio CD$55.14
$27.99 (used)
The Origins Of RuinThe Origins Of Ruin
Inside Out /SPV 2012
Audio CD$16.02
$6.96 (used)
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REDEMPTION discography

Ordered by release date | Showing ratings (top albums) | Help to complete the discography and add albums

REDEMPTION top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.24 | 72 ratings
4.18 | 280 ratings
The Fullness Of Time
4.08 | 187 ratings
The Origins Of Ruin
3.92 | 190 ratings
Snowfall On Judgment Day
3.31 | 81 ratings
This Mortal Coil
3.76 | 78 ratings
The Art Of Loss

REDEMPTION Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.88 | 7 ratings
Live From the Pit

REDEMPTION Videos (DVD, Blu-ray, VHS etc)

4.21 | 25 ratings
Frozen In The Moment - Live In Atlanta

REDEMPTION Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

REDEMPTION Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)


Showing last 10 reviews only
 Snowfall On Judgment Day by REDEMPTION album cover Studio Album, 2009
3.92 | 190 ratings

Snowfall On Judgment Day
Redemption Progressive Metal

Review by Progrussia

4 stars I think that Snowfall on Judgment Day is Redemption's best, at least, sound-wise, album. I don't mind if it's not "organically" produced, smooths some of the rougher edges of their previous albums and is too calculated to hit all the sweet spots of those who like their metal both heavy and a little cheesy. A crunchy riff, a poppy synth line, a shredding solo and an earnest power ballad all come when you expect them to come. And there is even James LaBrie of the genre's godfathers Dream Theater guesting. A lot of bands repeat their successful formula, but at least you could say that Snowfall promises the prog power metal goods and delivers.
 The Fullness Of Time by REDEMPTION album cover Studio Album, 2005
4.18 | 280 ratings

The Fullness Of Time
Redemption Progressive Metal

Review by Progrussia

3 stars California-based Redemption is one of the better bands of the Dream Theater-lite style, combining crunchy riffs, cheesy synths, an abundance of shredding solos and an overdramatic vocal. You know, a kind of band you know is unoriginal, but technically very impressive and kind of fun to listen to. Redemption does have a specialty though - cathartic songs about tramautic interpersonal relationships delivered in a "sensitive macho" vocals style of Ray Alder. And the truth is, there is a certain limit to the amount of this lyrical stuff one can digest, and I think they slightly overdid it here. Especially the 20-minute suite, the Fullness of Time, which I find to be not as seamless as I'd like and kind of unneccesarily harsh in the beginning.
 The Art Of Loss by REDEMPTION album cover Studio Album, 2016
3.76 | 78 ratings

The Art Of Loss
Redemption Progressive Metal

Review by Progrussia

4 stars Redemption plays prog metal that is bombastic and emotionally intense. Like Dream Theater without the quirks or stylistic detours of the more adventurous prog metal bands, though they are not beneath pop sensibilities. Redemption's about crunchy riffs, cheesy synths, sing-along choruses and the manly voice of Ray Alder, which distinguishes them among similar bands but with high-pitched vocalists. As the themes of their albums mainly revolve around human psychology, I'd say this is about 90 percent tension and 10 percent release. At Redemption's longest, the 70-minute plus of this stuff may seem a bit overwhelming and monotonous, so the guys spice things up with gazillions of shredding, courtesy of the bandwagon of guest guitarists. In short, Redemption doesn't break new ground, but the Art of Loss is better than This Mortal Coil and is one of their most enjoyable releases.
 The Art Of Loss by REDEMPTION album cover Studio Album, 2016
3.76 | 78 ratings

The Art Of Loss
Redemption Progressive Metal

Review by Mebert78

4 stars One band's "loss" is another man's gain. That "loss," in this case, is Redemption's latest album, The Art of Loss, which explores the themes of love, fear and loss over the course of nine emotional and melodic tracks. The man, of course, is me -- or any other fan of this superbly talented progressive metal band. We are the ones who gain a collection of spectacularly-crafted songs that will help strengthen, inspire, and -- most importantly -- kick our metal-loving asses over the remaining days of our lives.

Before we go any further, I should note that I'm among the most diehard fans of Redemption. For example, I was one of the fans to pledge funds in support of the band's Live from the Pit DVD filmed at ProgPower USA in Atlanta in 2012 (which I also attended). The band's 2009 album, Snowfall on Judgment Day, also ranks as one of my top five all-time favorite albums. The lyrics of guitarist/keyboardist Nick van Dyk have touched me like those of few others -- even changing the way I'll look at life, in some cases -- and the band's exhilarating music is able to be both beautiful and soul-crushingly heavy at the same time. It's a unique mix that few bands can pull off, but Redemption has done it album after album for over a decade now. Oh, and there's also that gorgeous voice of Ray Alder, who is better known for his work with Fates Warning, one of the pioneering bands of progressive metal. If he's singin', I'm listenin'.

The first matter to address when discussing The Art of Loss is that it's the band's first album without top-notch guitarist Bernie Versailles, who is continuing to recover from an aneurysm. In classy fashion, the band dedicated the album to Versailles, stating in the liner notes they "await his recovery from medical issues and return to the band when is ready." Considering van Dyk recently overcame his own medical issue -- a cancer scare that inspired the band's 2011 album This Mortal Coil -- it's no surprise that Versailles' mates handled his situation in a compassionate and kindhearted way. To fill his shoes, they recruited a handful of special guest guitarists: Simone Mularoni, Marty Friedman, Chris Broderick and lastly Chris Poland, the latter three of which are best known for their tenures with heavy metal legends Megadeth.

I couldn't help but admire the album's artwork before even listening to the disc. It features a broken wine glass on its side with red liquid spilt on a white background -- almost appearing like blood. Very simple, yet very powerful. It prompted several questions in my mind before even hearing a song, such as who dropped the glass and what caused he or she to drop it? Was it someone experiencing some sort of horrific news and dropping it in shock and, if so, what was the news? You've gotta love the thought-provoking nature of progressive metal art. The album, though, took a few listens to click with me for some reason. But once it clicked, it clicked. A very solid and satisfying Redemption album. One I know I'll be turning to when I'm in need of emotional comfort or intense headbanging. And that's all you can ever ask for.

The album starts with the catchy title track and then hammers out a string of six songs that are on par with some of the band's best work. The highlights for me start with "Thirty Silver," a blistering track that features solos by all three former Megadeth axemen, and "The Center of the Fire," which has a stunning and addicting chorus. Other favorites include the uplifting "That Golden Light" and "Hope Dies Last," which has a piano intro reminiscent of Snowfall's "Black and White World." I also must praise the brilliant rendition of The Who's 1973 song, "Love, Reign O'er Me," which boasts an impressive performance by Armored Saint vocalist John Bush, as well as the 20-minute epic closer, "At Day's End," which is a major grower.

My only critique is that I would've liked for the band to indicate in the liner notes if the songs were inspired by a poem or other creative work. For example, the second track," Slouching Towards Bethlehem," was evidently based on Irish poet W.B. Yeats' "The Second Coming," which van Dyk explained in the comments section of Coverkiller Nation's YouTube review of The Art of Loss. In addition, "The Center of the Fire" seems to be based on Oriah Mountain Dreamer's "The Invitation," which I discovered by accident. I ended up enjoying much of her work, and it would've been cool to know if other songs were based on, or inspired by, poems.

If you're a fan of Redemption, you won't be disappointed. If you ask me, The Art of Loss has everything we've come to love about the band, despite the four-year break between releases and the unfortunate absence of Versailles. With a back catalog that grows more and more mind-blowing with each release, let's just hope they find a way to perform live again soon.

- Michael R. Ebert (

 Live From the Pit by REDEMPTION album cover Live, 2014
3.88 | 7 ratings

Live From the Pit
Redemption Progressive Metal

Review by Spartanj42

4 stars So Redemption's been on a bit of a break since their excellent 2011 release This Mortal Coil. This has seen lots of tours and big live performances at multiple festivals. In doing so they've made quite a name for themselves and they finally decided to grace us with a live album called Live From the Pit that seems to be an average of all the material they've been playing the last three years. At Progpower 2012 they played a rather long set for a festival (at 80 minutes) with quite a wide smattering of material from different albums.

Production and mixing are usually the most important things you look at with a live album so let's see. I found them both to be very well done, I was able to hear every instrument as well as was necessary at the time, maybe the guitar wasn't quite as high as it could have been in the mix, but the keyboards are magnificently mixed so that's good. Also the guitars have a very gritty tone which I really like. The drums are a bit high, but in my experience that's something you'll find in almost every live album ever made. So the mixing and production are good, usually second most important when considering a live album is the setlist. The set they played is pretty representative of their discography. The majority of the setlist is taken from the albums The Origin of Ruin and This Mortal Coil. Only two songs each were played from The Fullness of Time and Snowfall on Judgement day, the former being my favorite that was slightly disappointing, but they did an excellent job with the two they did. Only one song from their self titled debut, but I'm okay with that.

The whole thing starts with Threads which works well as an explosive opener for both the concert and the album it's from, but immediately following it is the real show stopper In the Suffocating Silence, one of my favorite Redemption songs they really did the song justice with some really strong keyboard playi ng. Other standout performances include Parker's Eyes, Fall on You, Stronger than Death and Black and White World. Apparently this was the first time they had ever performed Parkers Eyes live so that's a cool treat for Redemption fans, not to mention they played the pants off it. Now when I say a "standout performance" I mean they really conveyed the emotion of it to the audience, they managed to use the live setting to their advantage and build up to a climax in a way that's difficult to do in studio. Especially on Black and White World, they really nailed that one. Oh also Dreams from the Pit features a really fantastic bass solo, I mean Sean Andrews played the hell out of it and his bass playing really made Dreams from the Pit a very memorable performance.

The emotion is all very heartfelt the power behind the songs is there and everything sounds really tight. One of the few issues I have with this is that for the most part everything sounds just like it did in studio, like they didn't do anything differently even the solos were pretty much exactly the same. Plus the crowd's really quiet and there's almost no crowd interaction so it hardly sounds like a live album at all sometimes. It's really more of a compilation album with scattered applause here and there. If that doesn't bother you in live albums then more power to you, but I could have done with a little more crwod involvement and maybe some improvised solos. Overall it shows that Redemption does still have it and that Ray Alder is still a great singer, I look forward to their next studio album because so far they've never really let me down.

 This Mortal Coil by REDEMPTION album cover Studio Album, 2011
3.31 | 81 ratings

This Mortal Coil
Redemption Progressive Metal

Review by Progrussia

3 stars Redemption play a deeply personal (no political rants here, just man and his problems), pounding yet melodic type of sophisticated metal, with great guitar-synth interplay, usually fast, but sometimes they slow down for a kind of a cathartic slow burner. This type of music is suitably complemented by the strong and emotional voice of Fates Warning vocalist, Ray Alder (who is a rare type of a Hispanic front man in prog metal).

Redemption's latest album, This mortal coil, does not offer much new to their catalogue, maybe little bit heavier and more aggressive than usual. There are good tunes here - fluid and fast Blink of an eye, for example, the slow burner Let it rain, etc. But this album is marred by poor, muddy production, and out of shape condition of Alder's vocals, who has a slight natural hoarseness in his voice, but sounds more hoarse and tired than usual. This is by itself not a crime, but it stands in strangely glaring contrast with the previous album, Snowfall on judgement day, which was maybe over-polished, but very dynamic in sound. You could always pare down over-production excesses, but not so radically and in a downfall manner.

Now, you could make an argument that such bleakness is appropriate to the subject matter, the struggle with a death-threatening condition of the band leader, Nick van Dyk. But it's no excuse for a rushed production work, which makes this album kinda hard to listen to, if played together with Redemption's earlier work.

 Frozen In The Moment - Live In Atlanta by REDEMPTION album cover DVD/Video, 2009
4.21 | 25 ratings

Frozen In The Moment - Live In Atlanta
Redemption Progressive Metal

Review by amiltonjr1986

5 stars The First contact I had with this amazing band was assisting the song "Threads", from this DVD. I remember I can't just stop listen, because it sounds so awesome, the double guitars, the bass and the keyboard in an exceptional harmony. It's hard to find progmetal bands with two guitars, and Redemption knows how to do that not fading the other instruments. This style makes the band sounds so powerful, singular and great.

I can't avoid to mention the stage execution of the members, the interaction with the people, and the charisma the singer showed, Ray Alder, one of my favorite singers. Both double guitars makes the band what it is, the bass shows complex melodies and the smashing drums complete the perfect team.

I think it's a heresy a progmetal fan don't listen and watch this great and well elaborated work of Redemption. You won't find so easy another live performances so identic to the studio versions like this DVD. They did an excellent job, our ears are so thankful!

 The Fullness Of Time by REDEMPTION album cover Studio Album, 2005
4.18 | 280 ratings

The Fullness Of Time
Redemption Progressive Metal

Review by punxycpa

5 stars Every now and then an album comes along that is so perfect in every way that I wish I could give it 6 stars. This is one of those albums for me. A true six-star, dessert island, run into a burning building to save masterpiece. Highlights are "Sapphire", perhaps the most perfect song ever written, and "Parker's Eyes", an incredibly emotional look at childhood's end. Nick van Dyk's songwritting, both musically and lyrically, is at the top of his game, and Ray Alder's vocals have never sounded better. Not in 25 years with Fates Warning, not in his own project Engine. Never. In every way, this is a perfect masterpiece of progressive metal.
 This Mortal Coil by REDEMPTION album cover Studio Album, 2011
3.31 | 81 ratings

This Mortal Coil
Redemption Progressive Metal

Review by progbethyname


This is the 5th release from the progressive metal elites, REDEMPTION and it's an album that is most likely a need for most to listen a few times to fully appreciate the dark, emotional content of this album, THIS MORTAL COIL. 

What should be known clearly is that in 2008 lead Guitarist, NICK VAN DYKE was diagnosed with a rare blood cancer called, Multiple Myeloma. This album is a very dark, emotional piece  that is about the feeling of mortality, coming to the understanding that death looms over us all and that we have to accept the best things in life even though we as human beings we have to battle the frailty of our own human condition. Ergo, THIS MORTAL COIL is sure to Rick your psyche and make you think about how precious life is and the best way to do that is through fast and Furious prog Metal at a very elite level of musicianship. 

THIS MORTAL COIL starts off with a huge bang with the track, PATH OF THE WHIRLWIND which is a very energetic song that is full of life with blistering drums and a strong chorus to boot. Excellent opener. The next track, BLINK OF AN EYE is absolutely sublime and is my personal favourite song on the album. The sound arrangements are incredibly well thought out and Ray Alder's voice is perfectly on key to complement this speed demon of a song.  Another notable track on the album is the emotionally laden, NO TICKETS TO THIS FUNERAL. This obviously has some deep rooted connection with VAN DYKE beating his cancer and saying to the NOONDAY DEVIL, that I'm here to stay and you can't take my life just yet, so tickets for my funeral to you! It's quite a theme with this track, but it really works and sparks some incredible guitar from Van Dyke and well as a few nice keyboard solos to slow things down a bit. Also, the chorus for NO TICKETS is very catchy and will surely get stuck in your head. It's like I said, this album will grow on you. Lastly, the power ballad LET IT RAIN is a wonderful track and really helps round out the album by slowing things down a bit so the listener can catch his/her breath because REDEMPTION don't take their foot off the gas for very long on this release. It is a serious prog metal ambush that attacks the senses boldly. 

All in all, I have to say that this album is not as bad as others have lead on for it to be. Personally, I feel that it would make a nice edition to any prog metal collection, especially if you were to obtain the 2 disc special edition of the album where by the 2nd disc contains a 6 track cover set done by the band. Cover tracks include, FUNERAL FOR A FRIEND/LOVE LIES BLEEDING which is fairly well done 2) JANE 3) HOLD THE LINE 4) EDGE OF THE BLADE 5) LOVE TO LOVE and 6) PRECIOUS LITTLE THINGS. A very enjoyable set list and fans of UFO will be in for a treat because REDEMPTION nail LOVE TO LOVE. The opening keyboard solo by VAN DYKE is melodic bliss. 

I'm giving THIS MORTAL COIL a 4/5. It was a fairly enjoyable experience, although it does contain some recycled material from their previous works, but i say 'who cares! It sounds good.' Enjoy prog heads. 

 The Fullness Of Time by REDEMPTION album cover Studio Album, 2005
4.18 | 280 ratings

The Fullness Of Time
Redemption Progressive Metal

Review by amirima

5 stars I admire Nick Van Dyk, the mastermind behind Redemption. He's one of the best music composers and arrangers on this planet. If you are a fan of progressive metal you need to listen to Redemption.

"The Fullness of Time" is the second album by Redemption and their first album with the master vocalist Ray Alder. They are really heavy and don't trespass the boundaries; they stick to the main purpose of their music, filled with melodies and heavy riffs and never give you extra annoying parts or stuff like intolerable instrumental sections or unattractive keyboard solos that need to force themselves into the ears of the listener.

"Sapphire" is one of the masterpieces of progressive metal. Almost 16 minutes of pure mastery. The lyrics are so powerful and full of emotions. The music arrangement is perfect and excellent so that it stands alone among many other bands. It is almost unlike Dream Theater or Symphony X. Nick Van Dyk has a unique relation-of-parts on his mind. He always surprises you with his melodic connections and vocal lines that are somewhat extraordinarily the glue of the songs. Nobody could bring the vocals such amazingly to this style of progressive metal music.

"Parker's Eyes" is yet another great track from this album. You can always enjoy great melodic solos and melodic structures integral to the song.

"The Fullness of Time" is a four-part song. Again, the vocal melodies stand out. Nick Van Dyk seems to know where to take us with his powerful imagination in music. The lyrics on this series is dealing with realities of life and the relationships (specially one's relation with their own "Self") and may serve many of us perfectly.

I end this review with one of my favorite lines from the last song: "No more false facades, covering my feelings, preventing a connection!"

Thanks to Paschendale for the artist addition. and to E&O Team for the last updates

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