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Uphill Work

Crossover Prog

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Uphill Work Counterclockwise album cover
3.58 | 15 ratings | 2 reviews | 20% 5 stars

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Studio Album, released in 2008

Songs / Tracks Listing

1. Just Say Yes (3:45)
2. Shine in Your Hands (6:48)
3. Never Gonna Lose (3:34)
4. H.i.t.s. (4:00)
5. Keep the Yellow Intact (5:26)
6. Fiasco (4:34)
7. Startling Sensation (Was Creeping Into My Mind) (6:09)
8. Ride Like Love (6:59)
9. Lunch (5:18)

Total time 46:33

Line-up / Musicians

- Lev Gankine / keyboards, vocals
- Konstantin Benyumov / guitars, vocals
- Evgeny Semiletov / bass
- Konstantin Provorov / drums

Thanks to windhawk for the addition
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UPHILL WORK Counterclockwise ratings distribution

(15 ratings)
Essential: a masterpiece of progressive rock music(20%)
Excellent addition to any prog rock music collection(40%)
Good, but non-essential (40%)
Collectors/fans only (0%)
Poor. Only for completionists (0%)

UPHILL WORK Counterclockwise reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by avestin
SPECIAL COLLABORATOR Honorary Collaborator
4 stars Some time ago Lev Gankine posted a link to his band's myspace at the Progressive Ears forum. Since Lev has a very wide knowledge of music (prog and otherwise) and since we seem to share a passion for similar styles of music I was intrigued and decided to take a listen to Uphill Work. On their myspace one can find 6 of the 9 songs of their album, Conuterclockwise. After posting my favourable impressions of the music on that thread that Lev opened, he suggested sending me their album for reviewing to which I gladly accepted and here it is.

Before going into the review, I'll briefly introduce this group. Uphill Work is a Moscow based group that started in 2002 as the instrumental duo of Konstantin Benyumov and Lev Gankine. They released their first album, Cock-a-Doodle-Do, in that same year. After lineup changes the music changed as well and in 2005 the band invited bassist Evgeny Semiletov and a year later with drummer Konstantin Provorov. The current album was recorded from August 2007 to May 2008 and released in that year.

What caught my attention at first and remained the hook of this band for me, is that they are backed up by a tight piano/keyboards and percussion section, this quartet plays very dynamic, upbeat and engaging rock with dominant vocals and lyrics. There is a punk-ish feel at times that is quite well combined into the overall sound. Most of all, what this album is, is fun! Just listen to Just Say Yes with its great melodic hook and wonderful playing. It's a short, to the point song, with nice interlude in the middle to keep things interesting.

Never Gonna Lose for instance does show that development I speak of. This song resembles the opening song with its dynamics, speed and energy levels. Within this short song the band plays with its structure a bit, whether by the keyboards "fooling around" or the short interlude in the middle where they deviate a little from the main theme of the song, and the drummer playing a different pattern for a while.

There are the more laid back songs like Shine In Your Hands. This song presents the more tame side of the band, their slower aspect. However, in this particular song, I'd have liked to hear more development in the end of the song where there's a rather repetitive part that could have either been shortened or developed into something else.

The vocals, sung by Lev, are straightforward and in my opinion fit the music well in their direct and punk-ish style. At times he reminds me of Phideaux's vocals, with their rawness and rasp sound. The vocals fit most the fast and dynamic songs. They are a little less suitable for songs like Keep The Yellow Intact or H.I.T.S which is a slightly slower song, and that has a wider place for the keyboards to play and so this song offers a bigger opportunity for vocals to shine in and they in fact would benefit from a different style of vocals here, perhaps even a female voice, but definitely something softer. I would also have liked to have that song end not so abruptly or in that way. Overall, I like the vocals and Lev does a good job and they fit the music, adding a harder edge to the music.

The rhythm section and its style serve as a connecting thread throughout the album, connecting all the pieces into one cohesive sounding piece. While each song has its own identity, they all bear the same spirit of the band, meaning one can speak of the Uphill Work sound. Regarding their sound, I'd have liked to point out the following: I'd like to hear more creativity from the drummer, Konstantin Provorov. He plays his material well and each song has a good and appropriate rhythm but there isn't much variety in each individual song. I'd also like to hear more from the guitar. Fiasco in 7/8 is one song where the electric guitar comes through to the front. I'd like to hear more of it and in particular an interplay between it and the keyboards and bass. There's good and efficient bass work from Evgeny Semiletov. The mix is mostly well balanced though and one can hear the instruments well.

If you're up for an energetic rock ride, with a dynamic rhythm section and hooking melodies, this is great music to listen to. Recommended!

Review by apps79
SPECIAL COLLABORATOR Honorary Collaborator
3 stars This Russian group from Moscow started originally as a duo in 2002 with Konstantin Benyumov on guitars and Lev Gankine on keyboards, both have been playing formerly in a band called Rush Hour, and an early document of their efforts was the ''Cock-a-Doodle-Do'' CD-R from the same year.Tired of a sound full of guitar/keyboard interplays, they came with the idea of forming a regular combo and thus bassist Evgeny Semiletov and drummer Konstantin Provorov joined them around mid-00's.Their new attempt was taped in the album ''Counterclockwise'', recorded at PXL Studio during a 9-month period with some pieces dating back from the early phase of Uphill Work, and released in 2008 on the Russian label Soyuz Music.

What these guys are playing here is a mix of Progressive Rock and Fusion, but not the type of jazzy Prog/Fusion rather than something between the quirky stylings of SAMLA MAMMAS MANNA and the dense musicianship of THE MUFFINS minus the Canterbury edge.The focus in this album is displayed in the numerous electric guitars and piano battles with intricate interplays, numerous scale changes and efficient breaks with influences ranging from Jazz Rock, Classical Music and a touch of Avant Garde.The atmosphere ranges from grandiose and orchestral to pretty dramatic with things softened through the irritating English vocals.These have a quite sarcastic approach and I can see many listeners having a hard time to listening to them.However the music is pretty great with an impressive balance between pleasant textures and adventuruous exercises.Gankine appears to be the main composer of the vast majority of the presented material, which also includes some (sampled?) Mellotron passages with a strong retro vibe.This group has been impressive on shifting between romantic soundscapes and angular, strictly progressive workouts, my only complaint being the insisting use of piano lines instead of a wider keyboard sound palette.

Pretty nice album by these young Russian musicians.Quirky Progressive Rock with Fusion and orchestral overtones, which can get occasionally quite atmospheric.Vocals are an X factor really, but the music is of high class.Warmly recommended.

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