THE WINDOW OF LIFE

Neo-prog, for me, is never a complex genre that defies expectations, nay 'less we talk about Marillion or IQ. Among the vast but seemingly dim stars of the 90s Neo Prog scene, with groups like Arena, Collage, Abraxas, and Pallas, one, I think stands at the most mysterious, and the most introspective of which, has to go to Pendragon. While they existed during the hay-day of Neo Prog in the 80s, they really got on their own track in the 90s, specifically with the release of 'The World'. There, they showcased their full capabilities to strip away from the more standard pop sound of The Jewel and Kowtow, and instead showcase a bit more inspiration from the past. 'The World' was what really pushed Pendragon to the window of new frontiers, and the key to that window lay in wake of their fourth album, 'The Window Of Life'.

If there is one obvious I'd like to get out of the way, it is that the sound Pendragon likes to use here on this record is very unoriginal to put it bluntly. The sound found here is definitely reminiscent of styles of Genesis, Yes, and some slight twiddling of Camel and Todd Rundgren's Utopia. Heck, in The Walls of Babylon, after the 2+ minutes of synths and guitars, has a part that sounds very much like the beginning of Watcher Of The Skies from Foxtrot. This isn't a hit on Pendragon as many Neo Prog bands have done these similar heavy inspirations of songs (Supper's Ready sixth part of Apocalypse in 9/8 comes to mind with Marillion's Grendel and IQ's Harvest of Souls taking massive inspiration from such), but it is something to disclose as for anyone interested in a more, I guess, newer sounding Prog Rock album.

Despite the album's less than new sounding elements, Pendragon showcases that they can absolutely make up for that fact by showing off very moving instrumentals in each song. Clive Nolan's keyboards, in tandem with Nick Barrett's guitars, absolutely sells this album in my humble opinion. After 3 albums of developing their sound, Pendragon absolutely masters these moody elements that sound very much like 80s Arena Rock of Journey and Boston, but put through the Progressive Rock ringer to make their more symphonic status into a newer element, and so, whilst the sound may not be "original", the primary acts the band deploys sure makes up for it, at least for me. This is why I love classic Neo Prog like IQ and Marillion; the meshing of old Symphonic Prog with more famous and popular genres like Pop, Punk, and AOR just creates for an interesting, but very rewarding possibility.

I should also talk about Fudge Smith's drumming styles, because they are good, like, really good. I'd say they could rival Phil Collins in his prime, as this expert of a musician just crafts these magical drum beats that work so well within the stratosphere of the album's magic. Really, the best part of the album is just the very magical array of beautiful instrumentals.

I will say though, that I am really not the hugest fan of Nick's singing. I know he is putting his all, but I cannot help but find him a bit monotone and a little lifeless. I think he needs MORE emotion and MORE drive in his vocals. Get more rowdy and raise your voice more, or get more cryptic when the moment shines with lower vocals. Create a varied dynamic to get the listener more pumped up. I think he should try a little more is what I say.

I also think the bass is a little nonexistent. I swear, on my first listen, I didn't even know there was a bass until I looked it up. I am sure Peter Gee's bass is very good, but I never once heard it until I kinda noticed it in some tracks by taking a keen ear. It sounds way too muted, especially in conjunction with Nick's guitars and Nolan's keyboards. It is a bit of a shame to be honest.

Even though I find that this album doesn't always have the highest points of interest in the musical department, Pendragon's 'The Window of Life' is one that is a great showcase of more Neo Prog music. Lots of beautiful workings on the guitar and keyboards, and the really tight drumming just bleeds masterfully. The album is a little imperfect as discussed before, but nevertheless it is still a fantastic showcase of one of Neo Prog's more prolific bands of the 90s through early 2000s.