HINTEN

Cool bluesy psychedelic rock structure blended with electronic junky fuel. Sounds like their second album "Hinten", despite such a nasty jokey sleeve pic, should be filled up with everything they want to do and want to provide for the audience. This crazy musical structure gets more and more attractive than their brilliant debut creation "UFO" and drives us into another dimension. Impressive and innovative is the combination of sticky, complicated drone electronic agents and funky, freaky, simple rock perspectives. We can feel their massive tolerance for Krautrock that broadens the outlooks of German young generations. And at the same time they straightly launch their big respect for the rock pioneer ... The third track "Bo Diddley" is full of their positive mindset for blues rock. Not so complex nor weird for Krautrock the song is, but colourful sound variations and deep heavy musical development can be heard. Simplicity is also good.

And do not forget they definitely play with much pleasure and enjoyment here and there. The former part of the second one "The Meaning Of Meaning" possesses kinda quite lazy dazy dizzy lizzy atmosphere but in such a sound- polluted air we can find apparent innocence and amusement via their play. And the latter throws us heavy deepy shoegaze-y composition and dark-guitar-based psychedelic vertigo. Of course the rhythm bases strictly support the background. The epilogue "Space Ship" is another perfect space rock featuring drone electronica and improvised guitar discharge. Dynamic, serious, sticky, repetitive sound potential and the very last electronic madness should take the audience into dreamy inorganic space. What a hell.

But I consider that their real masterpiece is the first bullet "Electric Junk", that involves quite magnificent electric (guitar) energy and impressive rhythmic position. Only a few phrases in the beginning of this song have enough power and energy to kick our b**t strongly and to notify us they are really cool. The middle wondrous slowertempo steadiness is also tremendous. And the final run with uptempo dignified rock rigidity encourages us. No suspicion we can notice their innovative soundscape should be sorta vanguard in the early German Psychedelic Rock Scene.