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CROSSING THE LINEAsia MinorSymphonic Prog3.62 | 161 ratings |
From Progarchives.com, the ultimate progressive rock music website
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![]() It is a pity, since Asia Minor did have a quite distinguished sound from the very start, with middle east folk flavors and rhythms added to their nice symphonic soundscape. Some reviewers say the group was influenced by Camel, but I hardly see any Camel-like sounds here other than some similar guitar chord progressions (unfortunately the emotional guitar solos that made Camel so influential are nowhere to be found on Crossing The Line). Most of the solos are done by Eril Tekeli´s flute that reminds me of Ian Anderson (Jethro Tull) and, especially, This Van Leer (Focus). The songwriting was good, and they show some fine early Genesis tendencies that I like a lot. Bakirel´s vocals are also very nice. Although the formula was original at the time and the musicians showed great skill, the formula was clearly on its infancy. Some tracks are very well done while others seemed underdeveloped. The band was still trying to find their way. However, judging by the high quality of their musicianship and the tasteful arrangements, they were heading toward the right direction. Production was very good too. Conclusion: a nice start. I´m looking forward to listen to their second (sadly their last) effort. if you´re into 70´s symphonic prog rock (with eastern sounds to spice it up) this is surely something worth checking out. 3,5 stars.
Tarcisio Moura |
3/5 |
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