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Cesar Inca
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Special Collaborator Honorary Collaborator
For more than twenty years, Frágil has been and continues to be the most prominent
progressive band in the rather wane Peruvian rock scene, though their musical
production per se has been quite inconsistent. Having started their musical career as a
Yes/Genesis/Focus cover band in the mid 70's, the band learned to forge and foster
their own symphonic style while writing their own material, which resulted in pure prog
symphonic seasoned with diverse South American folk and acoustic touches. During
their seminal years, the band earned an ever increasing number of devoted fans, who
were mesmerized by the charisma and theatrical personality of lead vocalist Andrés
Dulude. He also wrote almost all the lyrics, which usually dealt with social issues and
introspective matters. The other members were: Octavio Castillo on keyboards, flute,
steel guitar, mandolin and vocals; César Bustamante on bass, additional keyboards and
vocals; Luis Valderrama on lead, acoustic and classical guitars; and Arturo Creamer on
drums and percussion - all of them working together effectively as a well oiled
ensemble. Of course, the presence of solos on guitar, synth and flute was here and
there, but the general norm was to keep the ensemble working as a musical unit. Their
melodic sense may remind the listener of classic Genesis and Yes, having some clear
coincidences with the typical melodic sensibility of Italian bands (Locanda delle Fate) or
Argentinian (Espíritu). This line-up released their first album Avenida Larco in 1981,
being very well received both by fans and critics. Numbers like "Oda al Tulipán", "Mundo
Raro", "Pastas, Pepas y Otros Postres", "Hombres Solos" and the title track were
specially featured in their repertoire. "Oda al Tulipán" and "Obertura" are the mos
ambitious compositions in the album, while "Pastas, Pepas...", "Esto es
Iluminación", "Hombres Solos" and the title track (their most popular song so far, after
almost 25 years) portray a healthy combination of prog elegance and catchy melodic
lines. Both "Floral" (their first song) and "Mundo Raro" show the most sensitive side of
the band, with those eerie synth sounds and rhythm acoustic guitars in the background
delivering a proper sonic landscape for Dulude's emotional singing. The
instrumental "Lizy" is sheer beauty, with Castillo handling his flute parts with
mesmerizaing delicacy. The closing track "Le Dicen Rock" is mainly a rockn'roll number
with some hints of sophistication, single material indeed (and the second single A-side it
was): it serves as a funny ending for an album that has a high level of seriousness in
the remaining repertoire. The album as a whole exhibited the best musical qualities of
the band, as described in the first lines of this review: 'Avenida Larco' stands out as
one of the most beautiful prog recordings in the history os South American rock.
Cesar Inca |4/5 |
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