VIVA

The idea of the existence of La Dusseldorf and the music character will have been bands in the band from Germany activity in the early the 70's and a variety of with an indeed peculiar constitution. The idea of Klaus Dinger from Kraftwerk to Neu might be indeed advanced attended with the major break.

There might certainly have been a dissension by the member in the part besides the music character of Neu. However, the grasp of the music character that had to be aimed indeed might have suited the theory that Klaus Dinger had thought about enough. He had appointed the word that was called "Apache Beat" partially of the music character of this band. It appears remarkably exactly in the sound of the band.

The music character of La Dusseldorf will have been opening of the sense exactly. Music that pushes only the part completely refined while following the method of the music character done with Neu out forward is expressed in the album as a part where La Dusseldorf reached. Respect where decorated part is given to the directionality of 1st Album might be able to be felt in this album. And, the united directionality is carried out as music of the band.

The diversity of the sound might be introduced enough in this album. The sound that there is diversity on the nucleus of the band that has been completely established while excluding the part of the extra is introduced and the performed tune feels wide further. The part of the individuality that the member pooled for the music character done with Neu might naturally advanced to what should be of each thought music in a sense. And, the existence of La Dusseldorf would have been opening of zeal and the idea as one shape that Klaus Dinger reaches.

"Viva" starts accompanied by a complete song and the chorus. Apache Beat that Klaus Dinger advocated completely contributes to the tune. Rhythm repeatedly done. And, feelings are opened. The construction of the piled sound creates complete space.

As for "White Overalls", the element of Punk Rock might be a little strong. Beauty and destruction are involved to the guitar and the song in close relation to a piano melody. An advanced sense shows the originality of this band as original Rock.

As for "Rheinita", the piano twines round a steady rhythm with the sound of the keyboard. The flow that the sound produced with the nature of humankind everywhere while introducing an electronic sound is felt might be splendid. The sound and the rhythm of a gentle keyboard that feels peace completely have originality. The performance done while having always reached the peak and submitting the melody might be continuous of the sense. I might feel the state of the nature of humankind, feelings, and the limit. It might contain a very dangerous blissout in a good meaning.

"Vogel" contains the part of SE and advances. I might feel the part where the sense of nature and bird's cry were appointed different as a composition of the album. However, the listener will be able to feel music that they regarded by this SE and man's essences. Daily life, Usually.It is order and disorder. It is guessed that essence and an artificial part are expressed by this SE.

"Geld" starts from the sound of the shining keyboard. And, it rushes into the part of Rock attended with the sound of an intense guitar. Their music characters and ideas might have been completely established. Feelings are opened as a refined performance. The sound of the keyboard of Apache Beat that puts and shines twines well. Twining of the sound has originality though this tune has the element of Punk a little.

"Cha Cha 2000" might be one result of blocking the thought of Klaus Dinger. It is known well for the listener as a highlight of this album. The zeal of the band that tries to exceed the region of Rock completely might be blocked. The repeated melody progresses attended with peace. The song is originated in the complete sense. Repeated rhythm and melody advance consistently. The part of music and man's essences might be splendidly expressed. Their music might always be done from the state in the top. The tune has the part where the flow is interrupted on the way. The piano is does a float in the space and advances. The melody repeated before long gradually attended with the dash feeling is accompanied. The tune completely gives the listener one establishment on the top. It is a tune that involves a beautiful part and the part of the limit.

In this album, the thought of expressed Klaus Dinger might have accomplished one establishment from another angle as a music character refined from the music character that had been done with Neu further.