OUT OF OUR HANDS

With nine songs in just over thirty minutes, this is hardly what you would expect for a prog album. But at least they started getting away, at least a little bit, from that early Yes sound. The songs are all strung together, so when listening, it has the feel of listening to an epic, athough they are all distinctly different songs.

Bassist and keyboardist Ray Bennett moves forward on this album. He is the composer of most of the songs on this album, and his bass pushes the entire album. The songs are definitely all progressive, in that early seventies style. But at only a half an hour, this album ends much too soon.

It's too bad they broke up after this one.