THIEVES AND POETS

I was expecting more of a fiery/fusion fingerprint when listening to this album for the first time. Contrary to that, McLaughlin shows another not yet much explored faced of him - classical music. Logically, classical music and frenetic speedy playing is not a frequent connection and McLaughlin respects this in attempt to play in a more solemn and stately way.

The long 26+ minute suite is more interesting with orchestra and classical guitar being in good balance. For a non-trained classical music listener, it may be a challenging listening. The following four homages are neatly played but forgettable in the long run.

Non-essential for most McLaughlin and fusion fans.