UNIVERSAL MIGRATOR, PART 1: THE DREAM SEQUENCER

The least I can say is that this album opens very poorly. Like if you would embark on a Disney attraction where you are being told what to do. Fortunately, it only lasts for two minutes. "The Dream Sequencer" turning into a full Floydian mood ("SOYCD").

One of Arjen's greatest skills is of course to be surrounded by a myriad of talented musicians and vocalists.

The global atmosphere is rather pompous, bombastic. Like "My House on Mars". Great instrumental parts but totally out of purpose "vocals". You know, somewhat "end of the world" ones. Jeff Wayne's influence, maybe ? But these heavy keys and superb guitar play will make these imperfections bearable.

I have never been attracted with the sci-fi concepts of the "Ayreon" offerings. This is no exception. The travel back in time by our hero using the "Dream Sequencer" machine is again very thin. Like Forrest Gump, the main character will be at the good place at the appropriate time. This is another fiction through space and time. Like during "The Final Experiment" (which is the start of the story developed here) and "Into the Electric Castle".

"One Small Step" has some obvious "Floyd" inspiration. At times, Arjen seems to have recreate the atmosphere of "TDSOTM" especially during the chorus. One of my fave song from the album even if derivative of this great "Floyd" album.

Music and vocals for "Dragon on the Sea" are flamboyant. The vocal part is been taken care of by Lara Lane. This US singer is really doing a great job. Fantastic and powerful voice for this admirer of Purple vocalists in general (she is mentioning three of them in her top five favourite ones). She married Eric Norlander in the late eighties.

Beautiful vocals again with "Temple of the Cat". But apart of this feature, this song is not really good. A mix of classical music with an elegant voice when featured.

There are little outstanding tracks on this album. It flows nicely one song after the other. It is definitely not a metal album. It is widely marked with the extensive use of keyboards and synthesizers. Still, it lacks in the truly melodic style (although trying hard).

A song like "And the Druids Turn to Stone" is highlighting this characteristic. One of the most melodic track in which the guitar work is particularly interesting and delicate. A good prog ballad after all and one of my fave. "Floyd" is back in business again during "The Dream Sequencer Reprise". The loop has been looped.

I can't think of no other rating as three star. A good album.