RED

This album is a posthumous album, since the group had disbanded on "god-knows-what" whim from the omnipotent master and guardian of the faith Fripp. An unusual album cover for a group that had placed a strong emphasis on album illustration (if you'll forget the Live albums and the previous SABB), maybe indicating that the album was dumped on the market as an afterthought. But if every afterthought was so thoughtful as Red, we'd never end a debate.

Red (the title track) is probably the most over-rated number from Crimson and the fact that the title track is the most often covered Crimson tunes only confirms this to me - it is one of the simplest one also. As the previous album line-up had been reduced from a quintet to a quartet, David Cross also had left reducing Crimson down to a trio, by this album, pushing Fripp to think about his "small mobile units" concept ramblings about his group.

As stated before Red is a very popular track both among fans and other groups, and although I loved it back then, I now have grown a bit tired of it since I heard it too many times. Providence is unfortunately similar to Moonchild in its free jazz noodlings but Moonchild at least had some evident structure in its start. Fallen Angel is excellent and one of my favourite of Crimson all tracks but the real treat here is the Crimson Finale that even Fripp thought it would be the appropriate swansong for KC, Starless. This number brings you back to ITCOTCK with McDonald, to Lizard and Island with Collins and to Aspic with Cross. A fitting adieu and a masterful closing of the loop! Too bad the guys playing on it did not know (except for Fripp that is) that this would be the final track of KC for a while!!

That track closed every night at the only bar I ever really hung around as it was the only prog cafe to my knowledge and a fitting goodbye to every one of the buddies and the excellent night spend there. Patrick Joly, this review and Lark's Tongue review are dedicated to you!!!

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