SPRING

Spring released this interesting debut album on RCA, which I was slightly surprised to learn considering that the cover resembles a classic-period Vertigo release. Either way, the content here is not the most audaciously complex prog of this vintage, but is notable because of the band's extensive use of Mellotron - and unlike many groups, who stuck mainly to the iconic choir sound of the Mellotron, Spring bring a variety of tape sets to bear, making good use of the eerie flute and violin sets. Reminiscent of the later work of Morte Macabre and other Mellotron fetishists, Spring also bring a strong set of songs to the table, making this both an important and an enjoyable early prog release.