JUST A COLLECTION OF ANTIQUES AND CURIOS

Bringing in a whole new line-up after the uneven (but embryonic) Dragonfly, and most notably young academy student Wakeman, but also ex-Velvet Opera rhythm section Ford and Hudson, Strawbs took a dramatic turn towards rock but retained all of their previous folk heritage. With this album, they actually come just about as close as possible to one of the textbook case descriptions of what progressive folk is about. This album in itself was rather daring as Cousins took the immense gamble to present the new Strawbs line-up with an almost completely new tracks set (except for a few that will be released as bonus tracks some 35 years later), explaining why the public present (not familiar with the songs and changing musical scope) is only reacting politely to the band. Do not be fooled, the band's performance that night is probably one of their most noteworthy highlight. Dave Cousins's voice by now is coming to a (much nicer) Dylan-type of tone, and it is one of the very best feature of the group for albums to come.

This is rather a mixed-up affair and could be called schizophrenics as it seems the album cannot make up its mind between shorter tracks (folk-cultured) and more adventurous jam-band-style rock with much longer tracks and the classical oriented Wakeman track called Temperament Of The Mind (basically a solo showcase improv for his classical talent) where he became a crowd pleaser. Clearly the rhythm section hints at the second option and it just looks/sounds like Wakeman (whom had participated to one or two other tracks in the preceding Dragonfly album and especially on the lengthy closing Vision Of The Lady Of The Lake) seems much more comfortable with them two musicians, than with the two original members, Hooper and leader Cousins. Constantly oscillating between such two different styles does not ruin the continuity of an album. To my tastes it is clearly the rock influences that win in this set, as is clearly shown in the 9-min+ Where Is This Dream Of Your Youth where Wakeman takes the spotlight and pulls in one of his best solos of his career (Yes will not give him that long a spotlight until GFTO) even if it is live and improvised. But before that had happened the very interesting multi-movement 4-part suite Antique Suite, with the only the last part a bit flawed (too long and repeating its "punch line" to often. Another sign of Strawbs's multiple influences by now is the sitar present on Fingertip hinting at Indian music. Sad little girl is yet another charming typical Strawbs number of those days.

Certainly one of their classic album and one of those that typifies the boundaries between folk and rock always on the fringe of both styles, this album is one of their peaks especially in its remastered form wherte the three bonus tracks are absolute vbonus value to the entire set. Apart from the epic Vision (from the previous dragonfly album) , there is also a live song that prefigures their absolute best track (with much-changed lyrics >> here We'll Meet Again) The Hangman And The Papist from the Witchwood album. Still as a bonus is a haunting (studio version in this case) Forever with a superb cello starting out, but the track is getting a bit drowned out in string arrangements and if in this case, this track is a bit out of context, it does not hinder the album whatsoever, especially in its remastered and bonused version. Rare are the albums where bonus tracks will make me raise its overall rating, but in this case the fourth star is now well more than deserved. .

Relics?

A superb early live album from the Strawbs, allowing Rick Wakeman the most latitude to demonstrate his abilities he ever received during his brief time with the band.

"Martin Luther King's dream" is an excellent opener, faithful to King's preachings, while melodic and powerful. "The antiques suite" is four unrelated songs joined together in medley format. The whole is greater than the sum of the parts, and the songs blend neatly together to form a pleasant, if slightly basic piece. "Temperament of mind" sees Wakeman take centre stage with his piano, for a 5 minute solo spot, mixing classics and self compositions. For those in the UK old enough to remember, there's an amusing "Hamlet cigar advert" moment, when Wakeman alludes to having difficulty finding the right notes.

"Fingertips" finds Dave Cousins exploring what would become over the years his schoolboy like fascination with adult themes. "Where is this dream of your youth" once again allows Wakeman to benefit from a lengthy solo spot, this time on organ, there's more than a hint of what was to come with Yes here.

The bonus tracks on the remastered CD are excellent, especially the live version of "The vision of the lady of the lake", a disturbing tale of a young man and his encounters which first appeared on the "Dragonfly" album.

"Antiques and Curious" marked the Strawbs initial steps from folk rock to prog rock, and did so in a very assured and competent way. It does sound somewhat dated now, but is worth seeking out nonetheless. Unlike most live albums, a number of the tracks included here remain otherwise unavailable in a studio recorded format.

Lovely collection of tunes from The Strawbs on this outing with Mr. Wakeman having a real fizz on the keyboards.They never did much in the live arena but on here some of the tracks are excellent. ' Martin luther King's Dream', ' Song of a sad little girl' and ' Where is the dream of your youth?' all excellent renditions.The Hudson/Ford combination worked well on this album too. The CD package is nicely presented as well especially if you can get the Japanese version.

I'm surprised there's only 4 reviews of this album when you have a very young Rick Wakeman playing keyboards live, and play keyboards he does. If you are a fan of his work, this is a must-have album and for two reasons: "Temperament Of Mind" where he plays some very tasty piano, and "Where Is This Dream Of Your Youth?" where Mr. Wakeman blows up the place. I'm talking about a 7+ organ solo that will make your jaw drop. It's freakin' awesome! It's him and his Hammond organ going to town, boys and girls. Now, if you're not familiar with The Strawbs, during this period they were in their deep folky sound, acoustic guitars, thick bass and pretty songs. But what takes the songs over the top is Wakeman's keyboards coloring some excellent folk songs, (the song, "Song Of A Sad Little Girl" has an opening piano solo that will bring a tear to your eye). I'm a fan of their folk songs with Dave Cousins voice and songwriting some of my favorites in rock. He's up there writing-wise with Ian Anderson, if you ask me. So, if you're a fan of folk music live with a master keyboard player, this album is for you. A high quality 4 star affair!

The third work released in 1971 "Just A Collection Of Antiques And Curios". It is a lucid performance with a firm ensemble. It is a live recording in the queen Elizabeth hall. Rick Wakeman joined formally. The acoustic tone carries out the whole. The keyboard of Rick Wakeman is performed on the other hand, the length and breadth mutualfinancing association is taken an active part strongly, and it is indeed wonderful. Moreover, the ensemble also has already shown a peculiar charm of STRAWBS.

This album is a good collection of folk song + the best keyboard solo i've eard in my life !!!!

I prefer "From the Witchwood" than this album, the son are better and it flows better. Don't get me wrong, there are good songs too on this one, like "The Antique Suite" and "Song Of A Sad Little Girl" but what makes this album so special is the 9 min tour de force "Where Is This Dream Of Your Youth", where Rick Wakeman is let lose on the Hammond organ, INCREDIBLE !!!!!!!!! I have never eard a keyboard solo like this in my life. Just for that song, it deserve a 4 stars instead of the 3 Stars i was planning to give.

So if your a fan of keyboards solo, or of Wakeman, get this. If you just whant to discover the band, or add another "Strawbs" album in your collection, go for "From the Witchwood" or the later release like, "Hero & Heroine", "Bursting At The Seams".

I've always thought that "...Antiques and Curious" had something special. After so many listenings I can assure you it is true! One of the most memorable live performance in all the music's history. Not for the complexity of music, nor for the aggressive style of the band, neither for richness of instruments played. Nothing at all! The most relevant element here is the pureness of music, the polite recording of a wonderful evening at the Queen Elizabeth Hall. A superb live performance of acoustic guitars, piano, organ and harpsichord, few lines of bass guitar spoken, great and deep emotions from the voices of the leader Dave Cousin, of Tony Hooper, Richard Hudson and John Ford.

A live performanve I've said. A memorable live performance. The first memorable live performance of a certain Rick Wakeman who was at the time the fifth Strawbs' member. His prodigious skills on piano was immidiately cleared as he started to play his classical pastiche "Temperament of Mind". Two ovations erase from the audience as they were listening to Vivaldi, Bach, Mozart or Mahler alive! And the audience was right, since that perfoemance brought, immidiately, a great (worth) success for Wakeman.

Do not expect from this record songs as in Grave New World or Hero and Heroine. This work was realized in the first period of the band when they did not still were sure to build up their music in a more stronger and electric shape. That went later. For now, "...Antiques and Curious" still is in the folk genre with a foot already moved to a step forward. The direction was evident: the band was trying to elaborate their own way to such borning star named "art rock".The "Antique Suite" (12,12 minutes long) is the most evident proof.

By the way, songs like "Martin Luther King's Dream" or "Song of a Sad Little Girl" (my favourite one of the two) are two classic of the Strawbs' production even if aren't prog at all! I didn't care too much, and I do not care too much now, because is the whole opus to have "that sparkling something" that made me think of it as an impressive record. A real pleasure for me. Not for Strawbs newcomers, though. I reccomend they start with the following "From the Witchwood".

This album with a live presentation by the band at the Queen Elisabeth Hall had been their third official release introducing their new line-up with exceptional keyboardist Wakeman and new drummer Rick Hudson to the public. Apart from offering their earliest live performance this record has as well some historical relevance marking the start of the career of a shining superstar (supernova??, to cite my fellow reviewer, sorry Hugues, but I liked your comment!). I purchased the original vinyl some years ago, actually mainly for the reasons that I found the "antique" design of its cover art very attractive and the band is really an "old love" of mine. I'm sure I used to have the songs recorded on tape in my younger days but could only remember them faintly. So after listening to this album after all those years I couldn't say that I felt disappointed but on the other hand I couldn't claim as well that I've been highly fascinated, at least not over its full length. For me the more interesting half of this record is certainly the second side with highlights as "Fingertips" and "Where Is This Dream Of Your Youth?".

Side one appears to me a bit subdued meanwhile despite Wakeman's great solo show in "Temperament of Mind" which certainly had been impressing enough in those days to get onto the headlines of Melody Maker and finally opening the doorway for his fame as a keyboard wizard. Just imagine: a young unknown musician playing in a little known folk rock band reveals such highly skilled talents by presenting improvised classical renditions on piano! This must have been really a sensation back in 1970 but honestly, without intending to put down his undoubtedly high skills at all, I think there are plenty of (unknown) classical pianists all over the world playing at least as good as him. But anyway this piece is still the most interesting part of the first side of this record and moreover Wakeman did a very great job on organ especially in "Where is this dream of your youth?". In this track he did as well a short citation of Keith Emerson's Rondo which is the original version of his solo on "Yessongs" (might be an interesting fact for all Yes-fans!). So what about the rest of the songs here? "Martin Luther King's Dream" is actually quite a nice mostly acoustically played one though the organ seams to sound rather out of tune here if my perception is right. "The Antique Suite" is a very lengthy one with 12 min, much too long I would say for what it's offering. "Song Of A Sad Little Girl" is as well "only" more or less a nice folk song. I listened also to a mp3-version of the CD reissue but I've to say that the bonus tracks added didn't fascinate me that much that I'd like to get this as well.

As a summary I can say that this record is a very good live presentation by them and it had shown already quite well which direction the band would go after that but on the other hand I wouldn't consider it an essential addition to any collection. For sure a must-have one for fans of this band or admirors of Rick Wakeman, anyway ***1/2 really!!

9.7/10 Incredible

I am astounded that no one before me that has written a review could give this a 5-star rating. Oh by god I love this album, the moods and emotions portrayed on here are just...speachless. Again we get to experience a full album of Tony and Dave harmonizing in sheer perfection, my favorite duo of voices, and we even get RICK WAKEMAN on keyboards and piano!! Incredible! And by all means does the music hold up...every track on here is just a feast of joy in listening, I cannot get enough of it, a pure CLASSIC album. "Martin Luther King's Dream" is something I think MLK jr. himself would have been brought to tears hearing, a complete masterpiece of portrayal and music. Need I mention "The Antique Suite"!? This song is a prog giant, with various changes of mood and melody, and a surrounding sound that just engulfs you fully. "Temperament of Mind" is a wonderful Wakeman track, can't go wrong with his piano work, astounding. Then we come to "Fingertips", possibly my favorite and a favorite among my peers. What. An. Unbeliveable. Song. This song could be some married couples wedding song, an underrated masterpiece of the love song genre. It saddens me that this is not brought to many ears, but this track should be heard my music fans and poetry fans alike, it is a work of art not just a "song". The next few tracks are good, perhaps not up to par with the others, but fine peices and performed flawlessly on this live album I might add. This version of "The Vision of the Lade of the Lake" is perhaps the best you can find, with Dave Cousins on full intensity and passion, a genius.

And I start a new line for these next two songs because they are incredible beyond words. Tony Hooper TEARS through with the opening lines to "We'll Meet Again Sometime" with his marvelous voice and such pure passion it can make me cry. This track is a classic, and seeing this performed at BB Kings in New York in 2007, over 30 years later, it is still just as great and a perfect closer to a concert. This song is more than just a song, it is a way of life for a Strawbs fan! One of their biggest and most important tracks! The last track, being a studio recording, "Forever" is another one of those tracks you just have to wonder..."How does NO ONE know about this song!?!?"...a timeless classic love song of pure beauty, in the same vein as Fingertips. Wonderful lyrics and just so powerful, Dave is in the zone and portrays a vision so profound, again, we are consumed by it.

This album is a must for Strawbs fans and is a total classic for me. A few tracks may not be up to par with the other big ones, but just to have one or two of these songs on recording would have been enough to make me happy.

Strawbs is one of my all time favourite bands and in their early days they were a band that really "progressed". From the almost psychedelic, Donovan-like Folk pop of the debut album in 1969 to the almost symphonic Prog Folk masterpiece Hero And Heroine in 1974 was quite a journey. And the sound and approach changed basically with every album during this period.

This live album came out between their second studio album, Dragonfly, and their third one, From The Witchwood. As I said, this was a particularly turbulent time for the band. They were still very much in search of their identity and constantly developing their sound and writing new material at a high speed. For this live performance they chose an almost entirely new set of songs, and until this day most of these songs are not available on any studio album. This fact alone makes this album worth while. And for anyone interested in early Strawbs and the roots of Prog Folk it is essential listening. Much more so, I would say, than any of the two first albums. Indeed, Just A Collection Of Antiques And Curios could be said to be the first progressive Strawbs album.

Dragonfly had featured Rick Wakeman for the first time on a Strawbs album. But while Wakeman's contribution to that album was very limited and subte, here Rick is allowed much more space. This makes Just A Collection Of Antiques And Curios an essential album for followers of Wakeman as well. You can clearly hear very strong hints of what was to come later in Wakeman's career in his piano solo Temperament Of Mind. Piano, harpsichord and organ are the instruments played by Rick in this performance. The Moog Synthesiser had not yet entered his repertoire at this point in history.

Still, Just A Collection Of Antiques And Curios is just that - a collection of old songs with great historical significance and in many ways it is indeed something of a curiosity. It is clearly a transitional album, catching the band in the middle of a transitional phase. For hard core fans of Strawbs and/or Rick Wakeman this is highly recommended. But I would say that it is essential only as a historical document. For pure listening pleasure I would go for From The Witchwood and all the subsequent albums up till Ghosts before I would start to explore the dim and distant past of Strawbs early days. But when you do get to that point, Just A Collection Of Antiques And Curios is the right place to start.

The early history of Strawbs boasts many "firsts" : first UK group signed to A&M records, first UK folk rock album (even if it wasn't released until several years later), first Bluegrass band in UK, first band for legends Sandy Denny and Rick Wakeman, etc. Add to it one other anomaly: their first album to be released in the US was a live recording, and featured material that was almost entirely hitherto unavailable.

Apart from the breakthrough credentials of "Antiques and Curios", the music itself is very much in the pioneering spirit, with its juxtaposition of seemingly incompatible bedfellows like dulcimer, sitar, organ, and sexually explicit lyrics ("Fingertips"); politically charged anthems ("Martin Luther King's Dream"); a landmark title suite in 4 pastoral movements, a 6+ minute middle eastern styled virtuosic organ display ("Where is this Dream of Your Youth"); a 5+ minute lesson in classical piano ("Temperament of Mind"), and an immortal song of tenderness ("Sad Little Girl"). Yet this isn't quite cohesive or impressively collated enough to qualify for much more than the utmost historical significance, which I assure you it does. Instead you find a few worthwhile blueprints for future directions as well as forays never to be repeated in any form, almost like the group was trying to establish an identity and they had simply no idea. To quote a recent lyric from Cousins, "It started out with nothing planned".

Also included are three bonus tracks, two of which fill out the live performance and therefore present as more than mere afterthoughts. Unfortunately, in the case of "The Vision of the Lady of the Lake", the smoothing out effects of the studio are sorely needed, as Cousins simply does not have the vocal range to pull it off. Stick with the studio version from "Dragonfly". "We'll Meet Again Sometime" is one of now a half dozen available versions, which is hard to remember given that for decades the only available, and still best, rendition was that on Mr Cousins solo effort "Two Weeks Last Summer". This one might merit runner up for its wise deployment of Tony Hooper's voice. The final bonus is the sparkling cello and string laden love song, "Forever", with immediate impact and a melody you will be singing along from the first. It might be slighly out of place here, having been both temporally and stylistically suited for the "Dragonfly" album. But then "Antiques" is already a disjointed affair in many ways.

While delivering a trunkload of valuable relics, "Antiques and Curios" chooses to dump them in your living room when what is required is cleanup and a professional's sense of decor. 3.5 stars, rounded down.

THE ONLY WEAK MOMENT OF MY SOUL. YET I AM WEAK. OR AT LEAST I THINK SO.

A great live. Stop.

The pure essence of English Folk in Rock field. Stop.

One of the best Rick Wakeman performances (except in solo career). Stop.

And I wrote my review. Stop.

Hmm... And this is a correct review? Naaah... This is only a set of words.

'Just A Collection Of Antiques And Curios' conquest me for the beautiful cover that I see for the first time in a book of Prog Rock and for the second time in a book of English Folk. Neturally I bought this album. I heard for the first time this album in my car and immediately my soul was abducted from this beautiful live album. The second listen to this album was in 'Castelli aperti' day in Friuli, my regon. And see 'Open Castles' consists of two days (one in spring and one in autumn) where you can visit in my region with guided tours some castles ... The soundtrack of transfers from castle to castle was really good. But also for to go to the fair in Strassoldo (another village of my region) which takes place in spring and autumn in the two castles (upper and lower) I found this live album as he perfect soundtrack!

In general I love this type of music (but I have only few albums of Folk Prog or Prog Folk... Better Folk Prog!) and for this motive this live is one of my preferred albums that I have in my collection. But probaly because the music is so great... In this live the music is perfect fron fist second to last second. Because played wih love and devotion from great musicians.

This music is Folk, English Folk with Rock treatment, without claims, if not give birth to a masterpiece. The sound is too amazing... And the final result is great, I repeat. And I haven't otherwords for to describe this... enormous masterpiece.

If you love Folk Prog I think that 'Just A Collection Of Antiques And Curios' is a perfect album for your dreams and, sure, for your gold collection.

Just visiting the local antique dealer..........

In an antique shop, you can find everything from old Victorian night pots and old Edwardian record players. You can also find old chairs from De Gaulle's France and Chinese porcelains from Stoke On Trent, England. In short, an antique shop is an eclectic mix of most things old.

And so is this album too. Far more intelligent people than me has given the history of this album so I do not want to reinvent the wheel here by repeating them. I just want to knot down my views on this album on an antique keyboard from the Elizabethian (II) time.

The album is indeed like an antique shop with all kind of different items thrown in together. From some good progressive folk rock and David Coussin's excellent vocals to the usual egocentric solo stuff by Rick Wakeman. The latter one seems a bit out of place on this album. But it is still enjoyable. I am not a fan of folk rock in general, but I think Strawbs best studio albums are great. The material on this album is not in that category, though. The material is not bad or even decent. Just good and that's it. There is nothing here I find disagreeable at all. This is an enjoyable album with Temperament of Mind being the best song. And that's about it really. A good album, but not a great album.

3 stars

There is something that reeks of an old dusty attic full of songs from this, Strawbs' third album released on the American A&M label, that strangely, like the Strawbs' eponymous debut and sophomore album titled Dragonfly, was not released quickly in the US and actually reissued a few years later when both the Strawbs and Rick Wakeman would become better known to the prog world.

I believe it's due to Dave Cousins' bucolic songwriting and the remarkable absence of Wakeman's signature mellotron and Moog synthesizers which brings a freshness and immediacy to these live performances of mostly new songs. Wakeman was also new to Strawbs' audiences and you can clearly hear the enthusiasm for his deft piano, organ and harpsichord playing. To say that Wakeman gave virtuoso performances is not hype, just the truth. His ability to engage his audiences without coming off as a stuffed shirt is much to his credit, and his later self deprecating manor is well into being carefully formed.

The rest of the Strawbs give solid backing with the percussion based rhythm section of John Ford on bass and Richard Hudson on congas and small hand percussion instruments, while rhythm guitarist Tony Hooper does well to back Cousins' occasional electric guitar intros and outros. Cousins' seems to no longer be trying to find his voice and is quite self assured from the opening song "Martin Luther King's Dream" to the bonus CD track of "The Vision Of The Lady Of The Lake", which should have been included on the original vinyl release as it's the epitome of prog folk.

"Martin Luther's Dream" is pure American folk; the type of anthemic song that Phil Ochs and Pete Seeger could have written and sung during any of their numerous social protest gatherings in the late 60s. It does having moving lyrics even if the music is quite banal. The 4 part suite of "The Antique Suite" finds the first rumblings of Cousins writing a truly progressive folk song about the passing of a good friend, from cancer, that was an avid antiques collector. Apart from being a lament, Cousins interjects facets about his friend's life and somewhat lonely existence in the voice of Toby Hooper while Cousins himself narrates this true life drama. Musically, it's spectacular with incredible melodic sections and works well as a whole.

"Temperance Of Mind" is solo Wakeman on piano with his own mini suite of different genre phrases played together at either break neck speed or slowly with utter skill and finesse. Encompassing neo-classical, jazz, rag time and a string of cliched silent movie accompaniments for a truly comical effect, it's one of the album's highlights. "Finger Tips" is a risque lament by Cousins of a past female encounter that probably meant more to him than to the audience. However, a stirring version of "Where Is This Dream Of Your Youth" with Cousins on sharply distorted electric guitar that is driven home by incendiary organ that falls somewhere between the musings of Iron Butterfly and Deep Purple, complete with added distortion.

"The Vision Of The Lady In The Lake" is the same long odd narration without the conventional verse, chorus, verse strong structure that prog folk fans seem to like so much. I wish that I could say that added piano accompaniment by Wakeman helps the song but he only added some fills to give the song a little atmosphere and class, which is disappointing. However, Cousin's vocals are more emotive and, more importantly, clearer, which is paramount in such a long epic story song. This song as well as a peedestian version "We'll Meet Again Sometime" are bonus tracks to the 1998 CD reissue and not found on the original vinyl. Just A Collection Of Antiques And Curios" is the best sounding of the 1998 A&M Strawbs CD reissues as Ghosts and Heroine have slightly dodgy mastering.

So, 4 stars for this good sounding treasure from the attic as Just A Collection Of Antiques and Curios possesses an ambiance that's rare to find in other folk rock works of it's time, and for some reason beyond my reckoning, plays well on a cold winter's night.

A Keeper.

While the more progressive-oriented albums often get the most attention, the early Strawbs albums contain just as good (or better) music. This album features the live Queen E Hall gig that brought Rick Wakeman to media attention, and in short order, to joining yes. And of course he shines here (particularly on "Temperence of Mind", the song that won so much attention, but also his solo on the extended version of "Where is this Dream of Your Youth" from the first album. Both are excellent). But despite Wakeman's clear talents, it is the songs that shine brightest here. The opener, "Martin Luther King's Dream" is such a fantastic song. While one might think it dated, it still resonates today. "The Antique Suite" is amazing, as are "Fingertips" and "Song of a Sad Little Girl". These are three of the Strawbs strongest songs and stand the long test of time. The CD version also contains a live version of "The Vision of the Lady of the Lake", which is worth the price of this CD on its own. Don't let the title fool you. This is a collection of some of the finest Strawbs music. Its a definite keeper. I give it 8.6 out of 10 on my 10-point scale, which translates to 4 PA stars.

Review Nº 163

'Just A Collection Of Antiques And Curious' is the debut live album of Strawbs. It was at the same time their third album and was released in 1970 too. It was recorded at the Queen Elisabeth Hall in London. For their benefit, this album was released outside of the UK, including the USA, giving them the international exposure they needed. It might seem a bit strange that a live album be the first Strawbs' album and the people outside of the UK have heard about. It's a very special live album, because although it was recorded live, none of the tracks were released on any studio album before, except 'Where Is This Dream Of Your Youth', originally released on their eponymous debut studio album 'Strawbs'.

The line up of the group had changed drastically in relation to their two previous studio albums. Only the two founder members Dave Cousins and Tony Hooper remained, Ron Chesterman and Claire Deniz left the group. The band had the addition of two other new members John Ford and Richard Hudson, and Rick Wakeman also became a full-time member of the group. So, the line up of the album is Dave Cousins (vocals, acoustic guitar, electric guitar and dulcimer), Tony Hooper (vocals, acoustic guitar and tambourine), Rick Wakeman (piano, organ, harpsichord and celeste), John Ford (bass guitar) and Richard Hudson (vocals, congas, percussion and sitar).

'Just A Collection Of Antiques And Curious' has six tracks. All tracks were written by Cousins except 'Temperament Of Mind' which was written by Wakeman. The first track 'Martin Luther King's Dream' is, as its name says, a tribute to Martin Luther King and was obviously written about his 'I Have A Dream' speech. It's the shortest track on the album, a kind of a folk troubadour epic which benefits from the newly acquired rhythm section and backing vocals from John Ford and Richard Hudson and the brief performance from Rick Wakeman on organ. The second track 'The Antique Suite' is a song divided into four parts, 'The Reaper', 'We Must Cross The River', 'Antiques And Curious' and 'Hey It's Been A Long Time'. It was a song written about a doctor friend of Dave Cousins and his collection of antiques. It's the lengthiest musical piece on the album and it comes on the same vein of the two folk epics of their previous studio albums 'The Battle' and 'Vision Of The Lady Of The Lake'. It's an excellent piece of music, one of their best, and an excellent example of what is the early Strawbs' musical compendium. The third track 'Temperament Of Mind' is a completely different piece of music. This is a Rick Wakeman's classical piano solo piece of music which includes several quotes from several classical musical pieces. This was the piece of music that brought Rick Wakeman to the forefront of the rock scene and shows all the virtuosity, capacity and originality, of his music in the future. The fourth track 'Fingertips' was written about a very beautiful Swedish girl that Dave Cousins met on those days. It's a more experimental song, the only real psychedelic song on the album, and the use of a sitar gives to it some Oriental musical ambience. It's an incredible track where the intimate and almost reticent vocals from Dave Cousins with the intricate instrumental performances, especially the use of sitar and dulcimer, gives to the song the final perfect touch. This is a pure genius song, probably my favourite track on the album. The fifth track 'Song Of A Sad Little Girl' was written about Dave Cousins' little daughter, Joelle. It's a very nice song that shows some intricate acoustic guitar performed by Dave Cousins and also shows a perfect interplay between Rick Wakeman and Dave Cousins, which stands as one of the best examples of Rick Wakeman's integration with Strawbs. The sixth and last track 'Where Is This Dream Of Your Youth?', was a song released on their debut studio album 'Strawbs'. However, this live version of the original studio track may practically be considered a totally new song. The 3 minutes of the original version go to 9 minutes and it has also an extraordinary and killer performance of Rick Wakeman on keyboards. This is a perfect example how a simple and vulgar folk song can be transformed on a great folk progressive track. This is undoubtedly a truly great track.

Conclusion: 'Just A Collection Of Antiques And Curious' is a great album and remains as one of the most memorable live performances made by the group. It isn't for sure their best or even a perfect album, but it's for sure their most pure, na've and probably the most beautiful musical working made by them. 'Just A Collection Of Antiques And Curious' reminds me one of the earlier albums from Genesis, 'Trespass'. Both albums were released in the same year, both remain the sweetest, delicate, fragile, romantic, innocent, na've and pure albums from them and both represent the turning point into their musical careers. 'Just A Collection Of Antiques And Curious' represents a wonderful evening with a superb acoustic concert and where a certain unknown Rick Wakeman made his first memorable performance on a live set. This album represents also the turning point on band's music, where the bluegrass, folk and medieval band, moved to a progressive rock band, in my opinion, in one of the best British progressive rock groups that ever existed.

Prog is my Ferrari. Jem Godfrey (Frost*)

"Just a Collection of Antiques and Curios" is a live album release by UK folk rock/progressive rock act The Strawbs. The album was released in October 1970 through A&M Records. It´s the successor to "Dragonfly" from February 1970. Since the band´s eponymously titled debut album was released in May 1969, "Just a Collection of Antiques and Curios" is The Strawbs third album released in just 17 months. Quite a few lineup changes has taken place since the preceding album as cellist Claire Deniz and bassist Ron Chesterman have left. New in the lineup are John Ford (bass), Richard Hudson (vocals, drums, percussion, citar), and Rick Wakeman (piano, organ, harpsichord, celeste). The latter already guested on "Dragonfly", but has now become a full-time member of The Strawbs. The usual suspects are Dave Cousins (vocals, acoustic guitar, electric guitar, dulcimer) and Tony Hooper (vocals, acoustic guitar, tambourine).

The material featured on "Just a Collection of Antiques and Curios" was recorded live on the 11th of July 1970 at the Queen Elizabeth Hall in London. The original version of the album features 6 tracks and a total playing time of 40:44 minutes, while the 1998 remaster adds 3 bonus tracks to the tracklist. One of them is "Forever", which is a studio track from a 1970 single, while the other two were recorded live at the same concert as the original material.

Most of the material is pretty standard early 70s folk rock, but the addition of Wakeman brings some much needed variation and classical music influenced finesse to the recording. especially on his own penned "Temperament of Mind", which shows his diverse musical influences. It would have been interesting to hear more of his playing incorporated on the more regular folk rock tracks (he plays the intro to "Song Of A Sad Little Girl" and some nice organ on "Where is This Dream of Your Youth", but you won´t hear him that often other than that). "Just a Collection of Antiques and Curios" features a well sounding organic production (courtesy of Tony Visconti), but ultimately it´s not the most interesting Strawbs release. It´s a bit on the uneventful and dull side. A 2.5 star (50%) rating is warranted.