MAXOPHONE

Even within the Italian progressive scene of the 1970's, Maxophone produced a sound unlike that of any other band. With brass-driven passages that combined jazz, rock and classical ideas, their sole album could very well be among the ten best Italian progressive rock records of all time; a dazzling stylistic whirlpool in which you never know what's coming next. At one moment you may be treated to a gentle, romantic melody, the next a slice of Dixieland jazz, then a sudden, furious display of rock guitar. Because of its ability to change styles within the same song without losing momentum, the album is a consistently interesting melting pot of ideas.

Maxophone was also one of the few Italian groups of the decade that managed to record an English version of their album, although their particular attempt wasn't too great a success. The original lyrics add just the right spice to the album, unlike the translated ones, which could not entirely do it justice (note: this review covers the Italian version). The band were a high-energy six-piece, producing cohesive and forceful music with strong melodies and tightly executed changes. Locanda Delle Fate, Premiata Forneria Marconi (PFM) and Genesis were likely influences on their sound, with a hint of Emerson, Lake & Palmer as well.

Half the members of the band were classically trained musicians, with most also being multi-instrumentalists. Thanks to their diverse array of instruments, Maxophone pushed the boundaries of progressive music on this release by bringing uncommon sounds together with traditional ones, creating a wonderful, flowing sonic landscape.

The vibraphone features prominently, for instance, and while this in itself isn't unusual for a Rock Progressivo Italiano (RPI) record, it is when accompanied by clarinet, trumpet and horn. Along with the more orthodox progressive tools saxophone and flute, the wind instruments generally prove to be the album's driving force. The most distinctive among this group is undoubtedly Maurizio Bianchini's French horn, which adds a very majestic touch to many of the themes.

To say the least, Maxophone is an impressive album overall, released by a band that unfortunately wasn't entitled to more luck. All of its tracks feature complex, multi-part arrangements and passionate performances, and the innovation and creativity throughout the material is astonishing. Although the album may not have obtained the success it deserved when it was first released, it has become a progressive rock classic' over time, a must-have for collectors as it is definitely one of the essentials from the Italian prog scene.

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