IN

1. The Opening as a tonic opening with a symphonic sound that goes back to old sounds, those of the 70s, it's beautiful but it lacks pep, it drowns a little in consensual meanders; it's beautiful but! 2. Are You In? a little more nervous and a warm voice that goes to the 80s, well it evolves well; come on a neo-prog metal from the 90s the sound becomes more nervous, I'm here to do the job! in short a well-played sound of déjà vu that makes the time pass faster, 3. Twisted Reality changes tone, Crimsonian air at times, Mathieu's touch that handles the handle well; a Japanese tone also in the background with the keyboard of Indrek, a musician I didn't know but who went to a good school, I learn every day! in short a beautiful variation with a free jazz feel worthy of the soundtrack of the pink panther, nice this piece where I feel the vibration of GENTLE GIANT in addition to KING CRIMSON! the guitar solo is just majestic! The finale goes more into a symphonic-energetic metal line worthy of MORSE, TRANSATLANTIC, SPOCK'S BEARD, very nervous and with prog juice. 4. Restless changes range again, the most of this album; more free electro jazzy with the thunderous bass of Vladislav excellent, it seems like he is playing on a melting anthill; fusion like on the works of ZAPPA in his time who played expansive music outside the drawers; the most this invasive keyboard which stands out from the great keyboards of the 70-80s and which melts the listener and time

5. Walking with You changes course, melodic softness with the synth base and the more lumpy voice reminiscent of another group; Andrus's touch for his fresh and intrusive pads; well I find some Banks from GENESIS 2nd edition there; the guitar solo pours fiery notes 6. Fragile and the regression with an ethereal piece and a religious or almost religious Priidik flute; an instrumental title that can recall the flights of sir Steve HACKETT for the suave, melodic and melancholic side; it is even languorous with the perfect keyboard-guitar association 7. Lord of the Miracles and the epic piece, how can we not think of the long pieces of our believing musician Neal with the clique of what made the bed of prog rock, neo, prog in general: instrumental flights, a keyboard that holds the base and solo, solos galore. It's good but I put a flat we are in 2024 and it is a bit repetitive by lacking personality; to punish me the reverberating mid-course break with these marshmallow synth keys playing the speakers game with a stereo effect like in the good old days. The flute makes you regress even more, the restart makes you doubt my flat note, prog is that even used. We are much more on symphonic rock than on neo let's not be mistaken about everything. (3.5)