EAT ME IN ST. LOUIS

Eat Me in St. Louis, released in 1989, marks the final work with the band's original lineup and is undoubtedly one of the most remarkable records of their career. Recognized as the group's heaviest album, it showcases the brilliant guitar work of Francis Dunnery, deeply influenced by Brian May. Additionally, Dunnery takes on vocal duties with a delivery reminiscent of Peter Gabriel, though other influences can be perceived throughout the album. At this stage of his career, he was already a fully accomplished musician, demonstrating talent and versatility in every track.

Compared to the two previous albums, Eat Me in St. Louis presents a less progressive approach, especially in relation to their second work, Once Around the World. Apparently, the band aimed for greater commercial appeal, which is reflected in the radio-friendly structure of many tracks. However, this does not compromise the quality of the compositions. On the contrary, the band exhibits skill in crafting catchy choruses and exciting arrangements, especially in the guitar parts. The album also features a new logo designed by Roger Dean, although he did not contribute to the cover art.

The album opens with the energetic "Positively Animal," which begins with a frantic guitar solo, evoking the feel of a live performance. A simple base, supported by a captivating bassline, gives way to an effective chorus. Although brief, the guitar solo is memorable, as is the use of keyboards. Next, "Underneath Your Pillow," one of the album's singles, features synthesizers that introduce a track with an irresistible chorus and a striking guitar base.

"Let Us All Go" adds a funky touch to the album's repertoire, with an electric piano riff, electronic drums, and a swinging guitar. The chorus, enriched by backing vocals, elevates the song to a contagious level. Another standout is "Still Too Young to Remember," the album's most successful single. Its catchy melody, paired with an emotional guitar solo and well-arranged acoustic and rhythm guitars, results in an engaging piece perfect for sing-alongs.

"Murder of the Planet Earth" surprises by briefly "evoking" Steve Winwood's Valerie?if only for its opening second ?with dominant guitars and synthesizers. While straightforward and without many surprises, the track works well in the album's context. Meanwhile, "People of America" recalls the vibe of Ghost Town by The Specials, both in sound and message. The vocals are the standout feature, especially in the choruses, showcasing the band's ability to create memorable hooks.

"Sister Sarah" begins playfully, with vocal antics before exploding into an electrifying instrumental performance with vibrant guitar riffs, robust bass, and energetic keyboards. The chorus and guitar solo are excellent, reaffirming Dunnery's talent. "Leaving Without You" starts almost a cappella, with Dunnery's vocals accompanied by subtle synthesizers, before evolving into a richer melody. The tempo change around the three-minute mark is one of the song's highlights, adding depth and beauty to the composition.

"'Till the End of Time" exudes Led Zeppelin influences, with riffs reminiscent of Jimmy Page and drums in the style of John Bonham. However, the addition of keyboards brings the sound back to the 1980s. Dunnery also surprises with vocals that evoke David Lee Roth, creating a vibrant and nostalgic track. "The Ice Melts Into Water" is a melancholic piece that alternates between moments of intensity and softness, carrying a multitude of emotions. The track's ending, featuring a guitar reminiscent of Steve Howe, is a delight for guitar enthusiasts.

"Charlie" closes the album masterfully, highlighting Francis Dunnery's complete mastery of his guitar. The track begins with a beautiful and delicate melody that could easily fit on any Steve Hackett album, such is its elegance. As the song progresses, a second guitar joins in, adding depth and intensity to the composition, while creating a rich atmosphere that transitions between initial serenity and a fuller, more enveloping energy.

Eat Me in St. Louis is a versatile and cohesive work, delivering a solid record from start to finish. Here, the band demonstrates its ability to balance heaviness, emotion, and commercial appeal, creating an excellent album that deserves to be revisited from time to time.