THE SONGS & TALES OF AIROEA BOOK 3: MAGICAL CHRONICLE (ASCENSION)

The Chronicles of Father Robin (TCOFR) emerged from the remains of Fangorn in 1993-94, drawing inspiration from classic 70s progressive rock bands and contemporaries like Änglagård, Anekdoten, and Landberk. The group features members from well-known Norwegian prog bands such as Wobbler, Jordsjø, and Tusmørke, as well as post-rockers The Samuel Jackson Five, creating a collective of talented and diverse musicians.

Their ambitious project, The Songs & Tales of Airoea , spans three albums and 18 songs set in an alternate, archaic world. With Book III, the trilogy reaches its conclusion, delivering a seamless blend of sounds with a rich, vintage atmosphere.

Book I introduced us to the world of Airoea with strong melodies and classic prog elements, but it lacked the unpredictability of a truly standout album. Book II took a bolder approach, diving into more experimental and unexpected territory. Now, with Book III, TCOFR finds the perfect balance, merging the adventurous spirit of Book II with the nostalgic feel of vintage prog rock. For me, Book III is the most satisfying of the trilogy.

The album opens with "Magical Chronicle," a vibrant and dynamic track filled with great harmonies that nod to prog legends like Jethro Tull, Gentle Giant and Yes. Beginning with a warm blend of guitar and flute, the song swiftly evolves into a jazz-infused piece that feels both fresh and inventive. This track sets the tone for the nostalgic yet adventurous ambiance that runs throughout the album.

Next comes "Skyslumber," a peaceful journey underscored by delicate acoustic guitar work and intricate layers of sound. The harmonies and instrumentation create an immersive experience, pulling the listener into a calm, almost meditative state.

The momentum shifts with "Cloudship," continuing the tranquil vibe but with added sound effects and impressive guitar work. The spoken-word sections where the sun is named in different languages add an emotional and atmospheric layer, elevating the track into something deeply immersive.

"Empress of the Sun" breaks the serenity with its energetic, rhythmic drive. Here, the band's synergy shines, particularly in the drums and keyboards, which recall the great bands of the 70s. Andreas Prestmo's vocal work stands out, and the mid-track keyboard solo is reminiscent of The Doors' more psychedelic moments, bringing a lively burst of energy to the album.

Then, "Lost in the Palace Gardens" introduces a Led Zeppelin III -style acoustic guitar riff, beautifully paired with Andreas Prestmo and Aleksandra Morozova's harmonized vocals. Their voices complement each other perfectly, adding emotional depth to the album's conclusion. The record wraps up with "Epilogue," a contemplative soundscape of wind and water, providing a reflective close to the trilogy's long journey.

While Book III is brilliant in many ways, my only criticism is its brevity. At 34 minutes, the album feels too short, ending just as it finds its stride. The blend of sounds and vintage atmosphere is so captivating that I couldn't help but wish for a longer experience. The journey is engaging, but it leaves you wanting more in the best way.

The Chronicles of Father Robin have crafted an album that is both ambitious and deeply satisfying for fans of classic prog rock, there's much to admire, from the clever instrumentation and their outstanding vintage production, the marvelous art work by artist Lars Bigum Kvernberg, the band captures the warmth and spirit of classic records, Leaving a lasting impact with their precious "Trilogy" I hope to heard more from them.

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