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Brian Eno - The Ship CD (album) cover


Brian Eno


Progressive Electronic

3.60 | 19 ratings

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Prog Reviewer
3 stars As always any output under Brian Eno's name or any of his multi-factorial collaborative ways, beholds expectations.

I follow his releases and tend to listen or acquire his latest ones. "The Ship", 2016, is no exception.

Sound engineering wise, this is top of the cream. That mentioned, everything revolves actually around that attribute.

Music composition wise his "advertisers" announce a criss cross between "Ambient 1- Music For Airports",1978, and his super early stuff, lke "Taking Tiger Mountain (By Strategy)"- 1974 and "Here Come the Warm Jets"-1973 a personal favorite. I would have added "Before and After Science"-1977, which exposes to perfection this bi-polar frequency of song writing.

Well "The Ship" is that kind of ENO's multiple musical, slow paced, languages mixed throughly and upgraded with his acute artistic sense for the recorded sound. That and his later acquaintance with Karl Hyde, it shows and can not be "hydden" and a Roger Water's feel (quiet surprising) is also present here and there, by the way.

Having set the court for ruling, I bought this album and I do not think that I have gotten something extraordinary or highly valuable or to put it simply this one, as most of his post "Small Craft on a Milk Sea"-2010 solo releases, can still not compare to the same.

There are of course magnificent moments although somehow diluted by lack of contrasts and some of its proposals may seem new in Eno's world but not that "new" in the outside world. The focus on the lyrical power of the recorded voice be it Eno himself or guests Nuria Homs or Peter Serafinowiczis is truly remarkable.

Like a self set level of mastery in the fields of music composition, he himself has established, this release, beyond its astounding sound engineering, music wise is good to listen to, but not really an unmissable addition to my collection, nor groundbreaking as to become essential.

***3.5 PA stars.

admireArt | 3/5 |


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