RARE BIRD [AKA: SYMPATHY]

Rare Bird's self-titled debut is an excellent example of proto-prog in its final form. Despite a shorter song format, the band could very well be classified as symphonic prog. Their material is highly influenced by classical music with their own style of heaviness. Inspiration from their contemporaries is also very much present, namely Procol Harum and even a bit of Caravan. The psychedelic piquancy is nearly gone, appearing seldom on various jams and instrumental parts.

Rare Bird is literally a rare bird - not all that many bands at the time had the versatility of two keyboard instruments. One being Hammond organ, other electric piano. I feel like this is where this group really shines. They definitely use two keyboards to their advantage. Electric piano is used when more percussive parts are needed, while Hammond delivers lush tones we all know and love.

The album opens with "Beautiful Scarlet", which features strong vocals, great drumming and incredible keyboard parts I mentioned. The track has a rather classical feel to it with a heavy rhythm. My definite favorite from Rare Bird's debut. "Sympathy" is the song that brought fame to Rare Bird (temporary fame, that is). Again, great vocals supported by light organ touches, immensly classical-inspired. "Nature's Fruit" moves into a more rock-orientated territory. An especially interesting sound is that electric organ diffuse is followed by a smooth organ tail. This gives a very enjoyable effect. "God Of War" and "Iceberg" are kept in a very dark mood, albeit with little variety from previous tracks. "Times" is a faster tune with an up-beat tempo. Nothing really special. "You Went Away" and "Melanie" are quasi-romantic tracks, that close the album.

Overall, I think this is a pretty solid release with quite a distinct sound. This debut is very important to further development of the band. And for its times (November 1969) it is in all respects a very brave and innovative release.However, a giant amount of monotony lets it down in my opinion. Most tracks (besides one or two) are not really memorable and have not aged very well. This is especially recommended to fans of proto-prog and early stages of progressive rock (in particular symphonic prog). From me, it gets well deserved four stars!