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IN THE COURT OF THE CRIMSON KINGKing CrimsonEclectic Prog4.64 | 4905 ratings |
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TRoTZ
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Prog Reviewer |
Ladies and Gentleman, I do not want to fall in disgrace, but I am convict you are in the
presence of the first majestic symphonic progressive rock album of the History. Of course
we can say some other bands explored progressive motives before like, for example, the
MOODY BLUES. In fact, King Crimson were not the first with progressive ideas, don't
expect from a band to make a sudden total transition, that's absurd! But the tendencies,
showed around by several bands, were fused by King Crimson creating this majestic album
of pure symphonic progressive rock suites! The instrumental architecture is defined by the symphonic mellotron, the jazz of the saxophone and the rock of the guitars and drums. Overall, dark suites full of nostalgia. The first track is a fine introduction, with some good saxo and mellotron arrangements, nice transition parts and a middle psychedelic guitar solo part. I Talk to The Wind cuts the strength of the first track with a very nice flute and mellow song, with dual vocals quite usual at that time. Epitah is another very sad song, full of nostalgia, one by one all instruments (acoustic guitars, mellotron, bass) show deep emotion! Moonchild is in the same line with the two predecessors, but with a quite long obscuring, imaginative, calm psychedelic mellotron solo. The last track is also sad but with the energy of the first track added by emotional chorus at refrains followed by a memorable classical mellotron. This is an EXCELLENT album, not only for its history but for the music itself. Songs like Epitah or The Court of Crimson King are very deep, can make the most emotional of you cry. Surely one of the best progressive albums of ever, a MUST to every prog collector! My rate: 9/10
TRoTZ |
5/5 |
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