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LAST TANGOEsperantoEclectic Prog3.96 | 79 ratings |
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![]() This is very orchestral progressive rock that sometimes seems to crumble under a certain manufactured intensity, particularly in the first three songs. Not much memorable there really; even "Eleanor Rigby" has me reaching for the Beatles, which I never do. But the final three are all very good, and at different times remind me of A&M stablemates Chris de Burgh (particularly the title track), Rick Wakeman and even Le Orme (intro parts of "the Rape") , and the Moody Blues (the orchestral ballad "Obsession"). "The Rape" is the real discovery for me, featuring two very progressive mostly instrumental sections sandwiched around a suitably theatrical and varied vocal part that works far better than the other longer tracks. No guitars here, and, thanks to the judicious use of cellos and violins in an axe-like fashion, they are not missed. Given the expression of the universal language employed by Esperanto in the latter half of this album, it is a shame that this indeed proved to be their last tango.
kenethlevine |
3/5 |
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