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RAINBOW SERPENT

Progressive Electronic • Germany


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Rainbow Serpent picture
Rainbow Serpent biography
Rainbow Serpent is a German duo of Frank Specht and Gerd Wienekamp. The group was formed in the early 90's. They produced a couple of cassettes in the early 90's before being signed to label and producing their first album, Futuregate, in 1995. The duo have since released many albums as well as some compilation albums, live albums, and some collaborations with other musicians.

::bio by Sheavy::

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RAINBOW SERPENT discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

RAINBOW SERPENT top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.00 | 1 ratings
Futuregate
1995
0.00 | 0 ratings
CosmoVision
1995
0.00 | 0 ratings
Voyager
1996
0.00 | 0 ratings
Mosaique
1997
0.00 | 0 ratings
Cutted Scenes
1999
0.00 | 0 ratings
The Sequel To Voyager
1999
0.00 | 0 ratings
SilverBlue
1999
2.00 | 1 ratings
Pulse
2000
2.00 | 1 ratings
Voices Of The First Day
2001
2.92 | 3 ratings
The 8th Nerve
2005
0.00 | 0 ratings
Stranger (with Isgaard)
2010

RAINBOW SERPENT Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.00 | 1 ratings
Live@Liphook 2007
2008

RAINBOW SERPENT Videos (DVD, Blu-ray, VHS etc)

RAINBOW SERPENT Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

RAINBOW SERPENT Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

0.00 | 0 ratings
Collection 2005-2007 (Unreleased Tracks)
2007
0.00 | 0 ratings
Leave & Love (with Isgaard)
2011

RAINBOW SERPENT Reviews


Showing last 10 reviews only
 The 8th Nerve by RAINBOW SERPENT album cover Studio Album, 2005
2.92 | 3 ratings

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The 8th Nerve
Rainbow Serpent Progressive Electronic

Review by Heart of the Matter

3 stars Things not entirely praising have been said from this, the eighth studio album by Rainbow Serpent, as, for example, that it is pointlessly overabundant in the uninterrupted use of sequencers. And that the music would be mostly derivative from such icons of the Berlin & Düsseldorf Schools, as Klaus Schulze, Kraftwerk and Tangerine Dream.

I think there's moments of aural pleasure awaiting here, nevertheless. And that's primarily because the compositions themselves are not merely copies of "Autobahn", "Stratosfear", or whatever. The influences are certainly there, clearly audible, but rather contributing to the creative process than supplanting it. It's a good album, but don't expect any stylistic revolution to ocurr while listen to it, because that's not going to happen.

Thanks to historian9 for the artist addition.

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