BEAM-LIGHT

The band has the sheer audacity to present an epic track as opening salvo, a whopper escapade that has all the expected formula tossed out the window , the tremulous "Asking for the Promised Land " features echoing keys, military drums, a drowsy saxophone blast and raspy guitar strewn all over the arrangements. Dudziak talks, shrieks, screams, yells and anguishes, as if possessed by some demonic possession. She actually sounds more like punk-new wave singer Siouxsie Sioux than anything else. This is a dense track that is quite a ride and ends up being extremely effective and evocative.

Then comes a parade a mini-songs (3 to 5 minute range) , all strangely inter-related as if a glorious suite. The whistling lips only further confuse the blasé listener, the creepy "The Other Side of the Mirror" keeps the angst going with some quirky synthesized percussion, gritty guitar bursts and funeral organ backdrop. Aleksandra goes about her insane expression with little restraint, a voice that is definitely out there and as such, takes a little getting used to. A weary saxophone introduces "the Message", a solemn lament that gets the juices boiling, as Aleksandra really nails her performance, giving this piece an exhilarating veneer that remains intact and pulsating way after it ends. A cloudy guitar solo gives the piece some well-deserved applause. Another slayer track is the scintillating "Holy Cows", a pulsating affair that pushes the envelope even more, a world-class vocal delivery that stuns, confounds and impresses by its sheer physicality, man this woman can bellow brilliantly! 'Un peu de francais', mixed into her usual accented English. Slap happy bass solo convinces even further, showing off occasional chops, though definitely preferring team play. Prog perfection! "Set Ebu Sa" seems to be in Tagalog, the official language of the Phillipines , once again impetuous bass and drum work, rock solid, penetrating rhythms with a slight tropical funk tinge, yet drenched by that insane streak that drapes all over her tongue, like some magician, conjuring up images and visions that go beyond the boring norm. "Belly World" romps feverishly, punchy bass shoving this forward with apparent impunity. The synths swerve tempestuously, yet the voice really takes over, obsessive, playful and enchanting. The astonishing "Icy Eyes" slays the dragon once again, a relentless, ferocious, prickly and defining track that unleashes a manic vocal, equal parts prog, punk, opera, and torch singing, Aleksandra burns it up as if stricken with sweltering malaria, howling 'ever, ever again' over and over. Frightfully attractive, a true jaw-dropper! The solemn and sad "Drunk Thoughts" tackles inner pain with liquid desperation, a famed national attribute that never seems to fade away, as the Poles are a sensitive breed, utterly fatalistic, fiercely proud and romantic. Dudziak produces a cry from the soul that will blow your speakers, a shriek that even the Bush would be envious of. Piano, some symphonic orchestrations and a voice that stumbles, screeches, slices and sears with incredible emotion. I mean, WOW! "Waiting For" is the love song that probably emanates from the previous melancholia but it's so naturally under produced, that only realism, rawness and heartache ooze from the grooves. Need I say again, the vocal just shimmers beyond the widest horizon? Sheer unique beauty! The exasperating "Past the Door" relates again to emotional suffering, heartache, desperation and loss. The compulsive delivery swoons between the extremes of gentle and distraught. The music is low-key, hypnotic and brilliantly minimalist. All these songs have a common feel, yet all are unique in their presentation.

This seminal album sets down for bed with a killer epic "Far Away", a 7 minute spectacle that simply encompasses the artistic brilliance of a shooting star talent that arose in 2008 and faded away, unseen and unheard. Possessed, bewitching and beguiling, her voice just takes the music to another dimension, offering up a cool yet bluesy guitar solo and some lovely sax.

Amazing discovery as I have striven to point out, a music that is very raw, left-field, almost beyond the usual borders, highly comfortable in its own little ceremonial bubble, a moment in time that lasted briefly and poof! Disappeared?..Too bad for us fans but if you ever fantasized about owning a few iconoclastic prog albums , usually one-shot wonders, then this one would definitely qualify. This grows on you, inexorably you fall to its alluring charm.

5 ray illuminations