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LITO VITALE

Crossover Prog • Argentina


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Lito Vitale picture
Lito Vitale biography
Héctor Facundo Vitale - Born December 1, 1961 (Buenos Aires, Argentina)

Lito VITALE is an Argentine musician, composer and arranger. When he was 13 years old he co-founded MIA, which became popular within progressive rock audiences in the late 1970s.

By the eighties he started his solo career with Sobre miedos, creencias y supersticiones in 1980, included of collaborations of Manuel MIRANDA in saxophone, Marcelo TORRES in bass and Jota MORELLI in drums. An album in which he achieved a mix of GENESIS,YES, New Wave and Argentine folk music.He then continued through several formations as a trio, quartet, quintet and duo in the present.

In the 1990s, Vitale recorded several tango standards with Juan Carlos BAGLIETTO, and was awarded a Latin Grammy for their collaboration in 2000. Also during those years, Vitale recorded a more jazz-like project with Lucho GONZALEZ and flute player Rubén IZARRUALDE. This formation performed in the 1998 Montreaux Jazz Festival.

written by Garlop

LITO VITALE Videos (YouTube and more)


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LITO VITALE discography


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LITO VITALE top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.00 | 11 ratings
Sobre miedos, creencias y supersticiones
1981
4.25 | 4 ratings
Quitapenas
1983
4.00 | 3 ratings
Jorge Cumbo - Lito Vitale - Lucho Gonzalez
1985
4.33 | 3 ratings
Lito Vitale Cuarteto
1988
4.00 | 11 ratings
Ese Amigo Del Alma
1988
4.67 | 3 ratings
En solitario
1988
4.00 | 6 ratings
La senda infinita
1989
4.17 | 6 ratings
VIento sur
1990
3.80 | 5 ratings
La excusa
1991
4.33 | 3 ratings
Kuarahy (Musica para ballet en tres actos)
1991
4.25 | 4 ratings
Sobre Riesgos y Memorias
1992
4.33 | 3 ratings
Juntando Almas
1993
4.13 | 8 ratings
Lito Vitale y La Cruz del Sur
1993
4.67 | 3 ratings
Cuentos de la media luna
1994
4.67 | 3 ratings
Mas Alla del Mar
1994
4.00 | 3 ratings
Juntando Almas Vol. 2 Memoria del Tiempo
1995
4.33 | 3 ratings
Pantallas
1995
4.67 | 3 ratings
Solo Piano
1996
4.33 | 3 ratings
Cuando el río suena
1997
4.67 | 3 ratings
Tracción a Cuerda
1997
4.50 | 2 ratings
Desde Casa
1998
4.33 | 3 ratings
Día Del Milenio
2000
4.67 | 6 ratings
Un Solo Destino
2003
4.50 | 2 ratings
El Hombre De La Corbata Roja
2004
4.50 | 2 ratings
Adios Hermano Cruel
2006
4.67 | 3 ratings
El Otro
2007
4.50 | 4 ratings
Nuevo Trio
2008
4.50 | 2 ratings
Federal Tango
2013
4.00 | 2 ratings
Sangre Nueva
2017
5.00 | 1 ratings
Textos Tecleados
2017

LITO VITALE Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.50 | 2 ratings
Lito Vitale Quinteto: Ese Amigo Del Alma - 30 años
2018

LITO VITALE Videos (DVD, Blu-ray, VHS etc)

LITO VITALE Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

LITO VITALE Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

LITO VITALE Reviews


Showing last 10 reviews only
 Sobre miedos, creencias y supersticiones by VITALE, LITO album cover Studio Album, 1981
4.00 | 11 ratings

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Sobre miedos, creencias y supersticiones
Lito Vitale Crossover Prog

Review by arymenezes

4 stars An 18 year old Lito Vitale composed ABOUT FEARS, BELIEFS AND SUPERSTITIONS, released on 1980, an incredible demonstration of moog and synthesizers possibilities. It's entirely instrumental. There are some quite inspired interplays between piano and synths, like on the first and third tracks.

The way he begins and ends the songs generally is very exquisite.

Thumbs up for the mysterious mood on the majority of the work.

Nice and enveloping vocal harmonies are present on all of the tracks, with the exce´ption of the first. That's feature that I found on other albums (the few I heard, they are jazz stuff) from him.

I'll give 5 stars for the creativity of track 2, a scary symphony of vocals, and only vocals. The title of this track is "Iluminating the Souls"; and the same rating goes for the sensibility of the last effort, "God, the end". This one is between symphonic prog and electronic prog - a perfect end both musically and conceptually.

The drums and bass are not so technical and brilliant, and the few participations of the guitar is almost always reduced to a complement for the synth. But these limitations are widely compensated by the other atributes I described above.

For me, this equation results in a 4 stars.

Thanks to andy webb for the artist addition. and to Quinino for the last updates

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