COMA

Unfortunately, the outdated and antisemitic/racist "jokes" in word and sound on the songs Financial Tycoon 1 and 2 are gross, but I just deleted those songs. Too bad, because they would have been just as good as instrumentals as the rest of the pieces. But I just don't want to dedicate any more room in my head for that kind of stuff. Too bad, because I like the vocalist. The rest of the album is instrumental.

Now that my copy of the album is down to 33 minutes, I can see my self listening to it regularly. It looks like their other albums didn't get the same level of reviews, but I'll look for their second album and check it out.

While it has much of the fantastic musicianship of the previous records, it is so 80's in it's execution that it becomes quite a generic enterprise. Soprano sax, overproduced drums, scorching guitars. You can feel the members of the band REACHING for a more commercial sound but their taste is too weird to nail it.

Side one feels very much like a new agey, fusion soundtrack for an 80's film.

Side Two gets a bit closer to the energy of the earlier records with Future Tango being a real standout. However, one has to get past that New Age production to hear the creativity that worked so well before.

Recording Quality: I purchased the record on Vinyl...it sounds really, really good. The drums pop in the best way.

Key Songs: Orientexpressen - A song full of synchronized sax/guitar runs and some gorgeous sax soloing. Lots of interesting twists and turns. Reminds me of Masal in the loud parts and almost goes into late 80's Slint-style indie rock in the quiet parts. A stunner.

Pulp - Very guitar driven song with a mix of warm soloing and discordant, hard breakdowns. Much like the rest of record, it's all over the place. But it sounds good and the players are always on point.

Sounds Like: Later Soft Machine, Shades of King Crimson and a French Henry Cow

Summary: A very scattered record packed with great playing and surprising moments. Deserves more ears!

"Up From The Sump..." is something like 21 seconds of spacey but dramatic sounds before "Financial Tycoon 1" kicks in. I really dig the melody to this one as the horns blast away. It settles back after 1 1/2 minutes then the humerous vocals kick in. So good. A nice sax/ drum section eventually follows then the guitar comes in lighting it up. I love the tone of the guitar. "Peter Grynt" has a feel good sound to it at first but then the tempo picks up and the guitar joins in picking away. Sax comes in as well with guns a blazing. I like how melancholic the guitar is that follows. "One Of Them Crazy Gurues In Love" is pleasant and jazzy with relaxed horns. Vibes later as the horns and drums continue. "Fulton" is a top four and this ends side one. How good does this sound!? Again the guitar just hits the spot for me. It then settles into a relaxed horn led section, in fact it's quite psychedelic here. The guitar is back along with a yell. Themes are repeated.

"Financial Tycoon 2" opens with the guitar and sax trading solos before it settles and the vocals arrive. Funny stuff. Instrumentally I'm thinking early GONG then we get some soaring guitar later. A top four. "A Hard Banana" has a catchy beat with guitar and sax playing over top. Some impressive drum work here and throughout this album really. "Frank Felding" is a top four with that heavier sound and how about that sax solo. More heaviness then it settles back as vibes help out. "... Down From The Trees" has guest violin leading the way in this short instrumental piece. "Tumbling Shadows" is my final top four. Sax eventually leads the way but it trades off with the guitar. Vocals arrive then some dissonant sax when he stops singing. Nice guitar work halfway through as he is ripping it up. So impressive. It settles late as the vocals return along with sax. The guitar is back with 2 minutes to go and it turns chaotic just before the song ends.

Complex yet so funny certainly describes Zappa doesn't it? And this album from COMA as well. I believe a couple of these amazing instrumentalists from this band now play with Robin Taylor who is still putting out great music. This is almost flawless for my tastes and deserves the 5 star rating.

'En saftig brosten' was (even in 1980) retro space-age fusion; 'Orientexpressen' tastily bobs & weaves and kicks out the rhythm; 'Love and Madness' is romantic pap; But the title cut is a prog/fusion honker reminding of John McLaughlin's dirtier days. Not entirely realized or completely finished, Amoc had more potential than it yielded but, even without the bells and whistles and pyrotechnics of an Al DiMeola, is still a rousing set of quality Hard JR/F.

It is a journy through various kinds of music tastes. The tones are very progressive and saxophone truly deepens the beauty of this album. It is hard to find an album that has its one fire and that touches your ears in an unique way. This album has quality music, if listened carefully it can give you waves never heared before, if not then definitely your attention. If You want me to compare it whit others, i would say that it is a fusion of Zappa and Miles D. Has a very avangarde sounds for that matter. I would recommend you not to skip this composition.

A quite daring band not afraid to mix different sights and sounds,Coma travelled from Zappa-esque Jazz-Rock to Psychedelic Heavy Rock and back.The majority of the tracks falls into a Jazz-Rock, often meeting straight Jazz on the way,with huge and interesting sax solos by Jakob Mygind in the style of OUT OF FOCUS and technical playing by the rhythm section blended with obscure vocals with a humurous edge.But the story on ''Financial tycoon'' goers much further.The double guitar attack of Viggo Bertelsen and Flemming Friberg pushes the sound in Heavy Rock realms and offers good breaks between the sax-dominated pieces,which alternate from furious solos to melodic passages.Not much of abstract and disturbing improvisations in here,the tracks have an evident tight structure and,though not on the level of bands like DR. DOPO JAM or moreover SECRET OYSTER,they contain all the right ingredients to offer a pleasant experience.

Another lost and forgotten Jazz-Rock item from the 70's,''Financial tycoon'' is an all the way decent release of jazzy Progressive rock,recommended to fans of demanding musicianship.