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THE WORK

RIO/Avant-Prog • United Kingdom


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The Work biography

The Work were formed in the UK by multi-instrumentalist and composer Tim Hodgkinson with guitarist/composer Bill Gilonis. Hodgkinson had been a co-founder of Henry Cow, he and fellow H.C. co-founder Gilonis began to record together in 1980. Their experimental sonic creations led to the formation of an independent record label, Woof Records, and to the formation of The Work, including Mick Hobbs on bass and Rick Wilson on drums.

The band's first recording was the EP I Hate America released on the Woof label in 1981. The band then toured Europe in 1981 and 1982, performing in the Netherlands, Belgium, Switzerland, Sweden, Finland, Norway, Germany, France, Italy and Yugoslavia. Some of those live performances were later released on a cassette called The Worst of Everywhere (1983). In 1982 they played at a Rock in Opposition Festival in Bonn with Catherine Jauniaux. After the tour they recorded their first album, Slow Crimes, which was released by the Woof label in 1982, with Jauniaux as a guest musician.

1982 was a year of upheaval for the band - Wilson left to study Kathakali in India, and soon after Hobbs left also. Hodgkinson and Gilonis were committed to the tour scheduled for Japan, and asked ex-Henry Cow drummer Chris Cutler and bass player Jim Amos Welton to join them for the tour. With this new line-up The Work played three concerts in Tokyo and one in Osaka. The Osaka concert was recorded on a cassette recorder half-way down the hall, this was later cleaned up and released by Recommended Records Japan on an LP Live in Japan. At the end of the tour, the group split up.

In 1989 The Work reformed with its original members and recorded Rubber Cage. They then toured Europe for the next two years. In 1992, they recorded their final album, See; and in 1993 they played at the St. Petersburg Open Music Festival in Russia. The Work's final live performances were in Italy, Switzerland, Germany, Slovenia and the Czech Republic in 1994 .In 2010 The 4th World, an album that had been recorded live in Breisgau in that final year, was released by Ad Hoc Records. The original recording was mono, but it was mastered into stereo by Udi Koomran.

- Addition prepared and written by Claire (listennow801) -

THE WORK Videos (YouTube and more)


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THE WORK discography


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THE WORK top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.29 | 12 ratings
Slow Crimes
1982
3.37 | 11 ratings
Rubber Cage
1989
4.00 | 6 ratings
See
1992

THE WORK Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.25 | 4 ratings
Live in Japan
1982
0.00 | 0 ratings
The Worst Of Everywhere
1982
0.00 | 0 ratings
The 4th World
2010

THE WORK Videos (DVD, Blu-ray, VHS etc)

THE WORK Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

THE WORK Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

5.00 | 1 ratings
I Hate America (EP)
1981

THE WORK Reviews


Showing last 10 reviews only
 Rubber Cage by WORK, THE album cover Studio Album, 1989
3.37 | 11 ratings

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Rubber Cage
The Work RIO/Avant-Prog

Review by Mellotron Storm
Prog Reviewer

3 stars THE WORK was formed in 1980 by HENRY COW's Tim Hodgkinson and guitarist/composer Bill Gilonis. A four piece, these guys were legit. A lot of touring, and they released their debut "Slow Crimes" in 1982. That album featured the vocals of Catherine Jauniaux from AKSAK AMBOUL and she destroyed it. That could mean a couple of things but on this second album, some seven years later, we get the same lineup minus Catherine.

The music continues to be a challenge for me, and really it wasn't until that sixth track "1992" that I finally heard something from this band I liked. The longest at 6 minutes and the next three songs along with the closer are at least five I can get into. They did release one more studio album called "See" in 1992 with the same lineup which is pretty cool before calling it a day. There's less of the exotic instruments this time around but more horns from Hodgkinson, and he brought back the hawaiian guitar.

While I like this quite a bit more than "Slow Crimes" it's just not the style of avant I can get into. Respect? Yes, I mean who can compose music as challenging as this?

 Slow Crimes by WORK, THE album cover Studio Album, 1982
3.29 | 12 ratings

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Slow Crimes
The Work RIO/Avant-Prog

Review by Mellotron Storm
Prog Reviewer

3 stars Just when I start to feel like I really am a pretty big fan of Avant-garde music, then along comes an album like this to bring me back to earth. HENRY COW broke up in 1978 but it wasn't long before one of it's founding members Tim Hodgkinson got back to work(haha). Yes he co-founded this band called THE WORK in 1980, and "Slow Crimes" is their debut released in 1982. The other co-founder here is guitarist and composer Bill Gilons, and we also have Mick Hobbs on bass, and Rick Wilson on drums. Other than Hodgkinson I'm not familiar with these other musicians.

But we also get HENRY COW drummer Chris Cutler helping out, as well as Catherine Jauniaux from AKSAK MABOUL on vocals. Catherine will likely make or break this album for you. I mean she can be annoying, cringe-worthy and really out there, but very entertaining. I understand the band got together on three different occasions to record this. From September of 1981 to January of 1982, and in three different countries including England, Switzerland and Belgium. Man this is a tough one for me. Noisy and manic are good descriptions. It's like they tried to make the music as difficult as possible, so no wonder Catherine is on here. Lots of unique sounds like jews harp, tapes, tuba, ukulele, hawaiian guitar and more.

There's not a lot on here that I'm into but I like the sounds late on the song "Pop", as well as those instrumental sections(surprise) on "Like This" and "Cain & Abel", as well as the all instrumental "Brickyard". They would not release another record until 1989 and Tim would release a couple of solo albums before that one came out called "Rubber Cage", which I prefer to "Slow Crimes". Their final studio release was in 1992 but they did release many live records. A strong album in the avant world, but not in mine. Barely 3 stars.

Thanks to listennow801 for the artist addition.

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