PITOM

Pitom makes it very clear what their go-to sound is going to be right off the bat: grunge influenced guitar, combined with violin. It's a really interesting, dark combo, that's pretty fun to listen to. The two usually play in unison, but the few times that one plays a counterpoint to the other are excellent. The violin occasionally employs pizzicato, making for some unusual passages, and the few guitar solos are nice. There is one moment that's composed of a solid minute of horrible static from the guitar, but luckily this is the only unlistenable portion. It should also be noted that Pitom is a Jewish band, and you can hear some influences in their melodies. It's really wild to hear them in this context, but it works surprisingly well.

While the sound of Blasphemy is initially fresh and interesting, it really starts to get tiring towards the end. The texture created throughout the album is very similar, with the guitar and violin having almost identical timbres from song to song. As well as a similar sound, nearly every song uses the same basic structure: a short melodic section that gets repeated for a minute or two, a minute or two of wandering into solos, and a reprisal of the introductory passage to close. Normally the fact that an album uses a similar texture and atmosphere isn't a big problem, but because of the composition, the songs start get really predictable. By the time you get to the last few songs, you can hear a few seconds of it, and predict exactly where it will go and end up.

Something positive to be said about Blasphemy's fairly static sound is that you can listen to a song or a few samples, and have a very good idea if you will like it or not. Even if its length is a little disappointing for the content, the standard guitar and violin combo is a good one, and if you like what you hear on one song, there's a lot of it to be found. If that's true, then Blasphemy and Other Serious Crimes is worth a purchase as long as you're not expecting much more than what you initially hear.