POÇOS & NUVENS

Although it is quite an interesting listen, there are a couple of places where this album falls down for me. The first is the vocals, as I have never been a fan of G'rson Werlang, as although this is the first time I have come across this album I have previously reviewed some of his later solo works. His falsetto and high vocals don't ever really sound true, as if they are either slightly off-key are about to be, and that always causes major issues for that. Secondly, for some reason for most of the album the bass is way too low in the mix which gives quite a one-sided overall sound which is simply unbalanced. It isn't an album which has travelled well in terms of time as it would have sounded dated back in 1998, and now that is even more so. All power to Progshine Records for making it available, as I know this band did gain a lot of support outside their native Brazil and now it is once again easy to find, but it's just not for me.

In 2008 the band's vocalist and guitarist, Gérson Werlang, released a solo album called Memórias Do Tempo (2008) and made me think that the band was really over. But a couple of years later a live album was being prepared. In 2012 two live albums were released by the band. Live In Mexico (2012) that was recorded in 2004 on Baja Prog Festival and Clouds On The Road (2012), recorded in 2005 on the festival their label (Rock Symphony) used to organize. Clouds On The Road (2012) was released by Rock Symphony with Musea Records distribution in the end of last year and has a very interesting art by the Brazilian, Gustavo Sazes.

Clouds On The Road (2012) has a change in the band's line up, more precisely in the 'kitchen' area. On the record we have Chico Gonçalves (bass) delivering a great performance and Rodrigo Bernardon (drums and percussion) that had played on Gérson's solo album. The rest of the lineup is the same as their studio albums: Gérson Werland (vocals, electric and acoustic guitars), Edgar Sleifer (guitar, flutes and vocals), Sávio Werlang (keyboards, accordion and vocals) and Iva Giracca (violin and vocals).

Poços & Nuvens' music always amazed me with the unique combination. Their lyrics are also fond to me. Being born in the south of Brazil I can understand and picture each and every one of their 'paintings'. But lyrics are not the only thing here. So, if you don't understand Portuguese, don't worry.

Clouds On The Road (2012) is pretty much based on their latest studio album, the great Província Universo (2001). About 75% of the live album comes from that album. In general, you have such a great concert, very well executed by the band with special mentions to Edgar's flutes, Iva's violins and the fragile and pretty vocals by Gérson. A shy kind of voice. On the other hand, Sávio sometimes delivers some really weak keyboards sounds here and there like in 'Vega' and 'A Sagração Do Outono', which is weird cause they're not like that on the original albums. But he also plays some pretty accordion on 'Dança Ao Crepúsculo' and 'Milonguita'.

You also have some songs that are a bit weird to their repertoire like 'Incenso E Chuva' and from their first album Ano Veloz Outono Adentro (1998) the double 'Todas As Estações' and 'Geração Perdida'. There are also some tracks that jump on you like 'Vindima E Ventania' (it has always been one of my favorites), 'Amanhecer' and 'Dança Ao Crepúsculo' and 'Milonguita'. Including the closing track 'Poços & Nuvens' that has a metal feeling but the great lines of violins changes it all.

Poços & Nuvens' Clouds On The Road (2012) is a marvelous opportunity if you don't know the band yet and would like to. Recommended!

(Originally posted on progshine.net)

For a live album I found the recording quality to be nothing short of excellent, with every instrument and voice very well mixed and balanced, you can hear everything. The musicians are outstanding, showing great musicianship and versatility through the whole 73 minutes CD running time. Among the members we have a girl who plays some mean violin and one of the guitarist also doubles on very good flute, providing the basic sound of guitar/keyboards/bass/drums with fantastic dynamics and variations. Most of the songs are also excellent stuff, much in the vein of the classic bands fo the 70´s (Yes, Jethro Tull, Kansas and ELP comes to mind while listening). That latter feature extends even into the lyrics, with much "hippie idealism" onto them. The only thing that really bugs me are the vocals: not bad, but just too plain and weak, miles away from their stunning instrumental prowess. That something seems to plague almost every prog band in Brazil: they probably think that anyone who can carry a tune can be a singer. On the folky, acoustic parts, maybe they can, but with the more elaborated, electric parts, where the demands of a technical vocalist with a wider range is evident, this is sorely missing. But that´s about the only glitch I could find and it doesn´t spoil the overall greatness of their work at any moment.

There are no real highlight here, all the tracks work very well. Some are better than the others, depending on your personal taste, but none is weak. Personally I loved the longer tracks like Incenso E Chuva and Poços E Nuvens where the band could exercise their obvious virtuosity with more freedom, but without causing any boredom to the listener.

All in all I found Clouds On the Road to be an excellent album: a tight band playing excellent music with a perfect production and astonishing performances. Their mix of symphonic prog rock and brazilian southern folk made their music sound both original and familiar at the same time. A very nice surprise that deserves a full 4 star rating (it would be 5 stars, if they had a better singer). Highly recommended!

An excellent album indeed,in ''Ano veloz outono adentro'' every single instrument is carefully used in order not to spoil the album's balance between folk rock and symphonic rock.Violins, flutes, accordeons and plenty of acoustic guitars create a mellow and dreamy soundscape for lovers of pastoral musicianship with influences coming from compatriots BACAMARTE and even Italian prog legends like PREMIATA FORNERIA MARCONI or CELESTE.Those Brazilian folk melodies are absolutely majestic and -according to the band's members -the fact, that they live near the borders with Argentina, had also a big impact on their sound.All this traditional sounds are supported by the symphonic flavor created by Gerson Werlang's smooth guitar playing and sensitive solos,the slow piano passages and the nice synth work,not far from the style of TEMPUS FUGIT.The combination is definitely more than charming,the interplays between electric and acoustic instruments show a band with great talent and you should also add both the male and female vocal work in a very emotional style to complete a stunning first step for the band into the progressive rock field.

POCOS E NUVENS are definitely a band to watch and one of the few bands around with the potential to create a future masterpiece!Definitely essential,followed by a solid 4 star rating!

GOOD PROG FROM SOUTH- AMERICA!

Any weak tracks can't be found but there are not any mind-blowing numbers either. It is just very good stuff all the way. If I had to pick one track it would be "Vida na Terra", a driving number and showing their symphonic capabilities at its best.

Conclusion: A very impressive debut album.