THE WILDE FLOWERS

Musicians on the record are Robert Wyatt, Hugh Hopper, Brian Hopper, Kevin Ayers, Richard Coughlan, Grahan Flight, Richard Sinclair and Pye Hastings. The three tracks 17, 18 and 19 is actually with another band "Zobe" with Dave Lawrence, Bob Gilleson and John Lawrence.

I think this collection is underrated. You have to think about how early this was. Well many tracks feels a bit too simple and amateurish but other tracks are very fine and romantic. I like the lightness of the music and that it's the opposite of over produced music. "Impotence" is a typical Canterbury song with a soft pop melody in a jazzy landscape(8/10) and the romantic little "Memories"(7/10) or the little blues thing with wind instrument "Parchman Farm"(7/10) would I also recommend. "It's what I feel" with (I think) Richard Sinclair on vocals is very nice(7/10) as well as the lovely "She loves to hurt" which is more professional than others(7/10). The three Zobe songs are different from the others and I would recommend a closer listening also to them.

Many of the tracks aren't timeless gems and should perhaps just be heard as references but over all I think this album is pleasant and appealing. If you don't have enough spirit to hear it all I recommend "Impotence", "It's what I feel", "She loves to hurt" and "Memories". I consider the album an interesting start of wonderful bands. Three stars!

Despite the negative reviews that depict this as naïve British pop, I have to say that it's not bad for what it is. I actually like pop music and I really like the British pop of the 60s. It's not even close to the standards of the greats of the era but there is certainly some decent pop tunes to be had here.

Although THE WILDE FLOWERS never actually recorded an album we get to hear this historic gem as an archival artefact. Not exactly a masterpiece it is however an essential listen for those who like to hear how the evolution of certain sounds took place although there is little if any sounds of what is to come from any of these guys.

Thankfully Hugh Hopper, Robert Wyatt and Kevin Ayers would go on to form Soft Machine. And the same for the fact that Richard Sinclair, David Sinclair, Pye Hastings and Richard Coughlan would go on to form Caravan. An intriguing listen but don't feel like you're missing out if you skip it.

Musicwise, this is nowhere near the Canterbury Scene. Rockabilly, naive pop, rock, blues and everything that went around in the 1960s is on this album. Pink Floyd, Animals and The Beatles is obvious reference points.

The opening track Impotence is good. The rest is pretty bad. The Wilde Flowers never released an official album so this album therefore includes everything recorded the record label could lay their hands on. Herein lays the problem. The album is a mix of fish and cows. Which makes it an album which would only interest die-hard fans of these bands and artists. Music wise, it is a waste of time.

2 stars

Booker White's Parchman Farm:... i'm going to be here for the rest of my life, but all i did was shoot my wife ... Chuch Berry .. Almost Grown

Some of the recording is truly dreadful: the pieman cometh sticks out as a particularly awful recording: think worst bootleg recording made on a mobile you've heard and you're coming close.

I'm a fan of the Canterbury scene so it's interesting to listen to so many of the main players in one group at an early stage. If I wasn't a fan then this would hold no interest for me, so it fits perfectly into the 2 star category.

Now on to the music. The Wilde Flowers never recorded an album during their career, this collection is a set of recordings that were made throughout their days as a band. Unfortunately most of the recording is poor quality that detracts greatly from potentially good songs. The songs are predominantly British Invasion-esque pop songs. There are not many progressive tendencies in this album if any. However, there was a lot of potential in these recordings. Some of the songs have the potential of being very good: songs like Those Words They Say and Parchman Farm are catchy.

I'd recommend this collection for anyone who is a fan of the Canterbury Scene who is intrigued by historical recordings like these. Though outside of that demographic, the collection isn't worth that much. Still, I don't find it completely worthless, I find myself listening to it every once in a while.