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EQUIMANTHORN

Progressive Electronic • United States


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Equimanthorn biography
Fouded in 1991, Equimanthorn were an American ritual ambient band based in Plano, Texas. Over the years, Equimanthorn's expansive lineup has featured Melechesh's Nadim Khoury (aka Moloch), the Soil Bleeds Black's Mike and Mark Riddick, Black Seas of Infinity's Jhon Longshaw (aka Set-Heru) and Absu's Raymond Dillard Heflin (aka Equitant), Michael Brandon Kelly (aka Shaftiel) and Russ Givens (aka Proscriptor). Fitting for a group containing so many members of Absu, Equimanthorn continued their thematic obsession with occultism and Sumerian mythology. Their unpredictable combination of industrial dark ambient, pseudo-SWANA folk music, tribal rhythms and grand, menacing spoken-word recitations greatly calls to mind the work of Contrastate and Coil, and Equimanthorn have also been critically compared to John Carpenter, Lustmord, Yen Pox and Goblin.

After a series of five demo cassettes between 1992 and 1993, Equimanthorn made their debut with 1994's Nindinugga Nimshimshargal Enlillara, after which three more full-lengths followed on labels like Unisound Records, From Beyond Productions and most recently Black Montanas. 1999 saw the release of Lectionum Antiquarum, a selection of tracks from Equimanthorn's early demos, showcasing their more minimal, pre-prog beginnings. Since their last LP, 2011's A Fifth Conjuration, the band's status is unknown.

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EQUIMANTHORN discography


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EQUIMANTHORN top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.00 | 2 ratings
Nindinugga Nimshimshargal Enlillara
1994
4.00 | 1 ratings
Second Sephira Cella
2004
4.00 | 1 ratings
Exalted Are the 7 Throne Bearers of Ninnkigal
2007
3.00 | 1 ratings
A Fifth Conjuration
2011

EQUIMANTHORN Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

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EQUIMANTHORN Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

0.00 | 0 ratings
Lectionum Antiquarum
1999

EQUIMANTHORN Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

0.00 | 0 ratings
Imp
1993

EQUIMANTHORN Reviews


Showing last 10 reviews only
 Nindinugga Nimshimshargal Enlillara by EQUIMANTHORN album cover Studio Album, 1994
3.00 | 2 ratings

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Nindinugga Nimshimshargal Enlillara
Equimanthorn Progressive Electronic

Review by siLLy puPPy
Special Collaborator PSIKE, JRF/Canterbury, P Metal, Eclectic

3 stars EQUIMANTHORN was formed in 1991 in Plano, TX and was the alter ego project of Proscriptor and Equitant of the black / death / thrash metal band Absu. While the logo may appear to insinuate another blackened metal band of sort, this project was designed to evoke the Pagan ritualistic feel in the form of experimental dark ambient laced with electronica and folk effects which is somewhat similar to Neurosis and their ambient project Tribes Of Neurot although this isn't designed to be played in conjunction with any particular Absu album as far as i'm aware. The band also has members from Zemial, Melechesh and The Soil Bleeds Black!

NINDINUGGA NIMSHIMSHARGAL ENLILLARA is the debut release by this strange sideshow of the Absu members that is designed to be the soundtrack to some occult Pagan ritual but in reality is dedicated to Sumerian fables. The strange album cover in conjunct with the lengthy song track titles and meandering sonic journey through the ultimate world of freakiness presents a very bizarre and unique sonic experience. It's hard to even call this music as it seems like nothing more than a parade of voices including clean male chants, female chants as well as demonic guttural and black metal shrieks wrapped around unrelated organ riffs and ambient noise effects that all merge in the middle of the night with seemingly nothing in common.

The whole thing comes off as the ultimate bizarre collage effect of ideas. While there are really no melodies that unite in tandem, there are melodies that play apart from each other for short segments before the ritual directs its aim towards other means of expression. When percussion is included it does keep a rhythmic timing as clean Gregorian type chants compete with demonic moans and groans from the underworld. There is nothing even remotely close to resembling metal (save the few vocal shrieks) here as there are no guitars, no bass and no aggressive passages. This is rather a freak folk session that was improvised on the spot with no real motive other than intuitive divination from the underworld and throughout the unknown.

This is one of those albums i picked up entirely by chance solely for the beautiful album cover and have only heard a very few times with each listen separated by many years which always leaves me totally forgetting what this album sounds like. It's filled with all kinds of murky messy mixtures of sounds but really has nothing tangible to grasp onto therefore this rarely sees the light of day and emerges from my speakers but i have to admit that when i do listen to this one, i'm totally tripped out as it is truly one of the strangest albums that i possess and every time i hear it it's feels like the first time. While i would hardly call this essential by any means, i would recommend this for anyone seeking out some of the strangest collection of sound effects all wrapped up under the guise of ritual ambient for the purpose of supplicated Sumerian spirits of the past.

Thanks to gordy for the artist addition.

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