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DAVE NEWHOUSE

Eclectic Prog • United States


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Dave Newhouse picture
Dave Newhouse biography
David Newhouse is an American author, painter and multi-instrumentalist (though primarily known for playing alto and baritone saxophone) located in Maryland. Born in Hawaii in 1953 and having played in several local experimental groups in Maryland during the early 70s such as Tunc and Illegal Aliens, he first came to prominence as the saxophone and keyboard player of the Muffins in 1973, gradually taking up the role of its lead composer. The band's signature Canterbury- and avant-prog sound (with Newhouse pointing out Henry Cow as a particularly significant influence) made a name for the Muffins as one of the first in their home country to adopt such a musical style (nicknamed AmeriCanterbury) and ensured Newhouse of a long and highly productive career in progressive rock circles even after the Muffins' first breakup in 1981.
Throughout the 1980s, Newhouse would go on to collaborate with artists such as Fred Frith, Skeleton Crew and Rascal Reporters before recording his first two solo albums around the turn of the next decade. Newhouse's further solo projects beyond this point have usually taken the form of new bands led by him such as Moon X and, most recently, Manna/Mirage, named after the Muffins' first album and close in style to the band that made him famous. Newhouse's next official solo album Daughter Of Paris wouldn't see the light of day until 2021, after an unyieldingly productive thirty years that saw him reform the Muffins and play with more modern prog giants like Guapo and Nick Prol & The Proletarians, and would reveal a much more musically versatile side of him beyond the avant-jazz rock that had been his trademark.

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DAVE NEWHOUSE discography


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DAVE NEWHOUSE top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

0.00 | 0 ratings
Soldier's Book
1989
0.00 | 0 ratings
The Round Window
1991
0.00 | 0 ratings
Daughter of Paris
2021
4.00 | 2 ratings
Natura Morta
2024

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DAVE NEWHOUSE Reviews


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 Natura Morta by NEWHOUSE, DAVE album cover Studio Album, 2024
4.00 | 2 ratings

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Natura Morta
Dave Newhouse Eclectic Prog

Review by kev rowland
Special Collaborator Prog Reviewer / Special Collaborator

4 stars I never cease to be amazed how prolific certain artists are, almost as if you cut them music would pour from the wound instead of blood. Here we have Dave Newhouse with his latest solo album where he has had to satisfy himself with providing the material and only playing keyboards, soprano, alto, tenor, and baritone saxes, clarinet, alto clarinet, bass clarinet, piccolo, flute, alto flute, flarinet, accordion, hand drums, marching drums, and guitar plus giving us some vocals. He has also roped in some current and past bandmates in the likes of Paul Sears (drums) and Jerry King (bass, trombone), as well as John Greaves (Henry Cow, Kew Rhône, National Health) and Guy Segers (Univers Zero, Eclectic Maybe Band) and many others.

It is difficult to realise that Dave was a founder member of The Muffins more than fifty years ago, as he is still refusing to settle down and relax with his painting, but instead continues to provide exciting and enthralling music heavily influenced by the Canterbury style of progressive rock with Egg and National Health being important influences. There may be 12 other musicians on this solo release, but only drummer Sean Rickman plays on more than two of the nine tracks, and six of them only play on one, which means that vast majority of work falls heavily on Dave's shoulders. He weaves a musical tapestry of sounds, playing melody after melody on different instruments to create something which is very special indeed. This is music which is enthralling, compelling, always changing and moving, so much so that one must stay the course to hear how the story ends. On "Slouching Towards Bethlehem", he works with Sean and Jerry to create a wonderful backdrop of shifting sounds and then told Ángel Ontalva (October Equus, Vespero) to go nuts on his guitar, providing a wonderful counterpoint to what is happening underneath. This is an essential part of the album, and by far the longest track at 7:39, yet this is the only one which involves Ángel. The next song has vocals from John Greaves which takes the album yet again in a very different direction, and in contrast is not only the most mainstream of all the styles but is the shortest.

It is this switching of styles which keeps the listener fascinated, as the use of different percussion, different woodwind and a wealth of skill and talent means one is never sure where this album is going to go as the only limitation is that of the composer's imagination, and I am not sure he has any limits as the boundaries keep getting pushed. Fans of The Muffins, Manna/Mirage, Moon X or the many other projects with which he has been involved over the years will find a great deal in here to enjoy, as will anyone even remotely interested in the Canterbury/jazz/RIO scene. It may not be the most immediate album in the world, but like a fine wine this is one to savour and not devour all in one go but return to it time and again and let the senses revel in what is in here to be discovered.

Thanks to Mirakaze for the artist addition.

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