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EPITAPHE

Tech/Extreme Prog Metal • France


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Epitaphe biography
Hailing from the town of Claix in the French Alps, Epitaph are a progressive death-doom band. The group formed in 2009 while its members were in college, consisting of the musicians known only as LB on guitar, DRZ on bass, AG on drums and Liquid Flesh's Paul Brousse (aka PBFK) on lead vocals. Originally called Epitaph, the four experimented with a primitive grindcore-influenced brand of death metal before gradually adopting a more ambitious and psychedelic direction, taking after their influences Esoteric, Portal, Incantation, Full of Hell, Immolation and Dead Congregation.

After enduring delays due to members living in different countries, the band eventually reconvened and changed monikers in 2016 to mark their stylistic shift as well as differentiate them from the vast array of artists with the same name. Epitaphe perform a sprawling, atmospheric "funeral death metal" blended with additional influences from black metal, jazz, noise and 1970s progressive rock such as King Crimson, Klaus Schulze and early Pink Floyd. Echoes of Opeth, Porcupine Tree, Phlebotomized and diSEMBOWELMENT can also be heard in Epitaphe's framework, whose nihilistic lyrics express "the chaos of existence", "the vastness of psyche" and "the vacuity of our human conditions".

Epitaphe introduced themselves in 2018 with Demo MMXVII, released on limited edition CD via Chaos Records, and its success led them to reach out to Aesthetic Death, which subsequently issued their critically-acclaimed albums I in 2019 and II in 2022. DRZ left Epitaphe in the wake of I, leading the band to carry on as a trio, with LBK now handling bass as well as analog synthesizers, Brousse adding saxophone and VLVR juggling flute and marimba. The progressive elements that were present on their debut fully blossomed on II, which was mastered by Esoteric's Greg Chandler.


- Gordy, December 2023

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EPITAPHE discography


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EPITAPHE top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.00 | 1 ratings
I
2019
3.09 | 4 ratings
II
2022

EPITAPHE Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

EPITAPHE Videos (DVD, Blu-ray, VHS etc)

EPITAPHE Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

EPITAPHE Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.00 | 1 ratings
Demo MMXVII
2018

EPITAPHE Reviews


Showing last 10 reviews only
 II by EPITAPHE album cover Studio Album, 2022
3.09 | 4 ratings

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II
Epitaphe Tech/Extreme Prog Metal

Review by siLLy puPPy
Special Collaborator PSIKE, JRF/Canterbury, P Metal, Eclectic

3 stars Hailing from Claix near the city of Grenoble in the charming French Alps, EPITAPHE has been around since 2016 as a quartet of progressive death doom metal featuring PBFK (vocals), LBK (guitar, vocals), VLVR (drums) and DRZ (bass, effects, vocals). While its creativity isn't directed towards album titles, the music contained within is a bit of an interesting mix of funeral doom metal, death metal, black metal, progressive rock and shoegazy ambience. In 2019 the band released its debut "I" followed by "II" which emerged in 2022.

Like many albums that delve into the world of progressive death metal, EPITAPHE employs long drawn out post-rock-ish tactics to milk every note of its maximum potential albeit with a series of chugging growl-a-thons and testosterone outbursts of brash bravado. II features V tracks that clock in at LXII minutes and XXXIX minutes. The album is bookended by two shorter tracks around the III minute mark leaving III sprawlers in the creamy filling. "Celestial" at XIX minutes and V seconds is the lengthiest monstrosity that showcases the band's meandering tactics between aggressive death doom metal and more pastoral progressive rock.

While a typical death doom band consisting of electric guitar and bass, drums and growly vocals, the mellower parts feature clean vocals, saxophone, marimba and flute. In fact the two distinct aspects sound like totally different bands making the album in general feel a bit disjointed as the band hasn't to my ears convincingly integrated all the ideas into a yet cohesive whole. Generally speaking the band employs a plodding meandering methodology that doesn't really excel at anything in particular but rather nonchalantly employs a ratcheting up process of atmospheric death metal, death doom and non-metal moments for breaks.

This is a band that has received its fair amount of praise for the ambitiousness of its expansive sound but personally i'm not finding it tremendously exhilarating the way i would expect to receive such an invitation into the soundtrack of an impressionist's Monet style of painting. Overall all II is an interesting and pleasant journey through an atmospheric death doom metal camp with some non-metal placidity thrown in for good measure but the entire thing feels a bit too conservative and reserved to warrant a running time of over an hour. In that regard it reminds me a lot of the blackgaze albums by bands like Deathhaven or Alcest which just doesn't float my boat.

Probably just not my cup of tea really but in my creative mind i can think of about a gazillion ways to spice this release up to make it more appealing and creative but then again perhaps that's the entire point which is to simply craft a nice field of subtleties that beckon a relaxing journey through a sprawling soundscape that doesn't overstimulate. In that regard i'm certainly not the target audience but even within the world of atmospheric death / doom metal i've heard more engaging listening experiences. Not bad at all but rather mediocre as nothing invites me to return to this impressionist's perspective of atmospheric death metal. Next.

Thanks to gordy for the artist addition.

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