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MILLER TWINS

RIO/Avant-Prog • United States


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Miller Twins biography
Miller Twins are a duo consisting of identical twin brothers and multi-instrumentalists Ben and Laurence Miller from Ann Arbor, Michigan. The two have played together in numerous rock and jazz groups going back all the way to the 1960s, including most famously the noisy punk and hard rock bands Sproton Layer, Destroy All Monsters and Nonfiction, but have reserved the Miller Twins moniker (under which they only began recording in 2022) for revisiting a more experimental part of their musical history. Specifically, their inaugural LP from Cuneiform Records features newly recorded versions of a number of older pieces composed in the 1970s for the short-lived experimental jazz ensembles Marsh Crabbitts, the Psychic Research Jazz Ensemble, the Cruzonic Music Ensemble, the Nova Mob and the Fourth World Quartet (some of these compositions had already been previously releases on Cuneiform's archival collections of the Fourth World Quartet's music). The Twins (joined on their debut by several of their former collaborators such as pianist Denman Maroney and saxophonist Donnie Davis) run the musical gamut from graphically scored and improvised freakouts to deranged marching band and hot jazz pastiches that ought to appeal to fans of the Muffins, Henry Cow, U Totem and Yugen.

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4.00 | 1 ratings
Early Compositions 1973-1976
2023

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 Early Compositions 1973-1976 by MILLER TWINS album cover Studio Album, 2023
4.00 | 1 ratings

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Early Compositions 1973-1976
Miller Twins RIO/Avant-Prog

Review by kev rowland
Special Collaborator Prog Reviewer / Special Collaborator

— First review of this album —
4 stars When I first came across this, I misread the title and thought it was a collection of material recorded by multi- instrumentalist brothers Ben and Laurence Miller back in the day when they were performing with bands such as The Nova Mob, Fourth World Quartet, The Cruzonic Music Ensemble and others. Actually, what we have here are new recordings of songs they wrote and scored nearly 50 years ago. They both play numerous instruments on each track and form a full band all on their own, although they do have some guests and old colleagues involved here and there. Although there is little in the way of keyboards on this, the intricate use of horns immediately made me think of The Muffins and anyone who enjoys their style will find this immensely intriguing right from the off.

This never sounds like just two people, but always a full band as we normally have bass, guitar and proper drums. This is even more remarkable when one realises there a few tracks where it is just Laurence, such as on "Makeshift Hub Cheeny" where he provides vocals, clarinets (Bb, alto, bass), organ, 'air' organ, bass, drums. Yes, he plays stringed instruments, keyboards, woodwind and percussion. The album is almost divided in two in that the first 12 songs are composed by Ben, are instrumental, and Ben takes a larger role in providing instrumentation, whereas this is flipped in the other 18 which also often contain vocals from Laurence. The result is not that of two different bands, but rather feels more like a collection of material from a band who have progressed over time. That we can go from a marching band feel to something which is full on big band jazz and then falling over into Zappa-esque and Beefheart territory is simply wonderful.

The layers are always complex, and due to often being scored as opposed to improvised (although there is plenty of this as well), have dual melodies and harmonies. There is a lot going on, but it never feels overcrowded but rather that there is distinct thought which leads to decisions which have been considered, yet somehow also leaving room for flair. One can only hope that this trip down memory lane will lead to yet more releases from the duo in this format as this is a very enjoyable album indeed and anyone into RIO and Avant will find a great deal here to love. For fans of The Muffins and Henry Cow.

Thanks to nogbad_the_bad for the artist addition.

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