ALEX MACHACEK

Machacek is one firmly talented guitarist, no doubts here. He has his own style even if he echoes Henderson and Holdsworth. Riffs are riffs. For in-your-face Zappa, hear "Zapzarapp". It is one of my fav tracks as it flows in fits and starts then mellows in a ballad format at times like an old Bruford piece. Philipp's vibe unison runs with Machacek's fleeting melody lines was as good if not better than those sax/guitar tricks on Stern's releases or even Gong's unison vibes/axe runs with Holdsworth way back when . . . A solo bass break nicely pulls this piece out into more room for Machacek to squeal harmonics-laden wailings for the outro.

To show off all this band's syncopated bells and whistles you must experience, "Donna Lee -- Easy Viennese Version". This reminded me of game show jingles re-written for fusion keeping in mind the whirlwind effects of a manic Magma intro. Truly whacked!! I luv'd it. "Intro 2 7" leads us very Allan Holdsworthic right into "Allandig" which seems a tribute to Holdsworth. It is an 8:53 mellow flowing piece that builds into room for Machacek to do the butterfly-kiss, light-fingered touch, and then open it up for extended jams infusion heaven with angelic vibes countering his axe's tortured screams and bluesy-rocked fusion runs. The flurry of notes here is wonderfully placed and without any excess. The bassist does an excellent job on piano on this great cut. They outro with a tight drum solo.

"Bänderriss" was a perfect blend of Zappa meets Tribal Tech. Hunh? Yep. It worked. It demonstrated just how much fine jazz riffage Machacek can pullout of his sleeve. Bass solo is just right. Compositions shift and flow and this group just breathe the change-ups unfalteringly. A joy to experience.

Class stuff here. Last two tracks were free-form improv, avant garde excursionsthat reminded me of when Tribal Tech just gets weird and whankish. They did little to help this release. In spite of the anti-climax in these last two cuts, I highly recommend this release for superb fusion of Austria.

Before Alex Machacek moved to the U.S. and became a renowned guitar instructor at Hollywood's GIT, he was already making a name for himself in his home country of Austria. After studying at the Vienna Conservatorium he formed an ensemble called MC Hacek with drummer Harri Ganglberger, bassist Tibor Kövesdi, and percussion/mallet specialist Flip Phillip. The name was chosen, somewhat ironically, to prevent confusion about Mr. Machacek's name. This lone release under the pseudonym starts out exactly as advertised: with a very tightly syncopated, vibe heavy intro that harkens to passages from the Mothers of Invention that prominently featured Ruth Underwood's mallet skills. Underlying the complex manic starts and stops is a very Holdsworth-esque set of jazz-rock fusion chord progressions that form a package that is very much homage, while maintaining a sense of originality. And the homage to these musical giants is in no way disguised with track titles like Zapzarapp and Allandig. Despite being an entirely instrumental album, even Zappa's cornerstone humor gets a nod, exemplified by the cover of Donna Lee by Charlie Parker, which is subtitled Easy Viennese Teenage Version. The song is notoriously challenging in its original form and then taken to the woodshop and carved into an insanely twisted version that the most trained ear can spend a tremendous amount of time trying to find the sourced passages. It is moments like these that punctuate the album's progressive nature. And all the complexity of composition and technical skill of the players never becomes overbearing. There is always a tasteful texture and seamless meshing of ideas, capped with a well balanced recording to form a top-tier production of progressive jazz-rock.

As the years passed, Alex Machacek would develop a more individualized playing style, become an instructor and even have young players attempting to mimic his style. The hints of his influences would continue to be there; enough so that he would eventually have the opportunity to tour with the last manifestation of UK, playing some of the most recognized progressive works in Allan Holdsworth's sphere of influence. Ultimately his compositional style, tone and technique would be wholly his own. And that's a good thing. But Featuring Ourselves will nonetheless shine as a masterpiece of an artist melding styles that influenced him in a very transparent way. This is an album that any fan of either Zappa or Holdsworth will absolutely enjoy, and should be a necessity to any prog collection.