HEIMKEHR

Eden

•

Prog Folk

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3.29 | 23 ratings | 1 reviews | 13% 5 stars

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Studio Album, released in 1980

Songs / Tracks Listing

1. Intro (2:00)
2. Die Klagelieder Des Jeremia (10:00)
3. Psalm 137 (5:10)
4. Psalm 126 (5:45)
5. Heimkehr (10:11)
6. Herr Ich Bin Nicht Wurdig (5:45)
7. Neues Land Im Licht (7:00)

Total Time: 45:50

Bonus tracks on 2015 Belle Antique remaster:
8. Heimkehr - Live (10:51)
9. Herr Ich Bin Nicht W�rdig - Live (6:02)
10. Ein Gott Des Rechts - Live (10:13)

Line-up / Musicians

- Dirk Schmalenbach / keyboards, violin, percussion, arrangements & production
- Irene Heidenreich / vocals
- Annette Schmalenbach / vocals
- Anne Dierks / vocals
- Hans Fritzsch / electric & acoustic guitars
- Michael Dierks / keyboards
- Mario Schaub / flute
- Michael Claren / bass, vocals, acoustic guitar
- Hans M�ller / drums
- Michael Wirth / percussion

With:
- Markus Egger / vocals
- Thomas Flemming / vocals
- Johannes Menges / spoken voice

Releases information

Artwork: Albrecht Fietz

LP Eden Musik - EM 20 002 (1980, Germany)

CD Pila Music ‎- CD 27575-2 ( ? , Germany)
CD Belle Antique ‎- BELLE 152427 (2015, Japan) Remastered by Kazuo Ogino with 3 bonus Live tracks

Thanks to ProgLucky for the addition
and to Quinino for the last updates
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EDEN Heimkehr ratings distribution

3.29
(23 ratings)

Essential: a masterpiece of progressive rock music(13%)
Excellent addition to any prog rock music collection(39%)
Good, but non-essential (35%)
Collectors/fans only (13%)
Poor. Only for completionists (0%)

EDEN Heimkehr reviews

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Collaborators/Experts Reviews

Review by Heptade
PROG REVIEWER

This is the third and last album by the German Christian proggers. The three albums are all very similar. The music, playing and singing, is of a consistently high quality, firmly in the Romantic school of neo- Floydian German groups, like Novalis, later Eloy and Stern Meissen Combo. This means lots of string-synths, acoustic guitars and pretty melodies. Vocals are often choral and there is a fair amount of classy electric guitar soloing of the Gilmour school. This album is pretty laid back, with very few up-tempo passages. Eden also featured a violinist, which adds a pleasantly pastoral extra dimension. It's very pleasant music, and no doubt inspiring lyrically if you are Christian (which I am not) and German (also not). However, if you are a lover of late 70s European symphonic and enjoy lots of synth, this might be worth tracking down.

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