PRIMAL TRACKS

Tribal Tech

•

Jazz Rock/Fusion

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3.17 | 5 ratings | 1 reviews | 20% 5 stars

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Boxset/Compilation, released in 1994

Songs / Tracks Listing

1. Elvis at the Hop (4:34)
2. Got Tuh B (6:43)
3. Sub Aqua (5:30)
4. Nomad (7:14)
5. The Necessary Blonde (6:52)
6. Bofat (8:30)
7. Wasteland (8:03)
8. Mango Prom (6:45)
9. Self Defense (4:58)
10. The Rain (1:39)
11. Ominous (5:03)
12. Twilight in Northridge (5:19)
13. Dense Dance (4:51)

Total Time 76:01

Line-up / Musicians

- Scott Henderson / guitar, guitar synthesizer
- Gary Willis / bass, synthesizers
- David Goldblatt, Pat Coil / keyboards
- Bob Sheppard / saxophone, flute
- Joey Heredia, Steve Houghton / drums
- Brad Dutz / percussion, vibraphone, marimba

Releases information

Label: Mesa/Bluemoon

Thanks to MikeEnRegalia for the addition
and to projeKct for the last updates
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TRIBAL TECH Primal Tracks ratings distribution

3.17
(5 ratings)

Essential: a masterpiece of progressive rock music(20%)
Excellent addition to any prog rock music collection(40%)
Good, but non-essential (40%)
Collectors/fans only (0%)
Poor. Only for completionists (0%)

TRIBAL TECH Primal Tracks reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Evolver
SPECIAL COLLABORATOR Crossover & JR/F/Canterbury Teams

This album is a collection from Tribal Tech, mostly taken from their second, third and fourth albums. Since I do not own, nor have heard those albums, I can't tell you if it represents a good cross section of their music. What I can tell you is that Scott Henderson and Gary Willis are excellent musicians. What they lack in songwriting, they make up for in some fiery fusion guitar and bass playing, respectively.

And yes, that last statement indicates that the songwriting is somewhat lacking. Mostly, we get some mandering chord progressions, with blips and blaps from the synths. But Henderson's soaring guitar and Willi's adept bass transcend every piece, and make them a joy to listen to.

Special mention should be made for Ominous. This piece, with some fine electronic tuned percussion, sounds very much like Bill Bruford's Earthworks band.

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